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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #710C77 it is the complementary color #8EF388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #710C77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #710C77 shade: #760C72, #871E85, #983098, #A942AB and #BA54BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #710C77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #710C77 shade: #710C77, #600064, #4F0051, #3E003E and #2D002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #710C77 shade: #730C79, #790C61, #790C44, #790C27 and #790C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #710C77 shade: #730C79, #550C79, #380C79, #1B0C79 and #0C0C79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #710C77 shade matches the following richer shades: #730C79 and #7C0183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #710C77 shade: #730C79, #69176E, #602163, #562C58 and #4C374E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #710C77 shade: #370C79, #540C79, #710C79, #790C63 and #790C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #710C77 shade: #2B052E, #4F0853, #730C79, #96109E and #BA13C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #710C77 shade: #710C77, #791A0C and #0C7946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #710C77 shade: #710C77, #79710C and #0C7971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #710C77 shade: #710C77, #791A0C, #13790C and #0C6A79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #710C77 shade: #710C77, #793B0C, #13790C and #0C4A79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

Complementary color

CMYK 42 / 0 / 44 / 5

HEX #8EF388

RGB 142 243 136

HSL 116.64, 0.82%, 0.74%

LAB 87.79, -50.17, 42.46

 

CMYK 0 / 90 / 3 / 54

HEX #760C72

RGB 118 12 114

HSL 302.26, 0.82%, 0.25%

LAB 27.65, 52.81, -31.12

 

CMYK 0 / 78 / 1 / 47

HEX #871E85

RGB 135 30 133

HSL 301.14, 0.64%, 0.32%

LAB 33.51, 54.94, -33.61

 

CMYK 0 / 68 / 0 / 40

HEX #983098

RGB 152 48 152

HSL 300, 0.52%, 0.39%

LAB 39.68, 55.79, -35.3

 

CMYK 1 / 61 / 0 / 33

HEX #A942AB

RGB 169 66 171

HSL 298.86, 0.44%, 0.46%

LAB 46, 55.9, -36.48

 

CMYK 2 / 56 / 0 / 25

HEX #BA54BE

RGB 186 84 190

HSL 297.74, 0.45%, 0.54%

LAB 52.4, 55.6, -37.35

 

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

CMYK 4 / 100 / 0 / 61

HEX #600064

RGB 96 0 100

HSL 297.6, 1%, 0.2%

LAB 21.6, 48.72, -31.95

 

CMYK 2 / 100 / 0 / 68

HEX #4F0051

RGB 79 0 81

HSL 298.52, 1%, 0.16%

LAB 16.78, 42.36, -27.15

 

CMYK 0 / 100 / 0 / 76

HEX #3E003E

RGB 62 0 62

HSL 300, 1%, 0.12%

LAB 11.77, 35.75, -22.14

 

CMYK 0 / 100 / 4 / 82

HEX #2D002B

RGB 45 0 43

HSL 302.67, 1%, 0.09%

LAB 6.61, 28.44, -16.67

 

CMYK 5 / 90 / 0 / 53

HEX #730C79

RGB 115 12 121

HSL 296.7, 0.82%, 0.26%

LAB 27.54, 53.4, -35.8

 

CMYK 0 / 90 / 20 / 53

HEX #790C61

RGB 121 12 97

HSL 313.21, 0.82%, 0.26%

LAB 27.27, 50.89, -20.68

 

CMYK 0 / 90 / 44 / 53

HEX #790C44

RGB 121 12 68

HSL 329.17, 0.82%, 0.26%

LAB 26, 47.38, -3.31

 

CMYK 0 / 90 / 68 / 53

HEX #790C27

RGB 121 12 39

HSL 345.14, 0.82%, 0.26%

LAB 25.18, 45.06, 15.39

 

CMYK 0 / 90 / 90 / 53

HEX #790C0C

RGB 121 12 12

HSL 0, 0.82%, 0.26%

LAB 24.81, 43.97, 31.87

 

CMYK 5 / 90 / 0 / 53

HEX #730C79

RGB 115 12 121

HSL 296.7, 0.82%, 0.26%

LAB 27.54, 53.4, -35.8

 

CMYK 30 / 90 / 0 / 53

HEX #550C79

RGB 85 12 121

HSL 280.18, 0.82%, 0.26%

LAB 22.21, 48.11, -44.68

 

CMYK 54 / 90 / 0 / 53

HEX #380C79

RGB 56 12 121

HSL 264.22, 0.82%, 0.26%

LAB 17.85, 44.09, -52

 

CMYK 78 / 90 / 0 / 53

HEX #1B0C79

RGB 27 12 121

HSL 248.26, 0.82%, 0.26%

LAB 14.82, 41.55, -57.1

 

CMYK 90 / 90 / 0 / 53

HEX #0C0C79

RGB 12 12 121

HSL 240, 0.82%, 0.26%

LAB 13.95, 40.87, -58.58

 

CMYK 5 / 90 / 0 / 53

HEX #730C79

RGB 115 12 121

HSL 296.7, 0.82%, 0.26%

LAB 27.54, 53.4, -35.8

 

CMYK 5 / 99 / 0 / 49

HEX #7C0183

RGB 124 1 131

HSL 296.77, 0.98%, 0.26%

LAB 29.27, 58.58, -39.24

 

