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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #707476 it is the complementary color #8F8B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #707476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #707476 shade: #757471, #868684, #979897, #A8AAAA and #B9BCBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #707476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #707476 shade: #707476, #5F6263, #4E5050, #3D3E3D and #2C2C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #707476 shade: #6F7476, #6F7276, #6F7076, #706F76 and #726F76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #707476 shade: #6F7476, #6F7276, #6F7076 and #6F6F76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #707476 shade matches the following richer shades: #6F7476, #5D7A89, #4A809B, #3886AE and #258DC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #707476 shade: #6F7476, #826E64, #946851, #A7613E and #BA5B2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #707476 shade: #6F7675, #6F7676, #6F7476, #6F7276 and #6F7076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #707476 shade: #474A4C, #5B5F61, #6F7476, #84898B and #999D9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #707476 shade: #707476, #736F76 and #76766F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #707476 shade: #707476, #766F74 and #74766F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #707476 shade: #707476, #736F76, #76726F and #73766F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #707476 shade: #707476, #756F76, #76726F and #70766F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

Complementary color

CMYK 0 / 3 / 4 / 44

HEX #8F8B89

RGB 143 139 137

HSL 20, 0.03%, 0.55%

LAB 58.14, 1.1, 1.59

 

CMYK 0 / 1 / 3 / 54

HEX #757471

RGB 117 116 113

HSL 45, 0.02%, 0.45%

LAB 48.84, -0.21, 1.78

 

CMYK 0 / 0 / 1 / 47

HEX #868684

RGB 134 134 132

HSL 60, 0.01%, 0.52%

LAB 55.87, -0.39, 1.07

 

CMYK 1 / 0 / 1 / 40

HEX #979897

RGB 151 152 151

HSL 120, 0%, 0.59%

LAB 62.74, -0.55, 0.39

 

CMYK 1 / 0 / 0 / 33

HEX #A8AAAA

RGB 168 170 170

HSL 180, 0.01%, 0.66%

LAB 69.45, -0.7, -0.26

 

CMYK 2 / 1 / 0 / 26

HEX #B9BCBD

RGB 185 188 189

HSL 195, 0.03%, 0.73%

LAB 76.04, -0.85, -0.88

 

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

CMYK 4 / 1 / 0 / 61

HEX #5F6263

RGB 95 98 99

HSL 195, 0.02%, 0.38%

LAB 41.33, -0.95, -0.98

 

CMYK 2 / 0 / 0 / 69

HEX #4E5050

RGB 78 80 80

HSL 180, 0.01%, 0.31%

LAB 33.85, -0.81, -0.29

 

CMYK 2 / 0 / 2 / 76

HEX #3D3E3D

RGB 61 62 61

HSL 120, 0.01%, 0.24%

LAB 26.08, -0.65, 0.46

 

CMYK 0 / 0 / 5 / 83

HEX #2C2C2A

RGB 44 44 42

HSL 60, 0.02%, 0.17%

LAB 17.94, -0.47, 1.29

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 6 / 3 / 0 / 54

HEX #6F7276

RGB 111 114 118

HSL 214.29, 0.03%, 0.45%

LAB 47.91, -0.3, -2.61

 

CMYK 6 / 5 / 0 / 54

HEX #6F7076

RGB 111 112 118

HSL 231.43, 0.03%, 0.45%

LAB 47.33, 0.88, -3.46

 

CMYK 5 / 6 / 0 / 54

HEX #706F76

RGB 112 111 118

HSL 248.57, 0.03%, 0.45%

LAB 47.13, 1.84, -3.74

 

CMYK 3 / 6 / 0 / 54

HEX #726F76

RGB 114 111 118

HSL 265.71, 0.03%, 0.45%

LAB 47.31, 2.59, -3.47

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 6 / 3 / 0 / 54

HEX #6F7276

RGB 111 114 118

HSL 214.29, 0.03%, 0.45%

LAB 47.91, -0.3, -2.61

 

CMYK 6 / 5 / 0 / 54

HEX #6F7076

RGB 111 112 118

HSL 231.43, 0.03%, 0.45%

LAB 47.33, 0.88, -3.46

 

CMYK 6 / 6 / 0 / 54

HEX #6F6F76

RGB 111 111 118

HSL 240, 0.03%, 0.45%

LAB 47.05, 1.47, -3.88

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 32 / 11 / 0 / 46

HEX #5D7A89

RGB 93 122 137

HSL 200.45, 0.19%, 0.45%

LAB 49.56, -6.57, -11.54

 

CMYK 52 / 17 / 0 / 39

HEX #4A809B

RGB 74 128 155

HSL 200, 0.35%, 0.45%

LAB 50.99, -10.06, -20

 

CMYK 68 / 23 / 0 / 32

HEX #3886AE

RGB 56 134 174

HSL 200.34, 0.51%, 0.45%

LAB 52.89, -10.9, -28.13

 

