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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7159C2 it is the complementary color #8EA63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7159C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7159C2 shade: #7659BD, #876BD0, #987DE3, #A98FF6 and #BAA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7159C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7159C2 shade: #7159C2, #6047AF, #4F359C, #3E2389 and #2D1176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7159C2 shade: #7057C1, #8C57C1, #A957C1, #C157BD and #C157A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7159C2 shade: #7057C1 and #5757C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7159C2 shade matches the following richer shades: #7057C1, #6645D4, #5B32E6 and #5120F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7159C2 shade: #7057C1, #7A6AAE, #847D9C, #8E8F89 and #98A277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7159C2 shade: #5779C1, #575DC1, #6E57C1, #8A57C1 and #A757C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7159C2 shade: #4A3591, #5A41AF, #7057C1, #8976CC and #A394D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7159C2 shade: #7159C2, #C15795 and #6BC157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7159C2 shade: #7159C2, #C16E57 and #57C16E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7159C2 shade: #7159C2, #C15795, #AAC157 and #57C183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7159C2 shade: #7159C2, #C15775, #AAC157 and #57C1A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

Complementary color

CMYK 14 / 0 / 63 / 35

HEX #8EA63D

RGB 142 166 61

HSL 73.71, 0.46%, 0.45%

LAB 64.45, -23.73, 49.99

 

CMYK 38 / 53 / 0 / 26

HEX #7659BD

RGB 118 89 189

HSL 257.4, 0.43%, 0.55%

LAB 45.18, 34.82, -48.73

 

CMYK 35 / 49 / 0 / 18

HEX #876BD0

RGB 135 107 208

HSL 256.63, 0.52%, 0.62%

LAB 52.09, 33.72, -48.54

 

CMYK 33 / 45 / 0 / 11

HEX #987DE3

RGB 152 125 227

HSL 255.88, 0.65%, 0.69%

LAB 58.87, 32.73, -48.37

 

CMYK 31 / 42 / 0 / 4

HEX #A98FF6

RGB 169 143 246

HSL 255.15, 0.85%, 0.76%

LAB 65.54, 31.83, -48.24

 

CMYK 27 / 37 / 0 / 0

HEX #BAA1FF

RGB 186 161 255

HSL 255.96, 1%, 0.82%

LAB 71.66, 28.59, -43.43

 

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

CMYK 45 / 59 / 0 / 31

HEX #6047AF

RGB 96 71 175

HSL 254.42, 0.42%, 0.48%

LAB 38, 36.32, -52.16

 

CMYK 49 / 66 / 0 / 39

HEX #4F359C

RGB 79 53 156

HSL 255.15, 0.49%, 0.41%

LAB 30.9, 37.75, -52.35

 

CMYK 55 / 74 / 0 / 46

HEX #3E2389

RGB 62 35 137

HSL 255.88, 0.59%, 0.34%

LAB 23.78, 39.15, -52.35

 

CMYK 62 / 86 / 0 / 54

HEX #2D1176

RGB 45 17 118

HSL 256.63, 0.75%, 0.26%

LAB 16.83, 40.08, -51.8

 

CMYK 42 / 55 / 0 / 24

HEX #7057C1

RGB 112 87 193

HSL 254.15, 0.46%, 0.55%

LAB 44.39, 35.67, -52.34

 

CMYK 27 / 55 / 0 / 24

HEX #8C57C1

RGB 140 87 193

HSL 270, 0.46%, 0.55%

LAB 47.29, 42.56, -47.54

 

CMYK 12 / 55 / 0 / 24

HEX #A957C1

RGB 169 87 193

HSL 286.42, 0.46%, 0.55%

LAB 50.81, 50.18, -41.74

 

CMYK 0 / 55 / 2 / 24

HEX #C157BD

RGB 193 87 189

HSL 302.26, 0.46%, 0.55%

LAB 53.84, 55.91, -34.43

 

CMYK 0 / 55 / 17 / 24

HEX #C157A1

RGB 193 87 161

HSL 318.11, 0.46%, 0.55%

LAB 52.65, 51.33, -19.99

 

CMYK 42 / 55 / 0 / 24

HEX #7057C1

RGB 112 87 193

HSL 254.15, 0.46%, 0.55%

LAB 44.39, 35.67, -52.34

 

CMYK 55 / 55 / 0 / 24

HEX #5757C1

RGB 87 87 193

HSL 240, 0.46%, 0.55%

LAB 42.3, 30.24, -55.83

 

CMYK 42 / 55 / 0 / 24

HEX #7057C1

RGB 112 87 193

HSL 254.15, 0.46%, 0.55%

LAB 44.39, 35.67, -52.34

 

CMYK 52 / 67 / 0 / 17

HEX #6645D4

RGB 102 69 212

HSL 253.85, 0.62%, 0.55%

LAB 40.95, 49.37, -68.94

 

CMYK 60 / 78 / 0 / 10

HEX #5B32E6

RGB 91 50 230

HSL 253.67, 0.78%, 0.55%

LAB 38.23, 62.33, -83.75

 

