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Color name
HEX #70EB2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70EB2F it is the complementary color #8F14D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70EB2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70EB2F shade: #75EB2A, #86FD3D, #97FF50, #A8FF63 and #B9FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70EB2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70EB2F shade: #70EB2F, #5FD91C, #4EC709, #3DB500 and #2CA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70EB2F shade: #6FEA2E, #A2EA2E, #D5EA2E, #EACD2E and #EA9A2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70EB2F shade: #6FEA2E, #3CEA2E, #2EEA53, #2EEA85 and #2EEAB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70EB2F shade matches the following richer shades: #6FEA2E and #69FD1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70EB2F shade: #6FEA2E, #75D841, #7BC553, #80B366 and #86A078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70EB2F shade: #D4EA2E, #A2EA2E, #70EA2E, #3EEA2E and #2EEA51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70EB2F shade: #4AB412, #59DA16, #6FEA2E, #89EE54 and #A3F279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70EB2F shade: #70EB2F, #2EEACE and #EA2EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70EB2F shade: #70EB2F, #2E70EA and #EA2E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70EB2F shade: #70EB2F, #2EEACE, #A82EEA and #EA2E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70EB2F shade: #70EB2F, #2ECEEA, #A82EEA and #EA4A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

Complementary color

CMYK 31 / 90 / 0 / 18

HEX #8F14D0

RGB 143 20 208

HSL 279.26, 0.82%, 0.45%

LAB 39.4, 72.61, -68.96

 

CMYK 50 / 0 / 82 / 8

HEX #75EB2A

RGB 117 235 42

HSL 96.68, 0.83%, 0.54%

LAB 83.63, -62.86, 74.72

 

CMYK 47 / 0 / 76 / 1

HEX #86FD3D

RGB 134 253 61

HSL 97.19, 0.98%, 0.62%

LAB 89.7, -63.61, 75.39

 

CMYK 41 / 0 / 69 / 0

HEX #97FF50

RGB 151 255 80

HSL 95.66, 1%, 0.66%

LAB 91.09, -58.04, 70.68

 

CMYK 34 / 0 / 61 / 0

HEX #A8FF63

RGB 168 255 99

HSL 93.46, 1%, 0.69%

LAB 92.02, -51.07, 64.53

 

CMYK 27 / 0 / 54 / 0

HEX #B9FF76

RGB 185 255 118

HSL 90.66, 1%, 0.73%

LAB 93.08, -43.55, 57.81

 

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

CMYK 56 / 0 / 87 / 15

HEX #5FD91C

RGB 95 217 28

HSL 98.73, 0.77%, 0.48%

LAB 77.37, -62.99, 71.97

 

CMYK 61 / 0 / 95 / 22

HEX #4EC709

RGB 78 199 9

HSL 98.21, 0.91%, 0.41%

LAB 71.2, -61.55, 69.42

 

CMYK 66 / 0 / 100 / 29

HEX #3DB500

RGB 61 181 0

HSL 99.78, 1%, 0.35%

LAB 64.99, -59.62, 65.28

 

CMYK 73 / 0 / 100 / 36

HEX #2CA300

RGB 44 163 0

HSL 103.8, 1%, 0.32%

LAB 58.72, -57.17, 60.13

 

CMYK 53 / 0 / 80 / 8

HEX #6FEA2E

RGB 111 234 46

HSL 99.26, 0.82%, 0.55%

LAB 83.14, -63.98, 73.18

 

CMYK 31 / 0 / 80 / 8

HEX #A2EA2E

RGB 162 234 46

HSL 82.98, 0.82%, 0.55%

LAB 85.36, -47.75, 76.03

 

CMYK 9 / 0 / 80 / 8

HEX #D5EA2E

RGB 213 234 46

HSL 66.7, 0.82%, 0.55%

LAB 88.54, -28.07, 80.05

 

CMYK 0 / 12 / 80 / 8

HEX #EACD2E

RGB 234 205 46

HSL 50.74, 0.82%, 0.55%

LAB 82.57, -5.06, 75.51

 

CMYK 0 / 34 / 80 / 8

HEX #EA9A2E

RGB 234 154 46

HSL 34.47, 0.82%, 0.55%

LAB 70.04, 21.66, 64.44

 

CMYK 53 / 0 / 80 / 8

HEX #6FEA2E

RGB 111 234 46

HSL 99.26, 0.82%, 0.55%

LAB 83.14, -63.98, 73.18

 

CMYK 74 / 0 / 80 / 8

HEX #3CEA2E

RGB 60 234 46

HSL 115.53, 0.82%, 0.55%

LAB 81.84, -74.69, 71.51

 

CMYK 80 / 0 / 65 / 8

HEX #2EEA53

RGB 46 234 83

HSL 131.81, 0.82%, 0.55%

LAB 81.87, -73.6, 58.8

 

CMYK 80 / 0 / 43 / 8

HEX #2EEA85

RGB 46 234 133

HSL 147.77, 0.82%, 0.55%

LAB 82.44, -66.68, 36.54

 

CMYK 80 / 0 / 21 / 8

HEX #2EEAB8

RGB 46 234 184

HSL 164.04, 0.82%, 0.55%

LAB 83.38, -56.19, 11.66

 

CMYK 53 / 0 / 80 / 8

HEX #6FEA2E

RGB 111 234 46

HSL 99.26, 0.82%, 0.55%

LAB 83.14, -63.98, 73.18

 

