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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #715F07 it is the complementary color #8EA0F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #715F07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #715F07 shade: #765F02, #877115, #988328, #A9953B and #BAA74E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #715F07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #715F07 shade: #715F07, #604D00, #4F3B00, #3E2900 and #2D1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #715F07 shade: #736107, #734407, #732707, #730A07 and #730707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #715F07 shade: #736107, #687307, #4B7307, #2E7307 and #117307

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #715F07 shade matches the following richer shades: #736107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #715F07 shade: #736107, #695A11, #5F541B, #554D25 and #4B472F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #715F07 shade: #732607, #734307, #735F07, #6A7307 and #4D7307

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #715F07 shade: #252002, #4C4005, #736107, #9A810A and #C1A20C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #715F07 shade: #715F07, #077309 and #340773

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #715F07 shade: #715F07, #07735F and #5F0773

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #715F07 shade: #715F07, #077309, #071B73 and #730771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #715F07 shade: #715F07, #077329, #071B73 and #730751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

Complementary color

CMYK 43 / 35 / 0 / 3

HEX #8EA0F8

RGB 142 160 248

HSL 229.81, 0.88%, 0.76%

LAB 67.78, 15.67, -45.95

 

CMYK 0 / 19 / 98 / 54

HEX #765F02

RGB 118 95 2

HSL 48.1, 0.97%, 0.24%

LAB 41.28, 0.93, 48.08

 

CMYK 0 / 16 / 84 / 47

HEX #877115

RGB 135 113 21

HSL 48.42, 0.73%, 0.31%

LAB 48.28, -0.8, 49.44

 

CMYK 0 / 14 / 74 / 40

HEX #988328

RGB 152 131 40

HSL 48.75, 0.58%, 0.38%

LAB 55.14, -2.21, 49.49

 

CMYK 0 / 12 / 65 / 34

HEX #A9953B

RGB 169 149 59

HSL 49.09, 0.48%, 0.45%

LAB 61.87, -3.34, 48.76

 

CMYK 0 / 10 / 58 / 27

HEX #BAA74E

RGB 186 167 78

HSL 49.44, 0.44%, 0.52%

LAB 68.48, -4.25, 47.69

 

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

CMYK 0 / 20 / 100 / 62

HEX #604D00

RGB 96 77 0

HSL 48.13, 1%, 0.19%

LAB 33.55, 0.66, 42.06

 

CMYK 0 / 25 / 100 / 69

HEX #4F3B00

RGB 79 59 0

HSL 44.81, 1%, 0.15%

LAB 26.13, 3.08, 35.43

 

CMYK 0 / 34 / 100 / 76

HEX #3E2900

RGB 62 41 0

HSL 39.68, 1%, 0.12%

LAB 18.41, 5.73, 26.63

 

CMYK 0 / 49 / 100 / 82

HEX #2D1700

RGB 45 23 0

HSL 30.67, 1%, 0.09%

LAB 10.34, 8.7, 15.64

 

CMYK 0 / 16 / 94 / 55

HEX #736107

RGB 115 97 7

HSL 50, 0.89%, 0.24%

LAB 41.55, -1.59, 46.82

 

CMYK 0 / 41 / 94 / 55

HEX #734407

RGB 115 68 7

HSL 33.89, 0.89%, 0.24%

LAB 33.55, 15.79, 40.66

 

CMYK 0 / 66 / 94 / 55

HEX #732707

RGB 115 39 7

HSL 17.78, 0.89%, 0.24%

LAB 27.05, 32.04, 35.56

 

CMYK 0 / 91 / 94 / 55

HEX #730A07

RGB 115 10 7

HSL 1.67, 0.89%, 0.24%

LAB 23.26, 42.5, 31.97

 

CMYK 0 / 94 / 94 / 55

HEX #730707

RGB 115 7 7

HSL 0, 0.89%, 0.24%

LAB 23.04, 43.13, 31.74

 

CMYK 0 / 16 / 94 / 55

HEX #736107

RGB 115 97 7

HSL 50, 0.89%, 0.24%

LAB 41.55, -1.59, 46.82

 

CMYK 10 / 0 / 94 / 55

HEX #687307

RGB 104 115 7

HSL 66.11, 0.89%, 0.24%

LAB 45.93, -16.98, 49.84

 

CMYK 35 / 0 / 94 / 55

HEX #4B7307

RGB 75 115 7

HSL 82.22, 0.89%, 0.24%

LAB 43.91, -29.72, 47.35

 

CMYK 60 / 0 / 94 / 55

HEX #2E7307

RGB 46 115 7

HSL 98.33, 0.89%, 0.24%

LAB 42.55, -39.87, 45.67

 

CMYK 85 / 0 / 94 / 55

HEX #117307

RGB 17 115 7

HSL 114.44, 0.89%, 0.24%

LAB 41.84, -45.89, 44.79

 

CMYK 0 / 16 / 94 / 55

HEX #736107

RGB 115 97 7

HSL 50, 0.89%, 0.24%

LAB 41.55, -1.59, 46.82

 

