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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70F2D3 it is the complementary color #8F0D2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70F2D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70F2D3 shade: #75F2CE, #86FFE1, #97FFF4, #A8FFFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70F2D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70F2D3 shade: #70F2D3, #5FE0C0, #4ECEAD, #3DBC9A and #2CAA87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70F2D3 shade: #6EF2D2, #6EF2AF, #6EF28B, #75F26E and #98F26E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70F2D3 shade: #6EF2D2, #6EEDF2, #6ECAF2, #6EA7F2 and #6E83F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70F2D3 shade matches the following richer shades: #6EF2D2 and #62FED9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70F2D3 shade: #6EF2D2, #7BE5CC, #88D8C5, #95CBBE and #A1BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70F2D3 shade: #6EF28B, #6EF2AE, #6EF2D1, #6EEFF2 and #6ECCF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70F2D3 shade: #23EBBB, #49EEC7, #6EF2D2, #94F5DE and #BAF9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70F2D3 shade: #70F2D3, #6E75F2 and #F29C6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70F2D3 shade: #70F2D3, #D16EF2 and #F2D16E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70F2D3 shade: #70F2D3, #6E75F2, #F26E8F and #F2EB6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70F2D3 shade: #70F2D3, #8F6EF2, #F26E8F and #D1F26E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

Complementary color

CMYK 0 / 91 / 69 / 44

HEX #8F0D2C

RGB 143 13 44

HSL 345.69, 0.83%, 0.31%

LAB 30.18, 51.27, 19.4

 

CMYK 52 / 0 / 15 / 5

HEX #75F2CE

RGB 117 242 206

HSL 162.72, 0.83%, 0.7%

LAB 87.84, -43.36, 6.76

 

CMYK 47 / 0 / 12 / 0

HEX #86FFE1

RGB 134 255 225

HSL 165.12, 1%, 0.76%

LAB 92.59, -41.08, 3.83

 

CMYK 41 / 0 / 4 / 0

HEX #97FFF4

RGB 151 255 244

HSL 173.65, 1%, 0.8%

LAB 93.72, -32.77, -4.25

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

CMYK 58 / 0 / 14 / 12

HEX #5FE0C0

RGB 95 224 192

HSL 165.12, 0.68%, 0.63%

LAB 81.59, -43.21, 5.02

 

CMYK 62 / 0 / 16 / 19

HEX #4ECEAD

RGB 78 206 173

HSL 164.53, 0.57%, 0.56%

LAB 75.31, -43.04, 6.05

 

CMYK 68 / 0 / 18 / 26

HEX #3DBC9A

RGB 61 188 154

HSL 163.94, 0.51%, 0.49%

LAB 68.96, -42.72, 7.17

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA87

RGB 44 170 135

HSL 163.33, 0.59%, 0.42%

LAB 62.54, -42.19, 8.42

 

CMYK 55 / 0 / 13 / 5

HEX #6EF2D2

RGB 110 242 210

HSL 165.45, 0.84%, 0.69%

LAB 87.71, -43.91, 4.46

 

CMYK 55 / 0 / 28 / 5

HEX #6EF2AF

RGB 110 242 175

HSL 149.55, 0.84%, 0.69%

LAB 86.95, -51.43, 21.55

 

CMYK 55 / 0 / 43 / 5

HEX #6EF28B

RGB 110 242 139

HSL 133.18, 0.84%, 0.69%

LAB 86.35, -57.78, 38.9

 

CMYK 52 / 0 / 55 / 5

HEX #75F26E

RGB 117 242 110

HSL 116.82, 0.84%, 0.69%

LAB 86.21, -60.03, 52.55

 

CMYK 37 / 0 / 55 / 5

HEX #98F26E

RGB 152 242 110

HSL 100.91, 0.84%, 0.69%

LAB 87.63, -49.87, 54.58

 

CMYK 55 / 0 / 13 / 5

HEX #6EF2D2

RGB 110 242 210

HSL 165.45, 0.84%, 0.69%

LAB 87.71, -43.91, 4.46

 

CMYK 55 / 2 / 0 / 5

HEX #6EEDF2

RGB 110 237 242

HSL 182.27, 0.84%, 0.69%

LAB 87.14, -33.7, -13.14

 

CMYK 55 / 17 / 0 / 5

HEX #6ECAF2

RGB 110 202 242

HSL 198.18, 0.84%, 0.69%

LAB 77.26, -16.44, -28.1

 

CMYK 55 / 31 / 0 / 5

HEX #6EA7F2

RGB 110 167 242

HSL 214.09, 0.84%, 0.69%

LAB 67.55, 2.56, -43.16

 

CMYK 55 / 46 / 0 / 5

HEX #6E83F2

RGB 110 131 242

HSL 230.45, 0.84%, 0.69%

LAB 58, 23.63, -58.29

 

CMYK 55 / 0 / 13 / 5

HEX #6EF2D2

RGB 110 242 210

HSL 165.45, 0.84%, 0.69%

LAB 87.71, -43.91, 4.46

 

CMYK 61 / 0 / 15 / 0

HEX #62FED9

RGB 98 254 217

HSL 165.77, 0.99%, 0.69%

LAB 91, -49.67, 5.53

 

