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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #713DF3 it is the complementary color #8EC20C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #713DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #713DF3 shade: #763DEE, #874FFF, #9861FF, #A973FF and #BA85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #713DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #713DF3 shade: #713DF3, #602BE0, #4F19CD, #3E07BA and #2D00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #713DF3 shade: #733FF3, #A33FF3, #D33FF3, #F33FE2 and #F33FB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #713DF3 shade: #733FF3, #423FF3 and #3F3FF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #713DF3 shade matches the following richer shades: #733FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #713DF3 shade: #733FF3, #7A50E2, #8160D2, #8871C1 and #8F81B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #713DF3 shade: #3F6CF3, #423FF3, #723FF3, #A23FF3 and #D23FF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #713DF3 shade: #460DD2, #5618F0, #733FF3, #8F66F5 and #AB8DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #713DF3 shade: #713DF3, #F33F9C and #54F33F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #713DF3 shade: #713DF3, #F3723F and #3FF372

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #713DF3 shade: #713DF3, #F33F9C, #C0F33F and #3FF396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #713DF3 shade: #713DF3, #F33F66, #C0F33F and #3FF3CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

Complementary color

CMYK 27 / 0 / 94 / 24

HEX #8EC20C

RGB 142 194 12

HSL 77.14, 0.88%, 0.4%

LAB 72.47, -38.97, 71.28

 

CMYK 50 / 74 / 0 / 7

HEX #763DEE

RGB 118 61 238

HSL 259.32, 0.84%, 0.59%

LAB 43.3, 62.9, -79.84

 

CMYK 47 / 69 / 0 / 0

HEX #874FFF

RGB 135 79 255

HSL 259.09, 1%, 0.65%

LAB 49.45, 61.46, -79.23

 

CMYK 40 / 62 / 0 / 0

HEX #9861FF

RGB 152 97 255

HSL 260.89, 1%, 0.69%

LAB 54.5, 55.45, -70.95

 

CMYK 34 / 55 / 0 / 0

HEX #A973FF

RGB 169 115 255

HSL 263.14, 1%, 0.73%

LAB 59.81, 49.6, -62.3

 

CMYK 27 / 48 / 0 / 0

HEX #BA85FF

RGB 186 133 255

HSL 266.07, 1%, 0.76%

LAB 65.31, 44.05, -53.44

 

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

CMYK 57 / 81 / 0 / 12

HEX #602BE0

RGB 96 43 224

HSL 257.57, 0.74%, 0.52%

LAB 37.11, 64.17, -82.16

 

CMYK 61 / 88 / 0 / 20

HEX #4F19CD

RGB 79 25 205

HSL 258, 0.78%, 0.45%

LAB 31.27, 63.99, -80.91

 

CMYK 67 / 96 / 0 / 27

HEX #3E07BA

RGB 62 7 186

HSL 258.44, 0.93%, 0.38%

LAB 25.93, 62.4, -78.64

 

CMYK 73 / 100 / 0 / 35

HEX #2D00A7

RGB 45 0 167

HSL 256.17, 1%, 0.33%

LAB 21.39, 58.49, -74.83

 

CMYK 53 / 74 / 0 / 5

HEX #733FF3

RGB 115 63 243

HSL 257.33, 0.88%, 0.6%

LAB 43.76, 62.89, -81.93

 

CMYK 33 / 74 / 0 / 5

HEX #A33FF3

RGB 163 63 243

HSL 273.33, 0.88%, 0.6%

LAB 49.27, 70.3, -72.69

 

CMYK 13 / 74 / 0 / 5

HEX #D33FF3

RGB 211 63 243

HSL 289.33, 0.88%, 0.6%

LAB 55.96, 78.99, -61.54

 

CMYK 0 / 74 / 7 / 5

HEX #F33FE2

RGB 243 63 226

HSL 305.67, 0.88%, 0.6%

LAB 59.98, 82.66, -45.32

 

CMYK 0 / 74 / 27 / 5

HEX #F33FB1

RGB 243 63 177

HSL 322, 0.88%, 0.6%

LAB 57.83, 76.24, -20.69

 

CMYK 53 / 74 / 0 / 5

HEX #733FF3

RGB 115 63 243

HSL 257.33, 0.88%, 0.6%

LAB 43.76, 62.89, -81.93

 

CMYK 73 / 74 / 0 / 5

HEX #423FF3

RGB 66 63 243

HSL 241, 0.88%, 0.6%

LAB 39.89, 57.49, -88.43

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF3

RGB 63 63 243

HSL 240, 0.88%, 0.6%

LAB 39.72, 57.25, -88.72

 

CMYK 53 / 74 / 0 / 5

HEX #733FF3

RGB 115 63 243

HSL 257.33, 0.88%, 0.6%

LAB 43.76, 62.89, -81.93

 

CMYK 53 / 74 / 0 / 5

HEX #733FF3

RGB 115 63 243

HSL 257.33, 0.88%, 0.6%

LAB 43.76, 62.89, -81.93

 

