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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7130B4 it is the complementary color #8ECF4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7130B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7130B4 shade: #7630AF, #8742C2, #9854D5, #A966E8 and #BA78FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7130B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7130B4 shade: #7130B4, #601EA1, #4F0C8E, #3E007B and #2D0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7130B4 shade: #7230B5, #9630B5, #B530B1, #B5308D and #B53069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7130B4 shade: #7230B5, #4E30B5 and #3030B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7130B4 shade matches the following richer shades: #7230B5, #711EC8 and #710BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7130B4 shade: #7230B5, #7243A3, #725590, #73687E and #737A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7130B4 shade: #3037B5, #4D30B5, #7130B5, #9430B5 and #B530B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7130B4 shade: #491F74, #5D2895, #7230B5, #8642CD and #9B63D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7130B4 shade: #7130B4, #B5305A and #30B53B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7130B4 shade: #7130B4, #B57130 and #30B571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7130B4 shade: #7130B4, #B5305A, #75B530 and #30B58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7130B4 shade: #7130B4, #B53032, #75B530 and #30B5B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

Complementary color

CMYK 31 / 0 / 64 / 19

HEX #8ECF4B

RGB 142 207 75

HSL 89.55, 0.58%, 0.55%

LAB 76.61, -41.69, 57.19

 

CMYK 33 / 73 / 0 / 31

HEX #7630AF

RGB 118 48 175

HSL 273.07, 0.57%, 0.44%

LAB 36.1, 53.03, -55.12

 

CMYK 30 / 66 / 0 / 24

HEX #8742C2

RGB 135 66 194

HSL 272.34, 0.51%, 0.51%

LAB 42.68, 52.57, -55.56

 

CMYK 29 / 61 / 0 / 16

HEX #9854D5

RGB 152 84 213

HSL 271.63, 0.61%, 0.58%

LAB 49.28, 51.84, -55.78

 

CMYK 27 / 56 / 0 / 9

HEX #A966E8

RGB 169 102 232

HSL 270.92, 0.74%, 0.65%

LAB 55.85, 50.98, -55.87

 

CMYK 26 / 52 / 0 / 2

HEX #BA78FB

RGB 186 120 251

HSL 270.23, 0.94%, 0.73%

LAB 62.37, 50.1, -55.91

 

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

CMYK 40 / 81 / 0 / 37

HEX #601EA1

RGB 96 30 161

HSL 270.23, 0.69%, 0.37%

LAB 29.38, 53.26, -57.78

 

CMYK 44 / 92 / 0 / 44

HEX #4F0C8E

RGB 79 12 142

HSL 270.92, 0.84%, 0.3%

LAB 23.26, 52.03, -56.23

 

CMYK 50 / 100 / 0 / 52

HEX #3E007B

RGB 62 0 123

HSL 270.24, 1%, 0.24%

LAB 17.71, 48.81, -53.48

 

CMYK 57 / 100 / 0 / 59

HEX #2D0068

RGB 45 0 104

HSL 265.96, 1%, 0.2%

LAB 12.97, 42.75, -49.06

 

CMYK 37 / 73 / 0 / 29

HEX #7230B5

RGB 114 48 181

HSL 269.77, 0.58%, 0.45%

LAB 36.04, 53.7, -58.81

 

CMYK 17 / 73 / 0 / 29

HEX #9630B5

RGB 150 48 181

HSL 286.02, 0.58%, 0.45%

LAB 41.11, 60.71, -50.35

 

CMYK 0 / 73 / 2 / 29

HEX #B530B1

RGB 181 48 177

HSL 301.8, 0.58%, 0.45%

LAB 45.79, 66.56, -40.24

 

CMYK 0 / 73 / 22 / 29

HEX #B5308D

RGB 181 48 141

HSL 318.05, 0.58%, 0.45%

LAB 44.03, 61.26, -21.46

 

CMYK 0 / 73 / 42 / 29

HEX #B53069

RGB 181 48 105

HSL 334.29, 0.58%, 0.45%

LAB 42.7, 57.03, -1.33

 

CMYK 37 / 73 / 0 / 29

HEX #7230B5

RGB 114 48 181

HSL 269.77, 0.58%, 0.45%

LAB 36.04, 53.7, -58.81

 

CMYK 57 / 73 / 0 / 29

HEX #4E30B5

RGB 78 48 181

HSL 253.53, 0.58%, 0.45%

LAB 31.97, 47.79, -65.63

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 37 / 73 / 0 / 29

HEX #7230B5

RGB 114 48 181

HSL 269.77, 0.58%, 0.45%

LAB 36.04, 53.7, -58.81

 

CMYK 44 / 85 / 0 / 22

HEX #711EC8

RGB 113 30 200

HSL 269.29, 0.74%, 0.45%

LAB 35.22, 64.75, -71.33

 

CMYK 48 / 95 / 0 / 15

HEX #710BDA

RGB 113 11 218

HSL 269.57, 0.9%, 0.45%

LAB 35.62, 72.82, -81.11

 

CMYK 37 / 73 / 0 / 29

HEX #7230B5

RGB 114 48 181

HSL 269.77, 0.58%, 0.45%

LAB 36.04, 53.7, -58.81

 

