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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7100FA it is the complementary color #8EFF05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7100FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7100FA shade: #7600F5, #8712FF, #9824FF, #A936FF and #BA48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7100FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7100FA shade: #7100FA, #6000E7, #4F00D4, #3E00C1 and #2D00AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7100FA shade: #7100FA, #B400FA, #F800FA, #FA00B9 and #FA0075

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7100FA shade: #7100FA, #2E00FA and #0000FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7100FA shade matches the following richer shades: #7100FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7100FA shade: #7100FA, #7314E6, #7528D1, #773DBD and #7951A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7100FA shade: #0015FA, #2E00FA, #7000FA, #B300FA and #F600FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7100FA shade: #4C00A7, #5E00D1, #7100FA, #8724FF and #9E4DFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7100FA shade: #7100FA, #FA0057 and #00FA0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7100FA shade: #7100FA, #FA7000 and #00FA70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7100FA shade: #7100FA, #FA0057, #89FA00 and #00FAA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7100FA shade: #7100FA, #FA000C, #89FA00 and #00FAED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

Complementary color

CMYK 44 / 0 / 98 / 0

HEX #8EFF05

RGB 142 255 5

HSL 87.12, 1%, 0.51%

LAB 90.45, -63.61, 86.11

 

CMYK 52 / 100 / 0 / 4

HEX #7600F5

RGB 118 0 245

HSL 268.9, 1%, 0.48%

LAB 38.63, 80.36, -91.5

 

CMYK 47 / 93 / 0 / 0

HEX #8712FF

RGB 135 18 255

HSL 269.62, 1%, 0.54%

LAB 42.47, 81.7, -90.7

 

CMYK 40 / 86 / 0 / 0

HEX #9824FF

RGB 152 36 255

HSL 271.78, 1%, 0.57%

LAB 45.85, 79.9, -85.05

 

CMYK 34 / 79 / 0 / 0

HEX #A936FF

RGB 169 54 255

HSL 274.33, 1%, 0.61%

LAB 49.85, 77.03, -78.41

 

CMYK 27 / 72 / 0 / 0

HEX #BA48FF

RGB 186 72 255

HSL 277.38, 1%, 0.64%

LAB 54.34, 73.43, -71.02

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 58 / 100 / 0 / 9

HEX #6000E7

RGB 96 0 231

HSL 264.94, 1%, 0.45%

LAB 34.51, 75.9, -90.46

 

CMYK 63 / 100 / 0 / 17

HEX #4F00D4

RGB 79 0 212

HSL 262.36, 1%, 0.42%

LAB 30.44, 70.69, -86.35

 

CMYK 68 / 100 / 0 / 24

HEX #3E00C1

RGB 62 0 193

HSL 259.27, 1%, 0.38%

LAB 26.37, 65.46, -82.04

 

CMYK 74 / 100 / 0 / 32

HEX #2D00AE

RGB 45 0 174

HSL 255.52, 1%, 0.34%

LAB 22.35, 60.22, -77.45

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 28 / 100 / 0 / 2

HEX #B400FA

RGB 180 0 250

HSL 283.2, 1%, 0.49%

LAB 47.76, 87.2, -78.97

 

CMYK 1 / 100 / 0 / 2

HEX #F800FA

RGB 248 0 250

HSL 299.52, 1%, 0.49%

LAB 58.84, 96.48, -60.5

 

CMYK 0 / 100 / 26 / 2

HEX #FA00B9

RGB 250 0 185

HSL 315.6, 1%, 0.49%

LAB 55.91, 88.7, -28.18

 

CMYK 0 / 100 / 53 / 2

HEX #FA0075

RGB 250 0 117

HSL 331.92, 1%, 0.49%

LAB 53.61, 82.71, 8.74

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 82 / 100 / 0 / 2

HEX #2E00FA

RGB 46 0 250

HSL 251.04, 1%, 0.49%

LAB 32.88, 78.45, -104.05

 

CMYK 100 / 100 / 0 / 2

HEX #0000FA

RGB 0 0 250

HSL 240, 1%, 0.49%

LAB 31.58, 78.02, -106.26

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 50 / 91 / 0 / 10

HEX #7314E6

RGB 115 20 230

HSL 267.14, 0.84%, 0.49%

LAB 37.59, 74.16, -84.73

 

CMYK 44 / 81 / 0 / 18

HEX #7528D1

RGB 117 40 209

HSL 267.34, 0.68%, 0.49%

LAB 37.67, 64.09, -72.52

 

