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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F3FB it is the complementary color #8F0C04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F3FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F3FB shade: #75F3F6, #86FFFF, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F3FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F3FB shade: #70F3FB, #5FE1E8, #4ECFD5, #3DBDC2 and #2CABAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F3FB shade: #6FF3FB, #6FCDFB, #6FA7FB, #6F82FB and #826FFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F3FB shade: #6FF3FB, #6FCDFB, #6FA7FB, #6F82FB and #6F6FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F3FB shade matches the following richer shades: #6FF3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F3FB shade: #6FF3FB, #7BE9EF, #87DEE3, #93D3D7 and #9FC9CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F3FB shade: #6FFBB7, #6FFBDD, #6FF4FB, #6FCFFB and #6FA9FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F3FB shade: #1EEDF9, #47F0FA, #6FF3FB, #97F7FC and #BFFAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F3FB shade: #70F3FB, #926FFB and #FBCA6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F3FB shade: #70F3FB, #FB6FF4 and #F4FB6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F3FB shade: #70F3FB, #926FFB, #FB766F and #D8FB6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F3FB shade: #70F3FB, #BC6FFB, #FB766F and #AEFB6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

Complementary color

CMYK 0 / 92 / 97 / 44

HEX #8F0C04

RGB 143 12 4

HSL 3.45, 0.95%, 0.29%

LAB 29.69, 50.22, 41.33

 

CMYK 52 / 1 / 0 / 4

HEX #75F3F6

RGB 117 243 246

HSL 181.4, 0.88%, 0.71%

LAB 89.18, -34.12, -12.17

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

CMYK 59 / 3 / 0 / 9

HEX #5FE1E8

RGB 95 225 232

HSL 183.07, 0.75%, 0.64%

LAB 82.97, -33.44, -14.16

 

CMYK 63 / 3 / 0 / 16

HEX #4ECFD5

RGB 78 207 213

HSL 182.67, 0.62%, 0.57%

LAB 76.71, -33, -13.45

 

CMYK 69 / 3 / 0 / 24

HEX #3DBDC2

RGB 61 189 194

HSL 182.26, 0.52%, 0.5%

LAB 70.37, -32.4, -12.68

 

CMYK 75 / 2 / 0 / 31

HEX #2CABAF

RGB 44 171 175

HSL 181.83, 0.6%, 0.43%

LAB 63.96, -31.57, -11.82

 

CMYK 56 / 3 / 0 / 2

HEX #6FF3FB

RGB 111 243 251

HSL 183.43, 0.95%, 0.71%

LAB 89.13, -33.95, -14.87

 

CMYK 56 / 18 / 0 / 2

HEX #6FCDFB

RGB 111 205 251

HSL 199.71, 0.95%, 0.71%

LAB 78.47, -15.19, -31.06

 

CMYK 56 / 33 / 0 / 2

HEX #6FA7FB

RGB 111 167 251

HSL 216, 0.95%, 0.71%

LAB 68.01, 5.55, -47.34

 

CMYK 56 / 48 / 0 / 2

HEX #6F82FB

RGB 111 130 251

HSL 231.86, 0.95%, 0.71%

LAB 58.33, 27.27, -62.73

 

CMYK 48 / 56 / 0 / 2

HEX #826FFB

RGB 130 111 251

HSL 248.14, 0.95%, 0.71%

LAB 55.15, 42.23, -67.77

 

CMYK 56 / 3 / 0 / 2

HEX #6FF3FB

RGB 111 243 251

HSL 183.43, 0.95%, 0.71%

LAB 89.13, -33.95, -14.87

 

CMYK 56 / 18 / 0 / 2

HEX #6FCDFB

RGB 111 205 251

HSL 199.71, 0.95%, 0.71%

LAB 78.47, -15.19, -31.06

 

CMYK 56 / 33 / 0 / 2

HEX #6FA7FB

RGB 111 167 251

HSL 216, 0.95%, 0.71%

LAB 68.01, 5.55, -47.34

 

CMYK 56 / 48 / 0 / 2

HEX #6F82FB

RGB 111 130 251

HSL 231.86, 0.95%, 0.71%

LAB 58.33, 27.27, -62.73

 

CMYK 56 / 56 / 0 / 2

HEX #6F6FFB

RGB 111 111 251

HSL 240, 0.95%, 0.71%

LAB 53.72, 38.59, -70.16

 

CMYK 56 / 3 / 0 / 2

HEX #6FF3FB

RGB 111 243 251

HSL 183.43, 0.95%, 0.71%

LAB 89.13, -33.95, -14.87

 

CMYK 56 / 3 / 0 / 2

HEX #6FF3FB

RGB 111 243 251

HSL 183.43, 0.95%, 0.71%

LAB 89.13, -33.95, -14.87

 

CMYK 49 / 3 / 0 / 6

HEX #7BE9EF

RGB 123 233 239

HSL 183.1, 0.78%, 0.71%

LAB 86.37, -29.98, -12.68

 