CMYK 30 / 59 / 0 / 36

HEX #7243A3

RGB 114 67 163

HSL 269.38, 0.42%, 0.45%

LAB 38.26, 39.62, -44.49

 

CMYK 21 / 41 / 0 / 44

HEX #725590

RGB 114 85 144

HSL 269.49, 0.26%, 0.45%

LAB 41.36, 24.3, -28.17

 

CMYK 9 / 17 / 0 / 51

HEX #73687E

RGB 115 104 126

HSL 270, 0.1%, 0.45%

LAB 45.71, 8.87, -10.64

 

CMYK 6 / 0 / 12 / 52

HEX #737A6B

RGB 115 122 107

HSL 88, 0.07%, 0.45%

LAB 50.25, -5.59, 7.32

 

CMYK 73 / 70 / 0 / 29

HEX #3037B5

RGB 48 55 181

HSL 236.84, 0.58%, 0.45%

LAB 31.11, 40.06, -67.13

 

CMYK 57 / 73 / 0 / 29

HEX #4D30B5

RGB 77 48 181

HSL 253.08, 0.58%, 0.45%

LAB 31.87, 47.65, -65.79

 

CMYK 38 / 73 / 0 / 29

HEX #7130B5

RGB 113 48 181

HSL 269.32, 0.58%, 0.45%

LAB 35.91, 53.52, -59.03

 

CMYK 18 / 73 / 0 / 29

HEX #9430B5

RGB 148 48 181

HSL 285.11, 0.58%, 0.45%

LAB 40.81, 60.3, -50.86

 

CMYK 0 / 73 / 1 / 29

HEX #B530B3

RGB 181 48 179

HSL 300.9, 0.58%, 0.45%

LAB 45.9, 66.88, -41.25

 

CMYK 37 / 73 / 0 / 55

HEX #491F74

RGB 73 31 116

HSL 269.65, 0.58%, 0.29%

LAB 22.5, 37.34, -41.08

 

CMYK 38 / 73 / 0 / 42

HEX #5D2895

RGB 93 40 149

HSL 269.17, 0.58%, 0.37%

LAB 29.45, 45.51, -50.36

 

CMYK 37 / 73 / 0 / 29

HEX #7230B5

RGB 114 48 181

HSL 269.77, 0.58%, 0.45%

LAB 36.04, 53.7, -58.81

 

CMYK 35 / 68 / 0 / 20

HEX #8642CD

RGB 134 66 205

HSL 269.35, 0.58%, 0.53%

LAB 43.32, 54.98, -60.9

 

CMYK 27 / 54 / 0 / 16

HEX #9B63D5

RGB 155 99 213

HSL 269.47, 0.58%, 0.61%

LAB 52.62, 44.64, -50.41

 

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

CMYK 0 / 73 / 50 / 29

HEX #B5305A

RGB 181 48 90

HSL 341.05, 0.58%, 0.45%

LAB 42.27, 55.63, 7.43

 

CMYK 73 / 0 / 67 / 29

HEX #30B53B

RGB 48 181 59

HSL 124.96, 0.58%, 0.45%

LAB 64.96, -59.01, 50.19

 

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

CMYK 0 / 38 / 73 / 29

HEX #B57130

RGB 181 113 48

HSL 29.32, 0.58%, 0.45%

LAB 53.86, 21.32, 45.77

 

CMYK 73 / 0 / 38 / 29

HEX #30B571

RGB 48 181 113

HSL 149.32, 0.58%, 0.45%

LAB 65.65, -50.98, 24.74

 

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

CMYK 0 / 73 / 50 / 29

HEX #B5305A

RGB 181 48 90

HSL 341.05, 0.58%, 0.45%

LAB 42.27, 55.63, 7.43

 

CMYK 35 / 0 / 73 / 29

HEX #75B530

RGB 117 181 48

HSL 88.87, 0.58%, 0.45%

LAB 67.31, -41.34, 57.62

 

CMYK 73 / 0 / 23 / 29

HEX #30B58B

RGB 48 181 139

HSL 161.05, 0.58%, 0.45%

LAB 66.17, -45.31, 11.37

 

CMYK 37 / 73 / 0 / 29

HEX #7130B4

RGB 113 48 180

HSL 269.55, 0.58%, 0.45%

LAB 35.83, 53.28, -58.56

 

CMYK 0 / 73 / 72 / 29

HEX #B53032

RGB 181 48 50

HSL 359.1, 0.58%, 0.45%

LAB 41.48, 53, 31.13

 

CMYK 35 / 0 / 73 / 29

HEX #75B530

RGB 117 181 48

HSL 88.87, 0.58%, 0.45%

LAB 67.31, -41.34, 57.62

 

CMYK 73 / 0 / 1 / 29

HEX #30B5B3

RGB 48 181 179

HSL 179.1, 0.58%, 0.45%

LAB 67.23, -34.66, -9.16

 

Description

Color code: HEX #7130B4 | qconv.com Color code: HEX #7130B4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 48 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 48 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 73 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 73% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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