CMYK 0 / 16 / 94 / 55

HEX #736107

RGB 115 97 7

HSL 50, 0.89%, 0.24%

LAB 41.55, -1.59, 46.82

 

CMYK 0 / 14 / 84 / 59

HEX #695A11

RGB 105 90 17

HSL 49.77, 0.72%, 0.24%

LAB 38.47, -2.09, 40.94

 

CMYK 0 / 12 / 72 / 63

HEX #5F541B

RGB 95 84 27

HSL 50.29, 0.56%, 0.24%

LAB 35.7, -2.92, 33.69

 

CMYK 0 / 9 / 56 / 67

HEX #554D25

RGB 85 77 37

HSL 50, 0.39%, 0.24%

LAB 32.64, -2.76, 24.7

 

CMYK 0 / 5 / 37 / 71

HEX #4B472F

RGB 75 71 47

HSL 51.43, 0.23%, 0.24%

LAB 29.93, -2.63, 15.07

 

CMYK 0 / 67 / 94 / 55

HEX #732607

RGB 115 38 7

HSL 17.22, 0.89%, 0.24%

LAB 26.87, 32.53, 35.4

 

CMYK 0 / 42 / 94 / 55

HEX #734307

RGB 115 67 7

HSL 33.33, 0.89%, 0.24%

LAB 33.3, 16.39, 40.46

 

CMYK 0 / 17 / 94 / 55

HEX #735F07

RGB 115 95 7

HSL 48.89, 0.89%, 0.24%

LAB 40.97, -0.42, 46.37

 

CMYK 8 / 0 / 94 / 55

HEX #6A7307

RGB 106 115 7

HSL 65, 0.89%, 0.24%

LAB 46.1, -16.05, 50.04

 

CMYK 33 / 0 / 94 / 55

HEX #4D7307

RGB 77 115 7

HSL 81.11, 0.89%, 0.24%

LAB 44.02, -28.9, 47.5

 

CMYK 0 / 14 / 95 / 85

HEX #252002

RGB 37 32 2

HSL 51.43, 0.9%, 0.08%

LAB 12.16, -2.1, 17.17

 

CMYK 0 / 16 / 93 / 70

HEX #4C4005

RGB 76 64 5

HSL 49.86, 0.88%, 0.16%

LAB 27.34, -1.45, 34.33

 

CMYK 0 / 16 / 94 / 55

HEX #736107

RGB 115 97 7

HSL 50, 0.89%, 0.24%

LAB 41.55, -1.59, 46.82

 

CMYK 0 / 16 / 94 / 40

HEX #9A810A

RGB 154 129 10

HSL 49.58, 0.88%, 0.32%

LAB 54.65, -1.15, 58.04

 

CMYK 0 / 16 / 94 / 24

HEX #C1A20C

RGB 193 162 12

HSL 49.72, 0.88%, 0.4%

LAB 67.43, -1.3, 69.09

 

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

CMYK 94 / 0 / 92 / 55

HEX #077309

RGB 7 115 9

HSL 121.11, 0.89%, 0.24%

LAB 41.73, -46.83, 44.19

 

CMYK 55 / 94 / 0 / 55

HEX #340773

RGB 52 7 115

HSL 265, 0.89%, 0.24%

LAB 16.1, 43.66, -51.03

 

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

CMYK 94 / 0 / 17 / 55

HEX #07735F

RGB 7 115 95

HSL 168.89, 0.89%, 0.24%

LAB 42.96, -32.47, 3.37

 

CMYK 17 / 94 / 0 / 55

HEX #5F0773

RGB 95 7 115

HSL 288.89, 0.89%, 0.24%

LAB 23.08, 49.68, -39.34

 

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

CMYK 94 / 0 / 92 / 55

HEX #077309

RGB 7 115 9

HSL 121.11, 0.89%, 0.24%

LAB 41.73, -46.83, 44.19

 

CMYK 94 / 77 / 0 / 55

HEX #071B73

RGB 7 27 115

HSL 228.89, 0.89%, 0.24%

LAB 15.83, 30.3, -51.59

 

CMYK 0 / 94 / 2 / 55

HEX #730771

RGB 115 7 113

HSL 301.11, 0.89%, 0.24%

LAB 26.7, 52.97, -32.03

 

CMYK 0 / 16 / 94 / 56

HEX #715F07

RGB 113 95 7

HSL 49.81, 0.88%, 0.24%

LAB 40.75, -1.4, 46.11

 

CMYK 94 / 0 / 64 / 55

HEX #077329

RGB 7 115 41

HSL 138.89, 0.89%, 0.24%

LAB 41.95, -44.07, 32.58

 

CMYK 94 / 77 / 0 / 55

HEX #071B73

RGB 7 27 115

HSL 228.89, 0.89%, 0.24%

LAB 15.83, 30.3, -51.59

 

CMYK 0 / 94 / 30 / 55

HEX #730751

RGB 115 7 81

HSL 318.89, 0.89%, 0.24%

LAB 24.92, 48.35, -13.82

 

Description

Color code: HEX #715F07 | qconv.com Color code: HEX #715F07 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 95 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 95 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 94 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 94% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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