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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E981 it is the complementary color #8F167E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E981 shade: #75E97C, #86FB8F, #97FFA2, #A8FFB5 and #B9FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E981 shade: #70E981, #5FD76E, #4EC55B, #3DB348 and #2CA135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E981 shade: #72E983, #81E972, #A1E972, #C1E972 and #E2E972

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E981 shade: #72E983, #72E9A3, #72E9C3, #72E9E3 and #72CFE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E981 shade matches the following richer shades: #72E983 and #65F679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E981 shade: #72E983, #7FDC8C, #8CCF96, #99C19F and #A7B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E981 shade: #A1E972, #82E972, #72E982, #72E9A1 and #72E9C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E981 shade: #2ADE44, #4EE363, #72E983, #96EFA2 and #B9F4C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E981 shade: #70E981, #72C1E9 and #E97292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E981 shade: #70E981, #8272E9 and #E98272

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E981 shade: #70E981, #72C1E9, #E972D9 and #E99A72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E981 shade: #70E981, #729EE9, #E972D9 and #E9BD72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

Complementary color

CMYK 0 / 85 / 12 / 44

HEX #8F167E

RGB 143 22 126

HSL 308.43, 0.73%, 0.32%

LAB 33.82, 57.75, -28.66

 

CMYK 50 / 0 / 47 / 9

HEX #75E97C

RGB 117 233 124

HSL 123.62, 0.73%, 0.69%

LAB 83.71, -54.75, 42.92

 

CMYK 47 / 0 / 43 / 2

HEX #86FB8F

RGB 134 251 143

HSL 124.62, 0.94%, 0.75%

LAB 89.88, -54.68, 41.66

 

CMYK 41 / 0 / 36 / 0

HEX #97FFA2

RGB 151 255 162

HSL 126.35, 1%, 0.8%

LAB 92, -48.76, 35.21

 

CMYK 34 / 0 / 29 / 0

HEX #A8FFB5

RGB 168 255 181

HSL 128.97, 1%, 0.83%

LAB 93.09, -40.72, 27.29

 

CMYK 27 / 0 / 22 / 0

HEX #B9FFC8

RGB 185 255 200

HSL 132.86, 1%, 0.86%

LAB 94.31, -32.3, 19.45

 

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

CMYK 56 / 0 / 49 / 16

HEX #5FD76E

RGB 95 215 110

HSL 127.5, 0.6%, 0.61%

LAB 77.38, -55.25, 41.64

 

CMYK 60 / 0 / 54 / 23

HEX #4EC55B

RGB 78 197 91

HSL 126.55, 0.51%, 0.54%

LAB 71.08, -55.01, 42.99

 

CMYK 66 / 0 / 60 / 30

HEX #3DB348

RGB 61 179 72

HSL 125.59, 0.49%, 0.47%

LAB 64.72, -54.5, 44.3

 

CMYK 73 / 0 / 67 / 37

HEX #2CA135

RGB 44 161 53

HSL 124.62, 0.57%, 0.4%

LAB 58.3, -53.56, 45.47

 

CMYK 51 / 0 / 44 / 9

HEX #72E983

RGB 114 233 131

HSL 128.57, 0.73%, 0.68%

LAB 83.7, -54.51, 39.47

 

CMYK 45 / 0 / 51 / 9

HEX #81E972

RGB 129 233 114

HSL 112.44, 0.73%, 0.68%

LAB 84.05, -52.75, 48.21

 

CMYK 31 / 0 / 51 / 9

HEX #A1E972

RGB 161 233 114

HSL 96.3, 0.73%, 0.68%

LAB 85.54, -42.63, 50.36

 

CMYK 17 / 0 / 51 / 9

HEX #C1E972

RGB 193 233 114

HSL 80.17, 0.73%, 0.68%

LAB 87.4, -31.15, 53.04

 

CMYK 3 / 0 / 51 / 9

HEX #E2E972

RGB 226 233 114

HSL 63.53, 0.73%, 0.68%

LAB 89.7, -18.42, 56.32

 

CMYK 51 / 0 / 44 / 9

HEX #72E983

RGB 114 233 131

HSL 128.57, 0.73%, 0.68%

LAB 83.7, -54.51, 39.47

 

CMYK 51 / 0 / 30 / 9

HEX #72E9A3

RGB 114 233 163

HSL 144.71, 0.73%, 0.68%

LAB 84.23, -49.1, 23.99

 

CMYK 51 / 0 / 16 / 9

HEX #72E9C3

RGB 114 233 195

HSL 160.84, 0.73%, 0.68%

LAB 84.89, -42.52, 8.26

 

CMYK 51 / 0 / 3 / 9

HEX #72E9E3

RGB 114 233 227

HSL 176.97, 0.73%, 0.68%

LAB 85.71, -34.91, -7.38

 

CMYK 51 / 11 / 0 / 9

HEX #72CFE9

RGB 114 207 233

HSL 193.11, 0.73%, 0.68%

LAB 78.51, -20.71, -21.36

 

CMYK 51 / 0 / 44 / 9

HEX #72E983

RGB 114 233 131

HSL 128.57, 0.73%, 0.68%

LAB 83.7, -54.51, 39.47

 

CMYK 59 / 0 / 51 / 4

HEX #65F679

RGB 101 246 121

HSL 128.28, 0.89%, 0.68%

LAB 87.03, -63.92, 48.35

 

