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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #708B10 it is the complementary color #8F74EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #708B10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #708B10 shade: #758B0B, #869D1E, #97AF31, #A8C144 and #B9D357

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #708B10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #708B10 shade: #708B10, #5F7900, #4E6700, #3D5500 and #2C4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #708B10 shade: #6E8910, #898310, #896210, #894210 and #892110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #708B10 shade: #6E8910, #4E8910, #2D8910, #108914 and #108934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #708B10 shade matches the following richer shades: #6E8910 and #759504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #708B10 shade: #6E8910, #677D1C, #617029, #5A6435 and #535742

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #708B10 shade: #896310, #898310, #6F8910, #4F8910 and #2E8910

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #708B10 shade: #333F07, #51640C, #6E8910, #8CAE14 and #AAD319

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #708B10 shade: #708B10, #108942 and #731089

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #708B10 shade: #708B10, #106F89 and #89106F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #708B10 shade: #708B10, #108942, #2A1089 and #891057

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #708B10 shade: #708B10, #108967, #2A1089 and #891032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

Complementary color

CMYK 40 / 51 / 0 / 6

HEX #8F74EF

RGB 143 116 239

HSL 253.17, 0.79%, 0.7%

LAB 56.65, 38.83, -58.65

 

CMYK 16 / 0 / 92 / 45

HEX #758B0B

RGB 117 139 11

HSL 70.31, 0.85%, 0.29%

LAB 54.31, -23.43, 56.22

 

CMYK 15 / 0 / 81 / 38

HEX #869D1E

RGB 134 157 30

HSL 70.87, 0.68%, 0.37%

LAB 61.02, -24.44, 57.93

 

CMYK 14 / 0 / 72 / 31

HEX #97AF31

RGB 151 175 49

HSL 71.43, 0.56%, 0.44%

LAB 67.62, -25.2, 58.28

 

CMYK 13 / 0 / 65 / 24

HEX #A8C144

RGB 168 193 68

HSL 72, 0.5%, 0.51%

LAB 74.11, -25.79, 57.89

 

CMYK 12 / 0 / 59 / 17

HEX #B9D357

RGB 185 211 87

HSL 72.58, 0.58%, 0.58%

LAB 80.51, -26.23, 57.12

 

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

CMYK 21 / 0 / 100 / 53

HEX #5F7900

RGB 95 121 0

HSL 72.89, 1%, 0.24%

LAB 47.12, -24.34, 51.98

 

CMYK 24 / 0 / 100 / 60

HEX #4E6700

RGB 78 103 0

HSL 74.56, 1%, 0.2%

LAB 40.11, -22.82, 46.14

 

CMYK 28 / 0 / 100 / 67

HEX #3D5500

RGB 61 85 0

HSL 76.94, 1%, 0.17%

LAB 32.9, -21.27, 40.13

 

CMYK 34 / 0 / 100 / 74

HEX #2C4300

RGB 44 67 0

HSL 80.6, 1%, 0.13%

LAB 25.41, -19.68, 33.55

 

CMYK 20 / 0 / 88 / 46

HEX #6E8910

RGB 110 137 16

HSL 73.39, 0.79%, 0.3%

LAB 53.22, -25.35, 54.12

 

CMYK 0 / 4 / 88 / 46

HEX #898310

RGB 137 131 16

HSL 57.02, 0.79%, 0.3%

LAB 53.59, -10.04, 55.31

 

CMYK 0 / 28 / 88 / 46

HEX #896210

RGB 137 98 16

HSL 40.66, 0.79%, 0.3%

LAB 44.36, 8.67, 47.76

 

CMYK 0 / 52 / 88 / 46

HEX #894210

RGB 137 66 16

HSL 24.79, 0.79%, 0.3%

LAB 36.47, 27.16, 41.22

 

CMYK 0 / 76 / 88 / 46

HEX #892110

RGB 137 33 16

HSL 8.43, 0.79%, 0.3%

LAB 30.5, 42.87, 36.22

 

CMYK 20 / 0 / 88 / 46

HEX #6E8910

RGB 110 137 16

HSL 73.39, 0.79%, 0.3%

LAB 53.22, -25.35, 54.12

 

CMYK 43 / 0 / 88 / 46

HEX #4E8910

RGB 78 137 16

HSL 89.26, 0.79%, 0.3%

LAB 51.32, -38.1, 51.76

 

CMYK 67 / 0 / 88 / 46

HEX #2D8910

RGB 45 137 16

HSL 105.62, 0.79%, 0.3%

LAB 50.08, -47.84, 50.19

 

CMYK 88 / 0 / 85 / 46

HEX #108914

RGB 16 137 20

HSL 121.98, 0.79%, 0.3%

LAB 49.56, -52.3, 48.51

 

CMYK 88 / 0 / 62 / 46

HEX #108934

RGB 16 137 52

HSL 137.85, 0.79%, 0.3%

LAB 49.8, -49.32, 36.27

 

CMYK 20 / 0 / 88 / 46

HEX #6E8910

RGB 110 137 16

HSL 73.39, 0.79%, 0.3%

LAB 53.22, -25.35, 54.12

 

CMYK 21 / 0 / 97 / 42

HEX #759504

RGB 117 149 4

HSL 73.24, 0.95%, 0.3%

LAB 57.35, -28.48, 59.76

 

