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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F7B8 it is the complementary color #8F0847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F7B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F7B8 shade: #75F7B3, #86FFC6, #97FFD9, #A8FFEC and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F7B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F7B8 shade: #70F7B8, #5FE5A5, #4ED392, #3DC17F and #2CAF6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F7B8 shade: #6EF7B7, #6EF792, #6FF76E, #94F76E and #B9F76E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F7B8 shade: #6EF7B7, #6EF7DC, #6EEDF7, #6EC8F7 and #6EA3F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F7B8 shade matches the following richer shades: #6EF7B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F7B8 shade: #6EF7B7, #7BEAB6, #87DEB5, #94D1B5 and #A0C5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F7B8 shade: #6EF76E, #6EF793, #6EF7B7, #6EF7DB and #6EEEF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F7B8 shade: #20F290, #47F4A4, #6EF7B7, #95F9CA and #BCFBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F7B8 shade: #70F7B8, #6E93F7 and #F7816E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F7B8 shade: #70F7B8, #B76EF7 and #F7B76E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F7B8 shade: #70F7B8, #6E93F7, #F76EAE and #F7D26E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F7B8 shade: #70F7B8, #736EF7, #F76EAE and #F2F76E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

Complementary color

CMYK 0 / 94 / 50 / 44

HEX #8F0847

RGB 143 8 71

HSL 332, 0.89%, 0.3%

LAB 30.56, 53.91, 1.93

 

CMYK 53 / 0 / 28 / 3

HEX #75F7B3

RGB 117 247 179

HSL 148.62, 0.89%, 0.71%

LAB 88.71, -51.16, 21.96

 

CMYK 47 / 0 / 22 / 0

HEX #86FFC6

RGB 134 255 198

HSL 151.74, 1%, 0.76%

LAB 91.98, -46.81, 16.87

 

CMYK 41 / 0 / 15 / 0

HEX #97FFD9

RGB 151 255 217

HSL 158.08, 1%, 0.8%

LAB 93.06, -38.7, 8.73

 

CMYK 34 / 0 / 7 / 0

HEX #A8FFEC

RGB 168 255 236

HSL 166.9, 1%, 0.83%

LAB 94.27, -30.21, 0.77

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

CMYK 59 / 0 / 28 / 10

HEX #5FE5A5

RGB 95 229 165

HSL 151.34, 0.72%, 0.64%

LAB 82.48, -51.26, 20.46

 

CMYK 63 / 0 / 31 / 17

HEX #4ED392

RGB 78 211 146

HSL 150.68, 0.6%, 0.57%

LAB 76.24, -51.13, 21.73

 

CMYK 68 / 0 / 34 / 24

HEX #3DC17F

RGB 61 193 127

HSL 150, 0.52%, 0.5%

LAB 69.94, -50.82, 23.12

 

CMYK 75 / 0 / 38 / 31

HEX #2CAF6C

RGB 44 175 108

HSL 149.31, 0.6%, 0.43%

LAB 63.57, -50.24, 24.63

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 55 / 0 / 41 / 3

HEX #6EF792

RGB 110 247 146

HSL 135.77, 0.9%, 0.7%

LAB 87.93, -58.61, 37.5

 

CMYK 55 / 0 / 55 / 3

HEX #6FF76E

RGB 111 247 110

HSL 119.56, 0.9%, 0.7%

LAB 87.5, -63.38, 54.02

 

CMYK 40 / 0 / 55 / 3

HEX #94F76E

RGB 148 247 110

HSL 103.36, 0.9%, 0.7%

LAB 88.9, -53.17, 56.02

 

CMYK 25 / 0 / 55 / 3

HEX #B9F76E

RGB 185 247 110

HSL 87.15, 0.9%, 0.7%

LAB 90.76, -40.81, 58.66

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 55 / 0 / 11 / 3

HEX #6EF7DC

RGB 110 247 220

HSL 168.18, 0.9%, 0.7%

LAB 89.39, -43.76, 1.69

 

CMYK 55 / 4 / 0 / 3

HEX #6EEDF7

RGB 110 237 247

HSL 184.38, 0.9%, 0.7%

LAB 87.29, -32.37, -15.54

 

CMYK 55 / 19 / 0 / 3

HEX #6EC8F7

RGB 110 200 247

HSL 200.58, 0.9%, 0.7%

LAB 76.88, -13.94, -31.36

 

CMYK 55 / 34 / 0 / 3

HEX #6EA3F7

RGB 110 163 247

HSL 216.79, 0.9%, 0.7%

LAB 66.69, 6.39, -47.24

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 47 / 0 / 22 / 8

HEX #7BEAB6

RGB 123 234 182

HSL 151.89, 0.73%, 0.7%

LAB 85.22, -43.62, 15.57

 

