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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #708DDF it is the complementary color #8F7220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #708DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #708DDF shade: #758DDA, #869FED, #97B1FF, #A8C3FF and #B9D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #708DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #708DDF shade: #708DDF, #5F7BCC, #4E69B9, #3D57A6 and #2C4593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #708DDF shade: #728EDF, #7372DF, #9072DF, #AE72DF and #CB72DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #708DDF shade: #728EDF and #7272DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #708DDF shade matches the following richer shades: #728EDF, #6488ED and #5681FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #708DDF shade: #728EDF, #8095D1, #8E9CC3, #9CA2B5 and #AAA9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #708DDF shade: #72C9DF, #72ACDF, #728FDF, #7272DF and #8F72DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #708DDF shade: #2F59CF, #5073D7, #728EDF, #93A9E7 and #B5C4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #708DDF shade: #708DDF, #D872DF and #BBDF72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #708DDF shade: #708DDF, #DF728F and #8FDF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #708DDF shade: #708DDF, #D872DF, #DFC272 and #79DF72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #708DDF shade: #708DDF, #DF72C5, #DFC272 and #72DF8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

Complementary color

CMYK 0 / 20 / 78 / 44

HEX #8F7220

RGB 143 114 32

HSL 44.32, 0.63%, 0.34%

LAB 49.47, 2.82, 46.9

 

CMYK 46 / 35 / 0 / 15

HEX #758DDA

RGB 117 141 218

HSL 225.74, 0.58%, 0.66%

LAB 59.79, 11.9, -42.07

 

CMYK 43 / 33 / 0 / 7

HEX #869FED

RGB 134 159 237

HSL 225.44, 0.74%, 0.73%

LAB 66.5, 11.15, -41.97

 

CMYK 41 / 31 / 0 / 0

HEX #97B1FF

RGB 151 177 255

HSL 225, 1%, 0.8%

LAB 73.05, 10.23, -41.44

 

CMYK 34 / 24 / 0 / 0

HEX #A8C3FF

RGB 168 195 255

HSL 221.38, 1%, 0.83%

LAB 78.8, 4.78, -32.45

 

CMYK 27 / 16 / 0 / 0

HEX #B9D5FF

RGB 185 213 255

HSL 216, 1%, 0.86%

LAB 84.55, -0.11, -23.56

 

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

CMYK 53 / 40 / 0 / 20

HEX #5F7BCC

RGB 95 123 204

HSL 224.59, 0.52%, 0.59%

LAB 52.9, 13.22, -45.15

 

CMYK 58 / 43 / 0 / 27

HEX #4E69B9

RGB 78 105 185

HSL 224.86, 0.43%, 0.52%

LAB 45.94, 14.45, -45.36

 

CMYK 63 / 48 / 0 / 35

HEX #3D57A6

RGB 61 87 166

HSL 225.14, 0.46%, 0.45%

LAB 38.83, 15.98, -45.62

 

CMYK 70 / 53 / 0 / 42

HEX #2C4593

RGB 44 69 147

HSL 225.44, 0.54%, 0.37%

LAB 31.57, 17.95, -45.9

 

CMYK 49 / 36 / 0 / 13

HEX #728EDF

RGB 114 142 223

HSL 224.59, 0.63%, 0.66%

LAB 60.11, 12.09, -44.36

 

CMYK 48 / 49 / 0 / 13

HEX #7372DF

RGB 115 114 223

HSL 240.55, 0.63%, 0.66%

LAB 52.96, 29.03, -55.73

 

CMYK 35 / 49 / 0 / 13

HEX #9072DF

RGB 144 114 223

HSL 256.51, 0.63%, 0.66%

LAB 55.37, 35.94, -51.74

 

CMYK 22 / 49 / 0 / 13

HEX #AE72DF

RGB 174 114 223

HSL 273.03, 0.63%, 0.66%

LAB 58.38, 43.8, -46.78

 

CMYK 9 / 49 / 0 / 13

HEX #CB72DF

RGB 203 114 223

HSL 288.99, 0.63%, 0.66%

LAB 61.7, 51.75, -41.31

 

CMYK 49 / 36 / 0 / 13

HEX #728EDF

RGB 114 142 223

HSL 224.59, 0.63%, 0.66%

LAB 60.11, 12.09, -44.36

 

CMYK 49 / 49 / 0 / 13

HEX #7272DF

RGB 114 114 223

HSL 240, 0.63%, 0.66%

LAB 52.88, 28.81, -55.86

 

CMYK 49 / 36 / 0 / 13

HEX #728EDF

RGB 114 142 223

HSL 224.59, 0.63%, 0.66%

LAB 60.11, 12.09, -44.36

 

CMYK 58 / 43 / 0 / 7

HEX #6488ED

RGB 100 136 237

HSL 224.23, 0.79%, 0.66%

LAB 58.44, 17.06, -54.84

 

CMYK 66 / 49 / 0 / 2

HEX #5681FB

RGB 86 129 251

HSL 224.36, 0.95%, 0.66%

LAB 56.73, 23.52, -65.38

 

CMYK 49 / 36 / 0 / 13

HEX #728EDF

RGB 114 142 223

HSL 224.59, 0.63%, 0.66%

LAB 60.11, 12.09, -44.36

 