CMYK 37 / 68 / 0 / 26

HEX #773DBD

RGB 119 61 189

HSL 267.19, 0.51%, 0.49%

LAB 39.47, 50.48, -57.92

 

CMYK 28 / 52 / 0 / 34

HEX #7951A9

RGB 121 81 169

HSL 267.27, 0.35%, 0.49%

LAB 42.48, 34.99, -41.28

 

CMYK 100 / 92 / 0 / 2

HEX #0015FA

RGB 0 21 250

HSL 234.96, 1%, 0.49%

LAB 32.78, 74.3, -104.25

 

CMYK 82 / 100 / 0 / 2

HEX #2E00FA

RGB 46 0 250

HSL 251.04, 1%, 0.49%

LAB 32.88, 78.45, -104.05

 

CMYK 55 / 100 / 0 / 2

HEX #7000FA

RGB 112 0 250

HSL 266.88, 1%, 0.49%

LAB 38.46, 81.02, -94.62

 

CMYK 28 / 100 / 0 / 2

HEX #B300FA

RGB 179 0 250

HSL 282.96, 1%, 0.49%

LAB 47.61, 87.08, -79.23

 

CMYK 2 / 100 / 0 / 2

HEX #F600FA

RGB 246 0 250

HSL 299.04, 1%, 0.49%

LAB 58.5, 96.18, -61.06

 

CMYK 54 / 100 / 0 / 35

HEX #4C00A7

RGB 76 0 167

HSL 267.31, 1%, 0.33%

LAB 24.72, 60.16, -69.19

 

CMYK 55 / 100 / 0 / 18

HEX #5E00D1

RGB 94 0 209

HSL 266.99, 1%, 0.41%

LAB 31.77, 70.89, -82.35

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 47 / 86 / 0 / 0

HEX #8724FF

RGB 135 36 255

HSL 267.12, 1%, 0.57%

LAB 43.7, 78, -88.66

 

CMYK 38 / 70 / 0 / 0

HEX #9E4DFF

RGB 158 77 255

HSL 267.3, 1%, 0.65%

LAB 51.61, 66.31, -75.61

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 0 / 100 / 65 / 2

HEX #FA0057

RGB 250 0 87

HSL 339.12, 1%, 0.49%

LAB 52.96, 80.98, 26.02

 

CMYK 100 / 0 / 95 / 2

HEX #00FA0C

RGB 0 250 12

HSL 122.88, 1%, 0.49%

LAB 86.2, -84.73, 81.01

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 0 / 55 / 100 / 2

HEX #FA7000

RGB 250 112 0

HSL 26.88, 1%, 0.49%

LAB 63.27, 48.65, 71.45

 

CMYK 100 / 0 / 55 / 2

HEX #00FA70

RGB 0 250 112

HSL 146.88, 1%, 0.49%

LAB 86.77, -77.53, 51.86

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 0 / 100 / 65 / 2

HEX #FA0057

RGB 250 0 87

HSL 339.12, 1%, 0.49%

LAB 52.96, 80.98, 26.02

 

CMYK 45 / 0 / 100 / 2

HEX #89FA00

RGB 137 250 0

HSL 87.12, 1%, 0.49%

LAB 88.78, -63.36, 85.08

 

CMYK 100 / 0 / 35 / 2

HEX #00FAA2

RGB 0 250 162

HSL 158.88, 1%, 0.49%

LAB 87.48, -69.12, 28.62

 

CMYK 55 / 100 / 0 / 2

HEX #7100FA

RGB 113 0 250

HSL 267.12, 1%, 0.49%

LAB 38.57, 81.09, -94.42

 

CMYK 0 / 100 / 95 / 2

HEX #FA000C

RGB 250 0 12

HSL 357.12, 1%, 0.49%

LAB 52.23, 79, 63.21

 

CMYK 45 / 0 / 100 / 2

HEX #89FA00

RGB 137 250 0

HSL 87.12, 1%, 0.49%

LAB 88.78, -63.36, 85.08

 

CMYK 100 / 0 / 5 / 2

HEX #00FAED

RGB 0 250 237

HSL 176.88, 1%, 0.49%

LAB 89.15, -51.04, -7.71

 

Description

Color code: HEX #7100FA | qconv.com Color code: HEX #7100FA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, none green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 0 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 100 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 100% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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