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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70EF3E it is the complementary color #8F10C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70EF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70EF3E shade: #75EF39, #86FF4C, #97FF5F, #A8FF72 and #B9FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70EF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70EF3E shade: #70EF3E, #5FDD2B, #4ECB18, #3DB905 and #2CA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70EF3E shade: #70EF3E, #A0EF3E, #D0EF3E, #EFDF3E and #EFAF3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70EF3E shade: #70EF3E, #40EF3E, #3EEF6B, #3EEF9B and #3EEFCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70EF3E shade matches the following richer shades: #70EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70EF3E shade: #70EF3E, #77DE4E, #7FCD5F, #86BD70 and #8DAC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70EF3E shade: #CFEF3E, #9FEF3E, #70EF3E, #41EF3E and #3EEF6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70EF3E shade: #45CA10, #54EC17, #70EF3E, #8CF264 and #A8F68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70EF3E shade: #70EF3E, #3EEFE1 and #EF3EB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70EF3E shade: #70EF3E, #3E70EF and #EF3E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70EF3E shade: #70EF3E, #3EEFE1, #BD3EEF and #EF3E4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70EF3E shade: #70EF3E, #3EC9EF, #BD3EEF and #EF643E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

Complementary color

CMYK 26 / 92 / 0 / 24

HEX #8F10C1

RGB 143 16 193

HSL 283.05, 0.85%, 0.41%

LAB 37.95, 70.39, -62.59

 

CMYK 51 / 0 / 76 / 6

HEX #75EF39

RGB 117 239 57

HSL 100.22, 0.85%, 0.58%

LAB 84.9, -63.55, 71.78

 

CMYK 47 / 0 / 70 / 0

HEX #86FF4C

RGB 134 255 76

HSL 100.56, 1%, 0.65%

LAB 90.37, -63.41, 71.15

 

CMYK 41 / 0 / 63 / 0

HEX #97FF5F

RGB 151 255 95

HSL 99, 1%, 0.69%

LAB 91.2, -56.87, 65.04

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF72

RGB 168 255 114

HSL 97.02, 1%, 0.72%

LAB 92.16, -49.68, 58.29

 

CMYK 27 / 0 / 48 / 0

HEX #B9FF85

RGB 185 255 133

HSL 94.43, 1%, 0.76%

LAB 93.25, -41.96, 51.15

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 57 / 0 / 81 / 13

HEX #5FDD2B

RGB 95 221 43

HSL 102.47, 0.72%, 0.52%

LAB 78.65, -63.75, 69.66

 

CMYK 62 / 0 / 88 / 20

HEX #4ECB18

RGB 78 203 24

HSL 101.9, 0.79%, 0.45%

LAB 72.49, -62.53, 68.34

 

CMYK 67 / 0 / 97 / 27

HEX #3DB905

RGB 61 185 5

HSL 101.33, 0.95%, 0.37%

LAB 66.29, -60.81, 65.7

 

CMYK 74 / 0 / 100 / 35

HEX #2CA700

RGB 44 167 0

HSL 104.19, 1%, 0.33%

LAB 60.04, -58.44, 61.18

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 33 / 0 / 74 / 6

HEX #A0EF3E

RGB 160 239 62

HSL 86.78, 0.85%, 0.59%

LAB 86.78, -49.78, 72.67

 

CMYK 13 / 0 / 74 / 6

HEX #D0EF3E

RGB 208 239 62

HSL 70.51, 0.85%, 0.59%

LAB 89.62, -31.78, 76.38

 

CMYK 0 / 7 / 74 / 6

HEX #EFDF3E

RGB 239 223 62

HSL 54.58, 0.85%, 0.59%

LAB 87.71, -11.43, 75.43

 

CMYK 0 / 27 / 74 / 6

HEX #EFAF3E

RGB 239 175 62

HSL 38.31, 0.85%, 0.59%

LAB 75.67, 13.26, 63.92

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 73 / 0 / 74 / 6

HEX #40EF3E

RGB 64 239 62

HSL 119.32, 0.85%, 0.59%

LAB 83.53, -74.6, 68.39

 

CMYK 74 / 0 / 55 / 6

HEX #3EEF6B

RGB 62 239 107

HSL 135.25, 0.85%, 0.59%

LAB 83.87, -70.38, 50.78

 

CMYK 74 / 0 / 35 / 6

HEX #3EEF9B

RGB 62 239 155

HSL 151.53, 0.85%, 0.59%

LAB 84.55, -62.58, 28.31

 

