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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FD1B it is the complementary color #8F02E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FD1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FD1B shade: #75FD16, #86FF29, #97FF3C, #A8FF4F and #B9FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FD1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FD1B shade: #70FD1B, #5FEB08, #4ED900, #3DC700 and #2CB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FD1B shade: #70FD1C, #ADFD1C, #EAFD1C, #FDD31C and #FD961C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FD1B shade: #70FD1C, #34FD1C, #1CFD40, #1CFD7D and #1CFDBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FD1B shade matches the following richer shades: #70FD1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FD1B shade: #70FD1C, #75EA2E, #7AD841, #7EC553 and #83B266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FD1B shade: #EAFD1C, #AEFD1C, #72FD1C, #36FD1C and #1CFD3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FD1B shade: #4BC402, #5BED02, #70FD1C, #8AFD45 and #A4FE6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FD1B shade: #70FD1B, #1CFDD3 and #FD1CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FD1B shade: #70FD1B, #1C72FD and #FD1C72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FD1B shade: #70FD1B, #1CFDD3, #A61CFD and #FD1C45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FD1B shade: #70FD1B, #1CE2FD, #A61CFD and #FD361C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

Complementary color

CMYK 37 / 99 / 0 / 11

HEX #8F02E4

RGB 143 2 228

HSL 277.43, 0.98%, 0.45%

LAB 40.38, 78.82, -78.85

 

CMYK 54 / 0 / 91 / 1

HEX #75FD16

RGB 117 253 22

HSL 95.32, 0.98%, 0.54%

LAB 88.97, -69.77, 82.96

 

CMYK 47 / 0 / 84 / 0

HEX #86FF29

RGB 134 255 41

HSL 93.93, 1%, 0.58%

LAB 90.21, -65.24, 81.01

 

CMYK 41 / 0 / 76 / 0

HEX #97FF3C

RGB 151 255 60

HSL 92, 1%, 0.62%

LAB 90.97, -59.26, 77.14

 

CMYK 34 / 0 / 69 / 0

HEX #A8FF4F

RGB 168 255 79

HSL 89.66, 1%, 0.65%

LAB 91.87, -52.58, 72.09

 

CMYK 27 / 0 / 62 / 0

HEX #B9FF62

RGB 185 255 98

HSL 86.75, 1%, 0.69%

LAB 92.89, -45.32, 66.15

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

CMYK 60 / 0 / 97 / 8

HEX #5FEB08

RGB 95 235 8

HSL 97, 0.93%, 0.48%

LAB 82.84, -69.48, 79.13

 

CMYK 64 / 0 / 100 / 15

HEX #4ED900

RGB 78 217 0

HSL 98.43, 1%, 0.43%

LAB 76.83, -67.6, 74.85

 

CMYK 69 / 0 / 100 / 22

HEX #3DC700

RGB 61 199 0

HSL 101.61, 1%, 0.39%

LAB 70.76, -65.36, 69.86

 

CMYK 76 / 0 / 100 / 29

HEX #2CB500

RGB 44 181 0

HSL 105.41, 1%, 0.35%

LAB 64.63, -62.76, 64.83

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1C

RGB 112 253 28

HSL 97.6, 0.98%, 0.55%

LAB 88.82, -70.91, 81.92

 

CMYK 32 / 0 / 89 / 1

HEX #ADFD1C

RGB 173 253 28

HSL 81.33, 0.98%, 0.55%

LAB 91.33, -52.22, 85.04

 

CMYK 8 / 0 / 89 / 1

HEX #EAFD1C

RGB 234 253 28

HSL 65.07, 0.98%, 0.55%

LAB 95.09, -28.88, 89.63

 

CMYK 0 / 17 / 89 / 1

HEX #FDD31C

RGB 253 211 28

HSL 48.8, 0.98%, 0.55%

LAB 85.78, -0.45, 83.01

 

CMYK 0 / 41 / 89 / 1

HEX #FD961C

RGB 253 150 28

HSL 32.53, 0.98%, 0.55%

LAB 71.4, 31.21, 72

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1C

RGB 112 253 28

HSL 97.6, 0.98%, 0.55%

LAB 88.82, -70.91, 81.92

 

CMYK 79 / 0 / 89 / 1

HEX #34FD1C

RGB 52 253 28

HSL 113.6, 0.98%, 0.55%

LAB 87.52, -81.93, 80.3

 

CMYK 89 / 0 / 75 / 1

HEX #1CFD40

RGB 28 253 64

HSL 129.6, 0.98%, 0.55%

LAB 87.42, -82.25, 71.46

 

CMYK 89 / 0 / 51 / 1

HEX #1CFD7D

RGB 28 253 125

HSL 145.87, 0.98%, 0.55%

LAB 87.96, -75.58, 47.35

 

CMYK 89 / 0 / 26 / 1

HEX #1CFDBA

RGB 28 253 186

HSL 162.13, 0.98%, 0.55%

LAB 88.94, -64.19, 18.44

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1C

RGB 112 253 28

HSL 97.6, 0.98%, 0.55%

LAB 88.82, -70.91, 81.92

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1C

RGB 112 253 28

HSL 97.6, 0.98%, 0.55%

LAB 88.82, -70.91, 81.92

 