CMYK 58 / 0 / 89 / 1

HEX #69FD1C

RGB 105 253 28

HSL 99.47, 0.98%, 0.55%

LAB 88.61, -72.61, 81.66

 

CMYK 53 / 0 / 80 / 8

HEX #6FEA2E

RGB 111 234 46

HSL 99.26, 0.82%, 0.55%

LAB 83.14, -63.98, 73.18

 

CMYK 46 / 0 / 70 / 15

HEX #75D841

RGB 117 216 65

HSL 99.34, 0.66%, 0.55%

LAB 78.04, -54.46, 62.27

 

CMYK 38 / 0 / 58 / 23

HEX #7BC553

RGB 123 197 83

HSL 98.95, 0.5%, 0.55%

LAB 72.74, -43.22, 49.11

 

CMYK 28 / 0 / 43 / 30

HEX #80B366

RGB 128 179 102

HSL 99.74, 0.34%, 0.55%

LAB 67.86, -31.1, 33.98

 

CMYK 16 / 0 / 25 / 37

HEX #86A078

RGB 134 160 120

HSL 99, 0.17%, 0.55%

LAB 62.98, -16.73, 17.93

 

CMYK 9 / 0 / 80 / 8

HEX #D4EA2E

RGB 212 234 46

HSL 67.02, 0.82%, 0.55%

LAB 88.47, -28.47, 79.96

 

CMYK 31 / 0 / 80 / 8

HEX #A2EA2E

RGB 162 234 46

HSL 82.98, 0.82%, 0.55%

LAB 85.36, -47.75, 76.03

 

CMYK 52 / 0 / 80 / 8

HEX #70EA2E

RGB 112 234 46

HSL 98.94, 0.82%, 0.55%

LAB 83.17, -63.71, 73.22

 

CMYK 74 / 0 / 80 / 8

HEX #3EEA2E

RGB 62 234 46

HSL 114.89, 0.82%, 0.55%

LAB 81.87, -74.39, 71.55

 

CMYK 80 / 0 / 65 / 8

HEX #2EEA51

RGB 46 234 81

HSL 131.17, 0.82%, 0.55%

LAB 81.85, -73.8, 59.59

 

CMYK 59 / 0 / 90 / 29

HEX #4AB412

RGB 74 180 18

HSL 99.26, 0.82%, 0.39%

LAB 65.08, -55.81, 63.06

 

CMYK 59 / 0 / 90 / 15

HEX #59DA16

RGB 89 218 22

HSL 99.49, 0.82%, 0.47%

LAB 77.47, -65.01, 73.04

 

CMYK 53 / 0 / 80 / 8

HEX #6FEA2E

RGB 111 234 46

HSL 99.26, 0.82%, 0.55%

LAB 83.14, -63.98, 73.18

 

CMYK 42 / 0 / 65 / 7

HEX #89EE54

RGB 137 238 84

HSL 99.35, 0.82%, 0.63%

LAB 85.56, -55.43, 63.14

 

CMYK 33 / 0 / 50 / 5

HEX #A3F279

RGB 163 242 121

HSL 99.17, 0.82%, 0.71%

LAB 88.29, -45.08, 50.45

 

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

CMYK 80 / 0 / 12 / 8

HEX #2EEACE

RGB 46 234 206

HSL 171.06, 0.82%, 0.55%

LAB 83.9, -50.72, 0.86

 

CMYK 0 / 80 / 20 / 8

HEX #EA2EBB

RGB 234 46 187

HSL 315, 0.82%, 0.55%

LAB 55.11, 79.93, -30.82

 

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

CMYK 80 / 52 / 0 / 8

HEX #2E70EA

RGB 46 112 234

HSL 218.94, 0.82%, 0.55%

LAB 49.63, 23.05, -67.46

 

CMYK 0 / 80 / 52 / 8

HEX #EA2E70

RGB 234 46 112

HSL 338.94, 0.82%, 0.55%

LAB 52.53, 72.43, 9.8

 

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

CMYK 80 / 0 / 12 / 8

HEX #2EEACE

RGB 46 234 206

HSL 171.06, 0.82%, 0.55%

LAB 83.9, -50.72, 0.86

 

CMYK 28 / 80 / 0 / 8

HEX #A82EEA

RGB 168 46 234

HSL 278.94, 0.82%, 0.55%

LAB 47.26, 75.07, -70.86

 

CMYK 0 / 80 / 68 / 8

HEX #EA2E4A

RGB 234 46 74

HSL 351.06, 0.82%, 0.55%

LAB 51.77, 70.13, 31.63

 

CMYK 52 / 0 / 80 / 8

HEX #70EB2F

RGB 112 235 47

HSL 99.26, 0.82%, 0.55%

LAB 83.48, -64.02, 73.24

 

CMYK 80 / 12 / 0 / 8

HEX #2ECEEA

RGB 46 206 234

HSL 188.94, 0.82%, 0.55%

LAB 76.48, -30.1, -25.16

 

CMYK 28 / 80 / 0 / 8

HEX #A82EEA

RGB 168 46 234

HSL 278.94, 0.82%, 0.55%

LAB 47.26, 75.07, -70.86

 

CMYK 0 / 68 / 80 / 8

HEX #EA4A2E

RGB 234 74 46

HSL 8.94, 0.82%, 0.55%

LAB 54.64, 60.16, 50.18

 

Description

Color code: HEX #70EB2F | qconv.com Color code: HEX #70EB2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 235 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 235 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 80 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 80% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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