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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #707AC3 it is the complementary color #8F853C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #707AC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #707AC3 shade: #757ABE, #868CD1, #979EE4, #A8B0F7 and #B9C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #707AC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #707AC3 shade: #707AC3, #5F68B0, #4E569D, #3D448A and #2C3277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #707AC3 shade: #6F79C3, #7C6FC3, #926FC3, #A96FC3 and #BF6FC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #707AC3 shade: #6F79C3 and #6F6FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #707AC3 shade matches the following richer shades: #6F79C3, #5F6DD3, #4E60E4 and #3E54F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #707AC3 shade: #6F79C3, #8086B2, #9092A2, #A19F91 and #B1AB81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #707AC3 shade: #6FA7C3, #6F91C3, #6F7AC3, #7A6FC3 and #916FC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #707AC3 shade: #424D9E, #525EB7, #6F79C3, #8C94CF and #A9AFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #707AC3 shade: #707AC3, #C36FBD and #9CC36F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #707AC3 shade: #707AC3, #C36F7A and #7AC36F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #707AC3 shade: #707AC3, #C36FBD, #C3B86F and #6FC375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #707AC3 shade: #707AC3, #C36FA4, #C3B86F and #6FC38E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

Complementary color

CMYK 0 / 7 / 58 / 44

HEX #8F853C

RGB 143 133 60

HSL 52.77, 0.41%, 0.4%

LAB 55.01, -6.08, 40.01

 

CMYK 38 / 36 / 0 / 25

HEX #757ABE

RGB 117 122 190

HSL 235.89, 0.36%, 0.6%

LAB 53.4, 15.06, -36.27

 

CMYK 36 / 33 / 0 / 18

HEX #868CD1

RGB 134 140 209

HSL 235.2, 0.45%, 0.67%

LAB 60.27, 14.36, -36.19

 

CMYK 34 / 31 / 0 / 11

HEX #979EE4

RGB 151 158 228

HSL 234.55, 0.59%, 0.74%

LAB 67, 13.76, -36.16

 

CMYK 32 / 29 / 0 / 3

HEX #A8B0F7

RGB 168 176 247

HSL 233.92, 0.83%, 0.81%

LAB 73.6, 13.22, -36.17

 

CMYK 27 / 24 / 0 / 0

HEX #B9C2FF

RGB 185 194 255

HSL 232.29, 1%, 0.86%

LAB 79.68, 10.09, -30.99

 

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

CMYK 46 / 41 / 0 / 31

HEX #5F68B0

RGB 95 104 176

HSL 233.33, 0.34%, 0.53%

LAB 46.27, 16.08, -39.53

 

CMYK 50 / 45 / 0 / 38

HEX #4E569D

RGB 78 86 157

HSL 233.92, 0.34%, 0.46%

LAB 39.09, 17.2, -39.78

 

CMYK 56 / 51 / 0 / 46

HEX #3D448A

RGB 61 68 138

HSL 234.55, 0.39%, 0.39%

LAB 31.72, 18.6, -40.09

 

CMYK 63 / 58 / 0 / 53

HEX #2C3277

RGB 44 50 119

HSL 235.2, 0.46%, 0.32%

LAB 24.16, 20.41, -40.46

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 36 / 43 / 0 / 24

HEX #7C6FC3

RGB 124 111 195

HSL 249.29, 0.41%, 0.6%

LAB 51.38, 24.95, -42.3

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 13 / 43 / 0 / 24

HEX #A96FC3

RGB 169 111 195

HSL 281.43, 0.41%, 0.6%

LAB 55.83, 37.85, -34.98

 

CMYK 2 / 43 / 0 / 24

HEX #BF6FC3

RGB 191 111 195

HSL 297.14, 0.41%, 0.6%

LAB 58.4, 44.46, -30.78

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC3

RGB 111 111 195

HSL 240, 0.41%, 0.6%

LAB 50.32, 21.55, -44.03

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 55 / 48 / 0 / 17

HEX #5F6DD3

RGB 95 109 211

HSL 232.76, 0.57%, 0.6%

LAB 49.58, 24.05, -54.42

 

CMYK 66 / 58 / 0 / 11

HEX #4E60E4

RGB 78 96 228

HSL 232.8, 0.74%, 0.6%

LAB 46.43, 34.75, -69.22

 

CMYK 75 / 66 / 0 / 4

HEX #3E54F4

RGB 62 84 244

HSL 232.75, 0.89%, 0.6%

LAB 44.08, 45.6, -82.09

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 28 / 25 / 0 / 30

HEX #8086B2

RGB 128 134 178

HSL 232.8, 0.25%, 0.6%

LAB 56.93, 7.96, -23.86

 

