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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70A303 it is the complementary color #8F5CFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70A303. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70A303 shade: #75A300, #86B511, #97C724, #A8D937 and #B9EB4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70A303. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70A303 shade: #70A303, #5F9100, #4E7F00, #3D6D00 and #2C5B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70A303 shade: #71A503, #9DA503, #A58103, #A55603 and #A52A03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70A303 shade: #71A503, #46A503, #1AA503, #03A518 and #03A544

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70A303 shade matches the following richer shades: #71A503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70A303 shade: #71A503, #6C9711, #688A1F, #637C2C and #5E6E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70A303 shade: #A58203, #9DA503, #72A503, #47A503 and #1CA503

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70A303 shade: #3A5402, #567D03, #71A503, #8DCD04 and #A9F605

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70A303 shade: #70A303, #03A557 and #9703A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70A303 shade: #70A303, #0372A5 and #A50372

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70A303 shade: #70A303, #03A557, #3703A5 and #A50351

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70A303 shade: #70A303, #03A587, #3703A5 and #A50321

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

Complementary color

CMYK 43 / 63 / 0 / 1

HEX #8F5CFC

RGB 143 92 252

HSL 259.13, 0.96%, 0.67%

LAB 52.42, 55.52, -72.69

 

CMYK 28 / 0 / 100 / 36

HEX #75A300

RGB 117 163 0

HSL 76.93, 1%, 0.32%

LAB 61.63, -35.1, 63.65

 

CMYK 26 / 0 / 91 / 29

HEX #86B511

RGB 134 181 17

HSL 77.2, 0.83%, 0.39%

LAB 68.14, -36.19, 66.89

 

CMYK 24 / 0 / 82 / 22

HEX #97C724

RGB 151 199 36

HSL 77.67, 0.69%, 0.46%

LAB 74.54, -37.07, 68.72

 

CMYK 23 / 0 / 75 / 15

HEX #A8D937

RGB 168 217 55

HSL 78.15, 0.68%, 0.53%

LAB 80.86, -37.74, 69.4

 

CMYK 21 / 0 / 69 / 8

HEX #B9EB4A

RGB 185 235 74

HSL 78.63, 0.8%, 0.61%

LAB 87.11, -38.26, 69.35

 

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

CMYK 34 / 0 / 100 / 43

HEX #5F9100

RGB 95 145 0

HSL 80.69, 1%, 0.28%

LAB 54.75, -35.67, 57.81

 

CMYK 39 / 0 / 100 / 50

HEX #4E7F00

RGB 78 127 0

HSL 83.15, 1%, 0.25%

LAB 48.01, -34.22, 52.2

 

CMYK 44 / 0 / 100 / 57

HEX #3D6D00

RGB 61 109 0

HSL 86.42, 1%, 0.21%

LAB 41.1, -32.7, 46.46

 

CMYK 52 / 0 / 100 / 64

HEX #2C5B00

RGB 44 91 0

HSL 90.99, 1%, 0.18%

LAB 34.02, -31.05, 40.58

 

CMYK 32 / 0 / 98 / 35

HEX #71A503

RGB 113 165 3

HSL 79.26, 0.96%, 0.33%

LAB 62.02, -37.51, 63.43

 

CMYK 5 / 0 / 98 / 35

HEX #9DA503

RGB 157 165 3

HSL 62.96, 0.96%, 0.33%

LAB 65.03, -19.06, 67.04

 

CMYK 0 / 22 / 98 / 35

HEX #A58103

RGB 165 129 3

HSL 46.67, 0.96%, 0.33%

LAB 55.79, 3.85, 60.62

 

CMYK 0 / 48 / 98 / 35

HEX #A55603

RGB 165 86 3

HSL 30.74, 0.96%, 0.33%

LAB 45.17, 27.99, 53.39

 

CMYK 0 / 75 / 98 / 35

HEX #A52A03

RGB 165 42 3

HSL 14.44, 0.96%, 0.33%

LAB 37.23, 48.71, 48.69

 

CMYK 32 / 0 / 98 / 35

HEX #71A503

RGB 113 165 3

HSL 79.26, 0.96%, 0.33%

LAB 62.02, -37.51, 63.43

 

CMYK 58 / 0 / 98 / 35

HEX #46A503

RGB 70 165 3

HSL 95.19, 0.96%, 0.33%

LAB 60.09, -51.89, 61.08

 

CMYK 84 / 0 / 98 / 35

HEX #1AA503

RGB 26 165 3

HSL 111.48, 0.96%, 0.33%

LAB 59.1, -60.3, 59.87

 

CMYK 98 / 0 / 85 / 35

HEX #03A518

RGB 3 165 24

HSL 127.78, 0.96%, 0.33%

LAB 58.97, -61.26, 55.98

 

CMYK 98 / 0 / 59 / 35

HEX #03A544

RGB 3 165 68

HSL 144.07, 0.96%, 0.33%

LAB 59.29, -57.16, 39.64

 

CMYK 32 / 0 / 98 / 35

HEX #71A503

RGB 113 165 3

HSL 79.26, 0.96%, 0.33%

LAB 62.02, -37.51, 63.43

 

