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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E228 it is the complementary color #8F1DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E228 shade: #75E223, #86F436, #97FF49, #A8FF5C and #B9FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E228 shade: #70E228, #5FD015, #4EBE02, #3DAC00 and #2C9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E228 shade: #70E228, #A2E228, #D4E228, #E2BD28 and #E28B28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E228 shade: #70E228, #3DE228, #28E244, #28E276 and #28E2A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E228 shade matches the following richer shades: #70E228 and #6BF514

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E228 shade: #70E228, #74CE3B, #79BA4F, #7DA663 and #819277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E228 shade: #D5E228, #A4E228, #72E228, #40E228 and #28E240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E228 shade: #4CA116, #5DC51B, #70E228, #88E74C and #A0EC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E228 shade: #70E228, #28E2BC and #E228BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E228 shade: #70E228, #2872E2 and #E22872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E228 shade: #70E228, #28E2BC, #9728E2 and #E2284D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E228 shade: #70E228, #28CFE2, #9728E2 and #E23A28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

Complementary color

CMYK 33 / 87 / 0 / 16

HEX #8F1DD7

RGB 143 29 215

HSL 276.77, 0.76%, 0.48%

LAB 40.61, 72.15, -71.02

 

CMYK 48 / 0 / 85 / 11

HEX #75E223

RGB 117 226 35

HSL 94.24, 0.77%, 0.51%

LAB 80.9, -59.86, 73.91

 

CMYK 45 / 0 / 78 / 4

HEX #86F436

RGB 134 244 54

HSL 94.74, 0.9%, 0.58%

LAB 87.01, -60.64, 74.89

 

CMYK 41 / 0 / 71 / 0

HEX #97FF49

RGB 151 255 73

HSL 94.29, 1%, 0.64%

LAB 91.04, -58.51, 73.09

 

CMYK 34 / 0 / 64 / 0

HEX #A8FF5C

RGB 168 255 92

HSL 92.02, 1%, 0.68%

LAB 91.96, -51.64, 67.29

 

CMYK 27 / 0 / 56 / 0

HEX #B9FF6F

RGB 185 255 111

HSL 89.17, 1%, 0.72%

LAB 93.01, -44.21, 60.81

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 54 / 0 / 90 / 18

HEX #5FD015

RGB 95 208 21

HSL 96.26, 0.82%, 0.45%

LAB 74.57, -60.05, 70.84

 

CMYK 59 / 0 / 99 / 25

HEX #4EBE02

RGB 78 190 2

HSL 95.74, 0.98%, 0.38%

LAB 68.35, -58.62, 67.9

 

CMYK 65 / 0 / 100 / 33

HEX #3DAC00

RGB 61 172 0

HSL 98.72, 1%, 0.34%

LAB 62.08, -56.64, 62.97

 

CMYK 71 / 0 / 100 / 40

HEX #2C9A00

RGB 44 154 0

HSL 102.86, 1%, 0.3%

LAB 55.73, -54.28, 57.75

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 28 / 0 / 82 / 11

HEX #A2E228

RGB 162 226 40

HSL 80.65, 0.76%, 0.52%

LAB 83.03, -44.59, 75.45

 

CMYK 6 / 0 / 82 / 11

HEX #D4E228

RGB 212 226 40

HSL 64.52, 0.76%, 0.52%

LAB 86.28, -24.87, 79.52

 

CMYK 0 / 16 / 82 / 11

HEX #E2BD28

RGB 226 189 40

HSL 48.06, 0.76%, 0.52%

LAB 77.71, -0.43, 72.7

 

CMYK 0 / 38 / 82 / 11

HEX #E28B28

RGB 226 139 40

HSL 31.94, 0.76%, 0.52%

LAB 65.58, 26.08, 62.25

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 73 / 0 / 82 / 11

HEX #3DE228

RGB 61 226 40

HSL 113.23, 0.76%, 0.52%

LAB 79.35, -72.45, 70.76

 

CMYK 82 / 0 / 70 / 11

HEX #28E244

RGB 40 226 68

HSL 129.03, 0.76%, 0.52%

LAB 79.19, -73.26, 61.75

 

CMYK 82 / 0 / 48 / 11

HEX #28E276

RGB 40 226 118

HSL 145.16, 0.76%, 0.52%

LAB 79.7, -67.07, 40.4

 

CMYK 82 / 0 / 26 / 11

HEX #28E2A8

RGB 40 226 168

HSL 161.29, 0.76%, 0.52%

LAB 80.56, -57.33, 16.05

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 56 / 0 / 92 / 4

HEX #6BF514

RGB 107 245 20

HSL 96.8, 0.92%, 0.52%

LAB 86.25, -69.67, 80.85

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 44 / 0 / 71 / 19

HEX #74CE3B

RGB 116 206 59

HSL 96.73, 0.6%, 0.52%

LAB 74.93, -51.28, 61.29

 

