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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71688F it is the complementary color #8E9770. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71688F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71688F shade: #76688A, #877A9D, #988CB0, #A99EC3 and #BAB0D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71688F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71688F shade: #71688F, #60567C, #4F4469, #3E3256 and #2D2043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71688F shade: #70678E, #7A678E, #85678E, #8E678C and #8E6782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71688F shade: #70678E and #67678E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71688F shade matches the following richer shades: #70678E, #6553A2, #5B3FB6, #502BC9 and #4518DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71688F shade: #70678E, #7B7B7A, #858E66, #90A253 and #9BB63F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71688F shade: #67738E, #67698E, #6F678E, #7A678E and #84678E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71688F shade: #4A445E, #5D5576, #70678E, #857DA1 and #9C95B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71688F shade: #71688F, #8E677E and #6E8E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71688F shade: #71688F, #8E6F67 and #678E6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71688F shade: #71688F, #8E677E, #858E67 and #678E77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71688F shade: #71688F, #8E6772, #858E67 and #678E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

Complementary color

CMYK 6 / 0 / 26 / 41

HEX #8E9770

RGB 142 151 112

HSL 73.85, 0.16%, 0.52%

LAB 60.83, -10.18, 19.51

 

CMYK 14 / 25 / 0 / 46

HEX #76688A

RGB 118 104 138

HSL 264.71, 0.14%, 0.47%

LAB 46.43, 12.68, -16.69

 

CMYK 14 / 22 / 0 / 38

HEX #877A9D

RGB 135 122 157

HSL 262.29, 0.15%, 0.55%

LAB 53.5, 12.19, -16.97

 

CMYK 14 / 20 / 0 / 31

HEX #988CB0

RGB 152 140 176

HSL 260, 0.19%, 0.62%

LAB 60.4, 11.75, -17.25

 

CMYK 13 / 19 / 0 / 24

HEX #A99EC3

RGB 169 158 195

HSL 257.84, 0.24%, 0.69%

LAB 67.15, 11.36, -17.56

 

CMYK 13 / 18 / 0 / 16

HEX #BAB0D6

RGB 186 176 214

HSL 255.79, 0.32%, 0.76%

LAB 73.77, 11, -17.87

 

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

CMYK 23 / 31 / 0 / 51

HEX #60567C

RGB 96 86 124

HSL 255.79, 0.18%, 0.41%

LAB 38.89, 12.75, -19.97

 

CMYK 25 / 35 / 0 / 59

HEX #4F4469

RGB 79 68 105

HSL 257.84, 0.21%, 0.34%

LAB 31.39, 13.42, -19.88

 

CMYK 28 / 42 / 0 / 66

HEX #3E3256

RGB 62 50 86

HSL 260, 0.26%, 0.27%

LAB 23.6, 14.23, -19.87

 

CMYK 33 / 52 / 0 / 74

HEX #2D2043

RGB 45 32 67

HSL 262.29, 0.35%, 0.19%

LAB 15.47, 15.25, -19.94

 

CMYK 21 / 27 / 0 / 44

HEX #70678E

RGB 112 103 142

HSL 253.85, 0.16%, 0.48%

LAB 45.77, 12.2, -20.14

 

CMYK 14 / 27 / 0 / 44

HEX #7A678E

RGB 122 103 142

HSL 269.23, 0.16%, 0.48%

LAB 46.7, 15.59, -18.63

 

CMYK 6 / 27 / 0 / 44

HEX #85678E

RGB 133 103 142

HSL 286.15, 0.16%, 0.48%

LAB 47.8, 19.41, -16.84

 

CMYK 0 / 27 / 1 / 44

HEX #8E678C

RGB 142 103 140

HSL 303.08, 0.16%, 0.48%

LAB 48.69, 22.17, -14.22

 

CMYK 0 / 27 / 8 / 44

HEX #8E6782

RGB 142 103 130

HSL 318.46, 0.16%, 0.48%

LAB 48.34, 20.24, -8.79

 

CMYK 21 / 27 / 0 / 44

HEX #70678E

RGB 112 103 142

HSL 253.85, 0.16%, 0.48%

LAB 45.77, 12.2, -20.14

 

CMYK 27 / 27 / 0 / 44

HEX #67678E

RGB 103 103 142

HSL 240, 0.16%, 0.48%

LAB 44.99, 9.24, -21.4

 

CMYK 21 / 27 / 0 / 44

HEX #70678E

RGB 112 103 142

HSL 253.85, 0.16%, 0.48%

LAB 45.77, 12.2, -20.14

 

CMYK 38 / 49 / 0 / 36

HEX #6553A2

RGB 101 83 162

HSL 253.67, 0.32%, 0.48%

LAB 40.51, 26.51, -40.38

 

CMYK 50 / 65 / 0 / 29

HEX #5B3FB6

RGB 91 63 182

HSL 254.12, 0.49%, 0.48%

LAB 36.28, 42.02, -59.11

 

CMYK 60 / 79 / 0 / 21

HEX #502BC9

RGB 80 43 201

HSL 254.05, 0.65%, 0.48%

LAB 33.24, 56.22, -75.3

 

CMYK 69 / 89 / 0 / 13

HEX #4518DD

RGB 69 24 221

HSL 253.71, 0.8%, 0.48%

LAB 32.12, 67.69, -88.78

 

