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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F2FE it is the complementary color #8F0D01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F2FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F2FE shade: #75F2F9, #86FFFF, #97FFFF, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F2FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F2FE shade: #70F2FE, #5FE0EB, #4ECED8, #3DBCC5 and #2CAAB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F2FE shade: #71F2FE, #71CCFE, #71A6FE, #7180FE and #8871FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F2FE shade: #71F2FE, #71CCFE, #71A6FE, #7180FE and #7171FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F2FE shade matches the following richer shades: #71F2FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F2FE shade: #71F2FE, #7CE9F3, #88DFE7, #94D6DC and #9FCCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F2FE shade: #71FEBF, #71FEE4, #71F3FE, #71CDFE and #71A7FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F2FE shade: #1FEBFE, #48EFFE, #71F2FE, #9AF6FE and #C3FAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F2FE shade: #70F2FE, #9971FE and #FED271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F2FE shade: #70F2FE, #FE71F3 and #F3FE71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F2FE shade: #70F2FE, #9971FE, #FE7D71 and #D6FE71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F2FE shade: #70F2FE, #C371FE, #FE7D71 and #ACFE71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

Complementary color

CMYK 0 / 91 / 99 / 44

HEX #8F0D01

RGB 143 13 1

HSL 5.07, 0.99%, 0.28%

LAB 29.74, 49.99, 42.59

 

CMYK 53 / 3 / 0 / 2

HEX #75F2F9

RGB 117 242 249

HSL 183.18, 0.92%, 0.72%

LAB 88.98, -32.88, -14.03

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

CMYK 60 / 5 / 0 / 8

HEX #5FE0EB

RGB 95 224 235

HSL 184.71, 0.78%, 0.65%

LAB 82.78, -32.15, -16.04

 

CMYK 64 / 5 / 0 / 15

HEX #4ECED8

RGB 78 206 216

HSL 184.35, 0.64%, 0.58%

LAB 76.51, -31.68, -15.37

 

CMYK 69 / 5 / 0 / 23

HEX #3DBCC5

RGB 61 188 197

HSL 183.97, 0.54%, 0.51%

LAB 70.17, -31.04, -14.63

 

CMYK 75 / 4 / 0 / 30

HEX #2CAAB2

RGB 44 170 178

HSL 183.58, 0.6%, 0.44%

LAB 63.75, -30.17, -13.81

 

CMYK 56 / 5 / 0 / 0

HEX #71F2FE

RGB 113 242 254

HSL 185.11, 0.99%, 0.72%

LAB 89, -32.31, -16.62

 

CMYK 56 / 20 / 0 / 0

HEX #71CCFE

RGB 113 204 254

HSL 201.28, 0.99%, 0.72%

LAB 78.38, -13.4, -32.8

 

CMYK 56 / 35 / 0 / 0

HEX #71A6FE

RGB 113 166 254

HSL 217.45, 0.99%, 0.72%

LAB 67.98, 7.46, -49.02

 

CMYK 56 / 50 / 0 / 0

HEX #7180FE

RGB 113 128 254

HSL 233.62, 0.99%, 0.72%

LAB 58.14, 29.79, -64.68

 

CMYK 46 / 56 / 0 / 0

HEX #8871FE

RGB 136 113 254

HSL 249.79, 0.99%, 0.72%

LAB 56.29, 43.17, -67.58

 

CMYK 56 / 5 / 0 / 0

HEX #71F2FE

RGB 113 242 254

HSL 185.11, 0.99%, 0.72%

LAB 89, -32.31, -16.62

 

CMYK 56 / 20 / 0 / 0

HEX #71CCFE

RGB 113 204 254

HSL 201.28, 0.99%, 0.72%

LAB 78.38, -13.4, -32.8

 

CMYK 56 / 35 / 0 / 0

HEX #71A6FE

RGB 113 166 254

HSL 217.45, 0.99%, 0.72%

LAB 67.98, 7.46, -49.02

 

CMYK 56 / 50 / 0 / 0

HEX #7180FE

RGB 113 128 254

HSL 233.62, 0.99%, 0.72%

LAB 58.14, 29.79, -64.68

 

CMYK 56 / 56 / 0 / 0

HEX #7171FE

RGB 113 113 254

HSL 240, 0.99%, 0.72%

LAB 54.53, 38.7, -70.5

 

CMYK 56 / 5 / 0 / 0

HEX #71F2FE

RGB 113 242 254

HSL 185.11, 0.99%, 0.72%

LAB 89, -32.31, -16.62

 

CMYK 56 / 5 / 0 / 0

HEX #71F2FE

RGB 113 242 254

HSL 185.11, 0.99%, 0.72%

LAB 89, -32.31, -16.62

 

CMYK 49 / 4 / 0 / 5

HEX #7CE9F3

RGB 124 233 243

HSL 185.04, 0.83%, 0.72%

LAB 86.52, -28.74, -14.55

 

