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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70CB0E it is the complementary color #8F34F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70CB0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70CB0E shade: #75CB09, #86DD1C, #97EF2F, #A8FF42 and #B9FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70CB0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70CB0E shade: #70CB0E, #5FB900, #4EA700, #3D9500 and #2C8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70CB0E shade: #71CD0E, #A5CD0E, #CDC20E, #CD8F0E and #CD5B0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70CB0E shade: #71CD0E, #3ECD0E, #0ECD12, #0ECD46 and #0ECD79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70CB0E shade matches the following richer shades: #71CD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70CB0E shade: #71CD0E, #71BB20, #70AA32, #6F9843 and #6F8655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70CB0E shade: #CDC00E, #A7CD0E, #74CD0E, #41CD0E and #0ECD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70CB0E shade: #478009, #5CA60C, #71CD0E, #86EF16 and #9AF13C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70CB0E shade: #70CB0E, #0ECD8D and #CD0EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70CB0E shade: #70CB0E, #0E74CD and #CD0E74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70CB0E shade: #70CB0E, #0ECD8D, #670ECD and #CD0E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70CB0E shade: #70CB0E, #0ECDC7, #670ECD and #CD0E15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

Complementary color

CMYK 41 / 78 / 0 / 5

HEX #8F34F1

RGB 143 52 241

HSL 268.89, 0.87%, 0.57%

LAB 45.15, 70.84, -78.4

 

CMYK 42 / 0 / 96 / 20

HEX #75CB09

RGB 117 203 9

HSL 86.6, 0.92%, 0.42%

LAB 73.88, -51.8, 72.18

 

CMYK 39 / 0 / 87 / 13

HEX #86DD1C

RGB 134 221 28

HSL 87.05, 0.78%, 0.49%

LAB 80.1, -52.82, 74.91

 

CMYK 37 / 0 / 80 / 6

HEX #97EF2F

RGB 151 239 47

HSL 87.5, 0.86%, 0.56%

LAB 86.26, -53.59, 76.37

 

CMYK 34 / 0 / 74 / 0

HEX #A8FF42

RGB 168 255 66

HSL 87.62, 1%, 0.63%

LAB 91.79, -53.36, 76.38

 

CMYK 27 / 0 / 67 / 0

HEX #B9FF55

RGB 185 255 85

HSL 84.71, 1%, 0.67%

LAB 92.79, -46.28, 71.12

 

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

CMYK 49 / 0 / 100 / 27

HEX #5FB900

RGB 95 185 0

HSL 89.19, 1%, 0.36%

LAB 67.38, -52.06, 67.63

 

CMYK 53 / 0 / 100 / 35

HEX #4EA700

RGB 78 167 0

HSL 91.98, 1%, 0.33%

LAB 61.01, -50.44, 62.35

 

CMYK 59 / 0 / 100 / 42

HEX #3D9500

RGB 61 149 0

HSL 95.44, 1%, 0.29%

LAB 54.54, -48.62, 57

 

CMYK 66 / 0 / 100 / 49

HEX #2C8300

RGB 44 131 0

HSL 99.85, 1%, 0.26%

LAB 47.97, -46.52, 51.58

 

CMYK 45 / 0 / 93 / 20

HEX #71CD0E

RGB 113 205 14

HSL 88.9, 0.87%, 0.43%

LAB 74.32, -53.79, 71.91

 

CMYK 20 / 0 / 93 / 20

HEX #A5CD0E

RGB 165 205 14

HSL 72.57, 0.87%, 0.43%

LAB 77.1, -34.8, 75.3

 

CMYK 0 / 5 / 93 / 20

HEX #CDC20E

RGB 205 194 14

HSL 56.54, 0.87%, 0.43%

LAB 77.04, -12.64, 76.55

 

CMYK 0 / 30 / 93 / 20

HEX #CD8F0E

RGB 205 143 14

HSL 40.52, 0.87%, 0.43%

LAB 63.88, 14.33, 66.73

 

CMYK 0 / 56 / 93 / 20

HEX #CD5B0E

RGB 205 91 14

HSL 24.19, 0.87%, 0.43%

LAB 52.39, 41.81, 58.58

 

CMYK 45 / 0 / 93 / 20

HEX #71CD0E

RGB 113 205 14

HSL 88.9, 0.87%, 0.43%

LAB 74.32, -53.79, 71.91

 

CMYK 70 / 0 / 93 / 20

HEX #3ECD0E

RGB 62 205 14

HSL 104.92, 0.87%, 0.43%

LAB 72.71, -66.78, 69.92

 

CMYK 93 / 0 / 91 / 20

HEX #0ECD12

RGB 14 205 18

HSL 121.26, 0.87%, 0.43%

LAB 72.09, -72.16, 68.61

 

CMYK 93 / 0 / 66 / 20

HEX #0ECD46

RGB 14 205 70

HSL 137.59, 0.87%, 0.43%

LAB 72.36, -68.76, 53.59

 

CMYK 93 / 0 / 41 / 20

HEX #0ECD79

RGB 14 205 121

HSL 153.61, 0.87%, 0.43%

LAB 72.98, -61.21, 30.2

 

CMYK 45 / 0 / 93 / 20

HEX #71CD0E

RGB 113 205 14

HSL 88.9, 0.87%, 0.43%

LAB 74.32, -53.79, 71.91

 

