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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FFF5 it is the complementary color #8F000A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FFF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70FFF5: #75FFF0, #86FFFF, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FFF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70FFF5: #70FFF5, #5FEDE2, #4EDBCF, #3DC9BC and #2CB7A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

Complementary color

CMYK 0 / 100 / 93 / 44

HEX #8F000A

RGB 143 0 10

HSL 355.8, 1%, 0.28%

LAB 29.06, 52.23, 38.4

 

CMYK 54 / 0 / 6 / 0

HEX #75FFF0

RGB 117 255 240

HSL 173.48, 1%, 0.73%

LAB 92.4, -41.12, -4.28

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 60 / 0 / 5 / 7

HEX #5FEDE2

RGB 95 237 226

HSL 175.35, 0.8%, 0.65%

LAB 86.25, -40.56, -6.11

 

CMYK 64 / 0 / 5 / 14

HEX #4EDBCF

RGB 78 219 207

HSL 174.89, 0.66%, 0.58%

LAB 80.06, -40.18, -5.25

 

CMYK 70 / 0 / 6 / 21

HEX #3DC9BC

RGB 61 201 188

HSL 174.43, 0.56%, 0.51%

LAB 73.8, -39.65, -4.31

 

CMYK 76 / 0 / 8 / 28

HEX #2CB7A9

RGB 44 183 169

HSL 173.96, 0.61%, 0.45%

LAB 67.48, -38.89, -3.27

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 56 / 5 / 0 / 0

HEX #70F3FF

RGB 112 243 255

HSL 185.03, 1%, 0.72%

LAB 89.28, -32.7, -16.72

 

CMYK 56 / 14 / 0 / 0

HEX #70DBFF

RGB 112 219 255

HSL 195.1, 1%, 0.72%

LAB 82.55, -21.01, -26.92

 

CMYK 56 / 24 / 0 / 0

HEX #70C3FF

RGB 112 195 255

HSL 205.17, 1%, 0.72%

LAB 75.88, -8.53, -37.19

 

CMYK 56 / 33 / 0 / 0

HEX #70ABFF

RGB 112 171 255

HSL 215.24, 1%, 0.72%

LAB 69.32, 4.72, -47.44

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 57 / 0 / 4 / 80

HEX #163331

RGB 22 51 49

HSL 175.86, 0.4%, 0.14%

LAB 19.06, -11.49, -2.1

 

CMYK 56 / 0 / 4 / 60

HEX #2D6662

RGB 45 102 98

HSL 175.79, 0.39%, 0.29%

LAB 39.48, -19.68, -3.43

 

CMYK 56 / 0 / 4 / 40

HEX #439993

RGB 67 153 147

HSL 175.81, 0.39%, 0.43%

LAB 58.12, -27.25, -4.68

 

CMYK 56 / 0 / 4 / 20

HEX #5ACCC4

RGB 90 204 196

HSL 175.79, 0.53%, 0.58%

LAB 75.67, -34.11, -5.8

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 50 / 56 / 0 / 0

HEX #8070FF

RGB 128 112 255

HSL 246.71, 1%, 0.72%

LAB 55.48, 42.42, -69.46

 

CMYK 0 / 27 / 56 / 0

HEX #FFB970

RGB 255 185 112

HSL 30.63, 1%, 0.72%

LAB 80.25, 17.62, 46.64

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 5 / 56 / 0 / 0

HEX #F370FF

RGB 243 112 255

HSL 294.97, 1%, 0.72%

LAB 67.92, 69.11, -48.88

 

CMYK 0 / 5 / 56 / 0

HEX #FFF370

RGB 255 243 112

HSL 54.97, 1%, 0.72%

LAB 94.54, -11.94, 63.38

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 50 / 56 / 0 / 0

HEX #8070FF

RGB 128 112 255

HSL 246.71, 1%, 0.72%

LAB 55.48, 42.42, -69.46

 

CMYK 0 / 56 / 51 / 0

HEX #FF707C

RGB 255 112 124

HSL 354.97, 1%, 0.72%

LAB 65.2, 55.42, 20.86

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF70

RGB 238 255 112

HSL 67.13, 1%, 0.72%

LAB 96.36, -24.43, 65.08

 

CMYK 56 / 0 / 4 / 0

HEX #70FFF5

RGB 112 255 245

HSL 175.8, 1%, 0.72%

LAB 92.38, -40.81, -6.91

 

CMYK 33 / 56 / 0 / 0

HEX #AB70FF

RGB 171 112 255

HSL 264.76, 1%, 0.72%

LAB 59.4, 51.66, -62.94

 

CMYK 0 / 56 / 51 / 0

HEX #FF707C

RGB 255 112 124

HSL 354.97, 1%, 0.72%

LAB 65.2, 55.42, 20.86

 

CMYK 24 / 0 / 56 / 0

HEX #C3FF70

RGB 195 255 112

HSL 85.17, 1%, 0.72%

LAB 93.58, -40.58, 61.18

 

Description

Color code: HEX #70FFF5 | qconv.com Color code: HEX #70FFF5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 255 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 255 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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