CMYK 11 / 10 / 0 / 36

HEX #9092A2

RGB 144 146 162

HSL 233.33, 0.09%, 0.6%

LAB 60.87, 2.57, -8.66

 

CMYK 0 / 1 / 10 / 37

HEX #A19F91

RGB 161 159 145

HSL 52.5, 0.08%, 0.6%

LAB 65.29, -1.82, 7.56

 

CMYK 0 / 3 / 27 / 31

HEX #B1AB81

RGB 177 171 129

HSL 52.5, 0.24%, 0.6%

LAB 69.51, -4.63, 22.45

 

CMYK 43 / 14 / 0 / 24

HEX #6FA7C3

RGB 111 167 195

HSL 200, 0.41%, 0.6%

LAB 65.72, -10.94, -20.1

 

CMYK 43 / 26 / 0 / 24

HEX #6F91C3

RGB 111 145 195

HSL 215.71, 0.41%, 0.6%

LAB 59.5, 1.35, -29.64

 

CMYK 43 / 37 / 0 / 24

HEX #6F7AC3

RGB 111 122 195

HSL 232.14, 0.41%, 0.6%

LAB 53.21, 14.9, -39.47

 

CMYK 37 / 43 / 0 / 24

HEX #7A6FC3

RGB 122 111 195

HSL 247.86, 0.41%, 0.6%

LAB 51.21, 24.41, -42.58

 

CMYK 26 / 43 / 0 / 24

HEX #916FC3

RGB 145 111 195

HSL 264.29, 0.41%, 0.6%

LAB 53.31, 30.8, -39.12

 

CMYK 58 / 51 / 0 / 38

HEX #424D9E

RGB 66 77 158

HSL 232.83, 0.41%, 0.44%

LAB 35.86, 20.67, -45.59

 

CMYK 55 / 49 / 0 / 28

HEX #525EB7

RGB 82 94 183

HSL 232.87, 0.41%, 0.52%

LAB 43.09, 21.55, -48.74

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 32 / 29 / 0 / 19

HEX #8C94CF

RGB 140 148 207

HSL 232.84, 0.41%, 0.68%

LAB 62.73, 10.9, -31.22

 

CMYK 23 / 20 / 0 / 14

HEX #A9AFDB

RGB 169 175 219

HSL 232.8, 0.41%, 0.76%

LAB 72.37, 7.29, -22.85

 

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

CMYK 0 / 43 / 3 / 24

HEX #C36FBD

RGB 195 111 189

HSL 304.29, 0.41%, 0.6%

LAB 58.64, 44.57, -26.95

 

CMYK 20 / 0 / 43 / 24

HEX #9CC36F

RGB 156 195 111

HSL 87.86, 0.41%, 0.6%

LAB 74.35, -27.35, 37.96

 

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

CMYK 0 / 43 / 37 / 24

HEX #C36F7A

RGB 195 111 122

HSL 352.14, 0.41%, 0.6%

LAB 56.46, 34.42, 8.57

 

CMYK 37 / 0 / 43 / 24

HEX #7AC36F

RGB 122 195 111

HSL 112.14, 0.41%, 0.6%

LAB 72.44, -39.22, 35.14

 

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

CMYK 0 / 43 / 3 / 24

HEX #C36FBD

RGB 195 111 189

HSL 304.29, 0.41%, 0.6%

LAB 58.64, 44.57, -26.95

 

CMYK 0 / 6 / 43 / 24

HEX #C3B86F

RGB 195 184 111

HSL 52.14, 0.41%, 0.6%

LAB 74.21, -6.44, 38.4

 

CMYK 43 / 0 / 40 / 24

HEX #6FC375

RGB 111 195 117

HSL 124.29, 0.41%, 0.6%

LAB 72.02, -41.72, 31.42

 

CMYK 43 / 37 / 0 / 24

HEX #707AC3

RGB 112 122 195

HSL 232.77, 0.41%, 0.6%

LAB 53.28, 15.16, -39.35

 

CMYK 0 / 43 / 16 / 24

HEX #C36FA4

RGB 195 111 164

HSL 322.14, 0.41%, 0.6%

LAB 57.7, 40.32, -14.02

 

CMYK 0 / 6 / 43 / 24

HEX #C3B86F

RGB 195 184 111

HSL 52.14, 0.41%, 0.6%

LAB 74.21, -6.44, 38.4

 

CMYK 43 / 0 / 27 / 24

HEX #6FC38E

RGB 111 195 142

HSL 142.14, 0.41%, 0.6%

LAB 72.47, -37.34, 18.84

 

Description

Color code: HEX #707AC3 | qconv.com Color code: HEX #707AC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 122 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 122 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 37 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 37% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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