CMYK 41 / 3 / 0 / 9

HEX #88DFE7

RGB 136 223 231

HSL 185.05, 0.66%, 0.72%

LAB 83.85, -24.18, -12.16

 

CMYK 33 / 3 / 0 / 14

HEX #94D6DC

RGB 148 214 220

HSL 185, 0.51%, 0.72%

LAB 81.6, -19.27, -9.62

 

CMYK 24 / 2 / 0 / 18

HEX #9FCCD0

RGB 159 204 208

HSL 184.9, 0.34%, 0.72%

LAB 79.11, -13.77, -6.83

 

CMYK 56 / 0 / 25 / 0

HEX #71FEBF

RGB 113 254 191

HSL 153.19, 0.99%, 0.72%

LAB 90.85, -52.53, 18.76

 

CMYK 56 / 0 / 10 / 0

HEX #71FEE4

RGB 113 254 228

HSL 168.94, 0.99%, 0.72%

LAB 91.68, -44.35, 0.88

 

CMYK 56 / 4 / 0 / 0

HEX #71F3FE

RGB 113 243 254

HSL 184.68, 0.99%, 0.72%

LAB 89.28, -32.78, -16.2

 

CMYK 56 / 19 / 0 / 0

HEX #71CDFE

RGB 113 205 254

HSL 200.85, 0.99%, 0.72%

LAB 78.65, -13.92, -32.37

 

CMYK 56 / 34 / 0 / 0

HEX #71A7FE

RGB 113 167 254

HSL 217.02, 0.99%, 0.72%

LAB 68.24, 6.89, -48.59

 

CMYK 88 / 7 / 0 / 0

HEX #1FEBFE

RGB 31 235 254

HSL 185.11, 0.99%, 0.56%

LAB 85.44, -38.6, -22.16

 

CMYK 72 / 6 / 0 / 0

HEX #48EFFE

RGB 72 239 254

HSL 184.95, 0.99%, 0.64%

LAB 87.13, -37.08, -19.55

 

CMYK 56 / 5 / 0 / 0

HEX #71F2FE

RGB 113 242 254

HSL 185.11, 0.99%, 0.72%

LAB 89, -32.31, -16.62

 

CMYK 39 / 3 / 0 / 0

HEX #9AF6FE

RGB 154 246 254

HSL 184.8, 0.98%, 0.8%

LAB 91.66, -25.4, -12.49

 

CMYK 24 / 2 / 0 / 0

HEX #C3FAFF

RGB 195 250 255

HSL 185, 1%, 0.88%

LAB 94.82, -16.17, -8.08

 

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

CMYK 40 / 56 / 0 / 0

HEX #9971FE

RGB 153 113 254

HSL 257.02, 0.99%, 0.72%

LAB 57.79, 46.81, -65.08

 

CMYK 0 / 17 / 56 / 0

HEX #FED271

RGB 254 210 113

HSL 41.28, 0.99%, 0.72%

LAB 86.18, 4.32, 53.24

 

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

CMYK 0 / 56 / 4 / 0

HEX #FE71F3

RGB 254 113 243

HSL 304.68, 0.99%, 0.72%

LAB 69.01, 69.45, -40.49

 

CMYK 4 / 0 / 56 / 0

HEX #F3FE71

RGB 243 254 113

HSL 64.68, 0.99%, 0.72%

LAB 96.46, -21.93, 64.87

 

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

CMYK 40 / 56 / 0 / 0

HEX #9971FE

RGB 153 113 254

HSL 257.02, 0.99%, 0.72%

LAB 57.79, 46.81, -65.08

 

CMYK 0 / 51 / 56 / 0

HEX #FE7D71

RGB 254 125 113

HSL 5.11, 0.99%, 0.72%

LAB 67.22, 48.07, 29.7

 

CMYK 16 / 0 / 56 / 0

HEX #D6FE71

RGB 214 254 113

HSL 77.02, 0.99%, 0.72%

LAB 94.47, -33.06, 62.07

 

CMYK 56 / 5 / 0 / 0

HEX #70F2FE

RGB 112 242 254

HSL 185.07, 0.99%, 0.72%

LAB 88.97, -32.49, -16.67

 

CMYK 23 / 56 / 0 / 0

HEX #C371FE

RGB 195 113 254

HSL 274.89, 0.99%, 0.72%

LAB 62.14, 56.6, -57.87

 

CMYK 0 / 51 / 56 / 0

HEX #FE7D71

RGB 254 125 113

HSL 5.11, 0.99%, 0.72%

LAB 67.22, 48.07, 29.7

 

CMYK 32 / 0 / 56 / 0

HEX #ACFE71

RGB 172 254 113

HSL 94.89, 0.99%, 0.72%

LAB 92.06, -48.04, 58.67

 

Description

Color code: HEX #70F2FE | qconv.com Color code: HEX #70F2FE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 242 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 242 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 5 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 5% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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