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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #711D83 it is the complementary color #8EE27C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #711D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #711D83 shade: #761D7E, #872F91, #9841A4, #A953B7 and #BA65CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #711D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #711D83 shade: #711D83, #600B70, #4F005D, #3E004A and #2D0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #711D83 shade: #701C82, #821C78, #821C5D, #821C42 and #821C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #711D83 shade: #701C82, #541C82, #391C82, #1E1C82 and #1C1C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #711D83 shade matches the following richer shades: #701C82, #78108E and #80039B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #711D83 shade: #701C82, #682975, #5F3668, #57435B and #4F504E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #711D83 shade: #391C82, #541C82, #6F1C82, #821C79 and #821C5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #711D83 shade: #350E3E, #531560, #701C82, #8D24A3 and #AA2BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #711D83 shade: #711D83, #821E1C and #1C8247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #711D83 shade: #711D83, #826F1C and #1C826F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #711D83 shade: #711D83, #821E1C, #2F821C and #1C8082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #711D83 shade: #711D83, #823C1C, #2F821C and #1C6282

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

Complementary color

CMYK 37 / 0 / 45 / 11

HEX #8EE27C

RGB 142 226 124

HSL 109.41, 0.64%, 0.69%

LAB 82.7, -44.62, 41.87

 

CMYK 6 / 77 / 0 / 51

HEX #761D7E

RGB 118 29 126

HSL 295.05, 0.63%, 0.3%

LAB 30, 50.27, -34.99

 

CMYK 7 / 68 / 0 / 43

HEX #872F91

RGB 135 47 145

HSL 293.88, 0.51%, 0.38%

LAB 36.42, 50.81, -36.38

 

CMYK 7 / 60 / 0 / 36

HEX #9841A4

RGB 152 65 164

HSL 292.73, 0.43%, 0.45%

LAB 42.97, 50.67, -37.29

 

CMYK 8 / 55 / 0 / 28

HEX #A953B7

RGB 169 83 183

HSL 291.6, 0.41%, 0.52%

LAB 49.55, 50.18, -37.93

 

CMYK 8 / 50 / 0 / 21

HEX #BA65CA

RGB 186 101 202

HSL 290.5, 0.49%, 0.59%

LAB 56.1, 49.53, -38.41

 

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

CMYK 14 / 90 / 0 / 56

HEX #600B70

RGB 96 11 112

HSL 290.5, 0.82%, 0.24%

LAB 23.32, 48.41, -37

 

CMYK 15 / 100 / 0 / 64

HEX #4F005D

RGB 79 0 93

HSL 290.97, 1%, 0.18%

LAB 17.7, 44.54, -33.77

 

CMYK 16 / 100 / 0 / 71

HEX #3E004A

RGB 62 0 74

HSL 290.27, 1%, 0.15%

LAB 12.73, 38.01, -29.04

 

CMYK 18 / 100 / 0 / 78

HEX #2D0037

RGB 45 0 55

HSL 289.09, 1%, 0.11%

LAB 7.53, 31.15, -24.1

 

CMYK 14 / 78 / 0 / 49

HEX #701C82

RGB 112 28 130

HSL 289.41, 0.65%, 0.31%

LAB 29.13, 50.09, -38.97

 

CMYK 0 / 78 / 8 / 49

HEX #821C78

RGB 130 28 120

HSL 305.88, 0.65%, 0.31%

LAB 31.65, 52.29, -28.46

 

CMYK 0 / 78 / 28 / 49

HEX #821C5D

RGB 130 28 93

HSL 321.76, 0.65%, 0.31%

LAB 30.32, 48.34, -13.21

 

CMYK 0 / 78 / 49 / 49

HEX #821C42

RGB 130 28 66

HSL 337.65, 0.65%, 0.31%

LAB 29.34, 45.29, 3.14

 

CMYK 0 / 78 / 71 / 49

HEX #821C26

RGB 130 28 38

HSL 354.12, 0.65%, 0.31%

LAB 28.69, 43.21, 20.88

 

CMYK 14 / 78 / 0 / 49

HEX #701C82

RGB 112 28 130

HSL 289.41, 0.65%, 0.31%

LAB 29.13, 50.09, -38.97

 

CMYK 35 / 78 / 0 / 49

HEX #541C82

RGB 84 28 130

HSL 272.94, 0.65%, 0.31%

LAB 24.72, 44.5, -46.3

 

CMYK 56 / 78 / 0 / 49

HEX #391C82

RGB 57 28 130

HSL 257.06, 0.65%, 0.31%

LAB 21.25, 39.96, -52.12

 

CMYK 77 / 78 / 0 / 49

HEX #1E1C82

RGB 30 28 130

HSL 241.18, 0.65%, 0.31%

LAB 18.88, 36.76, -56.11

 

CMYK 78 / 78 / 0 / 49

HEX #1C1C82

RGB 28 28 130

HSL 240, 0.65%, 0.31%

LAB 18.75, 36.59, -56.32

 

CMYK 14 / 78 / 0 / 49

HEX #701C82

RGB 112 28 130

HSL 289.41, 0.65%, 0.31%

LAB 29.13, 50.09, -38.97

 

CMYK 15 / 89 / 0 / 44

HEX #78108E

RGB 120 16 142

HSL 289.52, 0.8%, 0.31%

LAB 30.2, 57.25, -44.64

 

