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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #715995 it is the complementary color #8EA66A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #715995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #715995 shade: #765990, #876BA3, #987DB6, #A98FC9 and #BAA1DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #715995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #715995 shade: #715995, #604782, #4F356F, #3E235C and #2D1149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #715995 shade: #725A96, #825A96, #925A96, #965A89 and #965A79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #715995 shade: #725A96, #625A96 and #5A5A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #715995 shade matches the following richer shades: #725A96, #6E46A9, #6A33BD, #6620D0 and #620CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #715995 shade: #725A96, #766D82, #7A816F, #7D945C and #81A748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #715995 shade: #5A6296, #625A96, #725A96, #825A96 and #925A96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #715995 shade: #4B3B62, #5E4A7C, #725A96, #8770A9 and #9C8AB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #715995 shade: #715995, #965A72 and #5A965A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #715995 shade: #715995, #96725A and #5A9672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #715995 shade: #715995, #965A72, #7E965A and #5A967E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #715995 shade: #715995, #965A60, #7E965A and #5A9690

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

Complementary color

CMYK 14 / 0 / 36 / 35

HEX #8EA66A

RGB 142 166 106

HSL 84, 0.25%, 0.53%

LAB 65.01, -18.92, 28.37

 

CMYK 18 / 38 / 0 / 44

HEX #765990

RGB 118 89 144

HSL 271.64, 0.24%, 0.46%

LAB 42.78, 23.17, -25.92

 

CMYK 17 / 34 / 0 / 36

HEX #876BA3

RGB 135 107 163

HSL 270, 0.23%, 0.53%

LAB 49.87, 22.42, -26.04

 

CMYK 16 / 31 / 0 / 29

HEX #987DB6

RGB 152 125 182

HSL 268.42, 0.28%, 0.6%

LAB 56.8, 21.74, -26.18

 

CMYK 16 / 29 / 0 / 21

HEX #A98FC9

RGB 169 143 201

HSL 266.9, 0.35%, 0.67%

LAB 63.59, 21.13, -26.34

 

CMYK 15 / 27 / 0 / 14

HEX #BAA1DC

RGB 186 161 220

HSL 265.42, 0.46%, 0.75%

LAB 70.24, 20.58, -26.53

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 26 / 45 / 0 / 49

HEX #604782

RGB 96 71 130

HSL 265.42, 0.29%, 0.39%

LAB 35.21, 23.7, -29.41

 

CMYK 29 / 52 / 0 / 56

HEX #4F356F

RGB 79 53 111

HSL 266.9, 0.35%, 0.32%

LAB 27.73, 24.71, -29.45

 

CMYK 33 / 62 / 0 / 64

HEX #3E235C

RGB 62 35 92

HSL 268.42, 0.45%, 0.25%

LAB 20.04, 25.8, -29.48

 

CMYK 38 / 77 / 0 / 71

HEX #2D1149

RGB 45 17 73

HSL 270, 0.62%, 0.18%

LAB 12.22, 26.77, -29.31

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 13 / 40 / 0 / 41

HEX #825A96

RGB 130 90 150

HSL 280, 0.25%, 0.47%

LAB 44.6, 27.85, -26.57

 

CMYK 3 / 40 / 0 / 41

HEX #925A96

RGB 146 90 150

HSL 296, 0.25%, 0.47%

LAB 46.48, 33.04, -23.51

 

CMYK 0 / 40 / 9 / 41

HEX #965A89

RGB 150 90 137

HSL 313, 0.25%, 0.47%

LAB 46.45, 31.89, -15.75

 

CMYK 0 / 40 / 19 / 41

HEX #965A79

RGB 150 90 121

HSL 329, 0.25%, 0.47%

LAB 45.88, 29.12, -6.97

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 35 / 40 / 0 / 41

HEX #625A96

RGB 98 90 150

HSL 248, 0.25%, 0.47%

LAB 41.39, 17.92, -31.83

 

CMYK 40 / 40 / 0 / 41

HEX #5A5A96

RGB 90 90 150

HSL 240, 0.25%, 0.47%

LAB 40.72, 15.62, -32.94

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 35 / 59 / 0 / 34

HEX #6E46A9

RGB 110 70 169

HSL 264.24, 0.41%, 0.47%

LAB 38.83, 38.49, -47.19

 

CMYK 44 / 73 / 0 / 26

HEX #6A33BD

RGB 106 51 189

HSL 263.91, 0.58%, 0.47%

LAB 36.19, 52.92, -63.33

 

CMYK 51 / 85 / 0 / 18

HEX #6620D0

RGB 102 32 208

HSL 263.86, 0.73%, 0.47%

LAB 34.83, 64.72, -76.68

 

