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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E75C it is the complementary color #8F18A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E75C shade: #75E757, #86F96A, #97FF7D, #A8FF90 and #B9FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E75C shade: #70E75C, #5FD549, #4EC336, #3DB123 and #2C9F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E75C shade: #6FE65B, #95E65B, #BAE65B, #E0E65B and #E6C75B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E75C shade: #6FE65B, #5BE66C, #5BE692, #5BE6B8 and #5BE6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E75C shade matches the following richer shades: #6FE65B and #64F64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E75C shade: #6FE65B, #7AD76A, #85C879, #90B989 and #9AA998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E75C shade: #BAE65B, #95E65B, #70E65B, #5BE66B and #5BE690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E75C shade: #38D01F, #4FE137, #6FE65B, #8EEC7F and #AEF1A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E75C shade: #70E75C, #5BDFE6 and #E65BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E75C shade: #70E75C, #5B70E6 and #E65B70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E75C shade: #70E75C, #5BDFE6, #D25BE6 and #E6625B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E75C shade: #70E75C, #5BB6E6, #D25BE6 and #E68C5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

Complementary color

CMYK 12 / 85 / 0 / 36

HEX #8F18A3

RGB 143 24 163

HSL 291.37, 0.74%, 0.37%

LAB 36.25, 63.33, -47.51

 

CMYK 49 / 0 / 62 / 9

HEX #75E757

RGB 117 231 87

HSL 107.5, 0.75%, 0.62%

LAB 82.71, -58.33, 58.57

 

CMYK 46 / 0 / 57 / 2

HEX #86F96A

RGB 134 249 106

HSL 108.25, 0.92%, 0.7%

LAB 88.86, -58.53, 57.59

 

CMYK 41 / 0 / 51 / 0

HEX #97FF7D

RGB 151 255 125

HSL 108, 1%, 0.75%

LAB 91.5, -53.82, 52.35

 

CMYK 34 / 0 / 44 / 0

HEX #A8FF90

RGB 168 255 144

HSL 107.03, 1%, 0.78%

LAB 92.51, -46.22, 44.83

 

CMYK 27 / 0 / 36 / 0

HEX #B9FFA3

RGB 185 255 163

HSL 105.65, 1%, 0.82%

LAB 93.66, -38.15, 37.2

 

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

CMYK 55 / 0 / 66 / 16

HEX #5FD549

RGB 95 213 73

HSL 110.57, 0.63%, 0.56%

LAB 76.38, -58.82, 57.17

 

CMYK 60 / 0 / 72 / 24

HEX #4EC336

RGB 78 195 54

HSL 109.79, 0.57%, 0.49%

LAB 70.12, -58.17, 57.77

 

CMYK 66 / 0 / 80 / 31

HEX #3DB123

RGB 61 177 35

HSL 109.01, 0.67%, 0.42%

LAB 63.8, -57.1, 57.74

 

CMYK 72 / 0 / 90 / 38

HEX #2C9F10

RGB 44 159 16

HSL 108.25, 0.82%, 0.34%

LAB 57.43, -55.45, 56.58

 

CMYK 52 / 0 / 60 / 10

HEX #6FE65B

RGB 111 230 91

HSL 111.37, 0.74%, 0.63%

LAB 82.23, -59.19, 56.28

 

CMYK 35 / 0 / 60 / 10

HEX #95E65B

RGB 149 230 91

HSL 94.96, 0.74%, 0.63%

LAB 83.83, -47.72, 58.51

 

CMYK 19 / 0 / 60 / 10

HEX #BAE65B

RGB 186 230 91

HSL 78.99, 0.74%, 0.63%

LAB 85.9, -34.43, 61.39

 

CMYK 3 / 0 / 60 / 10

HEX #E0E65B

RGB 224 230 91

HSL 62.59, 0.74%, 0.63%

LAB 88.54, -19.5, 65.03

 

CMYK 0 / 13 / 60 / 10

HEX #E6C75B

RGB 230 199 91

HSL 46.62, 0.74%, 0.63%

LAB 80.97, -1.48, 56.87

 

CMYK 52 / 0 / 60 / 10

HEX #6FE65B

RGB 111 230 91

HSL 111.37, 0.74%, 0.63%

LAB 82.23, -59.19, 56.28

 

CMYK 60 / 0 / 53 / 10

HEX #5BE66C

RGB 91 230 108

HSL 127.34, 0.74%, 0.63%

LAB 81.78, -62.02, 47.97

 

CMYK 60 / 0 / 37 / 10

HEX #5BE692

RGB 91 230 146

HSL 143.74, 0.74%, 0.63%

LAB 82.32, -56.1, 30.01

 

CMYK 60 / 0 / 20 / 10

HEX #5BE6B8

RGB 91 230 184

HSL 160.14, 0.74%, 0.63%

LAB 83.06, -48.39, 11.33

 

CMYK 60 / 0 / 4 / 10

HEX #5BE6DD

RGB 91 230 221

HSL 176.12, 0.74%, 0.63%

LAB 83.99, -39.37, -6.84

 