CMYK 20 / 0 / 88 / 46

HEX #6E8910

RGB 110 137 16

HSL 73.39, 0.79%, 0.3%

LAB 53.22, -25.35, 54.12

 

CMYK 18 / 0 / 78 / 51

HEX #677D1C

RGB 103 125 28

HSL 73.61, 0.63%, 0.3%

LAB 49.05, -21.87, 46.74

 

CMYK 13 / 0 / 63 / 56

HEX #617029

RGB 97 112 41

HSL 72.68, 0.46%, 0.3%

LAB 44.65, -16.83, 36.61

 

CMYK 10 / 0 / 47 / 61

HEX #5A6435

RGB 90 100 53

HSL 72.77, 0.31%, 0.3%

LAB 40.48, -12.11, 25.29

 

CMYK 5 / 0 / 24 / 66

HEX #535742

RGB 83 87 66

HSL 71.43, 0.14%, 0.3%

LAB 36.08, -5.73, 11.7

 

CMYK 0 / 28 / 88 / 46

HEX #896310

RGB 137 99 16

HSL 41.16, 0.79%, 0.3%

LAB 44.63, 8.09, 47.98

 

CMYK 0 / 4 / 88 / 46

HEX #898310

RGB 137 131 16

HSL 57.02, 0.79%, 0.3%

LAB 53.59, -10.04, 55.31

 

CMYK 19 / 0 / 88 / 46

HEX #6F8910

RGB 111 137 16

HSL 72.89, 0.79%, 0.3%

LAB 53.29, -24.92, 54.21

 

CMYK 42 / 0 / 88 / 46

HEX #4F8910

RGB 79 137 16

HSL 88.76, 0.79%, 0.3%

LAB 51.37, -37.74, 51.82

 

CMYK 66 / 0 / 88 / 46

HEX #2E8910

RGB 46 137 16

HSL 105.12, 0.79%, 0.3%

LAB 50.11, -47.61, 50.22

 

CMYK 19 / 0 / 89 / 75

HEX #333F07

RGB 51 63 7

HSL 72.86, 0.8%, 0.14%

LAB 24.56, -13.69, 30.06

 

CMYK 19 / 0 / 88 / 61

HEX #51640C

RGB 81 100 12

HSL 72.95, 0.79%, 0.22%

LAB 39.39, -19.49, 42.5

 

CMYK 20 / 0 / 88 / 46

HEX #6E8910

RGB 110 137 16

HSL 73.39, 0.79%, 0.3%

LAB 53.22, -25.35, 54.12

 

CMYK 20 / 0 / 89 / 32

HEX #8CAE14

RGB 140 174 20

HSL 73.25, 0.79%, 0.38%

LAB 66.44, -30.46, 65.13

 

CMYK 19 / 0 / 88 / 17

HEX #AAD319

RGB 170 211 25

HSL 73.23, 0.79%, 0.46%

LAB 79.16, -35.33, 75.47

 

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

CMYK 88 / 0 / 52 / 46

HEX #108942

RGB 16 137 66

HSL 144.79, 0.79%, 0.3%

LAB 49.97, -47.2, 29.39

 

CMYK 16 / 88 / 0 / 46

HEX #731089

RGB 115 16 137

HSL 289.09, 0.79%, 0.3%

LAB 28.96, 55.44, -43.58

 

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

CMYK 88 / 19 / 0 / 46

HEX #106F89

RGB 16 111 137

HSL 192.89, 0.79%, 0.3%

LAB 43.19, -15.88, -21.52

 

CMYK 0 / 88 / 19 / 46

HEX #89106F

RGB 137 16 111

HSL 312.89, 0.79%, 0.3%

LAB 31.43, 55.59, -22.99

 

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

CMYK 88 / 0 / 52 / 46

HEX #108942

RGB 16 137 66

HSL 144.79, 0.79%, 0.3%

LAB 49.97, -47.2, 29.39

 

CMYK 69 / 88 / 0 / 46

HEX #2A1089

RGB 42 16 137

HSL 252.89, 0.79%, 0.3%

LAB 18.67, 45.78, -60.85

 

CMYK 0 / 88 / 36 / 46

HEX #891057

RGB 137 16 87

HSL 324.79, 0.79%, 0.3%

LAB 30.34, 52.61, -9.12

 

CMYK 19 / 0 / 88 / 45

HEX #708B10

RGB 112 139 16

HSL 73.17, 0.79%, 0.3%

LAB 53.97, -25.48, 54.81

 

CMYK 88 / 0 / 25 / 46

HEX #108967

RGB 16 137 103

HSL 163.14, 0.79%, 0.3%

LAB 50.66, -39.28, 9.66

 

CMYK 69 / 88 / 0 / 46

HEX #2A1089

RGB 42 16 137

HSL 252.89, 0.79%, 0.3%

LAB 18.67, 45.78, -60.85

 

CMYK 0 / 88 / 64 / 46

HEX #891032

RGB 137 16 50

HSL 343.14, 0.79%, 0.3%

LAB 29.21, 49.37, 13.89

 

Description

Color code: HEX #708B10 | qconv.com Color code: HEX #708B10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 139 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 139 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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