CMYK 41 / 2 / 0 / 11

HEX #87DEE3

RGB 135 222 227

HSL 183.26, 0.62%, 0.71%

LAB 83.41, -24.93, -10.7

 

CMYK 32 / 2 / 0 / 16

HEX #93D3D7

RGB 147 211 215

HSL 183.53, 0.46%, 0.71%

LAB 80.57, -19.21, -8.48

 

CMYK 22 / 1 / 0 / 20

HEX #9FC9CB

RGB 159 201 203

HSL 182.73, 0.3%, 0.71%

LAB 78.14, -13.33, -5.56

 

CMYK 56 / 0 / 27 / 2

HEX #6FFBB7

RGB 111 251 183

HSL 150.86, 0.95%, 0.71%

LAB 89.76, -53.33, 21.34

 

CMYK 56 / 0 / 12 / 2

HEX #6FFBDD

RGB 111 251 221

HSL 167.14, 0.95%, 0.71%

LAB 90.59, -45.08, 2.91

 

CMYK 56 / 3 / 0 / 2

HEX #6FF4FB

RGB 111 244 251

HSL 183, 0.95%, 0.71%

LAB 89.41, -34.41, -14.44

 

CMYK 56 / 18 / 0 / 2

HEX #6FCFFB

RGB 111 207 251

HSL 198.86, 0.95%, 0.71%

LAB 79.02, -16.23, -30.21

 

CMYK 56 / 33 / 0 / 2

HEX #6FA9FB

RGB 111 169 251

HSL 215.14, 0.95%, 0.71%

LAB 68.55, 4.41, -46.49

 

CMYK 88 / 5 / 0 / 2

HEX #1EEDF9

RGB 30 237 249

HSL 183.29, 0.95%, 0.55%

LAB 85.85, -41.05, -18.91

 

CMYK 72 / 4 / 0 / 2

HEX #47F0FA

RGB 71 240 250

HSL 183.35, 0.95%, 0.63%

LAB 87.27, -38.8, -17.24

 

CMYK 56 / 3 / 0 / 2

HEX #6FF3FB

RGB 111 243 251

HSL 183.43, 0.95%, 0.71%

LAB 89.13, -33.95, -14.87

 

CMYK 40 / 2 / 0 / 1

HEX #97F7FC

RGB 151 247 252

HSL 182.97, 0.94%, 0.79%

LAB 91.74, -27.09, -11.33

 

CMYK 25 / 1 / 0 / 1

HEX #BFFAFD

RGB 191 250 253

HSL 182.9, 0.94%, 0.87%

LAB 94.54, -17.75, -7.48

 

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

CMYK 42 / 56 / 0 / 2

HEX #926FFB

RGB 146 111 251

HSL 255, 0.95%, 0.71%

LAB 56.53, 45.58, -65.48

 

CMYK 0 / 20 / 56 / 2

HEX #FBCA6F

RGB 251 202 111

HSL 39, 0.95%, 0.71%

LAB 83.91, 7.07, 51.43

 

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

CMYK 0 / 56 / 3 / 2

HEX #FB6FF4

RGB 251 111 244

HSL 303, 0.95%, 0.71%

LAB 68.32, 69.7, -42.14

 

CMYK 3 / 0 / 56 / 2

HEX #F4FB6F

RGB 244 251 111

HSL 63, 0.95%, 0.71%

LAB 95.74, -20.26, 64.93

 

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

CMYK 42 / 56 / 0 / 2

HEX #926FFB

RGB 146 111 251

HSL 255, 0.95%, 0.71%

LAB 56.53, 45.58, -65.48

 

CMYK 0 / 53 / 56 / 2

HEX #FB766F

RGB 251 118 111

HSL 3, 0.95%, 0.71%

LAB 65.45, 50.21, 28.41

 

CMYK 14 / 0 / 56 / 2

HEX #D8FB6F

RGB 216 251 111

HSL 75, 0.95%, 0.71%

LAB 93.77, -31.09, 62.18

 

CMYK 55 / 3 / 0 / 2

HEX #70F3FB

RGB 112 243 251

HSL 183.45, 0.95%, 0.71%

LAB 89.16, -33.76, -14.82

 

CMYK 25 / 56 / 0 / 2

HEX #BC6FFB

RGB 188 111 251

HSL 273, 0.95%, 0.71%

LAB 60.8, 55.26, -58.39

 

CMYK 0 / 53 / 56 / 2

HEX #FB766F

RGB 251 118 111

HSL 3, 0.95%, 0.71%

LAB 65.45, 50.21, 28.41

 

CMYK 31 / 0 / 56 / 2

HEX #AEFB6F

RGB 174 251 111

HSL 93, 0.95%, 0.71%

LAB 91.3, -46.28, 58.69

 

Description

Color code: HEX #70F3FB | qconv.com Color code: HEX #70F3FB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 243 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 243 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 3 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 3% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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