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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #714BF2 it is the complementary color #8EB40D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #714BF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #714BF2 shade: #764BED, #875DFF, #986FFF, #A981FF and #BA93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #714BF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #714BF2 shade: #714BF2, #6039DF, #4F27CC, #3E15B9 and #2D03A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #714BF2 shade: #704AF2, #9E4AF2, #CB4AF2, #F24AEC and #F24ABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #714BF2 shade: #704AF2 and #4A4AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #714BF2 shade matches the following richer shades: #704AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #714BF2 shade: #704AF2, #7959E3, #8169D3, #8A79C3 and #9289B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #714BF2 shade: #4A7FF2, #4A52F2, #6E4AF2, #9B4AF2 and #C84AF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #714BF2 shade: #3D0FDA, #5223F0, #704AF2, #8F70F5 and #AD97F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #714BF2 shade: #714BF2, #F24AAC and #69F24A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #714BF2 shade: #714BF2, #F26E4A and #4AF26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #714BF2 shade: #714BF2, #F24AAC, #CEF24A and #4AF290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #714BF2 shade: #714BF2, #F24A7A, #CEF24A and #4AF2C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

Complementary color

CMYK 21 / 0 / 93 / 29

HEX #8EB40D

RGB 142 180 13

HSL 73.65, 0.87%, 0.38%

LAB 68.33, -32.6, 67.86

 

CMYK 50 / 68 / 0 / 7

HEX #764BED

RGB 118 75 237

HSL 255.93, 0.82%, 0.61%

LAB 45.63, 55.87, -75.47

 

CMYK 47 / 64 / 0 / 0

HEX #875DFF

RGB 135 93 255

HSL 255.56, 1%, 0.68%

LAB 52.06, 54.3, -74.98

 

CMYK 40 / 56 / 0 / 0

HEX #986FFF

RGB 152 111 255

HSL 257.08, 1%, 0.72%

LAB 57.33, 47.95, -66.37

 

CMYK 34 / 49 / 0 / 0

HEX #A981FF

RGB 169 129 255

HSL 259.05, 1%, 0.75%

LAB 62.81, 41.95, -57.51

 

CMYK 27 / 42 / 0 / 0

HEX #BA93FF

RGB 186 147 255

HSL 261.67, 1%, 0.79%

LAB 68.41, 36.37, -48.54

 

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

CMYK 57 / 74 / 0 / 13

HEX #6039DF

RGB 96 57 223

HSL 254.1, 0.72%, 0.55%

LAB 39.14, 57.76, -78.24

 

CMYK 61 / 81 / 0 / 20

HEX #4F27CC

RGB 79 39 204

HSL 254.55, 0.68%, 0.48%

LAB 32.86, 58.69, -77.69

 

CMYK 66 / 89 / 0 / 27

HEX #3E15B9

RGB 62 21 185

HSL 255, 0.8%, 0.4%

LAB 26.91, 58.77, -76.4

 

CMYK 73 / 98 / 0 / 35

HEX #2D03A6

RGB 45 3 166

HSL 255.46, 0.96%, 0.33%

LAB 21.49, 57.5, -74.05

 

CMYK 54 / 69 / 0 / 5

HEX #704AF2

RGB 112 74 242

HSL 253.57, 0.87%, 0.62%

LAB 45.29, 56.83, -78.85

 

CMYK 35 / 69 / 0 / 5

HEX #9E4AF2

RGB 158 74 242

HSL 270, 0.87%, 0.62%

LAB 50.19, 64.61, -70.66

 

CMYK 16 / 69 / 0 / 5

HEX #CB4AF2

RGB 203 74 242

HSL 286.07, 0.87%, 0.62%

LAB 56.09, 73.4, -60.84

 

CMYK 0 / 69 / 2 / 5

HEX #F24AEC

RGB 242 74 236

HSL 302.14, 0.87%, 0.62%

LAB 61.51, 80.56, -48.52

 

CMYK 0 / 69 / 21 / 5

HEX #F24ABF

RGB 242 74 191

HSL 318.21, 0.87%, 0.62%

LAB 59.47, 74.18, -26.26

 

CMYK 54 / 69 / 0 / 5

HEX #704AF2

RGB 112 74 242

HSL 253.57, 0.87%, 0.62%

LAB 45.29, 56.83, -78.85

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF2

RGB 74 74 242

HSL 240, 0.87%, 0.62%

LAB 42.41, 51.95, -83.7

 

CMYK 54 / 69 / 0 / 5

HEX #704AF2

RGB 112 74 242

HSL 253.57, 0.87%, 0.62%

LAB 45.29, 56.83, -78.85

 

CMYK 54 / 69 / 0 / 5

HEX #704AF2

RGB 112 74 242

HSL 253.57, 0.87%, 0.62%

LAB 45.29, 56.83, -78.85

 

CMYK 47 / 61 / 0 / 11

HEX #7959E3

RGB 121 89 227

HSL 253.91, 0.71%, 0.62%

LAB 47.95, 46.08, -66.03

 