CMYK 55 / 0 / 13 / 5

HEX #6EF2D2

RGB 110 242 210

HSL 165.45, 0.84%, 0.69%

LAB 87.71, -43.91, 4.46

 

CMYK 46 / 0 / 11 / 10

HEX #7BE5CC

RGB 123 229 204

HSL 165.85, 0.67%, 0.69%

LAB 84.28, -36.62, 2.69

 

CMYK 37 / 0 / 9 / 15

HEX #88D8C5

RGB 136 216 197

HSL 165.75, 0.51%, 0.69%

LAB 80.95, -28.8, 1.62

 

CMYK 27 / 0 / 6 / 20

HEX #95CBBE

RGB 149 203 190

HSL 165.56, 0.34%, 0.69%

LAB 77.77, -20.2, 0.82

 

CMYK 15 / 0 / 3 / 25

HEX #A1BEB8

RGB 161 190 184

HSL 167.59, 0.18%, 0.69%

LAB 74.74, -11, -0.27

 

CMYK 55 / 0 / 43 / 5

HEX #6EF28B

RGB 110 242 139

HSL 133.18, 0.84%, 0.69%

LAB 86.35, -57.78, 38.9

 

CMYK 55 / 0 / 28 / 5

HEX #6EF2AE

RGB 110 242 174

HSL 149.09, 0.84%, 0.69%

LAB 86.94, -51.63, 22.03

 

CMYK 55 / 0 / 14 / 5

HEX #6EF2D1

RGB 110 242 209

HSL 165, 0.84%, 0.69%

LAB 87.69, -44.14, 4.95

 

CMYK 55 / 1 / 0 / 5

HEX #6EEFF2

RGB 110 239 242

HSL 181.36, 0.84%, 0.69%

LAB 87.71, -34.63, -12.3

 

CMYK 55 / 16 / 0 / 5

HEX #6ECCF2

RGB 110 204 242

HSL 197.27, 0.84%, 0.69%

LAB 77.82, -17.47, -27.24

 

CMYK 85 / 0 / 20 / 8

HEX #23EBBB

RGB 35 235 187

HSL 165.6, 0.83%, 0.53%

LAB 83.63, -56.73, 10.43

 

CMYK 69 / 0 / 16 / 7

HEX #49EEC7

RGB 73 238 199

HSL 165.82, 0.83%, 0.61%

LAB 85.35, -51.13, 6.67

 

CMYK 55 / 0 / 13 / 5

HEX #6EF2D2

RGB 110 242 210

HSL 165.45, 0.84%, 0.69%

LAB 87.71, -43.91, 4.46

 

CMYK 40 / 0 / 9 / 4

HEX #94F5DE

RGB 148 245 222

HSL 165.77, 0.83%, 0.77%

LAB 90.26, -33.81, 2.08

 

CMYK 25 / 0 / 6 / 2

HEX #BAF9EA

RGB 186 249 234

HSL 165.71, 0.84%, 0.85%

LAB 93.51, -22.69, 0.8

 

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

CMYK 55 / 52 / 0 / 5

HEX #6E75F2

RGB 110 117 242

HSL 236.82, 0.84%, 0.69%

LAB 54.5, 32.03, -63.91

 

CMYK 0 / 36 / 55 / 5

HEX #F29C6E

RGB 242 156 110

HSL 20.91, 0.84%, 0.69%

LAB 72.08, 27.49, 37.24

 

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

CMYK 14 / 55 / 0 / 5

HEX #D16EF2

RGB 209 110 242

HSL 285, 0.84%, 0.69%

LAB 62.61, 59.06, -50.4

 

CMYK 0 / 14 / 55 / 5

HEX #F2D16E

RGB 242 209 110

HSL 45, 0.84%, 0.69%

LAB 84.79, -0.28, 52.74

 

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

CMYK 55 / 52 / 0 / 5

HEX #6E75F2

RGB 110 117 242

HSL 236.82, 0.84%, 0.69%

LAB 54.5, 32.03, -63.91

 

CMYK 0 / 55 / 41 / 5

HEX #F26E8F

RGB 242 110 143

HSL 345, 0.84%, 0.69%

LAB 63.35, 53.77, 7.14

 

CMYK 0 / 3 / 55 / 5

HEX #F2EB6E

RGB 242 235 110

HSL 56.82, 0.84%, 0.69%

LAB 91.42, -13.36, 60.44

 

CMYK 54 / 0 / 13 / 5

HEX #70F2D3

RGB 112 242 211

HSL 165.69, 0.83%, 0.69%

LAB 87.8, -43.27, 4.07

 

CMYK 41 / 55 / 0 / 5

HEX #8F6EF2

RGB 143 110 242

HSL 255, 0.84%, 0.69%

LAB 55.48, 43.05, -62.19

 

CMYK 0 / 55 / 41 / 5

HEX #F26E8F

RGB 242 110 143

HSL 345, 0.84%, 0.69%

LAB 63.35, 53.77, 7.14

 

CMYK 14 / 0 / 55 / 5

HEX #D1F26E

RGB 209 242 110

HSL 75, 0.84%, 0.69%

LAB 90.86, -29.66, 59.17

 

Description

Color code: HEX #70F2D3 | qconv.com Color code: HEX #70F2D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 242 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 242 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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