CMYK 32 / 0 / 98 / 35

HEX #71A503

RGB 113 165 3

HSL 79.26, 0.96%, 0.33%

LAB 62.02, -37.51, 63.43

 

CMYK 28 / 0 / 89 / 41

HEX #6C9711

RGB 108 151 17

HSL 79.25, 0.8%, 0.33%

LAB 57.43, -32.85, 57.39

 

CMYK 25 / 0 / 78 / 46

HEX #688A1F

RGB 104 138 31

HSL 79.07, 0.63%, 0.33%

LAB 53.19, -27.76, 49.64

 

CMYK 20 / 0 / 65 / 51

HEX #637C2C

RGB 99 124 44

HSL 78.75, 0.48%, 0.33%

LAB 48.57, -21.99, 39.54

 

CMYK 15 / 0 / 47 / 57

HEX #5E6E3A

RGB 94 110 58

HSL 78.46, 0.31%, 0.33%

LAB 44, -15.28, 26.93

 

CMYK 0 / 21 / 98 / 35

HEX #A58203

RGB 165 130 3

HSL 47.04, 0.96%, 0.33%

LAB 56.06, 3.29, 60.81

 

CMYK 5 / 0 / 98 / 35

HEX #9DA503

RGB 157 165 3

HSL 62.96, 0.96%, 0.33%

LAB 65.03, -19.06, 67.04

 

CMYK 31 / 0 / 98 / 35

HEX #72A503

RGB 114 165 3

HSL 78.89, 0.96%, 0.33%

LAB 62.08, -37.13, 63.5

 

CMYK 57 / 0 / 98 / 35

HEX #47A503

RGB 71 165 3

HSL 94.81, 0.96%, 0.33%

LAB 60.12, -51.62, 61.12

 

CMYK 83 / 0 / 98 / 35

HEX #1CA503

RGB 28 165 3

HSL 110.74, 0.96%, 0.33%

LAB 59.13, -60.07, 59.9

 

CMYK 31 / 0 / 98 / 67

HEX #3A5402

RGB 58 84 2

HSL 79.02, 0.95%, 0.17%

LAB 32.36, -22.02, 38.91

 

CMYK 31 / 0 / 98 / 51

HEX #567D03

RGB 86 125 3

HSL 79.18, 0.95%, 0.25%

LAB 47.82, -30.04, 51.63

 

CMYK 32 / 0 / 98 / 35

HEX #71A503

RGB 113 165 3

HSL 79.26, 0.96%, 0.33%

LAB 62.02, -37.51, 63.43

 

CMYK 31 / 0 / 98 / 20

HEX #8DCD04

RGB 141 205 4

HSL 79.1, 0.96%, 0.41%

LAB 75.66, -44.24, 74.59

 

CMYK 31 / 0 / 98 / 4

HEX #A9F605

RGB 169 246 5

HSL 79.17, 0.96%, 0.49%

LAB 89.09, -51.12, 85.58

 

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

CMYK 98 / 0 / 47 / 35

HEX #03A557

RGB 3 165 87

HSL 151.11, 0.96%, 0.33%

LAB 59.54, -54.14, 30.4

 

CMYK 8 / 98 / 0 / 35

HEX #9703A5

RGB 151 3 165

HSL 294.81, 0.96%, 0.33%

LAB 36.67, 68.3, -47.96

 

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

CMYK 98 / 31 / 0 / 35

HEX #0372A5

RGB 3 114 165

HSL 198.89, 0.96%, 0.33%

LAB 45.32, -7.71, -34.81

 

CMYK 0 / 98 / 31 / 35

HEX #A50372

RGB 165 3 114

HSL 318.89, 0.96%, 0.33%

LAB 36.52, 63.85, -16.58

 

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

CMYK 98 / 0 / 47 / 35

HEX #03A557

RGB 3 165 87

HSL 151.11, 0.96%, 0.33%

LAB 59.54, -54.14, 30.4

 

CMYK 67 / 98 / 0 / 35

HEX #3703A5

RGB 55 3 165

HSL 259.26, 0.96%, 0.33%

LAB 22.28, 57.71, -72.1

 

CMYK 0 / 98 / 51 / 35

HEX #A50351

RGB 165 3 81

HSL 331.11, 0.96%, 0.33%

LAB 35.32, 60.71, 2.81

 

CMYK 31 / 0 / 98 / 36

HEX #70A303

RGB 112 163 3

HSL 79.13, 0.96%, 0.33%

LAB 61.35, -37.01, 62.88

 

CMYK 98 / 0 / 18 / 35

HEX #03A587

RGB 3 165 135

HSL 168.89, 0.96%, 0.33%

LAB 60.5, -43.31, 5.45

 

CMYK 67 / 98 / 0 / 35

HEX #3703A5

RGB 55 3 165

HSL 259.26, 0.96%, 0.33%

LAB 22.28, 57.71, -72.1

 

CMYK 0 / 98 / 80 / 35

HEX #A50321

RGB 165 3 33

HSL 348.89, 0.96%, 0.33%

LAB 34.34, 58.07, 32.47

 

Description

Color code: HEX #70A303 | qconv.com Color code: HEX #70A303 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 163 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 163 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 98% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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