CMYK 39 / 50 / 0 / 17

HEX #8169D3

RGB 129 105 211

HSL 253.58, 0.55%, 0.62%

LAB 51.24, 34.19, -51.63

 

CMYK 29 / 38 / 0 / 24

HEX #8A79C3

RGB 138 121 195

HSL 253.78, 0.38%, 0.62%

LAB 55.09, 22.94, -36.36

 

CMYK 19 / 24 / 0 / 29

HEX #9289B4

RGB 146 137 180

HSL 252.56, 0.22%, 0.62%

LAB 59.25, 12.41, -21.32

 

CMYK 69 / 48 / 0 / 5

HEX #4A7FF2

RGB 74 127 242

HSL 221.07, 0.87%, 0.62%

LAB 55.12, 19.85, -63.01

 

CMYK 69 / 66 / 0 / 5

HEX #4A52F2

RGB 74 82 242

HSL 237.14, 0.87%, 0.62%

LAB 44.09, 47.37, -80.94

 

CMYK 55 / 69 / 0 / 5

HEX #6E4AF2

RGB 110 74 242

HSL 252.86, 0.87%, 0.62%

LAB 45.11, 56.54, -79.16

 

CMYK 36 / 69 / 0 / 5

HEX #9B4AF2

RGB 155 74 242

HSL 268.93, 0.87%, 0.62%

LAB 49.83, 64.06, -71.26

 

CMYK 17 / 69 / 0 / 5

HEX #C84AF2

RGB 200 74 242

HSL 285, 0.87%, 0.62%

LAB 55.67, 72.79, -61.54

 

CMYK 72 / 93 / 0 / 15

HEX #3D0FDA

RGB 61 15 218

HSL 253.6, 0.87%, 0.46%

LAB 30.39, 68.74, -89.95

 

CMYK 66 / 85 / 0 / 6

HEX #5223F0

RGB 82 35 240

HSL 253.76, 0.87%, 0.54%

LAB 36.53, 70.02, -92.26

 

CMYK 54 / 69 / 0 / 5

HEX #704AF2

RGB 112 74 242

HSL 253.57, 0.87%, 0.62%

LAB 45.29, 56.83, -78.85

 

CMYK 42 / 54 / 0 / 4

HEX #8F70F5

RGB 143 112 245

HSL 253.98, 0.87%, 0.7%

LAB 56.11, 42.74, -62.85

 

CMYK 30 / 39 / 0 / 3

HEX #AD97F8

RGB 173 151 248

HSL 253.61, 0.87%, 0.78%

LAB 67.87, 28.89, -45.64

 

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

CMYK 0 / 69 / 29 / 5

HEX #F24AAC

RGB 242 74 172

HSL 325, 0.87%, 0.62%

LAB 58.75, 71.84, -16.42

 

CMYK 57 / 0 / 69 / 5

HEX #69F24A

RGB 105 242 74

HSL 108.93, 0.87%, 0.62%

LAB 85.5, -66.57, 66.55

 

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

CMYK 0 / 55 / 69 / 5

HEX #F26E4A

RGB 242 110 74

HSL 12.86, 0.87%, 0.62%

LAB 62.1, 48.46, 44.18

 

CMYK 69 / 0 / 55 / 5

HEX #4AF26E

RGB 74 242 110

HSL 132.86, 0.87%, 0.62%

LAB 85.04, -69.16, 50.87

 

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

CMYK 0 / 69 / 29 / 5

HEX #F24AAC

RGB 242 74 172

HSL 325, 0.87%, 0.62%

LAB 58.75, 71.84, -16.42

 

CMYK 15 / 0 / 69 / 5

HEX #CEF24A

RGB 206 242 74

HSL 72.86, 0.87%, 0.62%

LAB 90.38, -33.35, 73.07

 

CMYK 69 / 0 / 40 / 5

HEX #4AF290

RGB 74 242 144

HSL 145, 0.87%, 0.62%

LAB 85.49, -63.99, 35.14

 

CMYK 53 / 69 / 0 / 5

HEX #714BF2

RGB 113 75 242

HSL 253.65, 0.87%, 0.62%

LAB 45.57, 56.47, -78.4

 

CMYK 0 / 69 / 50 / 5

HEX #F24A7A

RGB 242 74 122

HSL 342.86, 0.87%, 0.62%

LAB 57.25, 66.85, 10.69

 

CMYK 15 / 0 / 69 / 5

HEX #CEF24A

RGB 206 242 74

HSL 72.86, 0.87%, 0.62%

LAB 90.38, -33.35, 73.07

 

CMYK 69 / 0 / 19 / 5

HEX #4AF2C3

RGB 74 242 195

HSL 163.21, 0.87%, 0.62%

LAB 86.45, -53.58, 10.35

 

Description

Color code: HEX #714BF2 | qconv.com Color code: HEX #714BF2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 75 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 75 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 69 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 69% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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