CMYK 46 / 65 / 0 / 11

HEX #7A50E2

RGB 122 80 226

HSL 257.26, 0.72%, 0.6%

LAB 46.13, 50.93, -68.42

 

CMYK 39 / 54 / 0 / 18

HEX #8160D2

RGB 129 96 210

HSL 257.37, 0.56%, 0.6%

LAB 49.11, 39.14, -54.46

 

CMYK 30 / 41 / 0 / 24

HEX #8871C1

RGB 136 113 193

HSL 257.25, 0.39%, 0.6%

LAB 52.83, 26.56, -38.78

 

CMYK 19 / 27 / 0 / 31

HEX #8F81B1

RGB 143 129 177

HSL 257.5, 0.24%, 0.6%

LAB 56.8, 15.37, -23.39

 

CMYK 74 / 56 / 0 / 5

HEX #3F6CF3

RGB 63 108 243

HSL 225, 0.88%, 0.6%

LAB 49.8, 30.59, -72.19

 

CMYK 73 / 74 / 0 / 5

HEX #423FF3

RGB 66 63 243

HSL 241, 0.88%, 0.6%

LAB 39.89, 57.49, -88.43

 

CMYK 53 / 74 / 0 / 5

HEX #723FF3

RGB 114 63 243

HSL 257, 0.88%, 0.6%

LAB 43.66, 62.76, -82.09

 

CMYK 33 / 74 / 0 / 5

HEX #A23FF3

RGB 162 63 243

HSL 273, 0.88%, 0.6%

LAB 49.14, 70.13, -72.91

 

CMYK 14 / 74 / 0 / 5

HEX #D23FF3

RGB 210 63 243

HSL 289, 0.88%, 0.6%

LAB 55.81, 78.8, -61.79

 

CMYK 67 / 94 / 0 / 18

HEX #460DD2

RGB 70 13 210

HSL 257.36, 0.88%, 0.44%

LAB 30.02, 67.6, -85.91

 

CMYK 64 / 90 / 0 / 6

HEX #5618F0

RGB 86 24 240

HSL 257.22, 0.88%, 0.52%

LAB 35.84, 73.43, -93.41

 

CMYK 53 / 74 / 0 / 5

HEX #733FF3

RGB 115 63 243

HSL 257.33, 0.88%, 0.6%

LAB 43.76, 62.89, -81.93

 

CMYK 42 / 58 / 0 / 4

HEX #8F66F5

RGB 143 102 245

HSL 257.2, 0.88%, 0.68%

LAB 53.96, 48.31, -66.31

 

CMYK 31 / 43 / 0 / 3

HEX #AB8DF8

RGB 171 141 248

HSL 256.82, 0.88%, 0.76%

LAB 65.35, 33.99, -49.63

 

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

CMYK 0 / 74 / 36 / 5

HEX #F33F9C

RGB 243 63 156

HSL 329, 0.88%, 0.6%

LAB 57.09, 73.92, -9.57

 

CMYK 65 / 0 / 74 / 5

HEX #54F33F

RGB 84 243 63

HSL 113, 0.88%, 0.6%

LAB 85.17, -72.31, 69.83

 

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

CMYK 0 / 53 / 74 / 5

HEX #F3723F

RGB 243 114 63

HSL 17, 0.88%, 0.6%

LAB 62.88, 46.41, 50.66

 

CMYK 74 / 0 / 53 / 5

HEX #3FF372

RGB 63 243 114

HSL 137, 0.88%, 0.6%

LAB 85.19, -70.61, 49.16

 

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

CMYK 0 / 74 / 36 / 5

HEX #F33F9C

RGB 243 63 156

HSL 329, 0.88%, 0.6%

LAB 57.09, 73.92, -9.57

 

CMYK 21 / 0 / 74 / 5

HEX #C0F33F

RGB 192 243 63

HSL 77, 0.88%, 0.6%

LAB 89.7, -39.76, 75.78

 

CMYK 74 / 0 / 38 / 5

HEX #3FF396

RGB 63 243 150

HSL 149, 0.88%, 0.6%

LAB 85.69, -64.84, 32.36

 

CMYK 53 / 75 / 0 / 5

HEX #713DF3

RGB 113 61 243

HSL 257.14, 0.88%, 0.6%

LAB 43.24, 63.54, -82.78

 

CMYK 0 / 74 / 58 / 5

HEX #F33F66

RGB 243 63 102

HSL 347, 0.88%, 0.6%

LAB 55.65, 69.36, 20.36

 

CMYK 21 / 0 / 74 / 5

HEX #C0F33F

RGB 192 243 63

HSL 77, 0.88%, 0.6%

LAB 89.7, -39.76, 75.78

 

CMYK 74 / 0 / 16 / 5

HEX #3FF3CC

RGB 63 243 204

HSL 167, 0.88%, 0.6%

LAB 86.76, -53.23, 6.07

 

Description

Color code: HEX #713DF3 | qconv.com Color code: HEX #713DF3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 61 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 61 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 75 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 75% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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