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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FC5C it is the complementary color #8F03A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FC5C shade: #75FC57, #86FF6A, #97FF7D, #A8FF90 and #B9FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FC5C shade: #70FC5C, #5FEA49, #4ED836, #3DC623 and #2CB410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FC5C shade: #6EFC5A, #9AFC5A, #C5FC5A, #F1FC5A and #FCDB5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FC5C shade: #6EFC5A, #5AFC71, #5AFC9D, #5AFCC9 and #5AFCF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FC5C shade matches the following richer shades: #6EFC5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FC5C shade: #6EFC5A, #78EE68, #83E075, #8DD383 and #97C591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FC5C shade: #C6FC5A, #9BFC5A, #70FC5A, #5AFC70 and #5AFC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FC5C shade: #27FA09, #4BFB32, #6EFC5A, #92FC82 and #B5FDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FC5C shade: #70FC5C, #5AF1FC and #FC5AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FC5C shade: #70FC5C, #5A70FC and #FC5A70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FC5C shade: #70FC5C, #5AF1FC, #E65AFC and #FC655A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FC5C shade: #70FC5C, #5AC0FC, #E65AFC and #FC955A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

Complementary color

CMYK 12 / 98 / 0 / 36

HEX #8F03A3

RGB 143 3 163

HSL 292.5, 0.96%, 0.33%

LAB 35.1, 66.71, -49.36

 

CMYK 54 / 0 / 65 / 1

HEX #75FC57

RGB 117 252 87

HSL 109.09, 0.96%, 0.66%

LAB 88.97, -66.04, 65.41

 

CMYK 47 / 0 / 58 / 0

HEX #86FF6A

RGB 134 255 106

HSL 108.72, 1%, 0.71%

LAB 90.61, -60.82, 59.6

 

CMYK 41 / 0 / 51 / 0

HEX #97FF7D

RGB 151 255 125

HSL 108, 1%, 0.75%

LAB 91.5, -53.82, 52.35

 

CMYK 34 / 0 / 44 / 0

HEX #A8FF90

RGB 168 255 144

HSL 107.03, 1%, 0.78%

LAB 92.51, -46.22, 44.83

 

CMYK 27 / 0 / 36 / 0

HEX #B9FFA3

RGB 185 255 163

HSL 105.65, 1%, 0.82%

LAB 93.66, -38.15, 37.2

 

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

CMYK 59 / 0 / 69 / 8

HEX #5FEA49

RGB 95 234 73

HSL 111.8, 0.79%, 0.6%

LAB 82.79, -66.24, 63.99

 

CMYK 64 / 0 / 75 / 15

HEX #4ED836

RGB 78 216 54

HSL 111.11, 0.68%, 0.53%

LAB 76.68, -65.35, 64.33

 

CMYK 69 / 0 / 82 / 22

HEX #3DC623

RGB 61 198 35

HSL 110.43, 0.7%, 0.46%

LAB 70.53, -64.01, 63.98

 

CMYK 76 / 0 / 91 / 29

HEX #2CB410

RGB 44 180 16

HSL 109.76, 0.84%, 0.38%

LAB 64.33, -62.08, 62.48

 

CMYK 56 / 0 / 64 / 1

HEX #6EFC5A

RGB 110 252 90

HSL 112.59, 0.96%, 0.67%

LAB 88.77, -67.49, 63.95

 

CMYK 39 / 0 / 64 / 1

HEX #9AFC5A

RGB 154 252 90

HSL 96.3, 0.96%, 0.67%

LAB 90.43, -55.16, 66.23

 

CMYK 22 / 0 / 64 / 1

HEX #C5FC5A

RGB 197 252 90

HSL 80.37, 0.96%, 0.67%

LAB 92.68, -40.27, 69.31

 

CMYK 4 / 0 / 64 / 1

HEX #F1FC5A

RGB 241 252 90

HSL 64.07, 0.96%, 0.67%

LAB 95.61, -23.31, 73.28

 

CMYK 0 / 13 / 64 / 1

HEX #FCDB5A

RGB 252 219 90

HSL 47.78, 0.96%, 0.67%

LAB 88.02, -2.64, 65.57

 

CMYK 56 / 0 / 64 / 1

HEX #6EFC5A

RGB 110 252 90

HSL 112.59, 0.96%, 0.67%

LAB 88.77, -67.49, 63.95

 

CMYK 64 / 0 / 55 / 1

HEX #5AFC71

RGB 90 252 113

HSL 128.52, 0.96%, 0.67%

LAB 88.44, -69.32, 53.66

 

CMYK 64 / 0 / 38 / 1

HEX #5AFC9D

RGB 90 252 157

HSL 144.81, 0.96%, 0.67%

LAB 89.03, -62.69, 33.39

 

CMYK 64 / 0 / 20 / 1

HEX #5AFCC9

RGB 90 252 201

HSL 161.11, 0.96%, 0.67%

LAB 89.86, -53.85, 12.15

 

CMYK 64 / 0 / 3 / 1

HEX #5AFCF4

RGB 90 252 244

HSL 177.04, 0.96%, 0.67%

LAB 90.93, -43.35, -8.6

 

CMYK 56 / 0 / 64 / 1

HEX #6EFC5A

RGB 110 252 90

HSL 112.59, 0.96%, 0.67%

LAB 88.77, -67.49, 63.95

 

