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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70BEDC it is the complementary color #8F4123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70BEDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70BEDC shade: #75BED7, #86D0EA, #97E2FD, #A8F4FF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70BEDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70BEDC shade: #70BEDC, #5FACC9, #4E9AB6, #3D88A3 and #2C7690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70BEDC shade: #6FBEDC, #6FA1DC, #6F83DC, #796FDC and #966FDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70BEDC shade: #6FBEDC, #6FA1DC, #6F83DC and #6F6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70BEDC shade matches the following richer shades: #6FBEDC, #61C4EB and #52CBF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70BEDC shade: #6FBEDC, #7EB8CE, #8CB1BF, #9BABB1 and #A9A4A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70BEDC shade: #6FDCBF, #6FDCDC, #6FBFDC, #6FA2DC and #6F85DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70BEDC shade: #319EC8, #4EAFD4, #6FBEDC, #91CDE4 and #B2DCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70BEDC shade: #70BEDC, #A26FDC and #DCCE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70BEDC shade: #70BEDC, #DC6FBF and #BFDC6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70BEDC shade: #70BEDC, #A26FDC, #DC8C6F and #A9DC6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70BEDC shade: #70BEDC, #C36FDC, #DC8C6F and #89DC6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

Complementary color

CMYK 0 / 55 / 76 / 44

HEX #8F4123

RGB 143 65 35

HSL 16.67, 0.61%, 0.35%

LAB 37.37, 30.95, 33.29

 

CMYK 46 / 12 / 0 / 16

HEX #75BED7

RGB 117 190 215

HSL 195.31, 0.55%, 0.65%

LAB 73.23, -16.22, -19.65

 

CMYK 43 / 11 / 0 / 8

HEX #86D0EA

RGB 134 208 234

HSL 195.6, 0.7%, 0.72%

LAB 79.68, -16.37, -20.04

 

CMYK 40 / 11 / 0 / 1

HEX #97E2FD

RGB 151 226 253

HSL 195.88, 0.96%, 0.79%

LAB 86.04, -16.48, -20.42

 

CMYK 34 / 4 / 0 / 0

HEX #A8F4FF

RGB 168 244 255

HSL 187.59, 1%, 0.83%

LAB 91.8, -20.65, -12.73

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

CMYK 53 / 14 / 0 / 21

HEX #5FACC9

RGB 95 172 201

HSL 196.42, 0.5%, 0.58%

LAB 66.64, -15.71, -22.08

 

CMYK 57 / 15 / 0 / 29

HEX #4E9AB6

RGB 78 154 182

HSL 196.15, 0.42%, 0.51%

LAB 59.99, -15.31, -21.69

 

CMYK 63 / 17 / 0 / 36

HEX #3D88A3

RGB 61 136 163

HSL 195.88, 0.46%, 0.44%

LAB 53.22, -14.77, -21.27

 

CMYK 69 / 18 / 0 / 44

HEX #2C7690

RGB 44 118 144

HSL 195.6, 0.53%, 0.37%

LAB 46.32, -14, -20.81

 

CMYK 50 / 14 / 0 / 14

HEX #6FBEDC

RGB 111 190 220

HSL 196.51, 0.61%, 0.65%

LAB 73.14, -16.23, -22.53

 

CMYK 50 / 27 / 0 / 14

HEX #6FA1DC

RGB 111 161 220

HSL 212.48, 0.61%, 0.65%

LAB 64.99, -0.48, -35.07

 

CMYK 50 / 40 / 0 / 14

HEX #6F83DC

RGB 111 131 220

HSL 228.99, 0.61%, 0.65%

LAB 56.86, 17.01, -47.84

 

CMYK 45 / 50 / 0 / 14

HEX #796FDC

RGB 121 111 220

HSL 245.5, 0.61%, 0.65%

LAB 52.51, 31.29, -54.73

 

CMYK 32 / 50 / 0 / 14

HEX #966FDC

RGB 150 111 220

HSL 261.47, 0.61%, 0.65%

LAB 55.09, 38.4, -50.46

 

CMYK 50 / 14 / 0 / 14

HEX #6FBEDC

RGB 111 190 220

HSL 196.51, 0.61%, 0.65%

LAB 73.14, -16.23, -22.53

 

CMYK 50 / 27 / 0 / 14

HEX #6FA1DC

RGB 111 161 220

HSL 212.48, 0.61%, 0.65%

LAB 64.99, -0.48, -35.07

 

CMYK 50 / 40 / 0 / 14

HEX #6F83DC

RGB 111 131 220

HSL 228.99, 0.61%, 0.65%

LAB 56.86, 17.01, -47.84

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 50 / 14 / 0 / 14

HEX #6FBEDC

RGB 111 190 220

HSL 196.51, 0.61%, 0.65%

LAB 73.14, -16.23, -22.53

 

CMYK 59 / 17 / 0 / 8

HEX #61C4EB

RGB 97 196 235

HSL 196.96, 0.78%, 0.65%

LAB 74.84, -17.89, -28.1

 

CMYK 67 / 18 / 0 / 2

HEX #52CBF9

RGB 82 203 249

HSL 196.53, 0.93%, 0.65%

LAB 76.89, -19.74, -32.5

 

