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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F34B it is the complementary color #8F0CB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F34B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F34B shade: #75F346, #86FF59, #97FF6C, #A8FF7F and #B9FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F34B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F34B shade: #70F34B, #5FE138, #4ECF25, #3DBD12 and #2CAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F34B shade: #6EF349, #9CF349, #CAF349, #F3EE49 and #F3C049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F34B shade: #6EF349, #49F351, #49F37F, #49F3AD and #49F3DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F34B shade matches the following richer shades: #6EF349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F34B shade: #6EF349, #77E459, #80D468, #89C478 and #91B588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F34B shade: #CCF349, #9EF349, #71F349, #49F34F and #49F37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F34B shade: #3BDC0E, #50F122, #6EF349, #8DF670 and #ACF896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F34B shade: #70F34B, #49F3EE and #F349B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F34B shade: #70F34B, #4971F3 and #F34971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F34B shade: #70F34B, #49F3EE, #CC49F3 and #F3494F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F34B shade: #70F34B, #49C6F3, #CC49F3 and #F37649

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

Complementary color

CMYK 21 / 93 / 0 / 29

HEX #8F0CB4

RGB 143 12 180

HSL 286.79, 0.88%, 0.38%

LAB 36.74, 68.56, -56.88

 

CMYK 52 / 0 / 71 / 5

HEX #75F346

RGB 117 243 70

HSL 103.7, 0.88%, 0.61%

LAB 86.17, -64.16, 68.78

 

CMYK 47 / 0 / 65 / 0

HEX #86FF59

RGB 134 255 89

HSL 103.73, 1%, 0.67%

LAB 90.46, -62.4, 66.42

 

CMYK 41 / 0 / 58 / 0

HEX #97FF6C

RGB 151 255 108

HSL 102.45, 1%, 0.71%

LAB 91.32, -55.66, 59.73

 

CMYK 34 / 0 / 50 / 0

HEX #A8FF7F

RGB 168 255 127

HSL 100.78, 1%, 0.75%

LAB 92.3, -48.29, 52.59

 

CMYK 27 / 0 / 43 / 0

HEX #B9FF92

RGB 185 255 146

HSL 98.53, 1%, 0.79%

LAB 93.41, -40.42, 45.19

 

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

CMYK 58 / 0 / 75 / 12

HEX #5FE138

RGB 95 225 56

HSL 106.15, 0.74%, 0.55%

LAB 79.94, -64.39, 67.04

 

CMYK 62 / 0 / 82 / 19

HEX #4ECF25

RGB 78 207 37

HSL 105.53, 0.7%, 0.48%

LAB 73.79, -63.34, 66.6

 

CMYK 68 / 0 / 90 / 26

HEX #3DBD12

RGB 61 189 18

HSL 104.91, 0.83%, 0.41%

LAB 67.6, -61.8, 65.06

 

CMYK 74 / 0 / 100 / 33

HEX #2CAB00

RGB 44 171 0

HSL 104.56, 1%, 0.34%

LAB 61.36, -59.69, 62.23

 

CMYK 55 / 0 / 70 / 5

HEX #6EF349

RGB 110 243 73

HSL 106.94, 0.88%, 0.62%

LAB 85.96, -65.76, 67.42

 

CMYK 36 / 0 / 70 / 5

HEX #9CF349

RGB 156 243 73

HSL 90.71, 0.88%, 0.62%

LAB 87.8, -52.13, 69.9

 

CMYK 17 / 0 / 70 / 5

HEX #CAF349

RGB 202 243 73

HSL 74.47, 0.88%, 0.62%

LAB 90.39, -35.41, 73.34

 

CMYK 0 / 2 / 70 / 5

HEX #F3EE49

RGB 243 238 73

HSL 58.24, 0.88%, 0.62%

LAB 91.99, -16.67, 75.91

 

CMYK 0 / 21 / 70 / 5

HEX #F3C049

RGB 243 192 73

HSL 42, 0.88%, 0.62%

LAB 80.31, 6.55, 64.28

 

CMYK 55 / 0 / 70 / 5

HEX #6EF349

RGB 110 243 73

HSL 106.94, 0.88%, 0.62%

LAB 85.96, -65.76, 67.42

 

CMYK 70 / 0 / 67 / 5

HEX #49F351

RGB 73 243 81

HSL 122.82, 0.88%, 0.62%

LAB 85.05, -72.86, 63.19

 

CMYK 70 / 0 / 48 / 5

HEX #49F37F

RGB 73 243 127

HSL 139.06, 0.88%, 0.62%

LAB 85.53, -67.26, 43.5

 

CMYK 70 / 0 / 29 / 5

HEX #49F3AD

RGB 73 243 173

HSL 155.29, 0.88%, 0.62%

LAB 86.27, -58.97, 21.49

 

CMYK 70 / 0 / 10 / 5

HEX #49F3DB

RGB 73 243 219

HSL 171.53, 0.88%, 0.62%

LAB 87.31, -48.26, -0.95

 

CMYK 55 / 0 / 70 / 5

HEX #6EF349

RGB 110 243 73

HSL 106.94, 0.88%, 0.62%

LAB 85.96, -65.76, 67.42

 

