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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70CE1A it is the complementary color #8F31E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70CE1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70CE1A shade: #75CE15, #86E028, #97F23B, #A8FF4E and #B9FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70CE1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70CE1A shade: #70CE1A, #5FBC07, #4EAA00, #3D9800 and #2C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70CE1A shade: #6FCC19, #9FCC19, #CCC919, #CC9919 and #CC6919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70CE1A shade: #6FCC19, #3FCC19, #19CC24, #19CC55 and #19CC85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70CE1A shade matches the following richer shades: #6FCC19 and #6EDF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70CE1A shade: #6FCC19, #70BA2C, #70A73E, #719551 and #728264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70CE1A shade: #CCC919, #A0CC19, #70CC19, #40CC19 and #19CC22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70CE1A shade: #478310, #5BA815, #6FCC19, #83E52A and #99E94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70CE1A shade: #70CE1A, #19CC9A and #CC19B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70CE1A shade: #70CE1A, #1970CC and #CC1970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70CE1A shade: #70CE1A, #19CC9A, #7619CC and #CC194C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70CE1A shade: #70CE1A, #19C9CC, #7619CC and #CC1C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

Complementary color

CMYK 38 / 79 / 0 / 10

HEX #8F31E5

RGB 143 49 229

HSL 271.33, 0.78%, 0.55%

LAB 43.79, 69.21, -73.83

 

CMYK 43 / 0 / 90 / 19

HEX #75CE15

RGB 117 206 21

HSL 88.86, 0.81%, 0.45%

LAB 74.81, -52.73, 71.39

 

CMYK 40 / 0 / 82 / 12

HEX #86E028

RGB 134 224 40

HSL 89.35, 0.75%, 0.52%

LAB 81.03, -53.6, 73.14

 

CMYK 38 / 0 / 76 / 5

HEX #97F23B

RGB 151 242 59

HSL 89.84, 0.88%, 0.59%

LAB 87.19, -54.22, 73.85

 

CMYK 34 / 0 / 69 / 0

HEX #A8FF4E

RGB 168 255 78

HSL 89.49, 1%, 0.65%

LAB 91.86, -52.65, 72.44

 

CMYK 27 / 0 / 62 / 0

HEX #B9FF61

RGB 185 255 97

HSL 86.58, 1%, 0.69%

LAB 92.88, -45.4, 66.55

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

CMYK 49 / 0 / 96 / 26

HEX #5FBC07

RGB 95 188 7

HSL 90.83, 0.93%, 0.38%

LAB 68.33, -53.07, 67.56

 

CMYK 54 / 0 / 100 / 33

HEX #4EAA00

RGB 78 170 0

HSL 92.47, 1%, 0.33%

LAB 61.97, -51.55, 63.11

 

CMYK 60 / 0 / 100 / 40

HEX #3D9800

RGB 61 152 0

HSL 95.92, 1%, 0.3%

LAB 55.53, -49.7, 57.78

 

CMYK 67 / 0 / 100 / 47

HEX #2C8600

RGB 44 134 0

HSL 100.3, 1%, 0.26%

LAB 48.99, -47.57, 52.39

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 22 / 0 / 88 / 20

HEX #9FCC19

RGB 159 204 25

HSL 75.08, 0.78%, 0.45%

LAB 76.45, -36.52, 72.96

 

CMYK 0 / 1 / 88 / 20

HEX #CCC919

RGB 204 201 25

HSL 58.99, 0.78%, 0.45%

LAB 78.86, -16.41, 76.26

 

CMYK 0 / 25 / 88 / 20

HEX #CC9919

RGB 204 153 25

HSL 42.91, 0.78%, 0.45%

LAB 66.28, 8.66, 66.24

 

CMYK 0 / 49 / 88 / 20

HEX #CC6919

RGB 204 105 25

HSL 26.82, 0.78%, 0.45%

LAB 55.08, 34.53, 57.35

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 69 / 0 / 88 / 20

HEX #3FCC19

RGB 63 204 25

HSL 107.26, 0.78%, 0.45%

LAB 72.44, -65.96, 67.96

 

CMYK 88 / 0 / 82 / 20

HEX #19CC24

RGB 25 204 36

HSL 123.69, 0.78%, 0.45%

LAB 71.91, -70.47, 64.79

 

CMYK 88 / 0 / 58 / 20

HEX #19CC55

RGB 25 204 85

HSL 140.11, 0.78%, 0.45%

LAB 72.26, -66.02, 46.96

 

CMYK 88 / 0 / 35 / 20

HEX #19CC85

RGB 25 204 133

HSL 156.2, 0.78%, 0.45%

LAB 72.95, -57.88, 23.93

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 51 / 0 / 97 / 13

HEX #6EDF07

RGB 110 223 7

HSL 91.39, 0.94%, 0.45%

LAB 79.67, -61.48, 76.88

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 40 / 0 / 76 / 27

HEX #70BA2C

RGB 112 186 44

HSL 91.27, 0.62%, 0.45%

LAB 68.57, -45.45, 60.13

 

