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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AD17 it is the complementary color #8F52E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AD17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70AD17 shade: #75AD12, #86BF25, #97D138, #A8E34B and #B9F55E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AD17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70AD17 shade: #70AD17, #5F9B04, #4E8900, #3D7700 and #2C6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70AD17 shade: #6FAC16, #97AC16, #AC9816, #AC6F16 and #AC4716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70AD17 shade: #6FAC16, #47AC16, #1EAC16, #16AC36 and #16AC5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70AD17 shade matches the following richer shades: #6FAC16 and #72BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70AD17 shade: #6FAC16, #6C9C26, #698C36, #667C45 and #636D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70AD17 shade: #AC9816, #98AC16, #70AC16, #48AC16 and #20AC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70AD17 shade: #40620D, #578712, #6FAC16, #86D01B and #9BE430

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70AD17 shade: #70AD17, #16AC70 and #AC16AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70AD17 shade: #70AD17, #1670AC and #AC1670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70AD17 shade: #70AD17, #16AC70, #5216AC and #AC1652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70AD17 shade: #70AD17, #16AC9D, #5216AC and #AC1625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

Complementary color

CMYK 38 / 65 / 0 / 9

HEX #8F52E8

RGB 143 82 232

HSL 264.4, 0.77%, 0.62%

LAB 49.13, 55.52, -66.84

 

CMYK 32 / 0 / 90 / 32

HEX #75AD12

RGB 117 173 18

HSL 81.68, 0.81%, 0.37%

LAB 64.73, -39.2, 63.52

 

CMYK 30 / 0 / 81 / 25

HEX #86BF25

RGB 134 191 37

HSL 82.21, 0.68%, 0.45%

LAB 71.19, -40, 65.09

 

CMYK 28 / 0 / 73 / 18

HEX #97D138

RGB 151 209 56

HSL 82.75, 0.62%, 0.52%

LAB 77.56, -40.58, 65.53

 

CMYK 26 / 0 / 67 / 11

HEX #A8E34B

RGB 168 227 75

HSL 83.29, 0.73%, 0.59%

LAB 83.85, -41, 65.31

 

CMYK 24 / 0 / 62 / 4

HEX #B9F55E

RGB 185 245 94

HSL 83.84, 0.88%, 0.66%

LAB 90.06, -41.3, 64.69

 

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

CMYK 39 / 0 / 97 / 39

HEX #5F9B04

RGB 95 155 4

HSL 83.84, 0.95%, 0.31%

LAB 57.93, -39.94, 59.65

 

CMYK 43 / 0 / 100 / 46

HEX #4E8900

RGB 78 137 0

HSL 85.84, 1%, 0.27%

LAB 51.28, -38.56, 54.74

 

CMYK 49 / 0 / 100 / 53

HEX #3D7700

RGB 61 119 0

HSL 89.24, 1%, 0.23%

LAB 44.5, -36.99, 49.11

 

CMYK 56 / 0 / 100 / 60

HEX #2C6500

RGB 44 101 0

HSL 93.86, 1%, 0.2%

LAB 37.56, -35.23, 43.36

 

CMYK 35 / 0 / 87 / 33

HEX #6FAC16

RGB 111 172 22

HSL 84.4, 0.77%, 0.38%

LAB 64.11, -40.89, 62.08

 

CMYK 12 / 0 / 87 / 33

HEX #97AC16

RGB 151 172 22

HSL 68.4, 0.77%, 0.38%

LAB 66.63, -24.82, 65.2

 

CMYK 0 / 12 / 87 / 33

HEX #AC9816

RGB 172 152 22

HSL 52, 0.77%, 0.38%

LAB 62.75, -5.21, 62.74

 

CMYK 0 / 35 / 87 / 33

HEX #AC6F16

RGB 172 111 22

HSL 35.6, 0.77%, 0.38%

LAB 52.06, 17.5, 54.03

 

CMYK 0 / 59 / 87 / 33

HEX #AC4716

RGB 172 71 22

HSL 19.6, 0.77%, 0.38%

LAB 43.26, 39, 46.81

 

CMYK 35 / 0 / 87 / 33

HEX #6FAC16

RGB 111 172 22

HSL 84.4, 0.77%, 0.38%

LAB 64.11, -40.89, 62.08

 

CMYK 59 / 0 / 87 / 33

HEX #47AC16

RGB 71 172 22

HSL 100.4, 0.77%, 0.38%

LAB 62.43, -53.61, 59.96

 

CMYK 83 / 0 / 87 / 33

HEX #1EAC16

RGB 30 172 22

HSL 116.8, 0.77%, 0.38%

LAB 61.52, -61.34, 58.81

 

CMYK 87 / 0 / 69 / 33

HEX #16AC36

RGB 22 172 54

HSL 132.8, 0.77%, 0.38%

LAB 61.6, -59.87, 48.53

 

CMYK 87 / 0 / 45 / 33

HEX #16AC5F

RGB 22 172 95

HSL 149.2, 0.77%, 0.38%

LAB 62.08, -54.04, 29.51

 

