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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #712BBC it is the complementary color #8ED443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #712BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #712BBC shade: #762BB7, #873DCA, #984FDD, #A961F0 and #BA73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #712BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #712BBC shade: #712BBC, #6019A9, #4F0796, #3E0083 and #2D0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #712BBC shade: #702ABB, #972ABB, #BB2AB8, #BB2A91 and #BB2A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #712BBC shade: #702ABB, #492ABB and #2A2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #712BBC shade matches the following richer shades: #702ABB, #7018CE and #6F05E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #712BBC shade: #702ABB, #713DA8, #725096, #726283 and #737571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #712BBC shade: #2A34BB, #472ABB, #6E2ABB, #942ABB and #BB2ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #712BBC shade: #481B78, #5C2399, #702ABB, #853CD3 and #9A5EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #712BBC shade: #712BBC, #BB2A5B and #2ABB34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #712BBC shade: #712BBC, #BB6E2A and #2ABB6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #712BBC shade: #712BBC, #BB2A5B, #78BB2A and #2ABB8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #712BBC shade: #712BBC, #BB2A2F, #78BB2A and #2ABBB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

Complementary color

CMYK 33 / 0 / 68 / 17

HEX #8ED443

RGB 142 212 67

HSL 88.97, 0.63%, 0.55%

LAB 78.02, -44.46, 61.87

 

CMYK 36 / 77 / 0 / 28

HEX #762BB7

RGB 118 43 183

HSL 272.14, 0.62%, 0.44%

LAB 35.98, 57.01, -60.06

 

CMYK 33 / 70 / 0 / 21

HEX #873DCA

RGB 135 61 202

HSL 271.49, 0.57%, 0.52%

LAB 42.39, 56.81, -60.67

 

CMYK 31 / 64 / 0 / 13

HEX #984FDD

RGB 152 79 221

HSL 270.85, 0.68%, 0.59%

LAB 48.87, 56.21, -60.99

 

CMYK 30 / 60 / 0 / 6

HEX #A961F0

RGB 169 97 240

HSL 270.21, 0.83%, 0.66%

LAB 55.36, 55.42, -61.14

 

CMYK 27 / 55 / 0 / 0

HEX #BA73FF

RGB 186 115 255

HSL 270.43, 1%, 0.73%

LAB 61.59, 53.63, -59.36

 

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

CMYK 43 / 85 / 0 / 34

HEX #6019A9

RGB 96 25 169

HSL 269.58, 0.74%, 0.38%

LAB 29.53, 56.88, -62.38

 

CMYK 47 / 95 / 0 / 41

HEX #4F0796

RGB 79 7 150

HSL 270.21, 0.91%, 0.31%

LAB 23.73, 55.01, -60.43

 

CMYK 53 / 100 / 0 / 49

HEX #3E0083

RGB 62 0 131

HSL 268.4, 1%, 0.26%

LAB 18.64, 50.7, -57.04

 

CMYK 60 / 100 / 0 / 56

HEX #2D0070

RGB 45 0 112

HSL 264.11, 1%, 0.22%

LAB 13.99, 44.76, -52.62

 

CMYK 40 / 78 / 0 / 27

HEX #702ABB

RGB 112 42 187

HSL 268.97, 0.63%, 0.45%

LAB 35.38, 57.35, -63.44

 

CMYK 19 / 78 / 0 / 27

HEX #972ABB

RGB 151 42 187

HSL 285.1, 0.63%, 0.45%

LAB 40.93, 64.18, -54.17

 

CMYK 0 / 78 / 2 / 27

HEX #BB2AB8

RGB 187 42 184

HSL 301.24, 0.63%, 0.45%

LAB 46.55, 70.7, -43.08

 

CMYK 0 / 78 / 22 / 27

HEX #BB2A91

RGB 187 42 145

HSL 317.38, 0.63%, 0.45%

LAB 44.61, 65.11, -22.91

 

CMYK 0 / 78 / 43 / 27

HEX #BB2A6A

RGB 187 42 106

HSL 333.52, 0.63%, 0.45%

LAB 43.15, 60.72, -1.15

 

CMYK 40 / 78 / 0 / 27

HEX #702ABB

RGB 112 42 187

HSL 268.97, 0.63%, 0.45%

LAB 35.38, 57.35, -63.44

 

CMYK 61 / 78 / 0 / 27

HEX #492ABB

RGB 73 42 187

HSL 252.83, 0.63%, 0.45%

LAB 31.02, 51.9, -70.76

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 40 / 78 / 0 / 27

HEX #702ABB

RGB 112 42 187

HSL 268.97, 0.63%, 0.45%

LAB 35.38, 57.35, -63.44

 

CMYK 46 / 88 / 0 / 19

HEX #7018CE

RGB 112 24 206

HSL 269.01, 0.79%, 0.45%

LAB 35.11, 67.62, -75.01

 

CMYK 50 / 98 / 0 / 12

HEX #6F05E0

RGB 111 5 224

HSL 269.04, 0.96%, 0.45%

LAB 35.73, 74.73, -84.38

 

