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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #710BC4 it is the complementary color #8EF43B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #710BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #710BC4 shade: #760BBF, #871DD2, #982FE5, #A941F8 and #BA53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #710BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #710BC4 shade: #710BC4, #6000B1, #4F009E, #3E008B and #2D0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #710BC4 shade: #720CC6, #A40CC6, #C60CB5, #C60C83 and #C60C50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #710BC4 shade: #720CC6, #400CC6, #0E0CC6 and #0C0CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #710BC4 shade matches the following richer shades: #720CC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #710BC4 shade: #720CC6, #701CB5, #6F2DA4, #6D3E93 and #6B4F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #710BC4 shade: #0F0CC6, #400CC6, #720CC6, #A30CC6 and #C60CB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #710BC4 shade: #450778, #5C099F, #720CC6, #890EED and #9C31F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #710BC4 shade: #710BC4, #C60C3A and #0CC627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #710BC4 shade: #710BC4, #C6720C and #0CC672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #710BC4 shade: #710BC4, #C60C3A, #5FC60C and #0CC697

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #710BC4 shade: #710BC4, #C6150C, #5FC60C and #0CBCC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

Complementary color

CMYK 42 / 0 / 76 / 4

HEX #8EF43B

RGB 142 244 59

HSL 93.08, 0.89%, 0.59%

LAB 87.37, -57.92, 73.88

 

CMYK 38 / 94 / 0 / 25

HEX #760BBF

RGB 118 11 191

HSL 275.67, 0.89%, 0.4%

LAB 33.67, 67.57, -68.56

 

CMYK 36 / 86 / 0 / 18

HEX #871DD2

RGB 135 29 210

HSL 275.14, 0.76%, 0.47%

LAB 39.04, 70.05, -70.76

 

CMYK 34 / 79 / 0 / 10

HEX #982FE5

RGB 152 47 229

HSL 274.62, 0.78%, 0.54%

LAB 44.75, 71.26, -72.21

 

CMYK 32 / 74 / 0 / 3

HEX #A941F8

RGB 169 65 248

HSL 274.1, 0.93%, 0.61%

LAB 50.68, 71.64, -73.16

 

CMYK 27 / 67 / 0 / 0

HEX #BA53FF

RGB 186 83 255

HSL 275.93, 1%, 0.66%

LAB 55.93, 68.94, -68.44

 

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

CMYK 46 / 100 / 0 / 31

HEX #6000B1

RGB 96 0 177

HSL 272.54, 1%, 0.35%

LAB 28.54, 64.03, -68.81

 

CMYK 50 / 100 / 0 / 38

HEX #4F009E

RGB 79 0 158

HSL 270, 1%, 0.31%

LAB 24.1, 58.35, -64.73

 

CMYK 55 / 100 / 0 / 45

HEX #3E008B

RGB 62 0 139

HSL 266.76, 1%, 0.27%

LAB 19.59, 52.59, -60.5

 

CMYK 63 / 100 / 0 / 53

HEX #2D0078

RGB 45 0 120

HSL 262.5, 1%, 0.24%

LAB 15.03, 46.76, -56.07

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 17 / 94 / 0 / 22

HEX #A40CC6

RGB 164 12 198

HSL 289.03, 0.89%, 0.41%

LAB 41.58, 74.84, -59.45

 

CMYK 0 / 94 / 9 / 22

HEX #C60CB5

RGB 198 12 181

HSL 305.48, 0.89%, 0.41%

LAB 46.45, 77.78, -41.36

 

CMYK 0 / 94 / 34 / 22

HEX #C60C83

RGB 198 12 131

HSL 321.61, 0.89%, 0.41%

LAB 44.1, 71.72, -14.98

 

CMYK 0 / 94 / 60 / 22

HEX #C60C50

RGB 198 12 80

HSL 338.06, 0.89%, 0.41%

LAB 42.53, 67.5, 14.58

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 68 / 94 / 0 / 22

HEX #400CC6

RGB 64 12 198

HSL 256.77, 0.89%, 0.41%

LAB 27.93, 64.51, -82.4

 

CMYK 93 / 94 / 0 / 22

HEX #0E0CC6

RGB 14 12 198

HSL 240.65, 0.89%, 0.41%

LAB 25.06, 62.99, -87.26

 

CMYK 94 / 94 / 0 / 22

HEX #0C0CC6

RGB 12 12 198

HSL 240, 0.89%, 0.41%

LAB 25.01, 62.97, -87.34

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 38 / 85 / 0 / 29

HEX #701CB5

RGB 112 28 181

HSL 272.94, 0.73%, 0.41%

LAB 33.16, 60.91, -63.52

 

