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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #714C94 it is the complementary color #8EB36B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #714C94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #714C94 shade: #764C8F, #875EA2, #9870B5, #A982C8 and #BA94DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #714C94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #714C94 shade: #714C94, #603A81, #4F286E, #3E165B and #2D0448

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #714C94 shade: #714C94, #854C94, #944C90, #944C7D and #944C6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #714C94 shade: #714C94, #5E4C94 and #4C4C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #714C94 shade matches the following richer shades: #714C94, #723AA6, #7228B8, #7316CB and #7304DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #714C94 shade: #714C94, #715E82, #707170, #70835E and #6F954B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #714C94 shade: #4C4F94, #5D4C94, #704C94, #834C94 and #944C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #714C94 shade: #48305E, #5C3E79, #714C94, #865EAC and #9A79BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #714C94 shade: #714C94, #944C62 and #4C9453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #714C94 shade: #714C94, #94704C and #4C9470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #714C94 shade: #714C94, #944C62, #70944C and #4C947F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #714C94 shade: #714C94, #944C4C, #70944C and #4C9494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

Complementary color

CMYK 21 / 0 / 40 / 30

HEX #8EB36B

RGB 142 179 107

HSL 90.83, 0.32%, 0.56%

LAB 68.79, -25.31, 32.75

 

CMYK 17 / 47 / 0 / 44

HEX #764C8F

RGB 118 76 143

HSL 277.61, 0.31%, 0.43%

LAB 39.59, 30.69, -30.3

 

CMYK 17 / 42 / 0 / 36

HEX #875EA2

RGB 135 94 162

HSL 276.18, 0.27%, 0.5%

LAB 46.66, 29.82, -30.44

 

CMYK 16 / 38 / 0 / 29

HEX #9870B5

RGB 152 112 181

HSL 274.78, 0.32%, 0.57%

LAB 53.6, 29.02, -30.57

 

CMYK 16 / 35 / 0 / 22

HEX #A982C8

RGB 169 130 200

HSL 273.43, 0.39%, 0.65%

LAB 60.4, 28.28, -30.7

 

CMYK 15 / 32 / 0 / 14

HEX #BA94DB

RGB 186 148 219

HSL 272.11, 0.5%, 0.72%

LAB 67.08, 27.6, -30.85

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 26 / 55 / 0 / 49

HEX #603A81

RGB 96 58 129

HSL 272.11, 0.38%, 0.37%

LAB 32.03, 31.35, -33.83

 

CMYK 28 / 64 / 0 / 57

HEX #4F286E

RGB 79 40 110

HSL 273.43, 0.47%, 0.29%

LAB 24.66, 32.3, -33.71

 

CMYK 32 / 76 / 0 / 64

HEX #3E165B

RGB 62 22 91

HSL 274.78, 0.61%, 0.22%

LAB 17.24, 32.95, -33.32

 

CMYK 38 / 94 / 0 / 72

HEX #2D0448

RGB 45 4 72

HSL 276.18, 0.89%, 0.15%

LAB 9.9, 32.9, -32.4

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 10 / 49 / 0 / 42

HEX #854C94

RGB 133 76 148

HSL 287.5, 0.32%, 0.44%

LAB 41.68, 36.39, -29.91

 

CMYK 0 / 49 / 3 / 42

HEX #944C90

RGB 148 76 144

HSL 303.33, 0.32%, 0.44%

LAB 43.48, 40.2, -24.55

 

CMYK 0 / 49 / 16 / 42

HEX #944C7D

RGB 148 76 125

HSL 319.17, 0.32%, 0.44%

LAB 42.68, 36.83, -14.24

 

CMYK 0 / 49 / 28 / 42

HEX #944C6A

RGB 148 76 106

HSL 335, 0.32%, 0.44%

LAB 42.01, 33.86, -3.58

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 36 / 49 / 0 / 42

HEX #5E4C94

RGB 94 76 148

HSL 255, 0.32%, 0.44%

LAB 37.27, 24.95, -37.16

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C94

RGB 76 76 148

HSL 240, 0.32%, 0.44%

LAB 35.68, 20.23, -39.79

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 31 / 65 / 0 / 35

HEX #723AA6

RGB 114 58 166

HSL 271.11, 0.48%, 0.44%

LAB 36.66, 45.21, -48.86

 

CMYK 38 / 78 / 0 / 28

HEX #7228B8

RGB 114 40 184

HSL 270.83, 0.64%, 0.44%

LAB 35.11, 57.75, -62.09

 

CMYK 43 / 89 / 0 / 20

HEX #7316CB

RGB 115 22 203

HSL 270.83, 0.8%, 0.44%

LAB 35.06, 67.75, -73.33

 

