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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7167D8 it is the complementary color #8E9827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7167D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7167D8 shade: #7667D3, #8779E6, #988BF9, #A99DFF and #BAAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7167D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7167D8 shade: #7167D8, #6055C5, #4F43B2, #3E319F and #2D1F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7167D8 shade: #7369D8, #9169D8, #AF69D8, #CD69D8 and #D869C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7167D8 shade: #7369D8 and #6969D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7167D8 shade matches the following richer shades: #7369D8, #665AE8 and #5A4AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7167D8 shade: #7369D8, #7F78C9, #8C88BA, #9997AB and #A5A69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7167D8 shade: #699BD8, #697DD8, #7269D8, #9069D8 and #AE69D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7167D8 shade: #3D31BE, #5448D0, #7369D8, #918AE1 and #B0ABE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7167D8 shade: #7167D8, #D869B9 and #8CD869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7167D8 shade: #7167D8, #D87269 and #69D872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7167D8 shade: #7167D8, #D869B9, #CFD869 and #69D889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7167D8 shade: #7167D8, #D86997, #CFD869 and #69D8AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

Complementary color

CMYK 7 / 0 / 74 / 40

HEX #8E9827

RGB 142 152 39

HSL 65.31, 0.59%, 0.37%

LAB 60.21, -18.03, 54.48

 

CMYK 44 / 51 / 0 / 17

HEX #7667D3

RGB 118 103 211

HSL 248.33, 0.55%, 0.62%

LAB 49.8, 32.74, -53.98

 

CMYK 41 / 47 / 0 / 10

HEX #8779E6

RGB 135 121 230

HSL 247.71, 0.69%, 0.69%

LAB 56.62, 31.56, -53.71

 

CMYK 39 / 44 / 0 / 2

HEX #988BF9

RGB 152 139 249

HSL 247.09, 0.9%, 0.76%

LAB 63.33, 30.51, -53.48

 

CMYK 34 / 38 / 0 / 0

HEX #A99DFF

RGB 169 157 255

HSL 247.35, 1%, 0.81%

LAB 69.3, 26.2, -47.22

 

CMYK 27 / 31 / 0 / 0

HEX #BAAFFF

RGB 186 175 255

HSL 248.25, 1%, 0.84%

LAB 75.03, 20.81, -38.18

 

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

CMYK 51 / 57 / 0 / 23

HEX #6055C5

RGB 96 85 197

HSL 245.89, 0.49%, 0.55%

LAB 42.79, 34.54, -57.32

 

CMYK 56 / 62 / 0 / 30

HEX #4F43B2

RGB 79 67 178

HSL 246.49, 0.45%, 0.48%

LAB 35.77, 36.21, -57.63

 

CMYK 61 / 69 / 0 / 38

HEX #3E319F

RGB 62 49 159

HSL 247.09, 0.53%, 0.41%

LAB 28.71, 38.06, -57.82

 

CMYK 68 / 78 / 0 / 45

HEX #2D1F8C

RGB 45 31 140

HSL 247.71, 0.64%, 0.34%

LAB 21.69, 39.94, -57.71

 

CMYK 47 / 51 / 0 / 15

HEX #7369D8

RGB 115 105 216

HSL 245.41, 0.59%, 0.63%

LAB 50.34, 32.33, -55.97

 

CMYK 33 / 51 / 0 / 15

HEX #9169D8

RGB 145 105 216

HSL 261.62, 0.59%, 0.63%

LAB 53.04, 39.51, -51.5

 

CMYK 19 / 51 / 0 / 15

HEX #AF69D8

RGB 175 105 216

HSL 277.84, 0.59%, 0.63%

LAB 56.26, 47.33, -46.18

 

CMYK 5 / 51 / 0 / 15

HEX #CD69D8

RGB 205 105 216

HSL 294.05, 0.59%, 0.63%

LAB 59.92, 55.45, -40.16

 

CMYK 0 / 51 / 8 / 15

HEX #D869C6

RGB 216 105 198

HSL 309.73, 0.59%, 0.63%

LAB 60.59, 55.39, -28.85

 

CMYK 47 / 51 / 0 / 15

HEX #7369D8

RGB 115 105 216

HSL 245.41, 0.59%, 0.63%

LAB 50.34, 32.33, -55.97

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 47 / 51 / 0 / 15

HEX #7369D8

RGB 115 105 216

HSL 245.41, 0.59%, 0.63%

LAB 50.34, 32.33, -55.97

 

CMYK 56 / 61 / 0 / 9

HEX #665AE8

RGB 102 90 232

HSL 245.07, 0.76%, 0.63%

LAB 46.93, 43.48, -70.59

 

CMYK 64 / 70 / 0 / 3

HEX #5A4AF7

RGB 90 74 247

HSL 245.55, 0.92%, 0.63%

LAB 43.93, 55.31, -83.97

 

CMYK 47 / 51 / 0 / 15

HEX #7369D8

RGB 115 105 216

HSL 245.41, 0.59%, 0.63%

LAB 50.34, 32.33, -55.97

 

