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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70D761 it is the complementary color #8F289E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70D761. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70D761 shade: #75D75C, #86E96F, #97FB82, #A8FF95 and #B9FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70D761. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70D761 shade: #70D761, #5FC54E, #4EB33B, #3DA128 and #2C8F15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70D761 shade: #6FD760, #8FD760, #AFD760, #D0D760 and #D7BF60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70D761 shade: #6FD760, #60D771, #60D791, #60D7B1 and #60D7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70D761 shade matches the following richer shades: #6FD760, #63E750 and #57F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70D761 shade: #6FD760, #7BC770, #87B780, #93A790 and #9F97A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70D761 shade: #AFD760, #90D760, #70D760, #60D770 and #60D790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70D761 shade: #3FB72E, #51CF3F, #6FD760, #8DDF81 and #ABE8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70D761 shade: #70D761, #60CFD7 and #D760A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70D761 shade: #70D761, #6070D7 and #D76070

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70D761 shade: #70D761, #60CFD7, #C760D7 and #D76860

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70D761 shade: #70D761, #60ABD7, #C760D7 and #D78C60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

Complementary color

CMYK 9 / 75 / 0 / 38

HEX #8F289E

RGB 143 40 158

HSL 292.37, 0.6%, 0.39%

LAB 37.53, 57.77, -42.43

 

CMYK 46 / 0 / 57 / 16

HEX #75D75C

RGB 117 215 92

HSL 107.8, 0.61%, 0.6%

LAB 77.97, -51.6, 51.01

 

CMYK 42 / 0 / 52 / 9

HEX #86E96F

RGB 134 233 111

HSL 108.69, 0.73%, 0.67%

LAB 84.22, -51.64, 49.87

 

CMYK 40 / 0 / 48 / 2

HEX #97FB82

RGB 151 251 130

HSL 109.59, 0.94%, 0.75%

LAB 90.41, -51.58, 48.69

 

CMYK 34 / 0 / 42 / 0

HEX #A8FF95

RGB 168 255 149

HSL 109.25, 1%, 0.79%

LAB 92.58, -45.56, 42.5

 

CMYK 27 / 0 / 34 / 0

HEX #B9FFA8

RGB 185 255 168

HSL 108.28, 1%, 0.83%

LAB 93.74, -37.43, 34.82

 

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

CMYK 52 / 0 / 60 / 23

HEX #5FC54E

RGB 95 197 78

HSL 111.43, 0.51%, 0.54%

LAB 71.5, -52.32, 49.63

 

CMYK 56 / 0 / 67 / 30

HEX #4EB33B

RGB 78 179 59

HSL 110.5, 0.5%, 0.47%

LAB 65.1, -51.93, 50.58

 

CMYK 62 / 0 / 75 / 37

HEX #3DA128

RGB 61 161 40

HSL 109.59, 0.6%, 0.39%

LAB 58.63, -51.19, 51.1

 

CMYK 69 / 0 / 85 / 44

HEX #2C8F15

RGB 44 143 21

HSL 108.69, 0.74%, 0.32%

LAB 52.1, -49.9, 50.73

 

CMYK 48 / 0 / 55 / 16

HEX #6FD760

RGB 111 215 96

HSL 112.44, 0.6%, 0.61%

LAB 77.77, -52.88, 48.89

 

CMYK 33 / 0 / 55 / 16

HEX #8FD760

RGB 143 215 96

HSL 96.3, 0.6%, 0.61%

LAB 79.21, -42.87, 50.94

 

CMYK 19 / 0 / 55 / 16

HEX #AFD760

RGB 175 215 96

HSL 80.17, 0.6%, 0.61%

LAB 81.05, -31.26, 53.55

 

CMYK 3 / 0 / 55 / 16

HEX #D0D760

RGB 208 215 96

HSL 63.53, 0.6%, 0.61%

LAB 83.37, -18.25, 56.81

 

CMYK 0 / 11 / 55 / 16

HEX #D7BF60

RGB 215 191 96

HSL 47.9, 0.6%, 0.61%

LAB 77.61, -3.21, 50.35

 

CMYK 48 / 0 / 55 / 16

HEX #6FD760

RGB 111 215 96

HSL 112.44, 0.6%, 0.61%

LAB 77.77, -52.88, 48.89

 

CMYK 55 / 0 / 47 / 16

HEX #60D771

RGB 96 215 113

HSL 128.57, 0.6%, 0.61%

LAB 77.45, -54.58, 40.27

 

CMYK 55 / 0 / 33 / 16

HEX #60D791

RGB 96 215 145

HSL 144.71, 0.6%, 0.61%

LAB 77.95, -49.22, 24.67

 

CMYK 55 / 0 / 18 / 16

HEX #60D7B1

RGB 96 215 177

HSL 160.84, 0.6%, 0.61%

LAB 78.61, -42.54, 8.71

 

CMYK 55 / 0 / 3 / 16

HEX #60D7D1

RGB 96 215 209

HSL 176.97, 0.6%, 0.61%

LAB 79.44, -34.71, -7.18

 

CMYK 48 / 0 / 55 / 16

HEX #6FD760

RGB 111 215 96

HSL 112.44, 0.6%, 0.61%

LAB 77.77, -52.88, 48.89

 

CMYK 57 / 0 / 65 / 9

HEX #63E750

RGB 99 231 80

HSL 112.45, 0.76%, 0.61%

LAB 82.05, -63.65, 60.53

 

