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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7093D3 it is the complementary color #8F6C2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7093D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7093D3 shade: #7593CE, #86A5E1, #97B7F4, #A8C9FF and #B9DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7093D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7093D3 shade: #7093D3, #5F81C0, #4E6FAD, #3D5D9A and #2C4B87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7093D3 shade: #6F92D3, #6F77D3, #816FD3, #9C6FD3 and #B76FD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7093D3 shade: #6F92D3, #6F77D3 and #6F6FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7093D3 shade matches the following richer shades: #6F92D3, #5F8EE2 and #5089F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7093D3 shade: #6F92D3, #7E96C3, #8D9BB4, #9C9FA5 and #ACA496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7093D3 shade: #6FC9D3, #6FAED3, #6F93D3, #6F79D3 and #7F6FD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7093D3 shade: #3865B7, #4F7AC9, #6F92D3, #8EAADC and #AEC2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7093D3 shade: #7093D3, #C26FD3 and #BBD36F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7093D3 shade: #7093D3, #D36F93 and #93D36F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7093D3 shade: #7093D3, #C26FD3, #D3AE6F and #7FD36F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7093D3 shade: #7093D3, #D36FC5, #D3AE6F and #6FD37C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

Complementary color

CMYK 0 / 24 / 69 / 44

HEX #8F6C2C

RGB 143 108 44

HSL 38.79, 0.53%, 0.37%

LAB 47.94, 6.91, 40.02

 

CMYK 43 / 29 / 0 / 19

HEX #7593CE

RGB 117 147 206

HSL 219.78, 0.48%, 0.63%

LAB 60.87, 4.9, -33.66

 

CMYK 40 / 27 / 0 / 12

HEX #86A5E1

RGB 134 165 225

HSL 219.56, 0.6%, 0.7%

LAB 67.59, 4.39, -33.69

 

CMYK 38 / 25 / 0 / 4

HEX #97B7F4

RGB 151 183 244

HSL 219.35, 0.81%, 0.77%

LAB 74.18, 3.95, -33.76

 

CMYK 34 / 21 / 0 / 0

HEX #A8C9FF

RGB 168 201 255

HSL 217.24, 1%, 0.83%

LAB 80.36, 1.53, -30.05

 

CMYK 27 / 14 / 0 / 0

HEX #B9DBFF

RGB 185 219 255

HSL 210.86, 1%, 0.86%

LAB 86.11, -3.26, -21.19

 

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

CMYK 51 / 33 / 0 / 25

HEX #5F81C0

RGB 95 129 192

HSL 218.97, 0.43%, 0.56%

LAB 53.96, 5.82, -36.64

 

CMYK 55 / 36 / 0 / 32

HEX #4E6FAD

RGB 78 111 173

HSL 219.16, 0.38%, 0.49%

LAB 46.98, 6.71, -36.72

 

CMYK 60 / 40 / 0 / 40

HEX #3D5D9A

RGB 61 93 154

HSL 219.35, 0.43%, 0.42%

LAB 39.84, 7.84, -36.85

 

CMYK 67 / 44 / 0 / 47

HEX #2C4B87

RGB 44 75 135

HSL 219.56, 0.51%, 0.35%

LAB 32.52, 9.33, -37.02

 

CMYK 47 / 31 / 0 / 17

HEX #6F92D3

RGB 111 146 211

HSL 219, 0.53%, 0.63%

LAB 60.46, 5.44, -37.13

 

CMYK 47 / 44 / 0 / 17

HEX #6F77D3

RGB 111 119 211

HSL 235.2, 0.53%, 0.63%

LAB 53.25, 21.48, -48.5

 

CMYK 39 / 47 / 0 / 17

HEX #816FD3

RGB 129 111 211

HSL 250.8, 0.53%, 0.63%

LAB 52.66, 30.66, -49.35

 

CMYK 26 / 47 / 0 / 17

HEX #9C6FD3

RGB 156 111 211

HSL 267, 0.53%, 0.63%

LAB 55.22, 37.77, -45.14

 

CMYK 13 / 47 / 0 / 17

HEX #B76FD3

RGB 183 111 211

HSL 283.2, 0.53%, 0.63%

LAB 58.17, 45.29, -40.29

 

CMYK 47 / 31 / 0 / 17

HEX #6F92D3

RGB 111 146 211

HSL 219, 0.53%, 0.63%

LAB 60.46, 5.44, -37.13

 

CMYK 47 / 44 / 0 / 17

HEX #6F77D3

RGB 111 119 211

HSL 235.2, 0.53%, 0.63%

LAB 53.25, 21.48, -48.5

 

CMYK 47 / 47 / 0 / 17

HEX #6F6FD3

RGB 111 111 211

HSL 240, 0.53%, 0.63%

LAB 51.21, 26.32, -51.76

 

CMYK 47 / 31 / 0 / 17

HEX #6F92D3

RGB 111 146 211

HSL 219, 0.53%, 0.63%

LAB 60.46, 5.44, -37.13

 

CMYK 58 / 37 / 0 / 11

HEX #5F8EE2

RGB 95 142 226

HSL 218.47, 0.69%, 0.63%

LAB 59.22, 8.93, -47.51

 

CMYK 67 / 43 / 0 / 5

HEX #5089F1

RGB 80 137 241

HSL 218.76, 0.85%, 0.63%

LAB 57.99, 14.3, -57.84

 