CMYK 5 / 90 / 0 / 53

HEX #730C79

RGB 115 12 121

HSL 296.7, 0.82%, 0.26%

LAB 27.54, 53.4, -35.8

 

CMYK 5 / 79 / 0 / 57

HEX #69176E

RGB 105 23 110

HSL 296.55, 0.65%, 0.26%

LAB 25.99, 46.47, -31.35

 

CMYK 3 / 67 / 0 / 61

HEX #602163

RGB 96 33 99

HSL 297.27, 0.5%, 0.26%

LAB 25.18, 38.08, -25.59

 

CMYK 2 / 50 / 0 / 65

HEX #562C58

RGB 86 44 88

HSL 297.27, 0.33%, 0.26%

LAB 25.21, 26.83, -18.44

 

CMYK 3 / 29 / 0 / 69

HEX #4C374E

RGB 76 55 78

HSL 294.78, 0.17%, 0.26%

LAB 26.21, 14.01, -10.41

 

CMYK 55 / 90 / 0 / 53

HEX #370C79

RGB 55 12 121

HSL 263.67, 0.82%, 0.26%

LAB 17.72, 43.97, -52.22

 

CMYK 31 / 90 / 0 / 53

HEX #540C79

RGB 84 12 121

HSL 279.63, 0.82%, 0.26%

LAB 22.05, 47.95, -44.95

 

CMYK 7 / 90 / 0 / 53

HEX #710C79

RGB 113 12 121

HSL 295.6, 0.82%, 0.26%

LAB 27.17, 53.02, -36.42

 

CMYK 0 / 90 / 18 / 53

HEX #790C63

RGB 121 12 99

HSL 312.11, 0.82%, 0.26%

LAB 27.38, 51.17, -21.82

 

CMYK 0 / 90 / 42 / 53

HEX #790C46

RGB 121 12 70

HSL 328.07, 0.82%, 0.26%

LAB 26.07, 47.59, -4.55

 

CMYK 7 / 89 / 0 / 82

HEX #2B052E

RGB 43 5 46

HSL 295.61, 0.8%, 0.1%

LAB 7.4, 25.75, -17.7

 

CMYK 5 / 90 / 0 / 67

HEX #4F0853

RGB 79 8 83

HSL 296.8, 0.82%, 0.18%

LAB 17.74, 40.32, -26.98

 

CMYK 5 / 90 / 0 / 53

HEX #730C79

RGB 115 12 121

HSL 296.7, 0.82%, 0.26%

LAB 27.54, 53.4, -35.8

 

CMYK 5 / 90 / 0 / 38

HEX #96109E

RGB 150 16 158

HSL 296.62, 0.82%, 0.34%

LAB 36.6, 65.3, -43.86

 

CMYK 5 / 90 / 0 / 23

HEX #BA13C4

RGB 186 19 196

HSL 296.61, 0.82%, 0.42%

LAB 45.48, 77.1, -51.81

 

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

CMYK 0 / 79 / 90 / 53

HEX #791A0C

RGB 121 26 12

HSL 7.71, 0.82%, 0.26%

LAB 26.25, 39.92, 33.21

 

CMYK 90 / 0 / 42 / 53

HEX #0C7946

RGB 12 121 70

HSL 151.93, 0.82%, 0.26%

LAB 44.51, -40.84, 20.19

 

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

CMYK 0 / 7 / 90 / 53

HEX #79710C

RGB 121 113 12

HSL 55.6, 0.82%, 0.26%

LAB 46.85, -7.73, 50.13

 

CMYK 90 / 0 / 7 / 53

HEX #0C7971

RGB 12 121 113

HSL 175.6, 0.82%, 0.26%

LAB 45.56, -29.54, -3.59

 

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

CMYK 0 / 79 / 90 / 53

HEX #791A0C

RGB 121 26 12

HSL 7.71, 0.82%, 0.26%

LAB 26.25, 39.92, 33.21

 

CMYK 84 / 0 / 90 / 53

HEX #13790C

RGB 19 121 12

HSL 116.15, 0.82%, 0.26%

LAB 44, -47.34, 45.56

 

CMYK 90 / 12 / 0 / 53

HEX #0C6A79

RGB 12 106 121

HSL 188.26, 0.82%, 0.26%

LAB 40.84, -19.19, -15.49

 

CMYK 5 / 90 / 0 / 53

HEX #710C77

RGB 113 12 119

HSL 296.64, 0.82%, 0.26%

LAB 27.03, 52.67, -35.36

 

CMYK 0 / 51 / 90 / 53

HEX #793B0C

RGB 121 59 12

HSL 25.87, 0.82%, 0.26%

LAB 32.3, 23.97, 38.28

 

CMYK 84 / 0 / 90 / 53

HEX #13790C

RGB 19 121 12

HSL 116.15, 0.82%, 0.26%

LAB 44, -47.34, 45.56

 

CMYK 90 / 39 / 0 / 53

HEX #0C4A79

RGB 12 74 121

HSL 205.87, 0.82%, 0.26%

LAB 30.29, 0.11, -31.94

 

Description

Color code: HEX #710C77 | qconv.com Color code: HEX #710C77 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 12 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 12 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 90 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 90% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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