CMYK 48 / 98 / 0 / 13

HEX #7304DD

RGB 115 4 221

HSL 270.69, 0.96%, 0.44%

LAB 35.89, 74.54, -82.38

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 13 / 28 / 0 / 49

HEX #715E82

RGB 113 94 130

HSL 271.67, 0.16%, 0.44%

LAB 42.96, 15.13, -17.24

 

CMYK 1 / 0 / 1 / 56

HEX #707170

RGB 112 113 112

HSL 120, 0%, 0.44%

LAB 47.53, -0.58, 0.41

 

CMYK 15 / 0 / 28 / 49

HEX #70835E

RGB 112 131 94

HSL 90.81, 0.16%, 0.44%

LAB 52.38, -14.04, 17.78

 

CMYK 26 / 0 / 50 / 42

HEX #6F954B

RGB 111 149 75

HSL 90.81, 0.33%, 0.44%

LAB 57.45, -26.43, 34.69

 

CMYK 49 / 47 / 0 / 42

HEX #4C4F94

RGB 76 79 148

HSL 237.5, 0.32%, 0.44%

LAB 36.49, 18.3, -38.5

 

CMYK 37 / 49 / 0 / 42

HEX #5D4C94

RGB 93 76 148

HSL 254.17, 0.32%, 0.44%

LAB 37.18, 24.67, -37.32

 

CMYK 24 / 49 / 0 / 42

HEX #704C94

RGB 112 76 148

HSL 270, 0.32%, 0.44%

LAB 39.16, 30.1, -34.05

 

CMYK 11 / 49 / 0 / 42

HEX #834C94

RGB 131 76 148

HSL 285.83, 0.32%, 0.44%

LAB 41.43, 35.78, -30.33

 

CMYK 0 / 49 / 1 / 42

HEX #944C92

RGB 148 76 146

HSL 301.67, 0.32%, 0.44%

LAB 43.57, 40.57, -25.61

 

CMYK 23 / 49 / 0 / 63

HEX #48305E

RGB 72 48 94

HSL 271.3, 0.32%, 0.28%

LAB 24.64, 21.11, -23.41

 

CMYK 24 / 49 / 0 / 53

HEX #5C3E79

RGB 92 62 121

HSL 270.51, 0.32%, 0.36%

LAB 32.04, 25.7, -28.85

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 22 / 45 / 0 / 33

HEX #865EAC

RGB 134 94 172

HSL 270.77, 0.32%, 0.52%

LAB 47.04, 31.87, -35.74

 

CMYK 17 / 35 / 0 / 27

HEX #9A79BA

RGB 154 121 186

HSL 270.46, 0.32%, 0.6%

LAB 56.18, 25.6, -29.42

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 0 / 49 / 34 / 42

HEX #944C62

RGB 148 76 98

HSL 341.67, 0.32%, 0.44%

LAB 41.76, 32.75, 1

 

CMYK 49 / 0 / 44 / 42

HEX #4C9453

RGB 76 148 83

HSL 125.83, 0.32%, 0.44%

LAB 55.42, -36.86, 27.54

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 0 / 24 / 49 / 42

HEX #94704C

RGB 148 112 76

HSL 30, 0.32%, 0.44%

LAB 49.98, 9.52, 25.46

 

CMYK 49 / 0 / 24 / 42

HEX #4C9470

RGB 76 148 112

HSL 150, 0.32%, 0.44%

LAB 55.97, -31.34, 12.19

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 0 / 49 / 34 / 42

HEX #944C62

RGB 148 76 98

HSL 341.67, 0.32%, 0.44%

LAB 41.76, 32.75, 1

 

CMYK 24 / 0 / 49 / 42

HEX #70944C

RGB 112 148 76

HSL 90, 0.32%, 0.44%

LAB 57.22, -25.43, 33.91

 

CMYK 49 / 0 / 14 / 42

HEX #4C947F

RGB 76 148 127

HSL 162.5, 0.32%, 0.44%

LAB 56.34, -27.88, 4.17

 

CMYK 24 / 49 / 0 / 42

HEX #714C94

RGB 113 76 148

HSL 270.83, 0.32%, 0.44%

LAB 39.27, 30.39, -33.87

 

CMYK 0 / 49 / 49 / 42

HEX #944C4C

RGB 148 76 76

HSL 0, 0.32%, 0.44%

LAB 41.19, 30.13, 13.8

 

CMYK 24 / 0 / 49 / 42

HEX #70944C

RGB 112 148 76

HSL 90, 0.32%, 0.44%

LAB 57.22, -25.43, 33.91

 

CMYK 49 / 0 / 0 / 42

HEX #4C9494

RGB 76 148 148

HSL 180, 0.32%, 0.44%

LAB 56.93, -22.45, -6.97

 

Description

Color code: HEX #714C94 | qconv.com Color code: HEX #714C94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 76 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 76 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 49 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 49% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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