CMYK 39 / 0 / 18 / 13

HEX #87DEB5

RGB 135 222 181

HSL 151.72, 0.57%, 0.7%

LAB 82.23, -35.31, 11.95

 

CMYK 29 / 0 / 13 / 18

HEX #94D1B5

RGB 148 209 181

HSL 152.46, 0.4%, 0.7%

LAB 79.18, -25.35, 7.67

 

CMYK 19 / 0 / 9 / 23

HEX #A0C5B4

RGB 160 197 180

HSL 152.43, 0.24%, 0.7%

LAB 76.5, -15.75, 4.45

 

CMYK 55 / 0 / 55 / 3

HEX #6EF76E

RGB 110 247 110

HSL 120, 0.9%, 0.7%

LAB 87.47, -63.62, 53.98

 

CMYK 55 / 0 / 40 / 3

HEX #6EF793

RGB 110 247 147

HSL 136.2, 0.9%, 0.7%

LAB 87.94, -58.45, 37.03

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 55 / 0 / 11 / 3

HEX #6EF7DB

RGB 110 247 219

HSL 167.74, 0.9%, 0.7%

LAB 89.37, -43.99, 2.17

 

CMYK 55 / 4 / 0 / 3

HEX #6EEEF7

RGB 110 238 247

HSL 183.94, 0.9%, 0.7%

LAB 87.57, -32.84, -15.12

 

CMYK 87 / 0 / 40 / 5

HEX #20F290

RGB 32 242 144

HSL 152, 0.89%, 0.54%

LAB 84.91, -68.61, 34.26

 

CMYK 71 / 0 / 33 / 4

HEX #47F4A4

RGB 71 244 164

HSL 152.25, 0.89%, 0.62%

LAB 86.37, -61.45, 26.21

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B7

RGB 110 247 183

HSL 151.97, 0.9%, 0.7%

LAB 88.57, -51.9, 19.67

 

CMYK 40 / 0 / 19 / 2

HEX #95F9CA

RGB 149 249 202

HSL 151.8, 0.89%, 0.78%

LAB 90.96, -39.58, 13.46

 

CMYK 25 / 0 / 12 / 2

HEX #BCFBDE

RGB 188 251 222

HSL 152.38, 0.89%, 0.86%

LAB 93.87, -25.45, 7.54

 

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

CMYK 55 / 40 / 0 / 3

HEX #6E93F7

RGB 110 147 247

HSL 223.8, 0.9%, 0.7%

LAB 62.42, 15.7, -54

 

CMYK 0 / 48 / 55 / 3

HEX #F7816E

RGB 247 129 110

HSL 8.32, 0.9%, 0.7%

LAB 66.98, 43.32, 30.85

 

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

CMYK 26 / 55 / 0 / 3

HEX #B76EF7

RGB 183 110 247

HSL 271.97, 0.9%, 0.7%

LAB 59.83, 53.66, -57.77

 

CMYK 0 / 26 / 55 / 3

HEX #F7B76E

RGB 247 183 110

HSL 31.97, 0.9%, 0.7%

LAB 78.91, 15.27, 45.81

 

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

CMYK 55 / 40 / 0 / 3

HEX #6E93F7

RGB 110 147 247

HSL 223.8, 0.9%, 0.7%

LAB 62.42, 15.7, -54

 

CMYK 0 / 55 / 30 / 3

HEX #F76EAE

RGB 247 110 174

HSL 331.97, 0.9%, 0.7%

LAB 64.95, 58.9, -8.17

 

CMYK 0 / 15 / 55 / 3

HEX #F7D26E

RGB 247 210 110

HSL 43.8, 0.9%, 0.7%

LAB 85.5, 1.24, 53.69

 

CMYK 55 / 0 / 26 / 3

HEX #70F7B8

RGB 112 247 184

HSL 152, 0.89%, 0.7%

LAB 88.65, -51.27, 19.28

 

CMYK 53 / 55 / 0 / 3

HEX #736EF7

RGB 115 110 247

HSL 242.19, 0.9%, 0.7%

LAB 53.51, 38.69, -68.27

 

CMYK 0 / 55 / 30 / 3

HEX #F76EAE

RGB 247 110 174

HSL 331.97, 0.9%, 0.7%

LAB 64.95, 58.9, -8.17

 

CMYK 2 / 0 / 55 / 3

HEX #F2F76E

RGB 242 247 110

HSL 62.19, 0.9%, 0.7%

LAB 94.54, -19.2, 63.97

 

Description

Color code: HEX #70F7B8 | qconv.com Color code: HEX #70F7B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 247 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 247 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 26 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 26% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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