CMYK 37 / 40 / 0 / 21

HEX #7F78C9

RGB 127 120 201

HSL 245.19, 0.43%, 0.63%

LAB 54.2, 22.04, -41.25

 

CMYK 25 / 27 / 0 / 27

HEX #8C88BA

RGB 140 136 186

HSL 244.8, 0.27%, 0.63%

LAB 58.72, 12.51, -25.58

 

CMYK 11 / 12 / 0 / 33

HEX #9997AB

RGB 153 151 171

HSL 246, 0.11%, 0.63%

LAB 63.22, 4.77, -10.17

 

CMYK 1 / 0 / 7 / 35

HEX #A5A69B

RGB 165 166 155

HSL 65.45, 0.06%, 0.63%

LAB 67.75, -2.39, 5.56

 

CMYK 51 / 28 / 0 / 15

HEX #699BD8

RGB 105 155 216

HSL 212.97, 0.59%, 0.63%

LAB 62.85, 0.35, -36.22

 

CMYK 51 / 42 / 0 / 15

HEX #697DD8

RGB 105 125 216

HSL 229.19, 0.59%, 0.63%

LAB 54.69, 18.02, -49.07

 

CMYK 47 / 51 / 0 / 15

HEX #7269D8

RGB 114 105 216

HSL 244.86, 0.59%, 0.63%

LAB 50.26, 32.1, -56.1

 

CMYK 33 / 51 / 0 / 15

HEX #9069D8

RGB 144 105 216

HSL 261.08, 0.59%, 0.63%

LAB 52.94, 39.25, -51.67

 

CMYK 19 / 51 / 0 / 15

HEX #AE69D8

RGB 174 105 216

HSL 277.3, 0.59%, 0.63%

LAB 56.15, 47.07, -46.37

 

CMYK 68 / 74 / 0 / 25

HEX #3D31BE

RGB 61 49 190

HSL 245.11, 0.59%, 0.47%

LAB 31.59, 47.88, -71.62

 

CMYK 60 / 65 / 0 / 18

HEX #5448D0

RGB 84 72 208

HSL 245.29, 0.59%, 0.55%

LAB 39.7, 43.58, -68.74

 

CMYK 47 / 51 / 0 / 15

HEX #7369D8

RGB 115 105 216

HSL 245.41, 0.59%, 0.63%

LAB 50.34, 32.33, -55.97

 

CMYK 36 / 39 / 0 / 12

HEX #918AE1

RGB 145 138 225

HSL 244.83, 0.59%, 0.71%

LAB 61.34, 22.83, -43.4

 

CMYK 24 / 27 / 0 / 9

HEX #B0ABE9

RGB 176 171 233

HSL 244.84, 0.58%, 0.79%

LAB 72.39, 14.9, -30.41

 

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

CMYK 0 / 51 / 14 / 15

HEX #D869B9

RGB 216 105 185

HSL 316.76, 0.59%, 0.63%

LAB 60.07, 53.32, -22.23

 

CMYK 35 / 0 / 51 / 15

HEX #8CD869

RGB 140 216 105

HSL 101.08, 0.59%, 0.63%

LAB 79.45, -43.32, 46.99

 

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

CMYK 0 / 47 / 51 / 15

HEX #D87269

RGB 216 114 105

HSL 4.86, 0.59%, 0.63%

LAB 59.57, 38.96, 23.12

 

CMYK 51 / 0 / 47 / 15

HEX #69D872

RGB 105 216 114

HSL 124.86, 0.59%, 0.63%

LAB 78.07, -52.57, 40.62

 

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

CMYK 0 / 51 / 14 / 15

HEX #D869B9

RGB 216 105 185

HSL 316.76, 0.59%, 0.63%

LAB 60.07, 53.32, -22.23

 

CMYK 4 / 0 / 51 / 15

HEX #CFD869

RGB 207 216 105

HSL 64.86, 0.59%, 0.63%

LAB 83.65, -18.41, 53.02

 

CMYK 51 / 0 / 37 / 15

HEX #69D889

RGB 105 216 137

HSL 137.3, 0.59%, 0.63%

LAB 78.42, -48.93, 29.49

 

CMYK 48 / 52 / 0 / 15

HEX #7167D8

RGB 113 103 216

HSL 245.31, 0.59%, 0.63%

LAB 49.7, 33.08, -57.01

 

CMYK 0 / 51 / 30 / 15

HEX #D86997

RGB 216 105 151

HSL 335.14, 0.59%, 0.63%

LAB 58.92, 48.5, -4.39

 

CMYK 4 / 0 / 51 / 15

HEX #CFD869

RGB 207 216 105

HSL 64.86, 0.59%, 0.63%

LAB 83.65, -18.41, 53.02

 

CMYK 51 / 0 / 21 / 15

HEX #69D8AA

RGB 105 216 170

HSL 155.14, 0.59%, 0.63%

LAB 79.05, -42.54, 13.09

 

Description

Color code: HEX #7167D8 | qconv.com Color code: HEX #7167D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 103 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 103 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 52 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 52% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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