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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70FAD74C it is the complementary color #8F05284C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70FAD74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70FAD74C shade: #75FAD24C, #86FFE54C, #97FFF84C, #A8FFFF4C and #B9FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70FAD74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70FAD74C shade: #70FAD74C, #5FE8C44C, #4ED6B14C, #3DC49E4C and #2CB28B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70FAD74C shade: #70FAD7, #70FAB2, #70FA8D, #79FA70 and #9EFA70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70FAD74C shade: #70FAD7, #70F8FA, #70D3FA, #70ADFA and #7088FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70FAD74C shade matches the following richer shades: #70FAD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70FAD74C shade: #70FAD7, #7CEED1, #88E2CB, #94D6C5 and #A0CABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70FAD74C shade: #70FA8C, #70FAB0, #70FAD5, #70FAFA and #70D5FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70FAD74C shade: #21F7C1, #48F8CC, #70FAD7, #98FBE2 and #C0FDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70FAD74C shade: #70FAD7, #7079FA and #FA9E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70FAD74C shade: #70FAD7, #D570FA and #FAD570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70FAD74C shade: #70FAD7, #7079FA, #FA7095 and #FAF170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70FAD74C shade: #70FAD7, #9070FA, #FA7095 and #DAFA70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 4 / 1

HEX #70FAD74C

RGBA 112 250 215 0.3

HSLA 164.78, 0.93%, 0.71%, 0.3

LABA 90.19, -45.84, 5.45, 0.3

 

Complementary color

CMYK 0 / 29 / 22 / 13

HEX #8F05284C

RGBA 143 5 40 0.3

HSLA 344.78, 0.93%, 0.29%, 0.3

LABA 29.67, 52.34, 21.4, 0.3

 

CMYK 16 / 0 / 5 / 1

HEX #75FAD24C

RGBA 117 250 210 0.3

HSLA 161.95, 0.93%, 0.72%, 0.3

LABA 90.23, -45.95, 8.12, 0.3

 

CMYK 14 / 0 / 3 / 0

HEX #86FFE54C

RGBA 134 255 229 0.3

HSLA 167.11, 1%, 0.76%, 0.3

LABA 92.68, -40.18, 1.9, 0.3

 

CMYK 12 / 0 / 1 / 0

HEX #97FFF84C

RGBA 151 255 248 0.3

HSLA 175.96, 1%, 0.8%, 0.3

LABA 93.83, -31.84, -6.16, 0.3

 

CMYK 10 / 0 / 0 / 0

HEX #A8FFFF4C

RGBA 168 255 255 0.3

HSLA 180, 1%, 0.83%, 0.3

LABA 94.77, -25.99, -8.31, 0.3

 

CMYK 8 / 0 / 0 / 0

HEX #B9FFFF4C

RGBA 185 255 255 0.3

HSLA 180, 1%, 0.86%, 0.3

LABA 95.6, -21.45, -6.98, 0.3

 

CMYK 17 / 0 / 4 / 1

HEX #70FAD74C

RGBA 112 250 215 0.3

HSLA 164.78, 0.93%, 0.71%, 0.3

LABA 90.19, -45.84, 5.45, 0.3

 

CMYK 18 / 0 / 5 / 3

HEX #5FE8C44C

RGBA 95 232 196 0.3

HSLA 164.23, 0.75%, 0.64%, 0.3

LABA 84.03, -45.75, 6.43, 0.3

 

CMYK 19 / 0 / 5 / 5

HEX #4ED6B14C

RGBA 78 214 177 0.3

HSLA 163.68, 0.62%, 0.57%, 0.3

LABA 77.81, -45.54, 7.49, 0.3

 

CMYK 21 / 0 / 6 / 7

HEX #3DC49E4C

RGBA 61 196 158 0.3

HSLA 163.11, 0.53%, 0.5%, 0.3

LABA 71.51, -45.18, 8.65, 0.3

 

CMYK 23 / 0 / 7 / 9

HEX #2CB28B4C

RGBA 44 178 139 0.3

HSLA 162.54, 0.6%, 0.44%, 0.3

LABA 65.15, -44.58, 9.93, 0.3

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 55 / 0 / 29 / 2

HEX #70FAB2

RGB 112 250 178

HSL 148.7, 0.93%, 0.71%

LAB 89.41, -53.69, 23.4

 

CMYK 55 / 0 / 44 / 2

HEX #70FA8D

RGB 112 250 141

HSL 132.61, 0.93%, 0.71%

LAB 88.8, -60.08, 41.09

 

CMYK 52 / 0 / 55 / 2

HEX #79FA70

RGB 121 250 112

HSL 116.09, 0.93%, 0.71%

LAB 88.74, -61.76, 54.67

 

CMYK 37 / 0 / 55 / 2

HEX #9EFA70

RGB 158 250 112

HSL 100, 0.93%, 0.71%

LAB 90.23, -51.05, 56.81

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 55 / 1 / 0 / 2

HEX #70F8FA

RGB 112 248 250

HSL 180.87, 0.93%, 0.71%

LAB 90.54, -36.35, -12.23

 

CMYK 55 / 16 / 0 / 2

HEX #70D3FA

RGB 112 211 250

HSL 196.96, 0.93%, 0.71%

LAB 80.14, -18.37, -27.95

 