CMYK 56 / 0 / 64 / 1

HEX #6EFC5A

RGB 110 252 90

HSL 112.59, 0.96%, 0.67%

LAB 88.77, -67.49, 63.95

 

CMYK 50 / 0 / 56 / 7

HEX #78EE68

RGB 120 238 104

HSL 112.84, 0.8%, 0.67%

LAB 85.07, -58.41, 53.93

 

CMYK 42 / 0 / 48 / 12

HEX #83E075

RGB 131 224 117

HSL 112.15, 0.63%, 0.67%

LAB 81.52, -48.09, 43.7

 

CMYK 33 / 0 / 38 / 17

HEX #8DD383

RGB 141 211 131

HSL 112.5, 0.48%, 0.67%

LAB 78.4, -37.33, 32.83

 

CMYK 23 / 0 / 26 / 23

HEX #97C591

RGB 151 197 145

HSL 113.08, 0.31%, 0.67%

LAB 75.17, -25.17, 21.29

 

CMYK 21 / 0 / 64 / 1

HEX #C6FC5A

RGB 198 252 90

HSL 80, 0.96%, 0.67%

LAB 92.74, -39.9, 69.39

 

CMYK 38 / 0 / 64 / 1

HEX #9BFC5A

RGB 155 252 90

HSL 95.93, 0.96%, 0.67%

LAB 90.47, -54.84, 66.29

 

CMYK 56 / 0 / 64 / 1

HEX #70FC5A

RGB 112 252 90

HSL 111.85, 0.96%, 0.67%

LAB 88.83, -67.01, 64.04

 

CMYK 64 / 0 / 56 / 1

HEX #5AFC70

RGB 90 252 112

HSL 128.15, 0.96%, 0.67%

LAB 88.43, -69.44, 54.09

 

CMYK 64 / 0 / 38 / 1

HEX #5AFC9B

RGB 90 252 155

HSL 144.07, 0.96%, 0.67%

LAB 89, -63.05, 34.35

 

CMYK 84 / 0 / 96 / 2

HEX #27FA09

RGB 39 250 9

HSL 112.53, 0.96%, 0.51%

LAB 86.42, -82.82, 81.51

 

CMYK 70 / 0 / 80 / 2

HEX #4BFB32

RGB 75 251 50

HSL 112.54, 0.96%, 0.59%

LAB 87.35, -77.21, 75.67

 

CMYK 56 / 0 / 64 / 1

HEX #6EFC5A

RGB 110 252 90

HSL 112.59, 0.96%, 0.67%

LAB 88.77, -67.49, 63.95

 

CMYK 42 / 0 / 48 / 1

HEX #92FC82

RGB 146 252 130

HSL 112.13, 0.95%, 0.75%

LAB 90.48, -53.48, 48.73

 

CMYK 28 / 0 / 32 / 1

HEX #B5FDAB

RGB 181 253 171

HSL 112.68, 0.95%, 0.83%

LAB 93.02, -37.38, 32.33

 

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

CMYK 64 / 4 / 0 / 1

HEX #5AF1FC

RGB 90 241 252

HSL 184.07, 0.96%, 0.67%

LAB 88.02, -36.2, -17.11

 

CMYK 0 / 64 / 30 / 1

HEX #FC5AB0

RGB 252 90 176

HSL 328.15, 0.96%, 0.67%

LAB 62.63, 69.07, -12.7

 

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

CMYK 64 / 56 / 0 / 1

HEX #5A70FC

RGB 90 112 252

HSL 231.85, 0.96%, 0.67%

LAB 52.72, 34.82, -72.4

 

CMYK 0 / 64 / 56 / 1

HEX #FC5A70

RGB 252 90 112

HSL 351.85, 0.96%, 0.67%

LAB 60.94, 62.99, 21.88

 

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

CMYK 64 / 4 / 0 / 1

HEX #5AF1FC

RGB 90 241 252

HSL 184.07, 0.96%, 0.67%

LAB 88.02, -36.2, -17.11

 

CMYK 9 / 64 / 0 / 1

HEX #E65AFC

RGB 230 90 252

HSL 291.85, 0.96%, 0.67%

LAB 62.65, 74.77, -55.7

 

CMYK 0 / 60 / 64 / 1

HEX #FC655A

RGB 252 101 90

HSL 4.07, 0.96%, 0.67%

LAB 62.29, 56.94, 36.13

 

CMYK 56 / 0 / 63 / 1

HEX #70FC5C

RGB 112 252 92

HSL 112.5, 0.96%, 0.67%

LAB 88.85, -66.83, 63.25

 

CMYK 64 / 24 / 0 / 1

HEX #5AC0FC

RGB 90 192 252

HSL 202.22, 0.96%, 0.67%

LAB 74.13, -11.8, -38.37

 

CMYK 9 / 64 / 0 / 1

HEX #E65AFC

RGB 230 90 252

HSL 291.85, 0.96%, 0.67%

LAB 62.65, 74.77, -55.7

 

CMYK 0 / 41 / 64 / 1

HEX #FC955A

RGB 252 149 90

HSL 21.85, 0.96%, 0.67%

LAB 71.51, 33.68, 47.17

 

Description

Color code: HEX #70FC5C | qconv.com Color code: HEX #70FC5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 252 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 252 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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