CMYK 35 / 0 / 58 / 27

HEX #79BA4F

RGB 121 186 79

HSL 96.45, 0.44%, 0.52%

LAB 69.29, -39.53, 46.94

 

CMYK 25 / 0 / 40 / 35

HEX #7DA663

RGB 125 166 99

HSL 96.72, 0.27%, 0.52%

LAB 63.78, -26.34, 30.28

 

CMYK 12 / 0 / 18 / 43

HEX #819277

RGB 129 146 119

HSL 97.78, 0.11%, 0.52%

LAB 58.56, -11.34, 12.3

 

CMYK 6 / 0 / 82 / 11

HEX #D5E228

RGB 213 226 40

HSL 64.19, 0.76%, 0.52%

LAB 86.35, -24.46, 79.61

 

CMYK 27 / 0 / 82 / 11

HEX #A4E228

RGB 164 226 40

HSL 80, 0.76%, 0.52%

LAB 83.15, -43.85, 75.59

 

CMYK 50 / 0 / 82 / 11

HEX #72E228

RGB 114 226 40

HSL 96.13, 0.76%, 0.52%

LAB 80.81, -60.54, 72.63

 

CMYK 72 / 0 / 82 / 11

HEX #40E228

RGB 64 226 40

HSL 112.26, 0.76%, 0.52%

LAB 79.41, -71.96, 70.84

 

CMYK 82 / 0 / 72 / 11

HEX #28E240

RGB 40 226 64

HSL 127.74, 0.76%, 0.52%

LAB 79.16, -73.6, 63.18

 

CMYK 53 / 0 / 86 / 37

HEX #4CA116

RGB 76 161 22

HSL 96.69, 0.76%, 0.36%

LAB 59.05, -48.17, 57.07

 

CMYK 53 / 0 / 86 / 23

HEX #5DC51B

RGB 93 197 27

HSL 96.71, 0.76%, 0.44%

LAB 71.1, -56.47, 66.73

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 41 / 0 / 67 / 9

HEX #88E74C

RGB 136 231 76

HSL 96.77, 0.76%, 0.6%

LAB 83.39, -53.62, 63.95

 

CMYK 32 / 0 / 53 / 7

HEX #A0EC70

RGB 160 236 112

HSL 96.77, 0.77%, 0.68%

LAB 86.32, -44.49, 52.21

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 82 / 0 / 17 / 11

HEX #28E2BC

RGB 40 226 188

HSL 167.74, 0.76%, 0.52%

LAB 81, -52.54, 6.14

 

CMYK 0 / 82 / 17 / 11

HEX #E228BC

RGB 226 40 188

HSL 312.26, 0.76%, 0.52%

LAB 53.29, 79.72, -34.33

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 82 / 50 / 0 / 11

HEX #2872E2

RGB 40 114 226

HSL 216.13, 0.76%, 0.52%

LAB 49.47, 18.25, -63.23

 

CMYK 0 / 82 / 50 / 11

HEX #E22872

RGB 226 40 114

HSL 336.13, 0.76%, 0.52%

LAB 50.57, 71.98, 5.6

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 82 / 0 / 17 / 11

HEX #28E2BC

RGB 40 226 188

HSL 167.74, 0.76%, 0.52%

LAB 81, -52.54, 6.14

 

CMYK 33 / 82 / 0 / 11

HEX #9728E2

RGB 151 40 226

HSL 275.81, 0.76%, 0.52%

LAB 43.64, 72.64, -72.34

 

CMYK 0 / 82 / 66 / 11

HEX #E2284D

RGB 226 40 77

HSL 348.06, 0.76%, 0.52%

LAB 49.76, 69.59, 27

 

CMYK 50 / 0 / 82 / 11

HEX #70E228

RGB 112 226 40

HSL 96.77, 0.76%, 0.52%

LAB 80.73, -61.11, 72.53

 

CMYK 82 / 8 / 0 / 11

HEX #28CFE2

RGB 40 207 226

HSL 186.13, 0.76%, 0.52%

LAB 76.42, -33.54, -20.96

 

CMYK 33 / 82 / 0 / 11

HEX #9728E2

RGB 151 40 226

HSL 275.81, 0.76%, 0.52%

LAB 43.64, 72.64, -72.34

 

CMYK 0 / 74 / 82 / 11

HEX #E23A28

RGB 226 58 40

HSL 5.81, 0.76%, 0.52%

LAB 51.09, 63.15, 49.25

 

Description

Color code: HEX #70E228 | qconv.com Color code: HEX #70E228 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 226 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 226 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 82% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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