CMYK 39 / 29 / 0 / 18

HEX #8095D1

RGB 128 149 209

HSL 224.44, 0.47%, 0.66%

LAB 62.24, 7.5, -33.16

 

CMYK 27 / 20 / 0 / 24

HEX #8E9CC3

RGB 142 156 195

HSL 224.15, 0.31%, 0.66%

LAB 64.54, 3.9, -21.72

 

CMYK 14 / 10 / 0 / 29

HEX #9CA2B5

RGB 156 162 181

HSL 225.6, 0.14%, 0.66%

LAB 66.71, 1.79, -10.53

 

CMYK 0 / 1 / 2 / 33

HEX #AAA9A7

RGB 170 169 167

HSL 40, 0.02%, 0.66%

LAB 69.26, -0.01, 1.15

 

CMYK 49 / 10 / 0 / 13

HEX #72C9DF

RGB 114 201 223

HSL 192.11, 0.63%, 0.66%

LAB 76.48, -20.4, -19.06

 

CMYK 49 / 23 / 0 / 13

HEX #72ACDF

RGB 114 172 223

HSL 208.07, 0.63%, 0.66%

LAB 68.32, -5.04, -31.55

 

CMYK 49 / 36 / 0 / 13

HEX #728FDF

RGB 114 143 223

HSL 224.04, 0.63%, 0.66%

LAB 60.38, 11.5, -43.94

 

CMYK 49 / 49 / 0 / 13

HEX #7272DF

RGB 114 114 223

HSL 240, 0.63%, 0.66%

LAB 52.88, 28.81, -55.86

 

CMYK 36 / 49 / 0 / 13

HEX #8F72DF

RGB 143 114 223

HSL 255.96, 0.63%, 0.66%

LAB 55.28, 35.69, -51.89

 

CMYK 77 / 57 / 0 / 19

HEX #2F59CF

RGB 47 89 207

HSL 224.25, 0.63%, 0.5%

LAB 41.62, 27.77, -65.13

 

CMYK 63 / 47 / 0 / 16

HEX #5073D7

RGB 80 115 215

HSL 224.44, 0.63%, 0.58%

LAB 50.54, 18.81, -55.21

 

CMYK 49 / 36 / 0 / 13

HEX #728EDF

RGB 114 142 223

HSL 224.59, 0.63%, 0.66%

LAB 60.11, 12.09, -44.36

 

CMYK 36 / 27 / 0 / 9

HEX #93A9E7

RGB 147 169 231

HSL 224.29, 0.64%, 0.74%

LAB 69.72, 7.23, -33.62

 

CMYK 24 / 18 / 0 / 7

HEX #B5C4EE

RGB 181 196 238

HSL 224.21, 0.63%, 0.82%

LAB 79.32, 3.86, -22.48

 

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

CMYK 3 / 49 / 0 / 13

HEX #D872DF

RGB 216 114 223

HSL 296.15, 0.63%, 0.66%

LAB 63.31, 55.36, -38.68

 

CMYK 16 / 0 / 49 / 13

HEX #BBDF72

RGB 187 223 114

HSL 79.82, 0.63%, 0.66%

LAB 84.25, -28.72, 49.17

 

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

CMYK 0 / 49 / 36 / 13

HEX #DF728F

RGB 223 114 143

HSL 344.04, 0.63%, 0.66%

LAB 61.4, 45.42, 3.98

 

CMYK 36 / 0 / 49 / 13

HEX #8FDF72

RGB 143 223 114

HSL 104.04, 0.63%, 0.66%

LAB 81.75, -44.29, 45.54

 

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

CMYK 3 / 49 / 0 / 13

HEX #D872DF

RGB 216 114 223

HSL 296.15, 0.63%, 0.66%

LAB 63.31, 55.36, -38.68

 

CMYK 0 / 13 / 49 / 13

HEX #DFC272

RGB 223 194 114

HSL 44.04, 0.63%, 0.66%

LAB 79.32, 0.06, 43.79

 

CMYK 46 / 0 / 49 / 13

HEX #79DF72

RGB 121 223 114

HSL 116.15, 0.63%, 0.66%

LAB 80.77, -51.01, 44.12

 

CMYK 50 / 37 / 0 / 13

HEX #708DDF

RGB 112 141 223

HSL 224.32, 0.63%, 0.66%

LAB 59.73, 12.22, -44.98

 

CMYK 0 / 49 / 12 / 13

HEX #DF72C5

RGB 223 114 197

HSL 314.31, 0.63%, 0.66%

LAB 63.14, 52.94, -24.27

 

CMYK 0 / 13 / 49 / 13

HEX #DFC272

RGB 223 194 114

HSL 44.04, 0.63%, 0.66%

LAB 79.32, 0.06, 43.79

 

CMYK 49 / 0 / 38 / 13

HEX #72DF8B

RGB 114 223 139

HSL 133.76, 0.63%, 0.66%

LAB 80.86, -49.2, 31.76

 

Description

Color code: HEX #708DDF | qconv.com Color code: HEX #708DDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 141 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 141 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 37 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 37% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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