CMYK 50 / 14 / 0 / 14

HEX #6FBEDC

RGB 111 190 220

HSL 196.51, 0.61%, 0.65%

LAB 73.14, -16.23, -22.53

 

CMYK 39 / 11 / 0 / 19

HEX #7EB8CE

RGB 126 184 206

HSL 196.5, 0.45%, 0.65%

LAB 71.67, -13.19, -17.05

 

CMYK 27 / 7 / 0 / 25

HEX #8CB1BF

RGB 140 177 191

HSL 196.47, 0.28%, 0.65%

LAB 70.02, -9.22, -11.22

 

CMYK 12 / 3 / 0 / 31

HEX #9BABB1

RGB 155 171 177

HSL 196.36, 0.12%, 0.65%

LAB 68.95, -4.33, -4.99

 

CMYK 0 / 3 / 4 / 34

HEX #A9A4A2

RGB 169 164 162

HSL 17.14, 0.04%, 0.65%

LAB 67.72, 1.43, 1.67

 

CMYK 50 / 0 / 13 / 14

HEX #6FDCBF

RGB 111 220 191

HSL 164.04, 0.61%, 0.65%

LAB 80.92, -38.28, 4.65

 

CMYK 50 / 0 / 0 / 14

HEX #6FDCDC

RGB 111 220 220

HSL 180, 0.61%, 0.65%

LAB 81.69, -31.2, -9.65

 

CMYK 50 / 13 / 0 / 14

HEX #6FBFDC

RGB 111 191 220

HSL 195.96, 0.61%, 0.65%

LAB 73.42, -16.76, -22.1

 

CMYK 50 / 26 / 0 / 14

HEX #6FA2DC

RGB 111 162 220

HSL 211.93, 0.61%, 0.65%

LAB 65.27, -1.04, -34.64

 

CMYK 50 / 40 / 0 / 14

HEX #6F85DC

RGB 111 133 220

HSL 227.89, 0.61%, 0.65%

LAB 57.39, 15.82, -47.01

 

CMYK 76 / 21 / 0 / 22

HEX #319EC8

RGB 49 158 200

HSL 196.69, 0.61%, 0.49%

LAB 61.03, -16.33, -30.28

 

CMYK 63 / 17 / 0 / 17

HEX #4EAFD4

RGB 78 175 212

HSL 196.57, 0.61%, 0.57%

LAB 67.3, -17.29, -27.19

 

CMYK 50 / 14 / 0 / 14

HEX #6FBEDC

RGB 111 190 220

HSL 196.51, 0.61%, 0.65%

LAB 73.14, -16.23, -22.53

 

CMYK 36 / 10 / 0 / 11

HEX #91CDE4

RGB 145 205 228

HSL 196.63, 0.61%, 0.73%

LAB 79.2, -13.55, -17.49

 

CMYK 25 / 7 / 0 / 7

HEX #B2DCEC

RGB 178 220 236

HSL 196.55, 0.6%, 0.81%

LAB 85.36, -10.13, -12.33

 

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

CMYK 26 / 50 / 0 / 14

HEX #A26FDC

RGB 162 111 220

HSL 268.07, 0.61%, 0.65%

LAB 56.3, 41.54, -48.46

 

CMYK 0 / 6 / 50 / 14

HEX #DCCE6F

RGB 220 206 111

HSL 52.29, 0.61%, 0.65%

LAB 82.11, -7.62, 48.6

 

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

CMYK 0 / 50 / 13 / 14

HEX #DC6FBF

RGB 220 111 191

HSL 315.96, 0.61%, 0.65%

LAB 61.95, 52.55, -22.73

 

CMYK 13 / 0 / 50 / 14

HEX #BFDC6F

RGB 191 220 111

HSL 75.96, 0.61%, 0.65%

LAB 83.66, -26.07, 49.94

 

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

CMYK 26 / 50 / 0 / 14

HEX #A26FDC

RGB 162 111 220

HSL 268.07, 0.61%, 0.65%

LAB 56.3, 41.54, -48.46

 

CMYK 0 / 36 / 50 / 14

HEX #DC8C6F

RGB 220 140 111

HSL 15.96, 0.61%, 0.65%

LAB 65.84, 27.35, 28.15

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 49 / 14 / 0 / 14

HEX #70BEDC

RGB 112 190 220

HSL 196.67, 0.61%, 0.65%

LAB 73.18, -16.01, -22.46

 

CMYK 11 / 50 / 0 / 14

HEX #C36FDC

RGB 195 111 220

HSL 286.24, 0.61%, 0.65%

LAB 60.01, 50.48, -42.35

 

CMYK 0 / 36 / 50 / 14

HEX #DC8C6F

RGB 220 140 111

HSL 15.96, 0.61%, 0.65%

LAB 65.84, 27.35, 28.15

 

CMYK 38 / 0 / 50 / 14

HEX #89DC6F

RGB 137 220 111

HSL 105.69, 0.61%, 0.65%

LAB 80.55, -45.3, 45.44

 

Description

Color code: HEX #70BEDC | qconv.com Color code: HEX #70BEDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 190 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 190 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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