CMYK 47 / 31 / 0 / 17

HEX #6F92D3

RGB 111 146 211

HSL 219, 0.53%, 0.63%

LAB 60.46, 5.44, -37.13

 

CMYK 35 / 23 / 0 / 24

HEX #7E96C3

RGB 126 150 195

HSL 219.13, 0.37%, 0.63%

LAB 61.82, 2.58, -25.99

 

CMYK 22 / 14 / 0 / 29

HEX #8D9BB4

RGB 141 155 180

HSL 218.46, 0.21%, 0.63%

LAB 63.67, 0.55, -14.64

 

CMYK 5 / 4 / 0 / 35

HEX #9C9FA5

RGB 156 159 165

HSL 220, 0.05%, 0.63%

LAB 65.42, 0.11, -3.5

 

CMYK 0 / 5 / 13 / 33

HEX #ACA496

RGB 172 164 150

HSL 38.18, 0.12%, 0.63%

LAB 67.67, 0.43, 8.29

 

CMYK 47 / 5 / 0 / 17

HEX #6FC9D3

RGB 111 201 211

HSL 186, 0.53%, 0.63%

LAB 75.98, -24.29, -13.35

 

CMYK 47 / 18 / 0 / 17

HEX #6FAED3

RGB 111 174 211

HSL 202.2, 0.53%, 0.63%

LAB 68.28, -10.27, -25.03

 

CMYK 47 / 30 / 0 / 17

HEX #6F93D3

RGB 111 147 211

HSL 218.4, 0.53%, 0.63%

LAB 60.74, 4.86, -36.7

 

CMYK 47 / 43 / 0 / 17

HEX #6F79D3

RGB 111 121 211

HSL 234, 0.53%, 0.63%

LAB 53.77, 20.28, -47.68

 

CMYK 40 / 47 / 0 / 17

HEX #7F6FD3

RGB 127 111 211

HSL 249.6, 0.53%, 0.63%

LAB 52.49, 30.16, -49.64

 

CMYK 69 / 45 / 0 / 28

HEX #3865B7

RGB 56 101 183

HSL 218.74, 0.53%, 0.47%

LAB 43.61, 12.27, -47.99

 

CMYK 61 / 39 / 0 / 21

HEX #4F7AC9

RGB 79 122 201

HSL 218.85, 0.53%, 0.55%

LAB 51.61, 9.54, -45.55

 

CMYK 47 / 31 / 0 / 17

HEX #6F92D3

RGB 111 146 211

HSL 219, 0.53%, 0.63%

LAB 60.46, 5.44, -37.13

 

CMYK 35 / 23 / 0 / 14

HEX #8EAADC

RGB 142 170 220

HSL 218.46, 0.53%, 0.71%

LAB 69.23, 2.41, -28.37

 

CMYK 24 / 16 / 0 / 10

HEX #AEC2E6

RGB 174 194 230

HSL 218.57, 0.53%, 0.79%

LAB 78.05, 1, -20.15

 

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

CMYK 8 / 47 / 0 / 17

HEX #C26FD3

RGB 194 111 211

HSL 289.8, 0.53%, 0.63%

LAB 59.47, 48.41, -38.15

 

CMYK 11 / 0 / 47 / 17

HEX #BBD36F

RGB 187 211 111

HSL 74.4, 0.53%, 0.63%

LAB 80.91, -23.27, 46.55

 

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

CMYK 0 / 47 / 30 / 17

HEX #D36F93

RGB 211 111 147

HSL 338.4, 0.53%, 0.63%

LAB 59.27, 43.29, -1.63

 

CMYK 30 / 0 / 47 / 17

HEX #93D36F

RGB 147 211 111

HSL 98.4, 0.53%, 0.63%

LAB 78.43, -38.03, 42.94

 

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

CMYK 8 / 47 / 0 / 17

HEX #C26FD3

RGB 194 111 211

HSL 289.8, 0.53%, 0.63%

LAB 59.47, 48.41, -38.15

 

CMYK 0 / 18 / 47 / 17

HEX #D3AE6F

RGB 211 174 111

HSL 37.8, 0.53%, 0.63%

LAB 73.07, 5.4, 37.26

 

CMYK 40 / 0 / 47 / 17

HEX #7FD36F

RGB 127 211 111

HSL 110.4, 0.53%, 0.63%

LAB 77.43, -44.62, 41.49

 

CMYK 47 / 30 / 0 / 17

HEX #7093D3

RGB 112 147 211

HSL 218.79, 0.53%, 0.63%

LAB 60.8, 5.1, -36.6

 

CMYK 0 / 47 / 7 / 17

HEX #D36FC5

RGB 211 111 197

HSL 308.4, 0.53%, 0.63%

LAB 61, 50.82, -27.69

 

CMYK 0 / 18 / 47 / 17

HEX #D3AE6F

RGB 211 174 111

HSL 37.8, 0.53%, 0.63%

LAB 73.07, 5.4, 37.26

 

CMYK 47 / 0 / 41 / 17

HEX #6FD37C

RGB 111 211 124

HSL 127.8, 0.53%, 0.63%

LAB 76.93, -47.44, 34.23

 

Description

Color code: HEX #7093D3 | qconv.com Color code: HEX #7093D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 147 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 147 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 30 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 30% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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