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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71075A it is the complementary color #8EF8A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71075A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71075A shade: #760755, #871968, #982B7B, #A93D8E and #BA4FA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71075A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71075A shade: #71075A, #600047, #4F0034, #3E0021 and #2D000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71075A shade: #73075C, #73073F, #730722 and #730707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71075A shade: #73075C, #6D0773, #500773, #330773 and #160773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71075A shade matches the following richer shades: #73075C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71075A shade: #73075C, #691156, #5F1B50, #55254B and #4B2F45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71075A shade: #510773, #6E0773, #73075C, #73073F and #730722

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71075A shade: #25021E, #4C053D, #73075C, #9A0A7B and #C10C99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71075A shade: #71075A, #733407 and #07735F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71075A shade: #71075A, #5C7307 and #075C73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71075A shade: #71075A, #733407, #07731F and #074673

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71075A shade: #71075A, #735507, #07731F and #072673

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

Complementary color

CMYK 43 / 0 / 33 / 3

HEX #8EF8A5

RGB 142 248 165

HSL 133.02, 0.88%, 0.76%

LAB 89.67, -47.83, 30.54

 

CMYK 0 / 94 / 28 / 54

HEX #760755

RGB 118 7 85

HSL 317.84, 0.89%, 0.25%

LAB 25.74, 49.54, -15.18

 

CMYK 0 / 81 / 23 / 47

HEX #871968

RGB 135 25 104

HSL 316.91, 0.69%, 0.31%

LAB 31.45, 52, -18.5

 

CMYK 0 / 72 / 19 / 40

HEX #982B7B

RGB 152 43 123

HSL 315.96, 0.56%, 0.38%

LAB 37.54, 53.06, -20.84

 

CMYK 0 / 64 / 16 / 34

HEX #A93D8E

RGB 169 61 142

HSL 315, 0.47%, 0.45%

LAB 43.84, 53.27, -22.53

 

CMYK 0 / 58 / 13 / 27

HEX #BA4FA1

RGB 186 79 161

HSL 314.02, 0.44%, 0.52%

LAB 50.22, 53.01, -23.81

 

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

CMYK 0 / 100 / 26 / 62

HEX #600047

RGB 96 0 71

HSL 315.63, 1%, 0.19%

LAB 19.81, 44.31, -15.27

 

CMYK 0 / 100 / 34 / 69

HEX #4F0034

RGB 79 0 52

HSL 320.51, 1%, 0.15%

LAB 15.01, 37.97, -9.61

 

CMYK 0 / 100 / 47 / 76

HEX #3E0021

RGB 62 0 33

HSL 328.06, 1%, 0.12%

LAB 10.06, 31.47, -3.42

 

CMYK 0 / 100 / 69 / 82

HEX #2D000E

RGB 45 0 14

HSL 341.33, 1%, 0.09%

LAB 5.33, 23.24, 2.49

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 0 / 94 / 45 / 55

HEX #73073F

RGB 115 7 63

HSL 328.89, 0.89%, 0.24%

LAB 24.18, 46.33, -2.73

 

CMYK 0 / 94 / 70 / 55

HEX #730722

RGB 115 7 34

HSL 345, 0.89%, 0.24%

LAB 23.38, 44.1, 16.23

 

CMYK 0 / 94 / 94 / 55

HEX #730707

RGB 115 7 7

HSL 0, 0.89%, 0.24%

LAB 23.04, 43.13, 31.74

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 5 / 94 / 0 / 55

HEX #6D0773

RGB 109 7 115

HSL 296.67, 0.89%, 0.24%

LAB 25.69, 52.17, -35

 

CMYK 30 / 94 / 0 / 55

HEX #500773

RGB 80 7 115

HSL 280.56, 0.89%, 0.24%

LAB 20.42, 47.26, -43.78

 

CMYK 56 / 94 / 0 / 55

HEX #330773

RGB 51 7 115

HSL 264.44, 0.89%, 0.24%

LAB 15.97, 43.55, -51.26

 

CMYK 81 / 94 / 0 / 55

HEX #160773

RGB 22 7 115

HSL 248.33, 0.89%, 0.24%

LAB 12.99, 41.43, -56.3

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 0 / 84 / 18 / 59

HEX #691156

RGB 105 17 86

HSL 312.95, 0.72%, 0.24%

LAB 23.92, 44.33, -18.88

 

CMYK 0 / 72 / 16 / 63

HEX #5F1B50

RGB 95 27 80

HSL 313.24, 0.56%, 0.24%

LAB 22.99, 37.05, -16.47

 