CMYK 51 / 0 / 44 / 9

HEX #72E983

RGB 114 233 131

HSL 128.57, 0.73%, 0.68%

LAB 83.7, -54.51, 39.47

 

CMYK 42 / 0 / 36 / 14

HEX #7FDC8C

RGB 127 220 140

HSL 128.39, 0.57%, 0.68%

LAB 80.51, -44.2, 30.89

 

CMYK 32 / 0 / 28 / 19

HEX #8CCF96

RGB 140 207 150

HSL 128.96, 0.41%, 0.68%

LAB 77.52, -32.73, 21.76

 

CMYK 21 / 0 / 18 / 24

HEX #99C19F

RGB 153 193 159

HSL 129, 0.24%, 0.68%

LAB 74.45, -20.05, 12.81

 

CMYK 7 / 0 / 6 / 29

HEX #A7B4A9

RGB 167 180 169

HSL 129.23, 0.08%, 0.68%

LAB 72.04, -6.62, 4.05

 

CMYK 31 / 0 / 51 / 9

HEX #A1E972

RGB 161 233 114

HSL 96.3, 0.73%, 0.68%

LAB 85.54, -42.63, 50.36

 

CMYK 44 / 0 / 51 / 9

HEX #82E972

RGB 130 233 114

HSL 111.93, 0.73%, 0.68%

LAB 84.09, -52.46, 48.27

 

CMYK 51 / 0 / 44 / 9

HEX #72E982

RGB 114 233 130

HSL 128.07, 0.73%, 0.68%

LAB 83.69, -54.66, 39.94

 

CMYK 51 / 0 / 31 / 9

HEX #72E9A1

RGB 114 233 161

HSL 143.7, 0.73%, 0.68%

LAB 84.19, -49.47, 24.97

 

CMYK 51 / 0 / 17 / 9

HEX #72E9C1

RGB 114 233 193

HSL 159.83, 0.73%, 0.68%

LAB 84.85, -42.96, 9.25

 

CMYK 81 / 0 / 69 / 13

HEX #2ADE44

RGB 42 222 68

HSL 128.67, 0.73%, 0.52%

LAB 77.96, -71.86, 60.47

 

CMYK 66 / 0 / 56 / 11

HEX #4EE363

RGB 78 227 99

HSL 128.46, 0.73%, 0.6%

LAB 80.44, -64.74, 50.42

 

CMYK 51 / 0 / 44 / 9

HEX #72E983

RGB 114 233 131

HSL 128.57, 0.73%, 0.68%

LAB 83.7, -54.51, 39.47

 

CMYK 37 / 0 / 32 / 6

HEX #96EFA2

RGB 150 239 162

HSL 128.09, 0.74%, 0.76%

LAB 87.4, -42.16, 29.06

 

CMYK 24 / 0 / 21 / 4

HEX #B9F4C1

RGB 185 244 193

HSL 128.14, 0.73%, 0.84%

LAB 91.17, -28.36, 18.65

 

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

CMYK 51 / 17 / 0 / 9

HEX #72C1E9

RGB 114 193 233

HSL 200.17, 0.73%, 0.68%

LAB 74.57, -13.48, -27.37

 

CMYK 0 / 51 / 37 / 9

HEX #E97292

RGB 233 114 146

HSL 343.87, 0.73%, 0.68%

LAB 62.87, 49.18, 4.56

 

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

CMYK 44 / 51 / 0 / 9

HEX #8272E9

RGB 130 114 233

HSL 248.07, 0.73%, 0.68%

LAB 54.72, 35.33, -58.45

 

CMYK 0 / 44 / 51 / 9

HEX #E98272

RGB 233 130 114

HSL 8.07, 0.73%, 0.68%

LAB 65.36, 37.92, 26.16

 

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

CMYK 51 / 17 / 0 / 9

HEX #72C1E9

RGB 114 193 233

HSL 200.17, 0.73%, 0.68%

LAB 74.57, -13.48, -27.37

 

CMYK 0 / 51 / 7 / 9

HEX #E972D9

RGB 233 114 217

HSL 308.07, 0.73%, 0.68%

LAB 65.25, 59.09, -32.14

 

CMYK 0 / 34 / 51 / 9

HEX #E99A72

RGB 233 154 114

HSL 20.17, 0.73%, 0.68%

LAB 70.63, 25.32, 33.04

 

CMYK 52 / 0 / 45 / 9

HEX #70E981

RGB 112 233 129

HSL 128.43, 0.73%, 0.68%

LAB 83.6, -55.31, 40.31

 

CMYK 51 / 32 / 0 / 9

HEX #729EE9

RGB 114 158 233

HSL 217.82, 0.73%, 0.68%

LAB 64.89, 5.81, -42.38

 

CMYK 0 / 51 / 7 / 9

HEX #E972D9

RGB 233 114 217

HSL 308.07, 0.73%, 0.68%

LAB 65.25, 59.09, -32.14

 

CMYK 0 / 19 / 51 / 9

HEX #E9BD72

RGB 233 189 114

HSL 37.82, 0.73%, 0.68%

LAB 79, 6.75, 43.61

 

Description

Color code: HEX #70E981 | qconv.com Color code: HEX #70E981 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 233 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 233 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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