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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71295C it is the complementary color #8ED6A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71295C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71295C shade: #762957, #873B6A, #984D7D, #A95F90 and #BA71A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71295C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71295C shade: #71295C, #601749, #4F0536, #3E0023 and #2D0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71295C shade: #70295B, #702948, #702935 and #702929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71295C shade: #70295B, #70296F, #5F2970, #4B2970 and #382970

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71295C shade matches the following richer shades: #70295B, #7D1C61, #891066 and #96036B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71295C shade: #70295B, #643556, #584151, #4B4E4C and #3F5A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71295C shade: #5E2970, #70296F, #70295C, #702949 and #702936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71295C shade: #34132A, #521E43, #70295B, #8F3374 and #AD3E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71295C shade: #71295C, #704B29 and #297068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71295C shade: #71295C, #5C7029 and #295C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71295C shade: #71295C, #704B29, #29703D and #294E70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71295C shade: #71295C, #706129, #29703D and #293870

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

Complementary color

CMYK 34 / 0 / 24 / 16

HEX #8ED6A3

RGB 142 214 163

HSL 137.5, 0.47%, 0.7%

LAB 79.89, -33.05, 18.2

 

CMYK 0 / 65 / 26 / 54

HEX #762957

RGB 118 41 87

HSL 324.16, 0.48%, 0.31%

LAB 29.73, 38.82, -10.4

 

CMYK 0 / 56 / 21 / 47

HEX #873B6A

RGB 135 59 106

HSL 322.89, 0.39%, 0.38%

LAB 36.59, 38.35, -11.9

 

CMYK 0 / 49 / 18 / 40

HEX #984D7D

RGB 152 77 125

HSL 321.6, 0.33%, 0.45%

LAB 43.45, 37.64, -13.02

 

CMYK 0 / 44 / 15 / 34

HEX #A95F90

RGB 169 95 144

HSL 320.27, 0.3%, 0.52%

LAB 50.26, 36.85, -13.91

 

CMYK 0 / 39 / 12 / 27

HEX #BA71A3

RGB 186 113 163

HSL 318.9, 0.35%, 0.59%

LAB 56.97, 36.05, -14.66

 

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

CMYK 0 / 76 / 24 / 62

HEX #601749

RGB 96 23 73

HSL 318.9, 0.61%, 0.23%

LAB 22.23, 37.9, -12.88

 

CMYK 0 / 94 / 32 / 69

HEX #4F0536

RGB 79 5 54

HSL 320.27, 0.88%, 0.16%

LAB 15.68, 36.55, -10.01

 

CMYK 0 / 100 / 44 / 76

HEX #3E0023

RGB 62 0 35

HSL 326.13, 1%, 0.12%

LAB 10.15, 31.7, -4.81

 

CMYK 0 / 100 / 64 / 82

HEX #2D0010

RGB 45 0 16

HSL 338.67, 1%, 0.09%

LAB 5.38, 23.49, 1.5

 

CMYK 0 / 63 / 19 / 56

HEX #70295B

RGB 112 41 91

HSL 317.75, 0.46%, 0.3%

LAB 28.87, 37.54, -14.42

 

CMYK 0 / 63 / 36 / 56

HEX #702948

RGB 112 41 72

HSL 333.8, 0.46%, 0.3%

LAB 28.11, 34.73, -3.05

 

CMYK 0 / 63 / 53 / 56

HEX #702935

RGB 112 41 53

HSL 349.86, 0.46%, 0.3%

LAB 27.54, 32.52, 8.8

 

CMYK 0 / 63 / 63 / 56

HEX #702929

RGB 112 41 41

HSL 0, 0.46%, 0.3%

LAB 27.27, 31.46, 16.39

 

CMYK 0 / 63 / 19 / 56

HEX #70295B

RGB 112 41 91

HSL 317.75, 0.46%, 0.3%

LAB 28.87, 37.54, -14.42

 

CMYK 0 / 63 / 1 / 56

HEX #70296F

RGB 112 41 111

HSL 300.85, 0.46%, 0.3%

LAB 29.86, 41.06, -25.78

 

CMYK 15 / 63 / 0 / 56

HEX #5F2970

RGB 95 41 112

HSL 285.63, 0.46%, 0.3%

LAB 27.27, 36.55, -30.69

 

CMYK 33 / 63 / 0 / 56

HEX #4B2970

RGB 75 41 112

HSL 268.73, 0.46%, 0.3%

LAB 24.49, 31.2, -35.3

 

CMYK 50 / 63 / 0 / 56

HEX #382970

RGB 56 41 112

HSL 252.68, 0.46%, 0.3%

LAB 22.29, 26.56, -38.95

 

CMYK 0 / 63 / 19 / 56

HEX #70295B

RGB 112 41 91

HSL 317.75, 0.46%, 0.3%

LAB 28.87, 37.54, -14.42

 

CMYK 0 / 78 / 22 / 51

HEX #7D1C61

RGB 125 28 97

HSL 317.32, 0.63%, 0.3%

LAB 29.55, 47.56, -17.08

 

CMYK 0 / 88 / 26 / 46

HEX #891066

RGB 137 16 102

HSL 317.36, 0.79%, 0.3%

LAB 30.99, 54.4, -17.9

 

