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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AACF it is the complementary color #8F5530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70AACF shade: #75AACA, #86BCDD, #97CEF0, #A8E0FF and #B9F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70AACF shade: #70AACF, #5F98BC, #4E86A9, #3D7496 and #2C6283

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70AACF shade: #71ABD0, #7192D0, #7178D0, #8471D0 and #9E71D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70AACF shade: #71ABD0, #7192D0, #7178D0 and #7171D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70AACF shade matches the following richer shades: #71ABD0, #62AEDF, #53B2EE and #44B5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70AACF shade: #71ABD0, #81A8C1, #90A4B1, #9FA1A2 and #AF9E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70AACF shade: #71D0C2, #71C5D0, #71ACD0, #7192D0 and #7179D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70AACF shade: #3C85B3, #5399C6, #71ABD0, #90BDDA and #AFD0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70AACF shade: #70AACF, #A971D0 and #D0CE71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70AACF shade: #70AACF, #D071AC and #ACD071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70AACF shade: #70AACF, #A971D0, #D09671 and #99D071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70AACF shade: #70AACF, #C571D0, #D09671 and #7CD071

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

Complementary color

CMYK 0 / 41 / 66 / 44

HEX #8F5530

RGB 143 85 48

HSL 23.37, 0.5%, 0.37%

LAB 42.08, 20.53, 31.39

 

CMYK 42 / 16 / 0 / 21

HEX #75AACA

RGB 117 170 202

HSL 202.59, 0.45%, 0.63%

LAB 67.12, -9.11, -21.8

 

CMYK 39 / 15 / 0 / 13

HEX #86BCDD

RGB 134 188 221

HSL 202.76, 0.56%, 0.7%

LAB 73.71, -9.31, -22.1

 

CMYK 37 / 14 / 0 / 6

HEX #97CEF0

RGB 151 206 240

HSL 202.92, 0.75%, 0.77%

LAB 80.19, -9.47, -22.4

 

CMYK 34 / 12 / 0 / 0

HEX #A8E0FF

RGB 168 224 255

HSL 201.38, 1%, 0.83%

LAB 86.43, -10.58, -20.79

 

CMYK 27 / 5 / 0 / 0

HEX #B9F2FF

RGB 185 242 255

HSL 191.14, 1%, 0.86%

LAB 92.15, -15.03, -12.11

 

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

CMYK 49 / 19 / 0 / 26

HEX #5F98BC

RGB 95 152 188

HSL 203.23, 0.41%, 0.55%

LAB 60.36, -8.66, -24.44

 

CMYK 54 / 21 / 0 / 34

HEX #4E86A9

RGB 78 134 169

HSL 203.08, 0.37%, 0.48%

LAB 53.53, -8.23, -24.19

 

CMYK 59 / 23 / 0 / 41

HEX #3D7496

RGB 61 116 150

HSL 202.92, 0.42%, 0.41%

LAB 46.56, -7.65, -23.94

 

CMYK 66 / 25 / 0 / 49

HEX #2C6283

RGB 44 98 131

HSL 202.76, 0.5%, 0.34%

LAB 39.43, -6.85, -23.68

 

CMYK 46 / 18 / 0 / 18

HEX #71ABD0

RGB 113 171 208

HSL 203.37, 0.5%, 0.63%

LAB 67.42, -9.01, -24.68

 

CMYK 46 / 30 / 0 / 18

HEX #7192D0

RGB 113 146 208

HSL 219.16, 0.5%, 0.63%

LAB 60.45, 5.05, -35.47

 

CMYK 46 / 42 / 0 / 18

HEX #7178D0

RGB 113 120 208

HSL 235.58, 0.5%, 0.63%

LAB 53.49, 20.46, -46.41

 

CMYK 37 / 46 / 0 / 18

HEX #8471D0

RGB 132 113 208

HSL 252, 0.5%, 0.63%

LAB 53.24, 29.43, -46.71

 

CMYK 24 / 46 / 0 / 18

HEX #9E71D0

RGB 158 113 208

HSL 268.42, 0.5%, 0.63%

LAB 55.72, 36.48, -42.63

 

CMYK 46 / 18 / 0 / 18

HEX #71ABD0

RGB 113 171 208

HSL 203.37, 0.5%, 0.63%

LAB 67.42, -9.01, -24.68

 

CMYK 46 / 30 / 0 / 18

HEX #7192D0

RGB 113 146 208

HSL 219.16, 0.5%, 0.63%

LAB 60.45, 5.05, -35.47

 

CMYK 46 / 42 / 0 / 18

HEX #7178D0

RGB 113 120 208

HSL 235.58, 0.5%, 0.63%

LAB 53.49, 20.46, -46.41

 

CMYK 46 / 46 / 0 / 18

HEX #7171D0

RGB 113 113 208

HSL 240, 0.5%, 0.63%

LAB 51.7, 24.68, -49.27

 

CMYK 46 / 18 / 0 / 18

HEX #71ABD0

RGB 113 171 208

HSL 203.37, 0.5%, 0.63%

LAB 67.42, -9.01, -24.68

 

CMYK 56 / 22 / 0 / 13

HEX #62AEDF

RGB 98 174 223

HSL 203.52, 0.66%, 0.63%

LAB 68.17, -9.62, -31.85

 

CMYK 65 / 25 / 0 / 7

HEX #53B2EE

RGB 83 178 238

HSL 203.23, 0.82%, 0.63%

LAB 69.36, -9.84, -38.22

 