CMYK 35 / 0 / 87 / 33

HEX #6FAC16

RGB 111 172 22

HSL 84.4, 0.77%, 0.38%

LAB 64.11, -40.89, 62.08

 

CMYK 39 / 0 / 96 / 27

HEX #72BB07

RGB 114 187 7

HSL 84.33, 0.93%, 0.38%

LAB 68.85, -46.44, 68.32

 

CMYK 35 / 0 / 87 / 33

HEX #6FAC16

RGB 111 172 22

HSL 84.4, 0.77%, 0.38%

LAB 64.11, -40.89, 62.08

 

CMYK 31 / 0 / 76 / 39

HEX #6C9C26

RGB 108 156 38

HSL 84.41, 0.61%, 0.38%

LAB 59.07, -34.22, 52.93

 

CMYK 25 / 0 / 61 / 45

HEX #698C36

RGB 105 140 54

HSL 84.42, 0.44%, 0.38%

LAB 54.05, -26.63, 41.03

 

CMYK 18 / 0 / 44 / 51

HEX #667C45

RGB 102 124 69

HSL 84, 0.28%, 0.38%

LAB 49.09, -18.02, 27.38

 

CMYK 9 / 0 / 22 / 57

HEX #636D55

RGB 99 109 85

HSL 85, 0.12%, 0.38%

LAB 44.58, -8.55, 12.17

 

CMYK 0 / 12 / 87 / 33

HEX #AC9816

RGB 172 152 22

HSL 52, 0.77%, 0.38%

LAB 62.75, -5.21, 62.74

 

CMYK 12 / 0 / 87 / 33

HEX #98AC16

RGB 152 172 22

HSL 68, 0.77%, 0.38%

LAB 66.7, -24.39, 65.29

 

CMYK 35 / 0 / 87 / 33

HEX #70AC16

RGB 112 172 22

HSL 84, 0.77%, 0.38%

LAB 64.17, -40.52, 62.14

 

CMYK 58 / 0 / 87 / 33

HEX #48AC16

RGB 72 172 22

HSL 100, 0.77%, 0.38%

LAB 62.46, -53.35, 60

 

CMYK 81 / 0 / 87 / 33

HEX #20AC16

RGB 32 172 22

HSL 116, 0.77%, 0.38%

LAB 61.54, -61.1, 58.84

 

CMYK 35 / 0 / 87 / 62

HEX #40620D

RGB 64 98 13

HSL 84, 0.77%, 0.22%

LAB 37.58, -25.91, 40.17

 

CMYK 36 / 0 / 87 / 47

HEX #578712

RGB 87 135 18

HSL 84.62, 0.76%, 0.3%

LAB 51.15, -33.79, 51.31

 

CMYK 35 / 0 / 87 / 33

HEX #6FAC16

RGB 111 172 22

HSL 84.4, 0.77%, 0.38%

LAB 64.11, -40.89, 62.08

 

CMYK 36 / 0 / 87 / 18

HEX #86D01B

RGB 134 208 27

HSL 84.53, 0.77%, 0.46%

LAB 76.23, -47.59, 71.83

 

CMYK 32 / 0 / 79 / 11

HEX #9BE430

RGB 155 228 48

HSL 84.33, 0.77%, 0.54%

LAB 83.27, -47.66, 73.46

 

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 0 / 87 / 0 / 33

HEX #AC16AC

RGB 172 22 172

HSL 300, 0.77%, 0.38%

LAB 41.72, 70.46, -43.84

 

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

CMYK 87 / 35 / 0 / 33

HEX #1670AC

RGB 22 112 172

HSL 204, 0.77%, 0.38%

LAB 45.27, -2.77, -38.97

 

CMYK 0 / 87 / 35 / 33

HEX #AC1670

RGB 172 22 112

HSL 324, 0.77%, 0.38%

LAB 38.75, 62.51, -11.78

 

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 52 / 87 / 0 / 33

HEX #5216AC

RGB 82 22 172

HSL 264, 0.77%, 0.38%

LAB 27.7, 56.87, -67.26

 

CMYK 0 / 87 / 52 / 33

HEX #AC1652

RGB 172 22 82

HSL 336, 0.77%, 0.38%

LAB 37.76, 59.72, 5.85

 

CMYK 35 / 0 / 87 / 32

HEX #70AD17

RGB 112 173 23

HSL 84.4, 0.77%, 0.38%

LAB 64.48, -40.92, 62.19

 

CMYK 87 / 0 / 9 / 33

HEX #16AC9D

RGB 22 172 157

HSL 174, 0.77%, 0.38%

LAB 63.43, -39.31, -2.59

 

CMYK 52 / 87 / 0 / 33

HEX #5216AC

RGB 82 22 172

HSL 264, 0.77%, 0.38%

LAB 27.7, 56.87, -67.26

 

CMYK 0 / 87 / 78 / 33

HEX #AC1625

RGB 172 22 37

HSL 354, 0.77%, 0.38%

LAB 36.89, 57.2, 33.23

 

Description

Color code: HEX #70AD17 | qconv.com Color code: HEX #70AD17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 173 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 173 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 87 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 87% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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