CMYK 55 / 0 / 70 / 5

HEX #6EF349

RGB 110 243 73

HSL 106.94, 0.88%, 0.62%

LAB 85.96, -65.76, 67.42

 

CMYK 48 / 0 / 61 / 11

HEX #77E459

RGB 119 228 89

HSL 107.05, 0.72%, 0.62%

LAB 81.91, -56.43, 56.85

 

CMYK 40 / 0 / 51 / 17

HEX #80D468

RGB 128 212 104

HSL 106.67, 0.56%, 0.62%

LAB 77.68, -45.61, 45.2

 

CMYK 30 / 0 / 39 / 23

HEX #89C478

RGB 137 196 120

HSL 106.58, 0.39%, 0.62%

LAB 73.65, -33.4, 32.23

 

CMYK 20 / 0 / 25 / 29

HEX #91B588

RGB 145 181 136

HSL 108, 0.23%, 0.62%

LAB 70.07, -20.82, 19.04

 

CMYK 16 / 0 / 70 / 5

HEX #CCF349

RGB 204 243 73

HSL 73.76, 0.88%, 0.62%

LAB 90.51, -34.64, 73.51

 

CMYK 35 / 0 / 70 / 5

HEX #9EF349

RGB 158 243 73

HSL 90, 0.88%, 0.62%

LAB 87.9, -51.45, 70.03

 

CMYK 53 / 0 / 70 / 5

HEX #71F349

RGB 113 243 73

HSL 105.88, 0.88%, 0.62%

LAB 86.05, -64.99, 67.56

 

CMYK 70 / 0 / 67 / 5

HEX #49F34F

RGB 73 243 79

HSL 122.12, 0.88%, 0.62%

LAB 85.04, -73.05, 63.94

 

CMYK 70 / 0 / 49 / 5

HEX #49F37C

RGB 73 243 124

HSL 138, 0.88%, 0.62%

LAB 85.49, -67.71, 44.88

 

CMYK 73 / 0 / 94 / 14

HEX #3BDC0E

RGB 59 220 14

HSL 106.89, 0.88%, 0.46%

LAB 77.37, -71.85, 73.75

 

CMYK 67 / 0 / 86 / 5

HEX #50F122

RGB 80 241 34

HSL 106.67, 0.88%, 0.54%

LAB 84.35, -73.96, 76.69

 

CMYK 55 / 0 / 70 / 5

HEX #6EF349

RGB 110 243 73

HSL 106.94, 0.88%, 0.62%

LAB 85.96, -65.76, 67.42

 

CMYK 43 / 0 / 54 / 4

HEX #8DF670

RGB 141 246 112

HSL 107.01, 0.88%, 0.7%

LAB 88.33, -54.67, 54.38

 

CMYK 31 / 0 / 40 / 3

HEX #ACF896

RGB 172 248 150

HSL 106.53, 0.88%, 0.78%

LAB 90.83, -41.09, 39.79

 

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

CMYK 70 / 0 / 2 / 5

HEX #49F3EE

RGB 73 243 238

HSL 178.24, 0.88%, 0.62%

LAB 87.82, -43.25, -10.13

 

CMYK 0 / 70 / 26 / 5

HEX #F349B5

RGB 243 73 181

HSL 321.88, 0.88%, 0.62%

LAB 59.12, 73.51, -21.04

 

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

CMYK 70 / 53 / 0 / 5

HEX #4971F3

RGB 73 113 243

HSL 225.88, 0.88%, 0.62%

LAB 51.49, 28.71, -69.42

 

CMYK 0 / 70 / 53 / 5

HEX #F34971

RGB 243 73 113

HSL 345.88, 0.88%, 0.62%

LAB 57.09, 66.79, 15.8

 

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

CMYK 70 / 0 / 2 / 5

HEX #49F3EE

RGB 73 243 238

HSL 178.24, 0.88%, 0.62%

LAB 87.82, -43.25, -10.13

 

CMYK 16 / 70 / 0 / 5

HEX #CC49F3

RGB 204 73 243

HSL 286.24, 0.88%, 0.62%

LAB 56.16, 74.17, -61.28

 

CMYK 0 / 70 / 67 / 5

HEX #F3494F

RGB 243 73 79

HSL 357.88, 0.88%, 0.62%

LAB 56.47, 64.67, 34.85

 

CMYK 54 / 0 / 69 / 5

HEX #70F34B

RGB 112 243 75

HSL 106.79, 0.88%, 0.62%

LAB 86.03, -65.1, 66.8

 

CMYK 70 / 19 / 0 / 5

HEX #49C6F3

RGB 73 198 243

HSL 195.88, 0.88%, 0.62%

LAB 75, -20.31, -32.22

 

CMYK 16 / 70 / 0 / 5

HEX #CC49F3

RGB 204 73 243

HSL 286.24, 0.88%, 0.62%

LAB 56.16, 74.17, -61.28

 

CMYK 0 / 51 / 70 / 5

HEX #F37649

RGB 243 118 73

HSL 15.88, 0.88%, 0.62%

LAB 63.75, 44.92, 46.6

 

Description

Color code: HEX #70F34B | qconv.com Color code: HEX #70F34B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 243 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 243 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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