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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FD9B it is the complementary color #8F0264. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FD9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FD9B shade: #75FD96, #86FFA9, #97FFBC, #A8FFCF and #B9FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FD9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FD9B shade: #70FD9B, #5FEB88, #4ED975, #3DC762 and #2CB54F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FD9B shade: #72FD9D, #72FD77, #93FD72, #B8FD72 and #DEFD72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FD9B shade: #72FD9D, #72FDC2, #72FDE7, #72EDFD and #72C8FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FD9B shade matches the following richer shades: #72FD9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FD9B shade: #72FD9D, #7EF1A1, #89E6A6, #95DAAA and #A1CFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FD9B shade: #93FD72, #72FD77, #72FD9C, #72FDC1 and #72FDE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FD9B shade: #21FC64, #4AFC80, #72FD9D, #9BFDB9 and #C4FED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FD9B shade: #70FD9B, #72B8FD and #FD7280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FD9B shade: #70FD9B, #9C72FD and #FD9C72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FD9B shade: #70FD9B, #72B8FD, #FD72D3 and #FDB872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FD9B shade: #70FD9B, #728EFD, #FD72D3 and #FDE172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

Complementary color

CMYK 0 / 99 / 30 / 44

HEX #8F0264

RGB 143 2 100

HSL 318.3, 0.97%, 0.28%

LAB 31.35, 57.72, -15.95

 

CMYK 54 / 0 / 41 / 1

HEX #75FD96

RGB 117 253 150

HSL 134.56, 0.97%, 0.73%

LAB 89.97, -58.68, 38.23

 

CMYK 47 / 0 / 34 / 0

HEX #86FFA9

RGB 134 255 169

HSL 137.36, 1%, 0.76%

LAB 91.44, -52.2, 30.84

 

CMYK 41 / 0 / 26 / 0

HEX #97FFBC

RGB 151 255 188

HSL 141.35, 1%, 0.8%

LAB 92.46, -44.36, 22.74

 

CMYK 34 / 0 / 19 / 0

HEX #A8FFCF

RGB 168 255 207

HSL 146.9, 1%, 0.83%

LAB 93.6, -36.08, 14.74

 

CMYK 27 / 0 / 11 / 0

HEX #B9FFE2

RGB 185 255 226

HSL 155.14, 1%, 0.86%

LAB 94.88, -27.47, 6.91

 

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

CMYK 60 / 0 / 42 / 8

HEX #5FEB88

RGB 95 235 136

HSL 137.57, 0.78%, 0.65%

LAB 83.77, -58.91, 36.97

 

CMYK 64 / 0 / 46 / 15

HEX #4ED975

RGB 78 217 117

HSL 136.83, 0.65%, 0.58%

LAB 77.6, -58.65, 38.37

 

CMYK 69 / 0 / 51 / 22

HEX #3DC762

RGB 61 199 98

HSL 136.09, 0.55%, 0.51%

LAB 71.37, -58.14, 39.84

 

CMYK 76 / 0 / 56 / 29

HEX #2CB54F

RGB 44 181 79

HSL 135.33, 0.61%, 0.44%

LAB 65.08, -57.26, 41.34

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9D

RGB 114 253 157

HSL 138.56, 0.97%, 0.72%

LAB 89.98, -58.23, 34.77

 

CMYK 55 / 0 / 53 / 1

HEX #72FD77

RGB 114 253 119

HSL 122.16, 0.97%, 0.72%

LAB 89.47, -63.77, 52.33

 

CMYK 42 / 0 / 55 / 1

HEX #93FD72

RGB 147 253 114

HSL 105.76, 0.97%, 0.72%

LAB 90.63, -55.45, 56.26

 

CMYK 27 / 0 / 55 / 1

HEX #B8FD72

RGB 184 253 114

HSL 89.78, 0.97%, 0.72%

LAB 92.42, -43.41, 58.81

 

CMYK 12 / 0 / 55 / 1

HEX #DEFD72

RGB 222 253 114

HSL 73.38, 0.97%, 0.72%

LAB 94.74, -29.49, 62.08

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9D

RGB 114 253 157

HSL 138.56, 0.97%, 0.72%

LAB 89.98, -58.23, 34.77

 

CMYK 55 / 0 / 23 / 1

HEX #72FDC2

RGB 114 253 194

HSL 154.53, 0.97%, 0.72%

LAB 90.65, -51.29, 16.95

 

CMYK 55 / 0 / 9 / 1

HEX #72FDE7

RGB 114 253 231

HSL 170.5, 0.97%, 0.72%

LAB 91.5, -43, -0.94

 

CMYK 55 / 6 / 0 / 1

HEX #72EDFD

RGB 114 237 253

HSL 186.91, 0.97%, 0.72%

LAB 87.6, -30.01, -18.21

 

CMYK 55 / 21 / 0 / 1

HEX #72C8FD

RGB 114 200 253

HSL 202.88, 0.97%, 0.72%

LAB 77.27, -11.39, -33.97

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9D

RGB 114 253 157

HSL 138.56, 0.97%, 0.72%

LAB 89.98, -58.23, 34.77

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9D

RGB 114 253 157

HSL 138.56, 0.97%, 0.72%

LAB 89.98, -58.23, 34.77

 