CMYK 21 / 27 / 0 / 44

HEX #70678E

RGB 112 103 142

HSL 253.85, 0.16%, 0.48%

LAB 45.77, 12.2, -20.14

 

CMYK 0 / 0 / 1 / 52

HEX #7B7B7A

RGB 123 123 122

HSL 60, 0%, 0.48%

LAB 51.59, -0.2, 0.54

 

CMYK 6 / 0 / 28 / 44

HEX #858E66

RGB 133 142 102

HSL 73.5, 0.16%, 0.48%

LAB 57.36, -10.4, 20.27

 

CMYK 11 / 0 / 49 / 36

HEX #90A253

RGB 144 162 83

HSL 73.67, 0.32%, 0.48%

LAB 63.67, -18.89, 38.71

 

CMYK 15 / 0 / 65 / 29

HEX #9BB63F

RGB 155 182 63

HSL 73.61, 0.49%, 0.48%

LAB 70.02, -26.09, 55.36

 

CMYK 27 / 19 / 0 / 44

HEX #67738E

RGB 103 115 142

HSL 221.54, 0.16%, 0.48%

LAB 48.38, 2.01, -16.2

 

CMYK 27 / 26 / 0 / 44

HEX #67698E

RGB 103 105 142

HSL 236.92, 0.16%, 0.48%

LAB 45.55, 8.02, -20.54

 

CMYK 22 / 27 / 0 / 44

HEX #6F678E

RGB 111 103 142

HSL 252.31, 0.16%, 0.48%

LAB 45.68, 11.87, -20.28

 

CMYK 14 / 27 / 0 / 44

HEX #7A678E

RGB 122 103 142

HSL 269.23, 0.16%, 0.48%

LAB 46.7, 15.59, -18.63

 

CMYK 7 / 27 / 0 / 44

HEX #84678E

RGB 132 103 142

HSL 284.62, 0.16%, 0.48%

LAB 47.7, 19.06, -17.01

 

CMYK 21 / 28 / 0 / 63

HEX #4A445E

RGB 74 68 94

HSL 253.85, 0.16%, 0.32%

LAB 30.4, 8.71, -14.44

 

CMYK 21 / 28 / 0 / 54

HEX #5D5576

RGB 93 85 118

HSL 254.55, 0.16%, 0.4%

LAB 38.08, 10.81, -17.56

 

CMYK 21 / 27 / 0 / 44

HEX #70678E

RGB 112 103 142

HSL 253.85, 0.16%, 0.48%

LAB 45.77, 12.2, -20.14

 

CMYK 17 / 22 / 0 / 37

HEX #857DA1

RGB 133 125 161

HSL 253.33, 0.16%, 0.56%

LAB 54.27, 10.67, -18.13

 

CMYK 12 / 16 / 0 / 30

HEX #9C95B2

RGB 156 149 178

HSL 254.48, 0.16%, 0.64%

LAB 63.16, 8.42, -14.18

 

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

CMYK 0 / 27 / 11 / 44

HEX #8E677E

RGB 142 103 126

HSL 324.62, 0.16%, 0.48%

LAB 48.21, 19.51, -6.6

 

CMYK 23 / 0 / 27 / 44

HEX #6E8E67

RGB 110 142 103

HSL 109.23, 0.16%, 0.48%

LAB 55.73, -19.13, 17.22

 

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

CMYK 0 / 22 / 27 / 44

HEX #8E6F67

RGB 142 111 103

HSL 12.31, 0.16%, 0.48%

LAB 49.62, 11, 9.13

 

CMYK 27 / 0 / 22 / 44

HEX #678E6F

RGB 103 142 111

HSL 132.31, 0.16%, 0.48%

LAB 55.46, -20.16, 12.24

 

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

CMYK 0 / 27 / 11 / 44

HEX #8E677E

RGB 142 103 126

HSL 324.62, 0.16%, 0.48%

LAB 48.21, 19.51, -6.6

 

CMYK 6 / 0 / 27 / 44

HEX #858E67

RGB 133 142 103

HSL 73.85, 0.16%, 0.48%

LAB 57.38, -10.25, 19.74

 

CMYK 27 / 0 / 16 / 44

HEX #678E77

RGB 103 142 119

HSL 144.62, 0.16%, 0.48%

LAB 55.65, -18.55, 7.94

 

CMYK 21 / 27 / 0 / 44

HEX #71688F

RGB 113 104 143

HSL 253.85, 0.16%, 0.48%

LAB 46.17, 12.17, -20.11

 

CMYK 0 / 27 / 20 / 44

HEX #8E6772

RGB 142 103 114

HSL 343.08, 0.16%, 0.48%

LAB 47.84, 17.42, 0.03

 

CMYK 6 / 0 / 27 / 44

HEX #858E67

RGB 133 142 103

HSL 73.85, 0.16%, 0.48%

LAB 57.38, -10.25, 19.74

 

CMYK 27 / 0 / 8 / 44

HEX #678E83

RGB 103 142 131

HSL 163.08, 0.16%, 0.48%

LAB 55.96, -15.95, 1.5

 

Description

Color code: HEX #71688F | qconv.com Color code: HEX #71688F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 104 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 104 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 27 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 27% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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