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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70E1BA it is the complementary color #8F1E45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70E1BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70E1BA shade: #75E1B5, #86F3C8, #97FFDB, #A8FFEE and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70E1BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70E1BA shade: #70E1BA, #5FCFA7, #4EBD94, #3DAB81 and #2C996E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70E1BA shade: #70E1BA, #70E19B, #70E17D, #81E170 and #A0E170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70E1BA shade: #70E1BA, #70E1D8, #70CBE1, #70ACE1 and #708EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70E1BA shade matches the following richer shades: #70E1BA, #62EFBE and #54FDC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70E1BA shade: #70E1BA, #7ED3B5, #8CC5B1, #9AB7AD and #A8A9A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70E1BA shade: #70E17D, #70E19B, #70E1B9, #70E1D7 and #70CCE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70E1BA shade: #2CD299, #4ED9A9, #70E1BA, #92E8CA and #B4EFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70E1BA shade: #70E1BA, #7081E1 and #E18C70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70E1BA shade: #70E1BA, #B970E1 and #E1B970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70E1BA shade: #70E1BA, #7081E1, #E17097 and #E1D070

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70E1BA shade: #70E1BA, #8170E1, #E17097 and #D0E170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

Complementary color

CMYK 0 / 79 / 52 / 44

HEX #8F1E45

RGB 143 30 69

HSL 339.29, 0.65%, 0.34%

LAB 32.25, 48.74, 5.67

 

CMYK 48 / 0 / 20 / 12

HEX #75E1B5

RGB 117 225 181

HSL 155.56, 0.64%, 0.67%

LAB 82.36, -41.32, 12.03

 

CMYK 45 / 0 / 18 / 5

HEX #86F3C8

RGB 134 243 200

HSL 156.33, 0.82%, 0.74%

LAB 88.61, -41.16, 11.06

 

CMYK 41 / 0 / 14 / 0

HEX #97FFDB

RGB 151 255 219

HSL 159.23, 1%, 0.8%

LAB 93.11, -38.28, 7.76

 

CMYK 34 / 0 / 7 / 0

HEX #A8FFEE

RGB 168 255 238

HSL 168.28, 1%, 0.83%

LAB 94.32, -29.77, -0.19

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 54 / 0 / 19 / 19

HEX #5FCFA7

RGB 95 207 167

HSL 158.57, 0.54%, 0.59%

LAB 75.98, -41.49, 10.28

 

CMYK 59 / 0 / 22 / 26

HEX #4EBD94

RGB 78 189 148

HSL 157.84, 0.46%, 0.52%

LAB 69.58, -41.47, 11.38

 

CMYK 64 / 0 / 25 / 33

HEX #3DAB81

RGB 61 171 129

HSL 157.09, 0.47%, 0.45%

LAB 63.1, -41.33, 12.6

 

CMYK 71 / 0 / 28 / 40

HEX #2C996E

RGB 44 153 110

HSL 156.33, 0.55%, 0.39%

LAB 56.53, -40.97, 13.95

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 50 / 0 / 31 / 12

HEX #70E19B

RGB 112 225 155

HSL 142.83, 0.65%, 0.66%

LAB 81.65, -47.72, 24.6

 

CMYK 50 / 0 / 44 / 12

HEX #70E17D

RGB 112 225 125

HSL 126.9, 0.65%, 0.66%

LAB 81.17, -52.73, 39.18

 

CMYK 43 / 0 / 50 / 12

HEX #81E170

RGB 129 225 112

HSL 110.97, 0.65%, 0.66%

LAB 81.67, -49.75, 46.25

 

CMYK 29 / 0 / 50 / 12

HEX #A0E170

RGB 160 225 112

HSL 94.51, 0.65%, 0.66%

LAB 83.18, -39.68, 48.44

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 50 / 0 / 4 / 12

HEX #70E1D8

RGB 112 225 216

HSL 175.22, 0.65%, 0.66%

LAB 83.05, -34.36, -5.51

 

CMYK 50 / 10 / 0 / 12

HEX #70CBE1

RGB 112 203 225

HSL 191.68, 0.65%, 0.66%

LAB 77.04, -21.31, -19.31

 

CMYK 50 / 24 / 0 / 12

HEX #70ACE1

RGB 112 172 225

HSL 208.14, 0.65%, 0.66%

LAB 68.3, -4.91, -32.68

 

CMYK 50 / 37 / 0 / 12

HEX #708EE1

RGB 112 142 225

HSL 224.07, 0.65%, 0.66%

LAB 60.09, 12.24, -45.52

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 59 / 0 / 21 / 6

HEX #62EFBE

RGB 98 239 190

HSL 159.15, 0.82%, 0.66%

LAB 86.03, -49.52, 12.43

 