CMYK 55 / 31 / 0 / 2

HEX #70ADFA

RGB 112 173 250

HSL 213.48, 0.93%, 0.71%

LAB 69.64, 2.05, -44.24

 

CMYK 55 / 46 / 0 / 2

HEX #7088FA

RGB 112 136 250

HSL 229.57, 0.93%, 0.71%

LAB 59.85, 23.57, -59.74

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 48 / 0 / 12 / 7

HEX #7CEED1

RGB 124 238 209

HSL 164.74, 0.77%, 0.71%

LAB 87.02, -39.34, 4.03

 

CMYK 40 / 0 / 10 / 11

HEX #88E2CB

RGB 136 226 203

HSL 164.67, 0.61%, 0.71%

LAB 83.93, -32.22, 2.78

 

CMYK 31 / 0 / 8 / 16

HEX #94D6C5

RGB 148 214 197

HSL 164.55, 0.45%, 0.71%

LAB 80.97, -24.46, 1.73

 

CMYK 21 / 0 / 5 / 21

HEX #A0CABF

RGB 160 202 191

HSL 164.29, 0.28%, 0.71%

LAB 78.16, -16.08, 0.92

 

CMYK 55 / 0 / 44 / 2

HEX #70FA8C

RGB 112 250 140

HSL 132.17, 0.93%, 0.71%

LAB 88.78, -60.23, 41.56

 

CMYK 55 / 0 / 30 / 2

HEX #70FAB0

RGB 112 250 176

HSL 147.83, 0.93%, 0.71%

LAB 89.37, -54.07, 24.37

 

CMYK 55 / 0 / 15 / 2

HEX #70FAD5

RGB 112 250 213

HSL 163.91, 0.93%, 0.71%

LAB 90.15, -46.3, 6.42

 

CMYK 55 / 0 / 0 / 2

HEX #70FAFA

RGB 112 250 250

HSL 180, 0.93%, 0.71%

LAB 91.11, -37.27, -11.39

 

CMYK 55 / 15 / 0 / 2

HEX #70D5FA

RGB 112 213 250

HSL 196.09, 0.93%, 0.71%

LAB 80.7, -19.39, -27.1

 

CMYK 87 / 0 / 22 / 3

HEX #21F7C1

RGB 33 247 193

HSL 164.86, 0.93%, 0.55%

LAB 87.34, -60.06, 12.57

 

CMYK 71 / 0 / 18 / 3

HEX #48F8CC

RGB 72 248 204

HSL 165, 0.93%, 0.63%

LAB 88.39, -54.17, 8.43

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 39 / 0 / 10 / 2

HEX #98FBE2

RGB 152 251 226

HSL 164.85, 0.93%, 0.79%

LAB 92.2, -34.7, 2.84

 

CMYK 24 / 0 / 6 / 1

HEX #C0FDED

RGB 192 253 237

HSL 164.26, 0.94%, 0.87%

LAB 94.98, -22.25, 1.44

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 55 / 52 / 0 / 2

HEX #7079FA

RGB 112 121 250

HSL 236.09, 0.93%, 0.71%

LAB 56.11, 32.52, -65.74

 

CMYK 0 / 37 / 55 / 2

HEX #FA9E70

RGB 250 158 112

HSL 20, 0.93%, 0.71%

LAB 73.51, 29.76, 38.19

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 15 / 55 / 0 / 2

HEX #D570FA

RGB 213 112 250

HSL 283.91, 0.93%, 0.71%

LAB 63.87, 60.69, -52.79

 

CMYK 0 / 15 / 55 / 2

HEX #FAD570

RGB 250 213 112

HSL 43.91, 0.93%, 0.71%

LAB 86.54, 1.08, 54.04

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 55 / 52 / 0 / 2

HEX #7079FA

RGB 112 121 250

HSL 236.09, 0.93%, 0.71%

LAB 56.11, 32.52, -65.74

 

CMYK 0 / 55 / 40 / 2

HEX #FA7095

RGB 250 112 149

HSL 343.91, 0.93%, 0.71%

LAB 65.03, 56.09, 6.26

 

CMYK 0 / 4 / 55 / 2

HEX #FAF170

RGB 250 241 112

HSL 56.09, 0.93%, 0.71%

LAB 93.63, -12.96, 62.24

 

CMYK 55 / 0 / 14 / 2

HEX #70FAD7

RGB 112 250 215

HSL 164.78, 0.93%, 0.71%

LAB 90.19, -45.84, 5.45

 

CMYK 42 / 55 / 0 / 2

HEX #9070FA

RGB 144 112 250

HSL 253.91, 0.93%, 0.71%

LAB 56.51, 44.32, -64.98

 

CMYK 0 / 55 / 40 / 2

HEX #FA7095

RGB 250 112 149

HSL 343.91, 0.93%, 0.71%

LAB 65.03, 56.09, 6.26

 

CMYK 13 / 0 / 55 / 2

HEX #DAFA70

RGB 218 250 112

HSL 73.91, 0.93%, 0.71%

LAB 93.64, -29.79, 61.63

 

Description

Color code: HEX #70FAD74C | qconv.com Color code: HEX #70FAD74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 250 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 250 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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