CMYK 52 / 0 / 60 / 10

HEX #6FE65B

RGB 111 230 91

HSL 111.37, 0.74%, 0.63%

LAB 82.23, -59.19, 56.28

 

CMYK 59 / 0 / 69 / 4

HEX #64F64C

RGB 100 246 76

HSL 111.53, 0.9%, 0.63%

LAB 86.57, -68.96, 66.88

 

CMYK 52 / 0 / 60 / 10

HEX #6FE65B

RGB 111 230 91

HSL 111.37, 0.74%, 0.63%

LAB 82.23, -59.19, 56.28

 

CMYK 43 / 0 / 51 / 16

HEX #7AD76A

RGB 122 215 106

HSL 111.19, 0.58%, 0.63%

LAB 78.33, -48.47, 44.97

 

CMYK 34 / 0 / 40 / 22

HEX #85C879

RGB 133 200 121

HSL 110.89, 0.42%, 0.63%

LAB 74.62, -36.44, 32.94

 

CMYK 22 / 0 / 26 / 27

HEX #90B989

RGB 144 185 137

HSL 111.25, 0.26%, 0.63%

LAB 71.17, -23.01, 20.01

 

CMYK 9 / 0 / 10 / 34

HEX #9AA998

RGB 154 169 152

HSL 112.94, 0.09%, 0.63%

LAB 67.66, -8.54, 6.98

 

CMYK 19 / 0 / 60 / 10

HEX #BAE65B

RGB 186 230 91

HSL 78.99, 0.74%, 0.63%

LAB 85.9, -34.43, 61.39

 

CMYK 35 / 0 / 60 / 10

HEX #95E65B

RGB 149 230 91

HSL 94.96, 0.74%, 0.63%

LAB 83.83, -47.72, 58.51

 

CMYK 51 / 0 / 60 / 10

HEX #70E65B

RGB 112 230 91

HSL 110.94, 0.74%, 0.63%

LAB 82.27, -58.92, 56.33

 

CMYK 60 / 0 / 53 / 10

HEX #5BE66B

RGB 91 230 107

HSL 126.91, 0.74%, 0.63%

LAB 81.77, -62.15, 48.42

 

CMYK 60 / 0 / 37 / 10

HEX #5BE690

RGB 91 230 144

HSL 142.88, 0.74%, 0.63%

LAB 82.29, -56.46, 30.98

 

CMYK 73 / 0 / 85 / 18

HEX #38D01F

RGB 56 208 31

HSL 111.53, 0.74%, 0.47%

LAB 73.58, -68.19, 67.66

 

CMYK 65 / 0 / 76 / 12

HEX #4FE137

RGB 79 225 55

HSL 111.53, 0.74%, 0.55%

LAB 79.49, -68.03, 66.78

 

CMYK 52 / 0 / 60 / 10

HEX #6FE65B

RGB 111 230 91

HSL 111.37, 0.74%, 0.63%

LAB 82.23, -59.19, 56.28

 

CMYK 40 / 0 / 46 / 7

HEX #8EEC7F

RGB 142 236 127

HSL 111.74, 0.74%, 0.71%

LAB 85.64, -48.47, 44.11

 

CMYK 28 / 0 / 32 / 5

HEX #AEF1A3

RGB 174 241 163

HSL 111.54, 0.74%, 0.79%

LAB 89.18, -35.41, 31.16

 

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 0 / 60 / 27 / 10

HEX #E65BA8

RGB 230 91 168

HSL 326.76, 0.74%, 0.63%

LAB 59.1, 61.46, -13.75

 

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

CMYK 60 / 51 / 0 / 10

HEX #5B70E6

RGB 91 112 230

HSL 230.94, 0.74%, 0.63%

LAB 51.3, 27.67, -62.42

 

CMYK 0 / 60 / 51 / 10

HEX #E65B70

RGB 230 91 112

HSL 350.94, 0.74%, 0.63%

LAB 57.54, 55.53, 16.66

 

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 9 / 60 / 0 / 10

HEX #D25BE6

RGB 210 91 230

HSL 291.37, 0.74%, 0.63%

LAB 58.88, 65.79, -49.63

 

CMYK 0 / 57 / 60 / 10

HEX #E6625B

RGB 230 98 91

HSL 3.02, 0.74%, 0.63%

LAB 58.33, 50.79, 29.86

 

CMYK 52 / 0 / 60 / 9

HEX #70E75C

RGB 112 231 92

HSL 111.37, 0.74%, 0.63%

LAB 82.58, -59.19, 56.25

 

CMYK 60 / 21 / 0 / 10

HEX #5BB6E6

RGB 91 182 230

HSL 200.72, 0.74%, 0.63%

LAB 70.45, -13.14, -32.16

 

CMYK 9 / 60 / 0 / 10

HEX #D25BE6

RGB 210 91 230

HSL 291.37, 0.74%, 0.63%

LAB 58.88, 65.79, -49.63

 

CMYK 0 / 39 / 60 / 10

HEX #E68C5B

RGB 230 140 91

HSL 21.15, 0.74%, 0.63%

LAB 66.77, 29.71, 40.35

 

Description

Color code: HEX #70E75C | qconv.com Color code: HEX #70E75C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 231 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 231 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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