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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #710C90 it is the complementary color #8EF36F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #710C90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #710C90 shade: #760C8B, #871E9E, #9830B1, #A942C4 and #BA54D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #710C90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #710C90 shade: #710C90, #60007D, #4F006A, #3E0057 and #2D0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #710C90 shade: #730C92, #920C8E, #920C69, #920C45 and #920C21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #710C90 shade: #730C92, #4E0C92, #2A0C92 and #0C0C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #710C90 shade matches the following richer shades: #730C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #710C90 shade: #730C92, #6C1985, #652579, #5E326C and #583F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #710C90 shade: #290C92, #4D0C92, #710C92, #920C90 and #920C6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #710C90 shade: #370646, #55096C, #730C92, #910FB8 and #AF12DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #710C90 shade: #710C90, #920C13 and #0C923B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #710C90 shade: #710C90, #92710C and #0C9271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #710C90 shade: #710C90, #920C13, #2D920C and #0C928C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #710C90 shade: #710C90, #922D0C, #2D920C and #0C7192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

Complementary color

CMYK 42 / 0 / 54 / 5

HEX #8EF36F

RGB 142 243 111

HSL 105.91, 0.85%, 0.69%

LAB 87.48, -53.28, 53.84

 

CMYK 15 / 91 / 0 / 45

HEX #760C8B

RGB 118 12 139

HSL 290.08, 0.84%, 0.3%

LAB 29.36, 57.14, -44.16

 

CMYK 15 / 81 / 0 / 38

HEX #871E9E

RGB 135 30 158

HSL 289.22, 0.68%, 0.37%

LAB 35.1, 59.39, -46.41

 

CMYK 14 / 73 / 0 / 31

HEX #9830B1

RGB 152 48 177

HSL 288.37, 0.57%, 0.44%

LAB 41.16, 60.35, -47.9

 

CMYK 14 / 66 / 0 / 23

HEX #A942C4

RGB 169 66 196

HSL 287.54, 0.52%, 0.51%

LAB 47.39, 60.55, -48.91

 

CMYK 13 / 61 / 0 / 16

HEX #BA54D7

RGB 186 84 215

HSL 286.72, 0.62%, 0.59%

LAB 53.69, 60.31, -49.61

 

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

CMYK 23 / 100 / 0 / 51

HEX #60007D

RGB 96 0 125

HSL 286.08, 1%, 0.25%

LAB 23.56, 53.29, -44.94

 

CMYK 25 / 100 / 0 / 58

HEX #4F006A

RGB 79 0 106

HSL 284.72, 1%, 0.21%

LAB 18.81, 47.09, -40.56

 

CMYK 29 / 100 / 0 / 66

HEX #3E0057

RGB 62 0 87

HSL 282.76, 1%, 0.17%

LAB 13.9, 40.69, -36.06

 

CMYK 34 / 100 / 0 / 73

HEX #2D0044

RGB 45 0 68

HSL 279.71, 1%, 0.13%

LAB 8.78, 34.04, -31.4

 

CMYK 21 / 92 / 0 / 43

HEX #730C92

RGB 115 12 146

HSL 286.12, 0.85%, 0.31%

LAB 29.37, 57.96, -48.5

 

CMYK 0 / 92 / 3 / 43

HEX #920C8E

RGB 146 12 142

HSL 301.79, 0.85%, 0.31%

LAB 34.65, 62.64, -37.23

 

CMYK 0 / 92 / 28 / 43

HEX #920C69

RGB 146 12 105

HSL 318.36, 0.85%, 0.31%

LAB 32.69, 57.52, -17.06

 

CMYK 0 / 92 / 53 / 43

HEX #920C45

RGB 146 12 69

HSL 334.48, 0.85%, 0.31%

LAB 31.36, 53.89, 4.48

 

CMYK 0 / 92 / 77 / 43

HEX #920C21

RGB 146 12 33

HSL 350.6, 0.85%, 0.31%

LAB 30.6, 51.76, 27.19

 

CMYK 21 / 92 / 0 / 43

HEX #730C92

RGB 115 12 146

HSL 286.12, 0.85%, 0.31%

LAB 29.37, 57.96, -48.5

 

CMYK 47 / 92 / 0 / 43

HEX #4E0C92

RGB 78 12 146

HSL 269.55, 0.85%, 0.31%

LAB 23.53, 52.86, -58.28

 

CMYK 71 / 92 / 0 / 43

HEX #2A0C92

RGB 42 12 146

HSL 253.43, 0.85%, 0.31%

LAB 19.35, 49.7, -65.33

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 21 / 92 / 0 / 43

HEX #730C92

RGB 115 12 146

HSL 286.12, 0.85%, 0.31%

LAB 29.37, 57.96, -48.5

 

CMYK 21 / 92 / 0 / 43

HEX #730C92

RGB 115 12 146

HSL 286.12, 0.85%, 0.31%

LAB 29.37, 57.96, -48.5

 