CMYK 67 / 87 / 0 / 2

HEX #5120F9

RGB 81 32 249

HSL 253.55, 0.95%, 0.55%

LAB 37.16, 73.2, -96.31

 

CMYK 42 / 55 / 0 / 24

HEX #7057C1

RGB 112 87 193

HSL 254.15, 0.46%, 0.55%

LAB 44.39, 35.67, -52.34

 

CMYK 30 / 39 / 0 / 32

HEX #7A6AAE

RGB 122 106 174

HSL 254.12, 0.3%, 0.55%

LAB 48.89, 21.72, -34.09

 

CMYK 15 / 20 / 0 / 39

HEX #847D9C

RGB 132 125 156

HSL 253.55, 0.14%, 0.55%

LAB 54, 9.18, -15.65

 

CMYK 1 / 0 / 4 / 44

HEX #8E8F89

RGB 142 143 137

HSL 70, 0.03%, 0.55%

LAB 59.16, -1.52, 3.05

 

CMYK 6 / 0 / 27 / 36

HEX #98A277

RGB 152 162 119

HSL 73.95, 0.19%, 0.55%

LAB 64.84, -11.08, 21.23

 

CMYK 55 / 37 / 0 / 24

HEX #5779C1

RGB 87 121 193

HSL 220.75, 0.46%, 0.55%

LAB 51.33, 9.13, -41.4

 

CMYK 55 / 52 / 0 / 24

HEX #575DC1

RGB 87 93 193

HSL 236.6, 0.46%, 0.55%

LAB 43.81, 26.5, -53.39

 

CMYK 43 / 55 / 0 / 24

HEX #6E57C1

RGB 110 87 193

HSL 253.02, 0.46%, 0.55%

LAB 44.21, 35.2, -52.65

 

CMYK 28 / 55 / 0 / 24

HEX #8A57C1

RGB 138 87 193

HSL 268.87, 0.46%, 0.55%

LAB 47.07, 42.05, -47.91

 

CMYK 13 / 55 / 0 / 24

HEX #A757C1

RGB 167 87 193

HSL 285.28, 0.46%, 0.55%

LAB 50.55, 49.64, -42.16

 

CMYK 49 / 63 / 0 / 43

HEX #4A3591

RGB 74 53 145

HSL 253.7, 0.46%, 0.39%

LAB 29.53, 33.39, -47.88

 

CMYK 49 / 63 / 0 / 31

HEX #5A41AF

RGB 90 65 175

HSL 253.64, 0.46%, 0.47%

LAB 36.08, 38.6, -55.3

 

CMYK 42 / 55 / 0 / 24

HEX #7057C1

RGB 112 87 193

HSL 254.15, 0.46%, 0.55%

LAB 44.39, 35.67, -52.34

 

CMYK 33 / 42 / 0 / 20

HEX #8976CC

RGB 137 118 204

HSL 253.26, 0.46%, 0.63%

LAB 54.69, 26.76, -42.11

 

CMYK 24 / 31 / 0 / 16

HEX #A394D7

RGB 163 148 215

HSL 253.43, 0.46%, 0.71%

LAB 64.86, 19.67, -32.23

 

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 45 / 0 / 55 / 24

HEX #6BC157

RGB 107 193 87

HSL 108.68, 0.46%, 0.55%

LAB 70.84, -46.22, 44.85

 

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

CMYK 0 / 43 / 55 / 24

HEX #C16E57

RGB 193 110 87

HSL 13.02, 0.46%, 0.55%

LAB 55.25, 30.59, 27.11

 

CMYK 55 / 0 / 43 / 24

HEX #57C16E

RGB 87 193 110

HSL 133.02, 0.46%, 0.55%

LAB 70.38, -48.52, 32.72

 

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 12 / 0 / 55 / 24

HEX #AAC157

RGB 170 193 87

HSL 73.02, 0.46%, 0.55%

LAB 74.43, -23.49, 49.95

 

CMYK 55 / 0 / 32 / 24

HEX #57C183

RGB 87 193 131

HSL 144.91, 0.46%, 0.55%

LAB 70.74, -44.79, 22.19

 

CMYK 42 / 54 / 0 / 24

HEX #7159C2

RGB 113 89 194

HSL 253.71, 0.46%, 0.55%

LAB 45.01, 35, -51.92

 

CMYK 0 / 55 / 39 / 24

HEX #C15775

RGB 193 87 117

HSL 343.02, 0.46%, 0.55%

LAB 51.2, 45.46, 3.95

 

CMYK 12 / 0 / 55 / 24

HEX #AAC157

RGB 170 193 87

HSL 73.02, 0.46%, 0.55%

LAB 74.43, -23.49, 49.95

 

CMYK 55 / 0 / 16 / 24

HEX #57C1A3

RGB 87 193 163

HSL 163.02, 0.46%, 0.55%

LAB 71.43, -37.88, 5.9

 

Description

Color code: HEX #7159C2 | qconv.com Color code: HEX #7159C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 89 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 89 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 54 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 54% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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