CMYK 65 / 0 / 74 / 3

HEX #57F740

RGB 87 247 64

HSL 112.46, 0.92%, 0.61%

LAB 86.46, -72.93, 70.81

 

CMYK 48 / 0 / 55 / 16

HEX #6FD760

RGB 111 215 96

HSL 112.44, 0.6%, 0.61%

LAB 77.77, -52.88, 48.89

 

CMYK 38 / 0 / 44 / 22

HEX #7BC770

RGB 123 199 112

HSL 112.41, 0.44%, 0.61%

LAB 73.69, -40.53, 36.24

 

CMYK 26 / 0 / 30 / 28

HEX #87B780

RGB 135 183 128

HSL 112.36, 0.28%, 0.61%

LAB 69.88, -26.65, 22.99

 

CMYK 12 / 0 / 14 / 35

HEX #93A790

RGB 147 167 144

HSL 112.17, 0.12%, 0.61%

LAB 66.41, -11.46, 9.56

 

CMYK 1 / 6 / 0 / 37

HEX #9F97A0

RGB 159 151 160

HSL 293.33, 0.05%, 0.61%

LAB 63.38, 4.64, -3.67

 

CMYK 19 / 0 / 55 / 16

HEX #AFD760

RGB 175 215 96

HSL 80.17, 0.6%, 0.61%

LAB 81.05, -31.26, 53.55

 

CMYK 33 / 0 / 55 / 16

HEX #90D760

RGB 144 215 96

HSL 95.8, 0.6%, 0.61%

LAB 79.26, -42.53, 51.01

 

CMYK 48 / 0 / 55 / 16

HEX #70D760

RGB 112 215 96

HSL 111.93, 0.6%, 0.61%

LAB 77.81, -52.6, 48.95

 

CMYK 55 / 0 / 48 / 16

HEX #60D770

RGB 96 215 112

HSL 128.07, 0.6%, 0.61%

LAB 77.43, -54.72, 40.74

 

CMYK 55 / 0 / 33 / 16

HEX #60D790

RGB 96 215 144

HSL 144.2, 0.6%, 0.61%

LAB 77.93, -49.4, 25.17

 

CMYK 66 / 0 / 75 / 28

HEX #3FB72E

RGB 63 183 46

HSL 112.55, 0.6%, 0.45%

LAB 65.84, -57.99, 56.18

 

CMYK 61 / 0 / 70 / 19

HEX #51CF3F

RGB 81 207 63

HSL 112.5, 0.6%, 0.53%

LAB 74.02, -60.95, 58.47

 

CMYK 48 / 0 / 55 / 16

HEX #6FD760

RGB 111 215 96

HSL 112.44, 0.6%, 0.61%

LAB 77.77, -52.88, 48.89

 

CMYK 37 / 0 / 42 / 13

HEX #8DDF81

RGB 141 223 129

HSL 112.34, 0.59%, 0.69%

LAB 81.85, -42.95, 38.31

 

CMYK 26 / 0 / 30 / 9

HEX #ABE8A2

RGB 171 232 162

HSL 112.29, 0.6%, 0.77%

LAB 86.49, -32.39, 28.02

 

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

CMYK 55 / 4 / 0 / 16

HEX #60CFD7

RGB 96 207 215

HSL 184.03, 0.6%, 0.61%

LAB 77.29, -29.3, -13.6

 

CMYK 0 / 55 / 26 / 16

HEX #D760A0

RGB 215 96 160

HSL 327.73, 0.6%, 0.61%

LAB 57.42, 53.67, -11.87

 

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

CMYK 55 / 48 / 0 / 16

HEX #6070D7

RGB 96 112 215

HSL 231.93, 0.6%, 0.61%

LAB 50.67, 23.7, -54.96

 

CMYK 0 / 55 / 48 / 16

HEX #D76070

RGB 215 96 112

HSL 351.93, 0.6%, 0.61%

LAB 56.07, 48.18, 14.28

 

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

CMYK 55 / 4 / 0 / 16

HEX #60CFD7

RGB 96 207 215

HSL 184.03, 0.6%, 0.61%

LAB 77.29, -29.3, -13.6

 

CMYK 7 / 55 / 0 / 16

HEX #C760D7

RGB 199 96 215

HSL 291.93, 0.6%, 0.61%

LAB 57.48, 57.99, -43.5

 

CMYK 0 / 52 / 55 / 16

HEX #D76860

RGB 215 104 96

HSL 4.03, 0.6%, 0.61%

LAB 57.26, 42.89, 25.18

 

CMYK 48 / 0 / 55 / 16

HEX #70D761

RGB 112 215 97

HSL 112.37, 0.6%, 0.61%

LAB 77.82, -52.48, 48.5

 

CMYK 55 / 20 / 0 / 16

HEX #60ABD7

RGB 96 171 215

HSL 202.18, 0.6%, 0.61%

LAB 66.91, -10.82, -29.39

 

CMYK 7 / 55 / 0 / 16

HEX #C760D7

RGB 199 96 215

HSL 291.93, 0.6%, 0.61%

LAB 57.48, 57.99, -43.5

 

CMYK 0 / 35 / 55 / 16

HEX #D78C60

RGB 215 140 96

HSL 22.18, 0.6%, 0.61%

LAB 65, 24.03, 35.1

 

Description

Color code: HEX #70D761 | qconv.com Color code: HEX #70D761 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 215 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 215 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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