CMYK 32 / 73 / 0 / 36

HEX #6F2DA4

RGB 111 45 164

HSL 273.28, 0.57%, 0.41%

LAB 33.85, 50.4, -52.23

 

CMYK 26 / 58 / 0 / 42

HEX #6D3E93

RGB 109 62 147

HSL 273.18, 0.41%, 0.41%

LAB 35.6, 37.13, -39.12

 

CMYK 18 / 39 / 0 / 49

HEX #6B4F82

RGB 107 79 130

HSL 272.94, 0.24%, 0.41%

LAB 38.43, 22.28, -24.28

 

CMYK 92 / 94 / 0 / 22

HEX #0F0CC6

RGB 15 12 198

HSL 240.97, 0.89%, 0.41%

LAB 25.08, 63, -87.22

 

CMYK 68 / 94 / 0 / 22

HEX #400CC6

RGB 64 12 198

HSL 256.77, 0.89%, 0.41%

LAB 27.93, 64.51, -82.4

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 18 / 94 / 0 / 22

HEX #A30CC6

RGB 163 12 198

HSL 288.71, 0.89%, 0.41%

LAB 41.42, 74.69, -59.73

 

CMYK 0 / 94 / 8 / 22

HEX #C60CB6

RGB 198 12 182

HSL 305.16, 0.89%, 0.41%

LAB 46.51, 77.92, -41.86

 

CMYK 43 / 94 / 0 / 53

HEX #450778

RGB 69 7 120

HSL 272.92, 0.89%, 0.25%

LAB 19.11, 46.86, -49.21

 

CMYK 42 / 94 / 0 / 38

HEX #5C099F

RGB 92 9 159

HSL 273.2, 0.89%, 0.33%

LAB 26.66, 58.07, -61.05

 

CMYK 42 / 94 / 0 / 22

HEX #720CC6

RGB 114 12 198

HSL 272.9, 0.89%, 0.41%

LAB 33.81, 68.46, -72.47

 

CMYK 42 / 94 / 0 / 7

HEX #890EED

RGB 137 14 237

HSL 273.09, 0.89%, 0.49%

LAB 40.81, 78.7, -83.29

 

CMYK 36 / 80 / 0 / 5

HEX #9C31F3

RGB 156 49 243

HSL 273.09, 0.89%, 0.57%

LAB 46.63, 74.18, -77.04

 

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

CMYK 0 / 94 / 71 / 22

HEX #C60C3A

RGB 198 12 58

HSL 345.16, 0.89%, 0.41%

LAB 42.11, 66.34, 27.84

 

CMYK 94 / 0 / 80 / 22

HEX #0CC627

RGB 12 198 39

HSL 128.71, 0.89%, 0.41%

LAB 69.9, -69.39, 62.08

 

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

CMYK 0 / 42 / 94 / 22

HEX #C6720C

RGB 198 114 12

HSL 32.9, 0.89%, 0.41%

LAB 56.15, 27.03, 61.15

 

CMYK 94 / 0 / 42 / 22

HEX #0CC672

RGB 12 198 114

HSL 152.9, 0.89%, 0.41%

LAB 70.65, -60.2, 30.75

 

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

CMYK 0 / 94 / 71 / 22

HEX #C60C3A

RGB 198 12 58

HSL 345.16, 0.89%, 0.41%

LAB 42.11, 66.34, 27.84

 

CMYK 52 / 0 / 94 / 22

HEX #5FC60C

RGB 95 198 12

HSL 93.23, 0.89%, 0.41%

LAB 71.45, -56.67, 69.52

 

CMYK 94 / 0 / 24 / 22

HEX #0CC697

RGB 12 198 151

HSL 164.84, 0.89%, 0.41%

LAB 71.35, -52.22, 12.11

 

CMYK 42 / 94 / 0 / 23

HEX #710BC4

RGB 113 11 196

HSL 273.08, 0.89%, 0.41%

LAB 33.43, 68.08, -71.94

 

CMYK 0 / 89 / 94 / 22

HEX #C6150C

RGB 198 21 12

HSL 2.9, 0.89%, 0.41%

LAB 42.11, 63.91, 51.93

 

CMYK 52 / 0 / 94 / 22

HEX #5FC60C

RGB 95 198 12

HSL 93.23, 0.89%, 0.41%

LAB 71.45, -56.67, 69.52

 

CMYK 94 / 5 / 0 / 22

HEX #0CBCC6

RGB 12 188 198

HSL 183.23, 0.89%, 0.41%

LAB 69.56, -34.79, -16.16

 

Description

Color code: HEX #710BC4 | qconv.com Color code: HEX #710BC4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 11 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 11 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 94 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 94% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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