CMYK 45 / 0 / 93 / 20

HEX #71CD0E

RGB 113 205 14

HSL 88.9, 0.87%, 0.43%

LAB 74.32, -53.79, 71.91

 

CMYK 40 / 0 / 83 / 27

HEX #71BB20

RGB 113 187 32

HSL 88.65, 0.71%, 0.43%

LAB 68.86, -46.11, 63.92

 

CMYK 34 / 0 / 71 / 33

HEX #70AA32

RGB 112 170 50

HSL 89, 0.55%, 0.43%

LAB 63.69, -38.22, 53.16

 

CMYK 27 / 0 / 56 / 40

HEX #6F9843

RGB 111 152 67

HSL 88.94, 0.39%, 0.43%

LAB 58.27, -28.8, 39.7

 

CMYK 17 / 0 / 37 / 47

HEX #6F8655

RGB 111 134 85

HSL 88.16, 0.22%, 0.43%

LAB 53.04, -17.44, 23.73

 

CMYK 0 / 6 / 93 / 20

HEX #CDC00E

RGB 205 192 14

HSL 55.92, 0.87%, 0.43%

LAB 76.5, -11.62, 76.15

 

CMYK 19 / 0 / 93 / 20

HEX #A7CD0E

RGB 167 205 14

HSL 71.94, 0.87%, 0.43%

LAB 77.23, -33.99, 75.46

 

CMYK 43 / 0 / 93 / 20

HEX #74CD0E

RGB 116 205 14

HSL 87.96, 0.87%, 0.43%

LAB 74.45, -52.83, 72.07

 

CMYK 68 / 0 / 93 / 20

HEX #41CD0E

RGB 65 205 14

HSL 103.98, 0.87%, 0.43%

LAB 72.77, -66.21, 70

 

CMYK 93 / 0 / 93 / 20

HEX #0ECD0E

RGB 14 205 14

HSL 120, 0.87%, 0.43%

LAB 72.09, -72.26, 69.16

 

CMYK 45 / 0 / 93 / 50

HEX #478009

RGB 71 128 9

HSL 88.74, 0.87%, 0.27%

LAB 48, -36.98, 50.25

 

CMYK 45 / 0 / 93 / 35

HEX #5CA60C

RGB 92 166 12

HSL 88.83, 0.87%, 0.35%

LAB 61.29, -45.38, 61.15

 

CMYK 45 / 0 / 93 / 20

HEX #71CD0E

RGB 113 205 14

HSL 88.9, 0.87%, 0.43%

LAB 74.32, -53.79, 71.91

 

CMYK 44 / 0 / 91 / 6

HEX #86EF16

RGB 134 239 22

HSL 89.03, 0.87%, 0.51%

LAB 85.43, -59.9, 80.31

 

CMYK 36 / 0 / 75 / 5

HEX #9AF13C

RGB 154 241 60

HSL 88.84, 0.87%, 0.59%

LAB 87.05, -52.76, 73.46

 

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

CMYK 93 / 0 / 31 / 20

HEX #0ECD8D

RGB 14 205 141

HSL 159.9, 0.87%, 0.43%

LAB 73.34, -57.12, 20.23

 

CMYK 0 / 93 / 6 / 20

HEX #CD0EC0

RGB 205 14 192

HSL 304.08, 0.87%, 0.43%

LAB 48.38, 80.34, -44.65

 

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

CMYK 93 / 43 / 0 / 20

HEX #0E74CD

RGB 14 116 205

HSL 207.96, 0.87%, 0.43%

LAB 48.25, 7.22, -53.3

 

CMYK 0 / 93 / 43 / 20

HEX #CD0E74

RGB 205 14 116

HSL 327.96, 0.87%, 0.43%

LAB 45.02, 71.6, -4.22

 

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

CMYK 93 / 0 / 31 / 20

HEX #0ECD8D

RGB 14 205 141

HSL 159.9, 0.87%, 0.43%

LAB 73.34, -57.12, 20.23

 

CMYK 50 / 93 / 0 / 20

HEX #670ECD

RGB 103 14 205

HSL 267.96, 0.87%, 0.43%

LAB 33.15, 68.6, -77.71

 

CMYK 0 / 93 / 62 / 20

HEX #CD0E4E

RGB 205 14 78

HSL 339.9, 0.87%, 0.43%

LAB 44.01, 68.85, 18.08

 

CMYK 45 / 0 / 93 / 20

HEX #70CB0E

RGB 112 203 14

HSL 88.89, 0.87%, 0.43%

LAB 73.67, -53.34, 71.36

 

CMYK 93 / 0 / 3 / 20

HEX #0ECDC7

RGB 14 205 199

HSL 178.12, 0.87%, 0.43%

LAB 74.75, -42.16, -8.92

 

CMYK 50 / 93 / 0 / 20

HEX #670ECD

RGB 103 14 205

HSL 267.96, 0.87%, 0.43%

LAB 33.15, 68.6, -77.71

 

CMYK 0 / 93 / 90 / 20

HEX #CD0E15

RGB 205 14 21

HSL 357.8, 0.87%, 0.43%

LAB 43.28, 66.83, 49.94

 

Description

Color code: HEX #70CB0E | qconv.com Color code: HEX #70CB0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 203 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 203 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 93 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 93% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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