CMYK 81 / 27 / 0 / 25

HEX #258DC0

RGB 37 141 192

HSL 199.74, 0.68%, 0.45%

LAB 55.33, -11.04, -34.66

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 0 / 15 / 23 / 49

HEX #826E64

RGB 130 110 100

HSL 20, 0.13%, 0.45%

LAB 48.03, 6.18, 8.49

 

CMYK 0 / 30 / 45 / 42

HEX #946851

RGB 148 104 81

HSL 20.6, 0.29%, 0.45%

LAB 48, 14.7, 19.97

 

CMYK 0 / 42 / 63 / 35

HEX #A7613E

RGB 167 97 62

HSL 20, 0.46%, 0.45%

LAB 48.4, 25.06, 31.88

 

CMYK 0 / 51 / 76 / 27

HEX #BA5B2C

RGB 186 91 44

HSL 19.86, 0.62%, 0.45%

LAB 49.62, 35.12, 43.54

 

CMYK 6 / 0 / 1 / 54

HEX #6F7675

RGB 111 118 117

HSL 171.43, 0.03%, 0.45%

LAB 49.03, -2.84, -0.37

 

CMYK 6 / 0 / 0 / 54

HEX #6F7676

RGB 111 118 118

HSL 180, 0.03%, 0.45%

LAB 49.06, -2.62, -0.92

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 6 / 3 / 0 / 54

HEX #6F7276

RGB 111 114 118

HSL 214.29, 0.03%, 0.45%

LAB 47.91, -0.3, -2.61

 

CMYK 6 / 5 / 0 / 54

HEX #6F7076

RGB 111 112 118

HSL 231.43, 0.03%, 0.45%

LAB 47.33, 0.88, -3.46

 

CMYK 7 / 3 / 0 / 70

HEX #474A4C

RGB 71 74 76

HSL 204, 0.03%, 0.29%

LAB 31.25, -0.77, -1.62

 

CMYK 6 / 2 / 0 / 62

HEX #5B5F61

RGB 91 95 97

HSL 200, 0.03%, 0.37%

LAB 40.03, -1.13, -1.69

 

CMYK 6 / 2 / 0 / 54

HEX #6F7476

RGB 111 116 118

HSL 197.14, 0.03%, 0.45%

LAB 48.48, -1.46, -1.76

 

CMYK 5 / 1 / 0 / 45

HEX #84898B

RGB 132 137 139

HSL 197.14, 0.03%, 0.53%

LAB 56.74, -1.42, -1.71

 

CMYK 4 / 1 / 0 / 38

HEX #999D9F

RGB 153 157 159

HSL 200, 0.03%, 0.61%

LAB 64.48, -1.04, -1.55

 

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

CMYK 3 / 6 / 0 / 54

HEX #736F76

RGB 115 111 118

HSL 274.29, 0.03%, 0.45%

LAB 47.39, 2.97, -3.33

 

CMYK 0 / 0 / 6 / 54

HEX #76766F

RGB 118 118 111

HSL 60, 0.03%, 0.45%

LAB 49.44, -1.37, 3.85

 

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

CMYK 0 / 6 / 2 / 54

HEX #766F74

RGB 118 111 116

HSL 317.14, 0.03%, 0.45%

LAB 47.6, 3.7, -1.8

 

CMYK 2 / 0 / 6 / 54

HEX #74766F

RGB 116 118 111

HSL 77.14, 0.03%, 0.45%

LAB 49.27, -2.15, 3.58

 

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

CMYK 3 / 6 / 0 / 54

HEX #736F76

RGB 115 111 118

HSL 274.29, 0.03%, 0.45%

LAB 47.39, 2.97, -3.33

 

CMYK 0 / 3 / 6 / 54

HEX #76726F

RGB 118 114 111

HSL 25.71, 0.03%, 0.45%

LAB 48.3, 0.95, 2.2

 

CMYK 3 / 0 / 6 / 54

HEX #73766F

RGB 115 118 111

HSL 85.71, 0.03%, 0.45%

LAB 49.19, -2.53, 3.45

 

CMYK 5 / 2 / 0 / 54

HEX #707476

RGB 112 116 118

HSL 200, 0.03%, 0.45%

LAB 48.57, -1.09, -1.63

 

CMYK 1 / 6 / 0 / 54

HEX #756F76

RGB 117 111 118

HSL 291.43, 0.03%, 0.45%

LAB 47.57, 3.73, -3.05

 

CMYK 0 / 3 / 6 / 54

HEX #76726F

RGB 118 114 111

HSL 25.71, 0.03%, 0.45%

LAB 48.3, 0.95, 2.2

 

CMYK 5 / 0 / 6 / 54

HEX #70766F

RGB 112 118 111

HSL 111.43, 0.03%, 0.45%

LAB 48.94, -3.69, 3.07

 

Description

Color code: HEX #707476 | qconv.com Color code: HEX #707476 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 116 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 116 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 2 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 2% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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