CMYK 40 / 78 / 0 / 27

HEX #702ABB

RGB 112 42 187

HSL 268.97, 0.63%, 0.45%

LAB 35.38, 57.35, -63.44

 

CMYK 33 / 64 / 0 / 34

HEX #713DA8

RGB 113 61 168

HSL 269.16, 0.47%, 0.45%

LAB 37.25, 43.9, -49.11

 

CMYK 24 / 47 / 0 / 41

HEX #725096

RGB 114 80 150

HSL 269.14, 0.3%, 0.45%

LAB 40.44, 28.8, -33.23

 

CMYK 13 / 25 / 0 / 49

HEX #726283

RGB 114 98 131

HSL 269.09, 0.14%, 0.45%

LAB 44.16, 13.28, -15.99

 

CMYK 2 / 0 / 3 / 54

HEX #737571

RGB 115 117 113

HSL 90, 0.02%, 0.45%

LAB 48.96, -1.56, 1.93

 

CMYK 78 / 72 / 0 / 27

HEX #2A34BB

RGB 42 52 187

HSL 235.86, 0.63%, 0.45%

LAB 30.73, 43.38, -71.32

 

CMYK 62 / 78 / 0 / 27

HEX #472ABB

RGB 71 42 187

HSL 252, 0.63%, 0.45%

LAB 30.84, 51.67, -71.07

 

CMYK 41 / 78 / 0 / 27

HEX #6E2ABB

RGB 110 42 187

HSL 268.14, 0.63%, 0.45%

LAB 35.12, 57.04, -63.88

 

CMYK 21 / 78 / 0 / 27

HEX #942ABB

RGB 148 42 187

HSL 283.86, 0.63%, 0.45%

LAB 40.47, 63.62, -54.93

 

CMYK 0 / 78 / 0 / 27

HEX #BB2ABB

RGB 187 42 187

HSL 300, 0.63%, 0.45%

LAB 46.72, 71.18, -44.57

 

CMYK 40 / 78 / 0 / 53

HEX #481B78

RGB 72 27 120

HSL 269.03, 0.63%, 0.29%

LAB 22.01, 40.16, -44.45

 

CMYK 40 / 77 / 0 / 40

HEX #5C2399

RGB 92 35 153

HSL 268.98, 0.63%, 0.37%

LAB 28.84, 48.62, -53.81

 

CMYK 40 / 78 / 0 / 27

HEX #702ABB

RGB 112 42 187

HSL 268.97, 0.63%, 0.45%

LAB 35.38, 57.35, -63.44

 

CMYK 37 / 72 / 0 / 17

HEX #853CD3

RGB 133 60 211

HSL 269.01, 0.63%, 0.53%

LAB 42.64, 59.01, -65.46

 

CMYK 29 / 57 / 0 / 15

HEX #9A5EDA

RGB 154 94 218

HSL 269.03, 0.63%, 0.61%

LAB 51.77, 48.28, -54.61

 

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

CMYK 0 / 78 / 51 / 27

HEX #BB2A5B

RGB 187 42 91

HSL 339.72, 0.63%, 0.45%

LAB 42.73, 59.39, 7.6

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB34

RGB 42 187 52

HSL 124.14, 0.63%, 0.45%

LAB 66.73, -62.5, 54.78

 

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

CMYK 0 / 41 / 78 / 27

HEX #BB6E2A

RGB 187 110 42

HSL 28.14, 0.63%, 0.45%

LAB 53.9, 25.28, 48.82

 

CMYK 78 / 0 / 41 / 27

HEX #2ABB6E

RGB 42 187 110

HSL 148.14, 0.63%, 0.45%

LAB 67.4, -54.63, 28.62

 

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

CMYK 0 / 78 / 51 / 27

HEX #BB2A5B

RGB 187 42 91

HSL 339.72, 0.63%, 0.45%

LAB 42.73, 59.39, 7.6

 

CMYK 36 / 0 / 78 / 27

HEX #78BB2A

RGB 120 187 42

HSL 87.72, 0.63%, 0.45%

LAB 69.26, -43.18, 61.56

 

CMYK 78 / 0 / 26 / 27

HEX #2ABB8B

RGB 42 187 139

HSL 160.14, 0.63%, 0.45%

LAB 67.94, -48.52, 13.86

 

CMYK 40 / 77 / 0 / 26

HEX #712BBC

RGB 113 43 188

HSL 268.97, 0.63%, 0.45%

LAB 35.73, 57.35, -63.45

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2F

RGB 187 42 47

HSL 357.93, 0.63%, 0.45%

LAB 41.89, 56.72, 33.67

 

CMYK 36 / 0 / 78 / 27

HEX #78BB2A

RGB 120 187 42

HSL 87.72, 0.63%, 0.45%

LAB 69.26, -43.18, 61.56

 

CMYK 78 / 0 / 3 / 27

HEX #2ABBB6

RGB 42 187 182

HSL 177.93, 0.63%, 0.45%

LAB 69.05, -37.22, -8.11

 

Description

Color code: HEX #712BBC | qconv.com Color code: HEX #712BBC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 43 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 43 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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