CMYK 67 / 0 / 23 / 1

HEX #54FDC2

RGB 84 253 194

HSL 159.05, 0.98%, 0.66%

LAB 89.87, -56.75, 15.75

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 40 / 0 / 14 / 17

HEX #7ED3B5

RGB 126 211 181

HSL 158.82, 0.49%, 0.66%

LAB 78.67, -32.63, 6.81

 

CMYK 29 / 0 / 10 / 23

HEX #8CC5B1

RGB 140 197 177

HSL 158.95, 0.33%, 0.66%

LAB 75.25, -22.69, 4.12

 

CMYK 16 / 0 / 5 / 28

HEX #9AB7AD

RGB 154 183 173

HSL 159.31, 0.17%, 0.66%

LAB 72.06, -11.88, 1.78

 

CMYK 1 / 0 / 1 / 34

HEX #A8A9A8

RGB 168 169 168

HSL 120, 0.01%, 0.66%

LAB 69.13, -0.54, 0.38

 

CMYK 50 / 0 / 44 / 12

HEX #70E17D

RGB 112 225 125

HSL 126.9, 0.65%, 0.66%

LAB 81.17, -52.73, 39.18

 

CMYK 50 / 0 / 31 / 12

HEX #70E19B

RGB 112 225 155

HSL 142.83, 0.65%, 0.66%

LAB 81.65, -47.72, 24.6

 

CMYK 50 / 0 / 18 / 12

HEX #70E1B9

RGB 112 225 185

HSL 158.76, 0.65%, 0.66%

LAB 82.27, -41.64, 9.76

 

CMYK 50 / 0 / 4 / 12

HEX #70E1D7

RGB 112 225 215

HSL 174.69, 0.65%, 0.66%

LAB 83.02, -34.61, -5.02

 

CMYK 50 / 9 / 0 / 12

HEX #70CCE1

RGB 112 204 225

HSL 191.15, 0.65%, 0.66%

LAB 77.32, -21.81, -18.88

 

CMYK 79 / 0 / 27 / 18

HEX #2CD299

RGB 44 210 153

HSL 159.4, 0.65%, 0.5%

LAB 75.41, -54.19, 16.78

 

CMYK 64 / 0 / 22 / 15

HEX #4ED9A9

RGB 78 217 169

HSL 159.28, 0.65%, 0.58%

LAB 78.53, -48.66, 12.76

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 37 / 0 / 13 / 9

HEX #92E8CA

RGB 146 232 202

HSL 159.07, 0.65%, 0.74%

LAB 86.05, -32.59, 6.42

 

CMYK 25 / 0 / 8 / 6

HEX #B4EFDB

RGB 180 239 219

HSL 159.66, 0.65%, 0.82%

LAB 90.11, -22.65, 3.62

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 50 / 43 / 0 / 12

HEX #7081E1

RGB 112 129 225

HSL 230.97, 0.65%, 0.66%

LAB 56.67, 19.97, -50.95

 

CMYK 0 / 38 / 50 / 12

HEX #E18C70

RGB 225 140 112

HSL 14.87, 0.65%, 0.66%

LAB 66.47, 29.42, 28.54

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 18 / 50 / 0 / 12

HEX #B970E1

RGB 185 112 225

HSL 278.76, 0.65%, 0.66%

LAB 59.29, 48.28, -46.38

 

CMYK 0 / 18 / 50 / 12

HEX #E1B970

RGB 225 185 112

HSL 38.76, 0.65%, 0.66%

LAB 77.21, 5.41, 42.22

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 50 / 43 / 0 / 12

HEX #7081E1

RGB 112 129 225

HSL 230.97, 0.65%, 0.66%

LAB 56.67, 19.97, -50.95

 

CMYK 0 / 50 / 33 / 12

HEX #E17097

RGB 225 112 151

HSL 339.29, 0.65%, 0.66%

LAB 61.51, 48.05, -0.44

 

CMYK 0 / 8 / 50 / 12

HEX #E1D070

RGB 225 208 112

HSL 50.97, 0.65%, 0.66%

LAB 83.07, -6.52, 49.37

 

CMYK 50 / 0 / 17 / 12

HEX #70E1BA

RGB 112 225 186

HSL 159.29, 0.65%, 0.66%

LAB 82.29, -41.42, 9.27

 

CMYK 43 / 50 / 0 / 12

HEX #8170E1

RGB 129 112 225

HSL 249.03, 0.65%, 0.66%

LAB 53.7, 33.99, -55.61

 

CMYK 0 / 50 / 33 / 12

HEX #E17097

RGB 225 112 151

HSL 339.29, 0.65%, 0.66%

LAB 61.51, 48.05, -0.44

 

CMYK 8 / 0 / 50 / 12

HEX #D0E170

RGB 208 225 112

HSL 69.03, 0.65%, 0.66%

LAB 86.22, -21.79, 52.81

 

Description

Color code: HEX #70E1BA | qconv.com Color code: HEX #70E1BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 225 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 225 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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