CMYK 0 / 98 / 29 / 41

HEX #96036B

RGB 150 3 107

HSL 317.55, 0.96%, 0.3%

LAB 33.16, 59.89, -17.55

 

CMYK 0 / 63 / 19 / 56

HEX #70295B

RGB 112 41 91

HSL 317.75, 0.46%, 0.3%

LAB 28.87, 37.54, -14.42

 

CMYK 0 / 47 / 14 / 61

HEX #643556

RGB 100 53 86

HSL 317.87, 0.31%, 0.3%

LAB 29.23, 26.06, -10.77

 

CMYK 0 / 26 / 8 / 65

HEX #584151

RGB 88 65 81

HSL 318.26, 0.15%, 0.3%

LAB 30.52, 12.99, -5.74

 

CMYK 4 / 0 / 3 / 69

HEX #4B4E4C

RGB 75 78 76

HSL 140, 0.02%, 0.3%

LAB 32.85, -1.66, 0.75

 

CMYK 30 / 0 / 21 / 65

HEX #3F5A47

RGB 63 90 71

HSL 137.78, 0.18%, 0.3%

LAB 35.64, -14.59, 7.78

 

CMYK 16 / 63 / 0 / 56

HEX #5E2970

RGB 94 41 112

HSL 284.79, 0.46%, 0.3%

LAB 27.12, 36.28, -30.94

 

CMYK 0 / 63 / 1 / 56

HEX #70296F

RGB 112 41 111

HSL 300.85, 0.46%, 0.3%

LAB 29.86, 41.06, -25.78

 

CMYK 0 / 63 / 18 / 56

HEX #70295C

RGB 112 41 92

HSL 316.9, 0.46%, 0.3%

LAB 28.91, 37.7, -15

 

CMYK 0 / 63 / 35 / 56

HEX #702949

RGB 112 41 73

HSL 332.96, 0.46%, 0.3%

LAB 28.15, 34.86, -3.66

 

CMYK 0 / 63 / 52 / 56

HEX #702936

RGB 112 41 54

HSL 349.01, 0.46%, 0.3%

LAB 27.56, 32.62, 8.17

 

CMYK 0 / 63 / 19 / 80

HEX #34132A

RGB 52 19 42

HSL 318.18, 0.46%, 0.14%

LAB 11.71, 20.13, -7.87

 

CMYK 0 / 63 / 18 / 68

HEX #521E43

RGB 82 30 67

HSL 317.31, 0.46%, 0.22%

LAB 20.55, 29.28, -11.6

 

CMYK 0 / 63 / 19 / 56

HEX #70295B

RGB 112 41 91

HSL 317.75, 0.46%, 0.3%

LAB 28.87, 37.54, -14.42

 

CMYK 0 / 64 / 19 / 44

HEX #8F3374

RGB 143 51 116

HSL 317.61, 0.47%, 0.38%

LAB 36.87, 46.24, -17.64

 

CMYK 0 / 64 / 18 / 32

HEX #AD3E8D

RGB 173 62 141

HSL 317.3, 0.47%, 0.46%

LAB 44.59, 53.81, -20.71

 

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

CMYK 0 / 33 / 63 / 56

HEX #704B29

RGB 112 75 41

HSL 28.73, 0.46%, 0.3%

LAB 35.28, 11.82, 26.31

 

CMYK 63 / 0 / 7 / 56

HEX #297068

RGB 41 112 104

HSL 173.24, 0.46%, 0.3%

LAB 42.85, -24.04, -2.13

 

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 63 / 18 / 0 / 56

HEX #295C70

RGB 41 92 112

HSL 196.9, 0.46%, 0.3%

LAB 36.55, -10.46, -16.5

 

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

CMYK 0 / 33 / 63 / 56

HEX #704B29

RGB 112 75 41

HSL 28.73, 0.46%, 0.3%

LAB 35.28, 11.82, 26.31

 

CMYK 63 / 0 / 46 / 56

HEX #29703D

RGB 41 112 61

HSL 136.9, 0.46%, 0.3%

LAB 41.84, -34.37, 21.92

 

CMYK 63 / 30 / 0 / 56

HEX #294E70

RGB 41 78 112

HSL 208.73, 0.46%, 0.3%

LAB 32.01, -1.81, -23.53

 

CMYK 0 / 64 / 19 / 56

HEX #71295C

RGB 113 41 92

HSL 317.5, 0.47%, 0.3%

LAB 29.08, 38.01, -14.73

 

CMYK 0 / 13 / 63 / 56

HEX #706129

RGB 112 97 41

HSL 47.32, 0.46%, 0.3%

LAB 41.46, -1.4, 33.45

 

CMYK 63 / 0 / 46 / 56

HEX #29703D

RGB 41 112 61

HSL 136.9, 0.46%, 0.3%

LAB 41.84, -34.37, 21.92

 

CMYK 63 / 50 / 0 / 56

HEX #293870

RGB 41 56 112

HSL 227.32, 0.46%, 0.3%

LAB 25.17, 13.01, -34.38

 

Description

Color code: HEX #71295C | qconv.com Color code: HEX #71295C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 41 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 41 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 19 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 19% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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