CMYK 33 / 0 / 63 / 35

HEX #70A73E

RGB 112 167 62

HSL 91.43, 0.46%, 0.45%

LAB 62.87, -35.91, 47.28

 

CMYK 24 / 0 / 46 / 42

HEX #719551

RGB 113 149 81

HSL 91.76, 0.3%, 0.45%

LAB 57.66, -24.91, 31.85

 

CMYK 12 / 0 / 23 / 49

HEX #728264

RGB 114 130 100

HSL 92, 0.13%, 0.45%

LAB 52.36, -11.7, 14.34

 

CMYK 0 / 1 / 88 / 20

HEX #CCC919

RGB 204 201 25

HSL 58.99, 0.78%, 0.45%

LAB 78.86, -16.41, 76.26

 

CMYK 22 / 0 / 88 / 20

HEX #A0CC19

RGB 160 204 25

HSL 74.75, 0.78%, 0.45%

LAB 76.51, -36.12, 73.04

 

CMYK 45 / 0 / 88 / 20

HEX #70CC19

RGB 112 204 25

HSL 90.84, 0.78%, 0.45%

LAB 74, -53.45, 69.91

 

CMYK 69 / 0 / 88 / 20

HEX #40CC19

RGB 64 204 25

HSL 106.93, 0.78%, 0.45%

LAB 72.46, -65.78, 67.99

 

CMYK 88 / 0 / 83 / 20

HEX #19CC22

RGB 25 204 34

HSL 123.02, 0.78%, 0.45%

LAB 71.9, -70.57, 65.29

 

CMYK 46 / 0 / 88 / 49

HEX #478310

RGB 71 131 16

HSL 91.3, 0.78%, 0.29%

LAB 49.02, -38.02, 49.62

 

CMYK 46 / 0 / 88 / 34

HEX #5BA815

RGB 91 168 21

HSL 91.43, 0.78%, 0.37%

LAB 61.9, -46.25, 60.01

 

CMYK 46 / 0 / 88 / 20

HEX #6FCC19

RGB 111 204 25

HSL 91.17, 0.78%, 0.45%

LAB 73.96, -53.77, 69.86

 

CMYK 43 / 0 / 82 / 10

HEX #83E52A

RGB 131 229 42

HSL 91.44, 0.78%, 0.53%

LAB 82.4, -56.43, 73.82

 

CMYK 34 / 0 / 66 / 9

HEX #99E94F

RGB 153 233 79

HSL 91.17, 0.78%, 0.61%

LAB 84.8, -48.61, 64.52

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

CMYK 88 / 0 / 25 / 20

HEX #19CC9A

RGB 25 204 154

HSL 163.24, 0.78%, 0.45%

LAB 73.37, -53.2, 13.35

 

CMYK 0 / 88 / 10 / 20

HEX #CC19B7

RGB 204 25 183

HSL 307.04, 0.78%, 0.45%

LAB 48.2, 77.51, -39.7

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

CMYK 88 / 45 / 0 / 20

HEX #1970CC

RGB 25 112 204

HSL 210.84, 0.78%, 0.45%

LAB 47.18, 9.92, -54.44

 

CMYK 0 / 88 / 45 / 20

HEX #CC1970

RGB 204 25 112

HSL 330.84, 0.78%, 0.45%

LAB 45.22, 69.48, -1.46

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

CMYK 88 / 0 / 25 / 20

HEX #19CC9A

RGB 25 204 154

HSL 163.24, 0.78%, 0.45%

LAB 73.37, -53.2, 13.35

 

CMYK 42 / 88 / 0 / 20

HEX #7619CC

RGB 118 25 204

HSL 271.17, 0.78%, 0.45%

LAB 35.8, 67.61, -72.68

 

CMYK 0 / 88 / 63 / 20

HEX #CC194C

RGB 204 25 76

HSL 342.91, 0.78%, 0.45%

LAB 44.31, 66.9, 19.69

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1A

RGB 112 206 26

HSL 91.33, 0.78%, 0.45%

LAB 74.61, -54.19, 70.24

 

CMYK 88 / 1 / 0 / 20

HEX #19C9CC

RGB 25 201 204

HSL 181.01, 0.78%, 0.45%

LAB 73.77, -38.41, -13.09

 

CMYK 42 / 88 / 0 / 20

HEX #7619CC

RGB 118 25 204

HSL 271.17, 0.78%, 0.45%

LAB 35.8, 67.61, -72.68

 

CMYK 0 / 86 / 88 / 20

HEX #CC1C19

RGB 204 28 25

HSL 1.01, 0.78%, 0.45%

LAB 43.85, 64.45, 48.5

 

Description

Color code: HEX #70CE1A | qconv.com Color code: HEX #70CE1A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 206 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 206 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 87% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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