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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #707BEC it is the complementary color #8F8413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #707BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #707BEC shade: #757BE7, #868DFA, #979FFF, #A8B1FF and #B9C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #707BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #707BEC shade: #707BEC, #5F69D9, #4E57C6, #3D45B3 and #2C33A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #707BEC shade: #6F7AEC, #856FEC, #A76FEC, #C96FEC and #EB6FEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #707BEC shade: #6F7AEC and #6F6FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #707BEC shade matches the following richer shades: #6F7AEC and #616FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #707BEC shade: #6F7AEC, #7C85DF, #898FD2, #969AC5 and #A3A5B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #707BEC shade: #6FBEEC, #6F9DEC, #6F7BEC, #846FEC and #A56FEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #707BEC shade: #2636E3, #4A58E7, #6F7AEC, #939BF1 and #B8BDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #707BEC shade: #707BEC, #EC6FE0 and #ADEC6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #707BEC shade: #707BEC, #EC6F7B and #7BEC6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #707BEC shade: #707BEC, #EC6FE0, #ECE06F and #6FEC7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #707BEC shade: #707BEC, #EC6FBA, #ECE06F and #6FECA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

Complementary color

CMYK 0 / 8 / 87 / 44

HEX #8F8413

RGB 143 132 19

HSL 54.68, 0.77%, 0.32%

LAB 54.44, -7.73, 55.52

 

CMYK 49 / 47 / 0 / 9

HEX #757BE7

RGB 117 123 231

HSL 236.84, 0.7%, 0.68%

LAB 55.8, 26.5, -55.66

 

CMYK 46 / 44 / 0 / 2

HEX #868DFA

RGB 134 141 250

HSL 236.38, 0.92%, 0.75%

LAB 62.52, 25.33, -55.39

 

CMYK 41 / 38 / 0 / 0

HEX #979FFF

RGB 151 159 255

HSL 235.38, 1%, 0.8%

LAB 68.46, 20.42, -48.65

 

CMYK 34 / 31 / 0 / 0

HEX #A8B1FF

RGB 168 177 255

HSL 233.79, 1%, 0.83%

LAB 74.18, 14.69, -39.59

 

CMYK 27 / 24 / 0 / 0

HEX #B9C3FF

RGB 185 195 255

HSL 231.43, 1%, 0.86%

LAB 79.93, 9.55, -30.6

 

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

CMYK 56 / 52 / 0 / 15

HEX #5F69D9

RGB 95 105 217

HSL 235.08, 0.62%, 0.61%

LAB 48.94, 28.45, -58.87

 

CMYK 61 / 56 / 0 / 22

HEX #4E57C6

RGB 78 87 198

HSL 235.5, 0.51%, 0.54%

LAB 42.02, 30.2, -59.21

 

CMYK 66 / 61 / 0 / 30

HEX #3D45B3

RGB 61 69 179

HSL 235.93, 0.49%, 0.47%

LAB 35.01, 32.28, -59.52

 

CMYK 73 / 68 / 0 / 37

HEX #2C33A0

RGB 44 51 160

HSL 236.38, 0.57%, 0.4%

LAB 27.96, 34.72, -59.71

 

CMYK 53 / 48 / 0 / 7

HEX #6F7AEC

RGB 111 122 236

HSL 234.72, 0.77%, 0.68%

LAB 55.44, 27.36, -59.06

 

CMYK 44 / 53 / 0 / 7

HEX #856FEC

RGB 133 111 236

HSL 250.56, 0.77%, 0.68%

LAB 54.46, 38.59, -60.53

 

CMYK 29 / 53 / 0 / 7

HEX #A76FEC

RGB 167 111 236

HSL 266.88, 0.77%, 0.68%

LAB 57.69, 46.65, -55.18

 

CMYK 15 / 53 / 0 / 7

HEX #C96FEC

RGB 201 111 236

HSL 283.2, 0.77%, 0.68%

LAB 61.52, 55.31, -48.86

 

CMYK 0 / 53 / 0 / 7

HEX #EB6FEC

RGB 235 111 236

HSL 299.52, 0.77%, 0.68%

LAB 65.82, 64.22, -41.8

 

CMYK 53 / 48 / 0 / 7

HEX #6F7AEC

RGB 111 122 236

HSL 234.72, 0.77%, 0.68%

LAB 55.44, 27.36, -59.06

 

CMYK 53 / 53 / 0 / 7

HEX #6F6FEC

RGB 111 111 236

HSL 240, 0.77%, 0.68%

LAB 52.73, 33.95, -63.4

 

CMYK 53 / 48 / 0 / 7

HEX #6F7AEC

RGB 111 122 236

HSL 234.72, 0.77%, 0.68%

LAB 55.44, 27.36, -59.06

 

CMYK 61 / 55 / 0 / 2

HEX #616FF9

RGB 97 111 249

HSL 234.47, 0.93%, 0.68%

LAB 52.67, 35.54, -70.79

 

CMYK 53 / 48 / 0 / 7

HEX #6F7AEC

RGB 111 122 236

HSL 234.72, 0.77%, 0.68%

LAB 55.44, 27.36, -59.06

 