CMYK 0 / 56 / 12 / 67

HEX #55254B

RGB 85 37 75

HSL 312.5, 0.39%, 0.24%

LAB 22.87, 27.91, -13.42

 

CMYK 0 / 37 / 8 / 71

HEX #4B2F45

RGB 75 47 69

HSL 312.86, 0.23%, 0.24%

LAB 23.53, 16.85, -8.5

 

CMYK 30 / 94 / 0 / 55

HEX #510773

RGB 81 7 115

HSL 281.11, 0.89%, 0.24%

LAB 20.59, 47.41, -43.49

 

CMYK 4 / 94 / 0 / 55

HEX #6E0773

RGB 110 7 115

HSL 297.22, 0.89%, 0.24%

LAB 25.88, 52.36, -34.69

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 0 / 94 / 45 / 55

HEX #73073F

RGB 115 7 63

HSL 328.89, 0.89%, 0.24%

LAB 24.18, 46.33, -2.73

 

CMYK 0 / 94 / 70 / 55

HEX #730722

RGB 115 7 34

HSL 345, 0.89%, 0.24%

LAB 23.38, 44.1, 16.23

 

CMYK 0 / 95 / 19 / 85

HEX #25021E

RGB 37 2 30

HSL 312, 0.9%, 0.08%

LAB 4.79, 20.63, -9.59

 

CMYK 0 / 93 / 20 / 70

HEX #4C053D

RGB 76 5 61

HSL 312.68, 0.88%, 0.16%

LAB 15.39, 36.81, -15.5

 

CMYK 0 / 94 / 20 / 55

HEX #73075C

RGB 115 7 92

HSL 312.78, 0.89%, 0.24%

LAB 25.47, 49.8, -20.3

 

CMYK 0 / 94 / 20 / 40

HEX #9A0A7B

RGB 154 10 123

HSL 312.92, 0.88%, 0.32%

LAB 35.04, 61.78, -24.71

 

CMYK 0 / 94 / 21 / 24

HEX #C10C99

RGB 193 12 153

HSL 313.26, 0.88%, 0.4%

LAB 44.09, 73.18, -28.46

 

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

CMYK 0 / 55 / 94 / 55

HEX #733407

RGB 115 52 7

HSL 25, 0.89%, 0.24%

LAB 29.7, 25.15, 37.74

 

CMYK 94 / 0 / 17 / 55

HEX #07735F

RGB 7 115 95

HSL 168.89, 0.89%, 0.24%

LAB 42.96, -32.47, 3.37

 

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

CMYK 20 / 0 / 94 / 55

HEX #5C7307

RGB 92 115 7

HSL 72.78, 0.89%, 0.24%

LAB 45.01, -22.45, 48.72

 

CMYK 94 / 20 / 0 / 55

HEX #075C73

RGB 7 92 115

HSL 192.78, 0.89%, 0.24%

LAB 35.86, -13.87, -19.48

 

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

CMYK 0 / 55 / 94 / 55

HEX #733407

RGB 115 52 7

HSL 25, 0.89%, 0.24%

LAB 29.7, 25.15, 37.74

 

CMYK 94 / 0 / 73 / 55

HEX #07731F

RGB 7 115 31

HSL 133.33, 0.89%, 0.24%

LAB 41.85, -45.26, 37.08

 

CMYK 94 / 39 / 0 / 55

HEX #074673

RGB 7 70 115

HSL 205, 0.89%, 0.24%

LAB 28.55, -0.12, -30.95

 

CMYK 0 / 94 / 20 / 56

HEX #71075A

RGB 113 7 90

HSL 313.02, 0.88%, 0.24%

LAB 24.95, 49.08, -19.81

 

CMYK 0 / 26 / 94 / 55

HEX #735507

RGB 115 85 7

HSL 43.33, 0.89%, 0.24%

LAB 38.12, 5.53, 44.17

 

CMYK 94 / 0 / 73 / 55

HEX #07731F

RGB 7 115 31

HSL 133.33, 0.89%, 0.24%

LAB 41.85, -45.26, 37.08

 

CMYK 94 / 67 / 0 / 55

HEX #072673

RGB 7 38 115

HSL 222.78, 0.89%, 0.24%

LAB 18.67, 22.66, -46.92

 

Description

Color code: HEX #71075A | qconv.com Color code: HEX #71075A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 7 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 7 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 20 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 20% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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