CMYK 19 / 81 / 0 / 48

HEX #6C1985

RGB 108 25 133

HSL 286.11, 0.68%, 0.31%

LAB 28.32, 50.89, -42.18

 

CMYK 17 / 69 / 0 / 53

HEX #652579

RGB 101 37 121

HSL 285.71, 0.53%, 0.31%

LAB 28.03, 42.07, -35.14

 

CMYK 13 / 54 / 0 / 58

HEX #5E326C

RGB 94 50 108

HSL 285.52, 0.37%, 0.31%

LAB 28.76, 30.36, -25.78

 

CMYK 7 / 34 / 0 / 63

HEX #583F5F

RGB 88 63 95

HSL 286.88, 0.2%, 0.31%

LAB 30.53, 17.33, -14.74

 

CMYK 72 / 92 / 0 / 43

HEX #290C92

RGB 41 12 146

HSL 252.99, 0.85%, 0.31%

LAB 19.26, 49.64, -65.48

 

CMYK 47 / 92 / 0 / 43

HEX #4D0C92

RGB 77 12 146

HSL 269.1, 0.85%, 0.31%

LAB 23.39, 52.75, -58.52

 

CMYK 23 / 92 / 0 / 43

HEX #710C92

RGB 113 12 146

HSL 285.22, 0.85%, 0.31%

LAB 29.03, 57.65, -49.07

 

CMYK 0 / 92 / 1 / 43

HEX #920C90

RGB 146 12 144

HSL 300.9, 0.85%, 0.31%

LAB 34.78, 62.95, -38.27

 

CMYK 0 / 92 / 26 / 43

HEX #920C6C

RGB 146 12 108

HSL 317.01, 0.85%, 0.31%

LAB 32.82, 57.89, -18.77

 

CMYK 21 / 91 / 0 / 73

HEX #370646

RGB 55 6 70

HSL 285.94, 0.84%, 0.15%

LAB 11.86, 33.36, -27.73

 

CMYK 21 / 92 / 0 / 58

HEX #55096C

RGB 85 9 108

HSL 286.06, 0.85%, 0.23%

LAB 20.86, 46.11, -38.48

 

CMYK 21 / 92 / 0 / 43

HEX #730C92

RGB 115 12 146

HSL 286.12, 0.85%, 0.31%

LAB 29.37, 57.96, -48.5

 

CMYK 21 / 92 / 0 / 28

HEX #910FB8

RGB 145 15 184

HSL 286.15, 0.85%, 0.39%

LAB 37.52, 69.16, -57.97

 

CMYK 22 / 92 / 0 / 13

HEX #AF12DF

RGB 175 18 223

HSL 285.95, 0.85%, 0.47%

LAB 45.46, 80.05, -67.49

 

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

CMYK 0 / 92 / 87 / 43

HEX #920C13

RGB 146 12 19

HSL 356.87, 0.85%, 0.31%

LAB 30.45, 51.33, 35.36

 

CMYK 92 / 0 / 60 / 43

HEX #0C923B

RGB 12 146 59

HSL 141.04, 0.85%, 0.31%

LAB 52.9, -51.69, 36.47

 

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

CMYK 0 / 23 / 92 / 43

HEX #92710C

RGB 146 113 12

HSL 45.22, 0.85%, 0.31%

LAB 49.43, 4.16, 53.28

 

CMYK 92 / 0 / 23 / 43

HEX #0C9271

RGB 12 146 113

HSL 165.22, 0.85%, 0.31%

LAB 53.84, -40.75, 8.41

 

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

CMYK 0 / 92 / 87 / 43

HEX #920C13

RGB 146 12 19

HSL 356.87, 0.85%, 0.31%

LAB 30.45, 51.33, 35.36

 

CMYK 69 / 0 / 92 / 43

HEX #2D920C

RGB 45 146 12

HSL 105.22, 0.85%, 0.31%

LAB 53.1, -51.09, 53.64

 

CMYK 92 / 0 / 4 / 43

HEX #0C928C

RGB 12 146 140

HSL 177.31, 0.85%, 0.31%

LAB 54.58, -33.06, -6.03

 

CMYK 22 / 92 / 0 / 44

HEX #710C90

RGB 113 12 144

HSL 285.91, 0.85%, 0.31%

LAB 28.87, 57.26, -48.09

 

CMYK 0 / 69 / 92 / 43

HEX #922D0C

RGB 146 45 12

HSL 14.78, 0.85%, 0.31%

LAB 34.01, 41.11, 41.51

 

CMYK 69 / 0 / 92 / 43

HEX #2D920C

RGB 45 146 12

HSL 105.22, 0.85%, 0.31%

LAB 53.1, -51.09, 53.64

 

CMYK 92 / 23 / 0 / 43

HEX #0C7192

RGB 12 113 146

HSL 194.78, 0.85%, 0.31%

LAB 44.18, -13.94, -25.36

 

Description

Color code: HEX #710C90 | qconv.com Color code: HEX #710C90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 12 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 12 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 92 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 92% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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