CMYK 17 / 98 / 0 / 39

HEX #80039B

RGB 128 3 155

HSL 289.34, 0.96%, 0.31%

LAB 31.85, 63.04, -49.88

 

CMYK 14 / 78 / 0 / 49

HEX #701C82

RGB 112 28 130

HSL 289.41, 0.65%, 0.31%

LAB 29.13, 50.09, -38.97

 

CMYK 11 / 65 / 0 / 54

HEX #682975

RGB 104 41 117

HSL 289.74, 0.48%, 0.31%

LAB 28.94, 40.07, -31.14

 

CMYK 9 / 48 / 0 / 59

HEX #5F3668

RGB 95 54 104

HSL 289.2, 0.32%, 0.31%

LAB 29.59, 27.41, -21.9

 

CMYK 4 / 26 / 0 / 64

HEX #57435B

RGB 87 67 91

HSL 290, 0.15%, 0.31%

LAB 31.34, 13.48, -10.95

 

CMYK 1 / 0 / 2 / 69

HEX #4F504E

RGB 79 80 78

HSL 90, 0.01%, 0.31%

LAB 33.88, -0.83, 1.03

 

CMYK 56 / 78 / 0 / 49

HEX #391C82

RGB 57 28 130

HSL 257.06, 0.65%, 0.31%

LAB 21.25, 39.96, -52.12

 

CMYK 35 / 78 / 0 / 49

HEX #541C82

RGB 84 28 130

HSL 272.94, 0.65%, 0.31%

LAB 24.72, 44.5, -46.3

 

CMYK 15 / 78 / 0 / 49

HEX #6F1C82

RGB 111 28 130

HSL 288.82, 0.65%, 0.31%

LAB 28.96, 49.88, -39.24

 

CMYK 0 / 78 / 7 / 49

HEX #821C79

RGB 130 28 121

HSL 305.29, 0.65%, 0.31%

LAB 31.71, 52.45, -29

 

CMYK 0 / 78 / 28 / 49

HEX #821C5E

RGB 130 28 94

HSL 321.18, 0.65%, 0.31%

LAB 30.36, 48.47, -13.8

 

CMYK 15 / 77 / 0 / 76

HEX #350E3E

RGB 53 14 62

HSL 288.75, 0.63%, 0.15%

LAB 12.08, 27.55, -21.74

 

CMYK 14 / 78 / 0 / 62

HEX #531560

RGB 83 21 96

HSL 289.6, 0.64%, 0.23%

LAB 20.9, 39.43, -30.57

 

CMYK 14 / 78 / 0 / 49

HEX #701C82

RGB 112 28 130

HSL 289.41, 0.65%, 0.31%

LAB 29.13, 50.09, -38.97

 

CMYK 13 / 78 / 0 / 36

HEX #8D24A3

RGB 141 36 163

HSL 289.61, 0.64%, 0.39%

LAB 37.06, 59.64, -46.22

 

CMYK 14 / 78 / 0 / 23

HEX #AA2BC5

RGB 170 43 197

HSL 289.48, 0.64%, 0.47%

LAB 44.67, 69.28, -53.84

 

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

CMYK 0 / 77 / 78 / 49

HEX #821E1C

RGB 130 30 28

HSL 1.18, 0.65%, 0.31%

LAB 28.79, 42.02, 27.35

 

CMYK 78 / 0 / 45 / 49

HEX #1C8247

RGB 28 130 71

HSL 145.29, 0.65%, 0.31%

LAB 47.84, -42.32, 24.01

 

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

CMYK 0 / 15 / 78 / 49

HEX #826F1C

RGB 130 111 28

HSL 48.82, 0.65%, 0.31%

LAB 47.23, -1.76, 45.86

 

CMYK 78 / 0 / 15 / 49

HEX #1C826F

RGB 28 130 111

HSL 168.82, 0.65%, 0.31%

LAB 48.71, -32.84, 2.23

 

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

CMYK 0 / 77 / 78 / 49

HEX #821E1C

RGB 130 30 28

HSL 1.18, 0.65%, 0.31%

LAB 28.79, 42.02, 27.35

 

CMYK 64 / 0 / 78 / 49

HEX #2F821C

RGB 47 130 28

HSL 108.82, 0.65%, 0.31%

LAB 47.82, -44.15, 44.56

 

CMYK 78 / 2 / 0 / 49

HEX #1C8082

RGB 28 128 130

HSL 181.18, 0.65%, 0.31%

LAB 48.63, -26.18, -9.06

 

CMYK 14 / 78 / 0 / 49

HEX #711D83

RGB 113 29 131

HSL 289.41, 0.64%, 0.31%

LAB 29.48, 50.14, -39.01

 

CMYK 0 / 54 / 78 / 49

HEX #823C1C

RGB 130 60 28

HSL 18.82, 0.65%, 0.31%

LAB 34.11, 27.9, 32.99

 

CMYK 64 / 0 / 78 / 49

HEX #2F821C

RGB 47 130 28

HSL 108.82, 0.65%, 0.31%

LAB 47.82, -44.15, 44.56

 

CMYK 78 / 25 / 0 / 49

HEX #1C6282

RGB 28 98 130

HSL 198.82, 0.65%, 0.31%

LAB 38.89, -9.74, -23.95

 

Description

Color code: HEX #711D83 | qconv.com Color code: HEX #711D83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 29 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 29 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 78 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 78% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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