CMYK 73 / 29 / 0 / 0

HEX #44B5FE

RGB 68 181 254

HSL 203.55, 0.99%, 0.63%

LAB 70.48, -8.34, -45.19

 

CMYK 46 / 18 / 0 / 18

HEX #71ABD0

RGB 113 171 208

HSL 203.37, 0.5%, 0.63%

LAB 67.42, -9.01, -24.68

 

CMYK 33 / 13 / 0 / 24

HEX #81A8C1

RGB 129 168 193

HSL 203.44, 0.34%, 0.63%

LAB 66.92, -7.11, -17.07

 

CMYK 19 / 7 / 0 / 31

HEX #90A4B1

RGB 144 164 177

HSL 203.64, 0.17%, 0.63%

LAB 66.26, -4.15, -9.07

 

CMYK 2 / 1 / 0 / 36

HEX #9FA1A2

RGB 159 161 162

HSL 200, 0.02%, 0.63%

LAB 66.11, -0.52, -0.78

 

CMYK 0 / 10 / 16 / 31

HEX #AF9E93

RGB 175 158 147

HSL 23.57, 0.15%, 0.63%

LAB 66.27, 4.36, 8

 

CMYK 46 / 0 / 7 / 18

HEX #71D0C2

RGB 113 208 194

HSL 171.16, 0.5%, 0.63%

LAB 77.59, -31.53, -1.8

 

CMYK 46 / 5 / 0 / 18

HEX #71C5D0

RGB 113 197 208

HSL 186.95, 0.5%, 0.63%

LAB 74.82, -22.62, -13.46

 

CMYK 46 / 17 / 0 / 18

HEX #71ACD0

RGB 113 172 208

HSL 202.74, 0.5%, 0.63%

LAB 67.7, -9.55, -24.25

 

CMYK 46 / 30 / 0 / 18

HEX #7192D0

RGB 113 146 208

HSL 219.16, 0.5%, 0.63%

LAB 60.45, 5.05, -35.47

 

CMYK 46 / 42 / 0 / 18

HEX #7179D0

RGB 113 121 208

HSL 234.95, 0.5%, 0.63%

LAB 53.75, 19.85, -46

 

CMYK 66 / 26 / 0 / 30

HEX #3C85B3

RGB 60 133 179

HSL 203.19, 0.5%, 0.47%

LAB 52.94, -7.97, -30.92

 

CMYK 58 / 23 / 0 / 22

HEX #5399C6

RGB 83 153 198

HSL 203.48, 0.5%, 0.55%

LAB 60.51, -8.8, -29.87

 

CMYK 46 / 18 / 0 / 18

HEX #71ABD0

RGB 113 171 208

HSL 203.37, 0.5%, 0.63%

LAB 67.42, -9.01, -24.68

 

CMYK 34 / 13 / 0 / 15

HEX #90BDDA

RGB 144 189 218

HSL 203.51, 0.5%, 0.71%

LAB 74.44, -7.91, -19.32

 

CMYK 23 / 9 / 0 / 11

HEX #AFD0E4

RGB 175 208 228

HSL 202.64, 0.5%, 0.79%

LAB 81.74, -6.59, -13.5

 

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

CMYK 19 / 46 / 0 / 18

HEX #A971D0

RGB 169 113 208

HSL 275.37, 0.5%, 0.63%

LAB 56.88, 39.59, -40.73

 

CMYK 0 / 1 / 46 / 18

HEX #D0CE71

RGB 208 206 113

HSL 58.74, 0.5%, 0.63%

LAB 81.15, -12.28, 46.24

 

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

CMYK 0 / 46 / 17 / 18

HEX #D071AC

RGB 208 113 172

HSL 322.74, 0.5%, 0.63%

LAB 60.07, 44.82, -14.9

 

CMYK 17 / 0 / 46 / 18

HEX #ACD071

RGB 172 208 113

HSL 82.74, 0.5%, 0.63%

LAB 79.08, -27.35, 43.11

 

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

CMYK 19 / 46 / 0 / 18

HEX #A971D0

RGB 169 113 208

HSL 275.37, 0.5%, 0.63%

LAB 56.88, 39.59, -40.73

 

CMYK 0 / 28 / 46 / 18

HEX #D09671

RGB 208 150 113

HSL 23.37, 0.5%, 0.63%

LAB 66.84, 17.33, 28.1

 

CMYK 26 / 0 / 46 / 18

HEX #99D071

RGB 153 208 113

HSL 94.74, 0.5%, 0.63%

LAB 77.92, -34.32, 41.41

 

CMYK 46 / 18 / 0 / 19

HEX #70AACF

RGB 112 170 207

HSL 203.37, 0.5%, 0.63%

LAB 67.05, -8.99, -24.7

 

CMYK 5 / 46 / 0 / 18

HEX #C571D0

RGB 197 113 208

HSL 293.05, 0.5%, 0.63%

LAB 60.1, 47.66, -35.45

 

CMYK 0 / 28 / 46 / 18

HEX #D09671

RGB 208 150 113

HSL 23.37, 0.5%, 0.63%

LAB 66.84, 17.33, 28.1

 

CMYK 40 / 0 / 46 / 18

HEX #7CD071

RGB 124 208 113

HSL 113.05, 0.5%, 0.63%

LAB 76.43, -43.99, 39.22

 

Description

Color code: HEX #70AACF | qconv.com Color code: HEX #70AACF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 170 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 170 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 18 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 18% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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