CMYK 74 / 0 / 15 / 6

HEX #3EEFCB

RGB 62 239 203

HSL 167.8, 0.85%, 0.59%

LAB 85.54, -51.96, 4.83

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 46 / 0 / 65 / 13

HEX #77DE4E

RGB 119 222 78

HSL 102.92, 0.69%, 0.59%

LAB 80.02, -55.14, 59.34

 

CMYK 38 / 0 / 54 / 20

HEX #7FCD5F

RGB 127 205 95

HSL 102.55, 0.52%, 0.59%

LAB 75.45, -44.02, 46.78

 

CMYK 29 / 0 / 41 / 26

HEX #86BD70

RGB 134 189 112

HSL 102.86, 0.37%, 0.59%

LAB 71.31, -32.31, 33.3

 

CMYK 18 / 0 / 25 / 33

HEX #8DAC81

RGB 141 172 129

HSL 103.26, 0.21%, 0.59%

LAB 67.09, -18.86, 18.71

 

CMYK 13 / 0 / 74 / 6

HEX #CFEF3E

RGB 207 239 62

HSL 70.85, 0.85%, 0.59%

LAB 89.55, -32.18, 76.29

 

CMYK 33 / 0 / 74 / 6

HEX #9FEF3E

RGB 159 239 62

HSL 87.12, 0.85%, 0.59%

LAB 86.73, -50.13, 72.6

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 73 / 0 / 74 / 6

HEX #41EF3E

RGB 65 239 62

HSL 118.98, 0.85%, 0.59%

LAB 83.55, -74.45, 68.41

 

CMYK 74 / 0 / 56 / 6

HEX #3EEF6A

RGB 62 239 106

HSL 134.92, 0.85%, 0.59%

LAB 83.86, -70.51, 51.22

 

CMYK 66 / 0 / 92 / 21

HEX #45CA10

RGB 69 202 16

HSL 102.9, 0.85%, 0.43%

LAB 71.92, -64.41, 69.07

 

CMYK 64 / 0 / 90 / 7

HEX #54EC17

RGB 84 236 23

HSL 102.82, 0.85%, 0.51%

LAB 82.88, -71.95, 77.38

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 42 / 0 / 59 / 5

HEX #8CF264

RGB 140 242 100

HSL 103.1, 0.85%, 0.67%

LAB 87, -54.64, 58.12

 

CMYK 32 / 0 / 44 / 4

HEX #A8F68A

RGB 168 246 138

HSL 103.33, 0.86%, 0.75%

LAB 89.89, -43.11, 44.41

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 74 / 0 / 6 / 6

HEX #3EEFE1

RGB 62 239 225

HSL 175.25, 0.85%, 0.59%

LAB 86.1, -46.28, -5.88

 

CMYK 0 / 74 / 23 / 6

HEX #EF3EB7

RGB 239 62 183

HSL 318.98, 0.85%, 0.59%

LAB 57.28, 76.3, -25.07

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 74 / 53 / 0 / 6

HEX #3E70EF

RGB 62 112 239

HSL 223.05, 0.85%, 0.59%

LAB 50.5, 26.54, -68.82

 

CMYK 0 / 74 / 53 / 6

HEX #EF3E70

RGB 239 62 112

HSL 343.05, 0.85%, 0.59%

LAB 55.04, 69.26, 13.45

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 74 / 0 / 6 / 6

HEX #3EEFE1

RGB 62 239 225

HSL 175.25, 0.85%, 0.59%

LAB 86.1, -46.28, -5.88

 

CMYK 21 / 74 / 0 / 6

HEX #BD3EEF

RGB 189 62 239

HSL 283.05, 0.85%, 0.59%

LAB 52.39, 74.47, -65.22

 

CMYK 0 / 74 / 68 / 6

HEX #EF3E4C

RGB 239 62 76

HSL 355.25, 0.85%, 0.59%

LAB 54.36, 67.06, 33.84

 

CMYK 53 / 0 / 74 / 6

HEX #70EF3E

RGB 112 239 62

HSL 103.05, 0.85%, 0.59%

LAB 84.75, -64.6, 70.01

 

CMYK 74 / 16 / 0 / 6

HEX #3EC9EF

RGB 62 201 239

HSL 192.88, 0.85%, 0.59%

LAB 75.47, -24.46, -29.36

 

CMYK 21 / 74 / 0 / 6

HEX #BD3EEF

RGB 189 62 239

HSL 283.05, 0.85%, 0.59%

LAB 52.39, 74.47, -65.22

 

CMYK 0 / 58 / 74 / 6

HEX #EF643E

RGB 239 100 62

HSL 12.88, 0.85%, 0.59%

LAB 59.72, 51.49, 47.62

 

Description

Color code: HEX #70EF3E | qconv.com Color code: HEX #70EF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 239 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 239 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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