CMYK 50 / 0 / 80 / 8

HEX #75EA2E

RGB 117 234 46

HSL 97.34, 0.82%, 0.55%

LAB 83.35, -62.32, 73.45

 

CMYK 44 / 0 / 70 / 15

HEX #7AD841

RGB 122 216 65

HSL 97.35, 0.66%, 0.55%

LAB 78.25, -52.92, 62.55

 

CMYK 36 / 0 / 58 / 23

HEX #7EC553

RGB 126 197 83

HSL 97.37, 0.5%, 0.55%

LAB 72.89, -42.2, 49.32

 

CMYK 26 / 0 / 43 / 30

HEX #83B266

RGB 131 178 102

HSL 97.11, 0.33%, 0.55%

LAB 67.74, -29.55, 33.86

 

CMYK 8 / 0 / 89 / 1

HEX #EAFD1C

RGB 234 253 28

HSL 65.07, 0.98%, 0.55%

LAB 95.09, -28.88, 89.63

 

CMYK 31 / 0 / 89 / 1

HEX #AEFD1C

RGB 174 253 28

HSL 81.07, 0.98%, 0.55%

LAB 91.38, -51.86, 85.1

 

CMYK 55 / 0 / 89 / 1

HEX #72FD1C

RGB 114 253 28

HSL 97.07, 0.98%, 0.55%

LAB 88.88, -70.41, 82

 

CMYK 79 / 0 / 89 / 1

HEX #36FD1C

RGB 54 253 28

HSL 113.07, 0.98%, 0.55%

LAB 87.54, -81.7, 80.33

 

CMYK 89 / 0 / 75 / 1

HEX #1CFD3E

RGB 28 253 62

HSL 129.07, 0.98%, 0.55%

LAB 87.41, -82.39, 72.08

 

CMYK 62 / 0 / 99 / 23

HEX #4BC402

RGB 75 196 2

HSL 97.42, 0.98%, 0.39%

LAB 70.16, -61.39, 69.31

 

CMYK 62 / 0 / 99 / 7

HEX #5BED02

RGB 91 237 2

HSL 97.28, 0.98%, 0.47%

LAB 83.34, -71.13, 79.98

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1C

RGB 112 253 28

HSL 97.6, 0.98%, 0.55%

LAB 88.82, -70.91, 81.92

 

CMYK 45 / 0 / 73 / 1

HEX #8AFD45

RGB 138 253 69

HSL 97.5, 0.98%, 0.63%

LAB 89.9, -61.97, 73.11

 

CMYK 35 / 0 / 57 / 0

HEX #A4FE6D

RGB 164 254 109

HSL 97.24, 0.99%, 0.71%

LAB 91.63, -51.06, 59.82

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

CMYK 89 / 0 / 17 / 1

HEX #1CFDD3

RGB 28 253 211

HSL 168.8, 0.98%, 0.55%

LAB 89.49, -58.28, 6.31

 

CMYK 0 / 89 / 19 / 1

HEX #FD1CCC

RGB 253 28 204

HSL 313.07, 0.98%, 0.55%

LAB 58.11, 89.05, -35.68

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

CMYK 89 / 55 / 0 / 1

HEX #1C72FD

RGB 28 114 253

HSL 217.07, 0.98%, 0.55%

LAB 51.12, 27.7, -75.65

 

CMYK 0 / 89 / 55 / 1

HEX #FD1C72

RGB 253 28 114

HSL 337.07, 0.98%, 0.55%

LAB 55, 80.65, 12.59

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

CMYK 89 / 0 / 17 / 1

HEX #1CFDD3

RGB 28 253 211

HSL 168.8, 0.98%, 0.55%

LAB 89.49, -58.28, 6.31

 

CMYK 34 / 89 / 0 / 1

HEX #A61CFD

RGB 166 28 253

HSL 276.8, 0.98%, 0.55%

LAB 47.01, 82.88, -81.95

 

CMYK 0 / 89 / 73 / 1

HEX #FD1C45

RGB 253 28 69

HSL 349.07, 0.98%, 0.55%

LAB 54.18, 78.34, 38.32

 

CMYK 56 / 0 / 89 / 1

HEX #70FD1B

RGB 112 253 27

HSL 97.43, 0.98%, 0.55%

LAB 88.82, -70.94, 82.08

 

CMYK 89 / 11 / 0 / 1

HEX #1CE2FD

RGB 28 226 253

HSL 187.2, 0.98%, 0.55%

LAB 82.77, -34.87, -25.69

 

CMYK 34 / 89 / 0 / 1

HEX #A61CFD

RGB 166 28 253

HSL 276.8, 0.98%, 0.55%

LAB 47.01, 82.88, -81.95

 

CMYK 0 / 79 / 89 / 1

HEX #FD361C

RGB 253 54 28

HSL 6.93, 0.98%, 0.55%

LAB 55.69, 71.94, 60.38

 

Description

Color code: HEX #70FD1B | qconv.com Color code: HEX #70FD1B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 253 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 253 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 89 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 89% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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