CMYK 57 / 95 / 0 / 11

HEX #620CE3

RGB 98 12 227

HSL 264, 0.9%, 0.47%

LAB 34.81, 73.5, -87.67

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 9 / 16 / 0 / 49

HEX #766D82

RGB 118 109 130

HSL 265.71, 0.09%, 0.47%

LAB 47.5, 7.85, -10.31

 

CMYK 5 / 0 / 14 / 49

HEX #7A816F

RGB 122 129 111

HSL 83.33, 0.08%, 0.47%

LAB 52.93, -6.09, 8.88

 

CMYK 16 / 0 / 38 / 42

HEX #7D945C

RGB 125 148 92

HSL 84.64, 0.23%, 0.47%

LAB 58.33, -18.23, 26.98

 

CMYK 23 / 0 / 57 / 35

HEX #81A748

RGB 129 167 72

HSL 84, 0.4%, 0.47%

LAB 63.98, -28.51, 44.21

 

CMYK 40 / 35 / 0 / 41

HEX #5A6296

RGB 90 98 150

HSL 232, 0.25%, 0.47%

LAB 42.93, 10.61, -29.46

 

CMYK 35 / 40 / 0 / 41

HEX #625A96

RGB 98 90 150

HSL 248, 0.25%, 0.47%

LAB 41.39, 17.92, -31.83

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 13 / 40 / 0 / 41

HEX #825A96

RGB 130 90 150

HSL 280, 0.25%, 0.47%

LAB 44.6, 27.85, -26.57

 

CMYK 3 / 40 / 0 / 41

HEX #925A96

RGB 146 90 150

HSL 296, 0.25%, 0.47%

LAB 46.48, 33.04, -23.51

 

CMYK 23 / 40 / 0 / 62

HEX #4B3B62

RGB 75 59 98

HSL 264.62, 0.25%, 0.31%

LAB 28.13, 16.03, -20.51

 

CMYK 24 / 40 / 0 / 51

HEX #5E4A7C

RGB 94 74 124

HSL 264, 0.25%, 0.39%

LAB 35.46, 19.62, -25.32

 

CMYK 24 / 40 / 0 / 41

HEX #725A96

RGB 114 90 150

HSL 264, 0.25%, 0.47%

LAB 42.9, 22.77, -29.35

 

CMYK 20 / 34 / 0 / 34

HEX #8770A9

RGB 135 112 169

HSL 264.21, 0.25%, 0.55%

LAB 51.39, 20.88, -27.19

 

CMYK 16 / 25 / 0 / 27

HEX #9C8AB9

RGB 156 138 185

HSL 262.98, 0.25%, 0.63%

LAB 60.56, 16.23, -22.08

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 40 / 24 / 41

HEX #965A72

RGB 150 90 114

HSL 336, 0.25%, 0.47%

LAB 45.65, 28.01, -3.07

 

CMYK 40 / 0 / 40 / 41

HEX #5A965A

RGB 90 150 90

HSL 120, 0.25%, 0.47%

LAB 56.81, -32.28, 25.67

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 24 / 40 / 41

HEX #96725A

RGB 150 114 90

HSL 24, 0.25%, 0.47%

LAB 50.99, 10.83, 18.78

 

CMYK 40 / 0 / 24 / 41

HEX #5A9672

RGB 90 150 114

HSL 144, 0.25%, 0.47%

LAB 57.27, -27.84, 12.97

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 40 / 24 / 41

HEX #965A72

RGB 150 90 114

HSL 336, 0.25%, 0.47%

LAB 45.65, 28.01, -3.07

 

CMYK 16 / 0 / 40 / 41

HEX #7E965A

RGB 126 150 90

HSL 84, 0.25%, 0.47%

LAB 58.96, -19.14, 28.89

 

CMYK 40 / 0 / 16 / 41

HEX #5A967E

RGB 90 150 126

HSL 156, 0.25%, 0.47%

LAB 57.55, -25.25, 6.57

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 40 / 36 / 41

HEX #965A60

RGB 150 90 96

HSL 354, 0.25%, 0.47%

LAB 45.14, 25.43, 7.12

 

CMYK 16 / 0 / 40 / 41

HEX #7E965A

RGB 126 150 90

HSL 84, 0.25%, 0.47%

LAB 58.96, -19.14, 28.89

 

CMYK 40 / 0 / 4 / 41

HEX #5A9690

RGB 90 150 144

HSL 174, 0.25%, 0.47%

LAB 58.04, -20.95, -2.98

 

Description

Color code: HEX #715995 | qconv.com Color code: HEX #715995 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 89 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 89 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 40 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 40% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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