CMYK 48 / 0 / 33 / 5

HEX #7EF1A1

RGB 126 241 161

HSL 138.26, 0.8%, 0.72%

LAB 86.96, -49.82, 28.8

 

CMYK 40 / 0 / 28 / 10

HEX #89E6A6

RGB 137 230 166

HSL 138.71, 0.65%, 0.72%

LAB 84.31, -41.25, 22.71

 

CMYK 32 / 0 / 22 / 15

HEX #95DAAA

RGB 149 218 170

HSL 138.26, 0.48%, 0.72%

LAB 81.53, -31.5, 16.85

 

CMYK 22 / 0 / 15 / 19

HEX #A1CFAF

RGB 161 207 175

HSL 138.26, 0.32%, 0.72%

LAB 79.21, -21.43, 11.03

 

CMYK 42 / 0 / 55 / 1

HEX #93FD72

RGB 147 253 114

HSL 105.76, 0.97%, 0.72%

LAB 90.63, -55.45, 56.26

 

CMYK 55 / 0 / 53 / 1

HEX #72FD77

RGB 114 253 119

HSL 122.16, 0.97%, 0.72%

LAB 89.47, -63.77, 52.33

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9C

RGB 114 253 156

HSL 138.13, 0.97%, 0.72%

LAB 89.97, -58.39, 35.25

 

CMYK 55 / 0 / 24 / 1

HEX #72FDC1

RGB 114 253 193

HSL 154.1, 0.97%, 0.72%

LAB 90.63, -51.5, 17.44

 

CMYK 55 / 0 / 9 / 1

HEX #72FDE6

RGB 114 253 230

HSL 170.07, 0.97%, 0.72%

LAB 91.48, -43.24, -0.45

 

CMYK 87 / 0 / 60 / 1

HEX #21FC64

RGB 33 252 100

HSL 138.36, 0.97%, 0.56%

LAB 87.42, -78.28, 57.92

 

CMYK 71 / 0 / 49 / 1

HEX #4AFC80

RGB 74 252 128

HSL 138.2, 0.97%, 0.64%

LAB 88.27, -70.04, 46.46

 

CMYK 55 / 0 / 38 / 1

HEX #72FD9D

RGB 114 253 157

HSL 138.56, 0.97%, 0.72%

LAB 89.98, -58.23, 34.77

 

CMYK 39 / 0 / 27 / 1

HEX #9BFDB9

RGB 155 253 185

HSL 138.37, 0.96%, 0.8%

LAB 92.01, -42.92, 23.67

 

CMYK 23 / 0 / 16 / 0

HEX #C4FED5

RGB 196 254 213

HSL 137.59, 0.97%, 0.88%

LAB 94.92, -26.09, 13.73

 

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

CMYK 55 / 27 / 0 / 1

HEX #72B8FD

RGB 114 184 253

HSL 209.78, 0.97%, 0.72%

LAB 72.86, -2.75, -40.81

 

CMYK 0 / 55 / 49 / 1

HEX #FD7280

RGB 253 114 128

HSL 353.96, 0.97%, 0.72%

LAB 65.34, 54.16, 18.73

 

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

CMYK 38 / 55 / 0 / 1

HEX #9C72FD

RGB 156 114 253

HSL 258.13, 0.97%, 0.72%

LAB 58.22, 46.66, -63.82

 

CMYK 0 / 38 / 55 / 1

HEX #FD9C72

RGB 253 156 114

HSL 18.13, 0.97%, 0.72%

LAB 73.46, 32.13, 37.15

 

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

CMYK 55 / 27 / 0 / 1

HEX #72B8FD

RGB 114 184 253

HSL 209.78, 0.97%, 0.72%

LAB 72.86, -2.75, -40.81

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D3

RGB 253 114 211

HSL 318.13, 0.97%, 0.72%

LAB 67.74, 63.84, -24.73

 

CMYK 0 / 27 / 55 / 1

HEX #FDB872

RGB 253 184 114

HSL 30.22, 0.97%, 0.72%

LAB 79.83, 17.49, 45.08

 

CMYK 56 / 0 / 39 / 1

HEX #70FD9B

RGB 112 253 155

HSL 138.3, 0.97%, 0.72%

LAB 89.89, -59.01, 35.63

 

CMYK 55 / 44 / 0 / 1

HEX #728EFD

RGB 114 142 253

HSL 227.91, 0.97%, 0.72%

LAB 61.67, 21.35, -58.47

 

CMYK 0 / 55 / 17 / 1

HEX #FD72D3

RGB 253 114 211

HSL 318.13, 0.97%, 0.72%

LAB 67.74, 63.84, -24.73

 

CMYK 0 / 11 / 55 / 1

HEX #FDE172

RGB 253 225 114

HSL 47.91, 0.97%, 0.72%

LAB 89.84, -3.64, 57.03

 

Description

Color code: HEX #70FD9B | qconv.com Color code: HEX #70FD9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 253 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 253 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 39 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 39% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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