CMYK 44 / 40 / 0 / 13

HEX #7C85DF

RGB 124 133 223

HSL 234.55, 0.61%, 0.68%

LAB 58.4, 19.8, -47.02

 

CMYK 35 / 32 / 0 / 18

HEX #898FD2

RGB 137 143 210

HSL 235.07, 0.45%, 0.68%

LAB 61.32, 13.72, -35.1

 

CMYK 24 / 22 / 0 / 23

HEX #969AC5

RGB 150 154 197

HSL 234.89, 0.29%, 0.68%

LAB 64.66, 7.98, -22.59

 

CMYK 11 / 10 / 0 / 28

HEX #A3A5B7

RGB 163 165 183

HSL 234, 0.12%, 0.68%

LAB 68.11, 2.91, -9.5

 

CMYK 53 / 19 / 0 / 7

HEX #6FBEEC

RGB 111 190 236

HSL 202.08, 0.77%, 0.68%

LAB 73.72, -11.67, -30.32

 

CMYK 53 / 33 / 0 / 7

HEX #6F9DEC

RGB 111 157 236

HSL 217.92, 0.77%, 0.68%

LAB 64.6, 6.65, -44.5

 

CMYK 53 / 48 / 0 / 7

HEX #6F7BEC

RGB 111 123 236

HSL 234.24, 0.77%, 0.68%

LAB 55.69, 26.76, -58.66

 

CMYK 44 / 53 / 0 / 7

HEX #846FEC

RGB 132 111 236

HSL 250.08, 0.77%, 0.68%

LAB 54.38, 38.37, -60.67

 

CMYK 30 / 53 / 0 / 7

HEX #A56FEC

RGB 165 111 236

HSL 265.92, 0.77%, 0.68%

LAB 57.49, 46.15, -55.52

 

CMYK 83 / 76 / 0 / 11

HEX #2636E3

RGB 38 54 227

HSL 234.92, 0.77%, 0.52%

LAB 35.2, 55.31, -87.17

 

CMYK 68 / 62 / 0 / 9

HEX #4A58E7

RGB 74 88 231

HSL 234.65, 0.77%, 0.6%

LAB 44.53, 40.12, -74.02

 

CMYK 53 / 48 / 0 / 7

HEX #6F7AEC

RGB 111 122 236

HSL 234.72, 0.77%, 0.68%

LAB 55.44, 27.36, -59.06

 

CMYK 39 / 36 / 0 / 5

HEX #939BF1

RGB 147 155 241

HSL 234.89, 0.77%, 0.76%

LAB 66.52, 17.86, -44.08

 

CMYK 25 / 23 / 0 / 4

HEX #B8BDF6

RGB 184 189 246

HSL 235.16, 0.78%, 0.84%

LAB 78.02, 10.4, -28.74

 

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

CMYK 0 / 53 / 5 / 7

HEX #EC6FE0

RGB 236 111 224

HSL 305.76, 0.77%, 0.68%

LAB 65.42, 62.47, -35.74

 

CMYK 27 / 0 / 53 / 7

HEX #ADEC6F

RGB 173 236 111

HSL 90.24, 0.77%, 0.68%

LAB 87.01, -40.11, 53.66

 

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

CMYK 0 / 53 / 48 / 7

HEX #EC6F7B

RGB 236 111 123

HSL 354.24, 0.77%, 0.68%

LAB 62.2, 49.3, 16.86

 

CMYK 48 / 0 / 53 / 7

HEX #7BEC6F

RGB 123 236 111

HSL 114.24, 0.77%, 0.68%

LAB 84.66, -56, 50.29

 

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

CMYK 0 / 53 / 5 / 7

HEX #EC6FE0

RGB 236 111 224

HSL 305.76, 0.77%, 0.68%

LAB 65.42, 62.47, -35.74

 

CMYK 0 / 5 / 53 / 7

HEX #ECE06F

RGB 236 224 111

HSL 54.24, 0.77%, 0.68%

LAB 88.11, -10.23, 56.04

 

CMYK 53 / 0 / 48 / 7

HEX #6FEC7B

RGB 111 236 123

HSL 125.76, 0.77%, 0.68%

LAB 84.38, -57.59, 44.2

 

CMYK 53 / 48 / 0 / 7

HEX #707BEC

RGB 112 123 236

HSL 234.68, 0.77%, 0.68%

LAB 55.75, 26.96, -58.55

 

CMYK 0 / 53 / 21 / 7

HEX #EC6FBA

RGB 236 111 186

HSL 324, 0.77%, 0.68%

LAB 63.96, 56.66, -16.64

 

CMYK 0 / 5 / 53 / 7

HEX #ECE06F

RGB 236 224 111

HSL 54.24, 0.77%, 0.68%

LAB 88.11, -10.23, 56.04

 

CMYK 53 / 0 / 32 / 7

HEX #6FECA1

RGB 111 236 161

HSL 144, 0.77%, 0.68%

LAB 84.97, -51.42, 26.02

 

Description

Color code: HEX #707BEC | qconv.com Color code: HEX #707BEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 123 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 123 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 48 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 48% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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