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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706D9C it is the complementary color #8F9263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706D9C shade: #756D97, #867FAA, #9791BD, #A8A3D0 and #B9B5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706D9C shade: #706D9C, #5F5B89, #4E4976, #3D3763 and #2C2550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706D9C shade: #706D9C, #7D6D9C, #896D9C, #966D9C and #9C6D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706D9C shade: #706D9C and #6D6D9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706D9C shade matches the following richer shades: #706D9C, #5F5AB0, #4E46C3, #3C32D7 and #2B1EEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706D9C shade: #706D9C, #828188, #939574, #A4A960 and #B5BD4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706D9C shade: #6D849C, #6D779C, #706D9C, #7C6D9C and #886D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706D9C shade: #4C4A6D, #5D5B85, #706D9C, #8886AD and #A09EBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706D9C shade: #706D9C, #9C6D90 and #7E9C6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706D9C shade: #706D9C, #9C706D and #6D9C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706D9C shade: #706D9C, #9C6D90, #9A9C6D and #6D9C79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706D9C shade: #706D9C, #9C6D82, #9A9C6D and #6D9C87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

Complementary color

CMYK 2 / 0 / 32 / 43

HEX #8F9263

RGB 143 146 99

HSL 63.83, 0.19%, 0.48%

LAB 59.25, -8.94, 24.61

 

CMYK 23 / 28 / 0 / 41

HEX #756D97

RGB 117 109 151

HSL 251.43, 0.17%, 0.51%

LAB 48.2, 12.46, -21.7

 

CMYK 21 / 25 / 0 / 33

HEX #867FAA

RGB 134 127 170

HSL 249.77, 0.2%, 0.58%

LAB 55.23, 11.96, -21.85

 

CMYK 20 / 23 / 0 / 26

HEX #9791BD

RGB 151 145 189

HSL 248.18, 0.25%, 0.65%

LAB 62.09, 11.52, -22.04

 

CMYK 19 / 22 / 0 / 18

HEX #A8A3D0

RGB 168 163 208

HSL 246.67, 0.32%, 0.73%

LAB 68.8, 11.12, -22.25

 

CMYK 19 / 20 / 0 / 11

HEX #B9B5E3

RGB 185 181 227

HSL 245.22, 0.45%, 0.8%

LAB 75.39, 10.75, -22.49

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 31 / 34 / 0 / 46

HEX #5F5B89

RGB 95 91 137

HSL 245.22, 0.2%, 0.45%

LAB 40.77, 12.76, -24.99

 

CMYK 34 / 38 / 0 / 54

HEX #4E4976

RGB 78 73 118

HSL 246.67, 0.24%, 0.37%

LAB 33.33, 13.5, -25.03

 

CMYK 38 / 44 / 0 / 61

HEX #3D3763

RGB 61 55 99

HSL 248.18, 0.29%, 0.3%

LAB 25.64, 14.41, -25.16

 

CMYK 45 / 54 / 0 / 69

HEX #2C2550

RGB 44 37 80

HSL 249.77, 0.37%, 0.23%

LAB 17.63, 15.6, -25.4

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 20 / 30 / 0 / 39

HEX #7D6D9C

RGB 125 109 156

HSL 260.43, 0.19%, 0.52%

LAB 49.13, 16.31, -23.16

 

CMYK 12 / 30 / 0 / 39

HEX #896D9C

RGB 137 109 156

HSL 275.74, 0.19%, 0.52%

LAB 50.28, 20.3, -21.28

 

CMYK 4 / 30 / 0 / 39

HEX #966D9C

RGB 150 109 156

HSL 292.34, 0.19%, 0.52%

LAB 51.63, 24.71, -19.09

 

CMYK 0 / 30 / 4 / 39

HEX #9C6D95

RGB 156 109 149

HSL 308.94, 0.19%, 0.52%

LAB 52.03, 25.4, -14.32

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 30 / 30 / 0 / 39

HEX #6D6D9C

RGB 109 109 156

HSL 240, 0.19%, 0.52%

LAB 47.74, 11.2, -25.42

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 46 / 49 / 0 / 31

HEX #5F5AB0

RGB 95 90 176

HSL 243.49, 0.35%, 0.52%

LAB 42.58, 24.78, -45.4

 

CMYK 60 / 64 / 0 / 24

HEX #4E46C3

RGB 78 70 195

HSL 243.84, 0.51%, 0.52%

LAB 37.73, 39.68, -64.43

 

CMYK 72 / 77 / 0 / 16

HEX #3C32D7

RGB 60 50 215

HSL 243.64, 0.67%, 0.52%

LAB 34.29, 55.05, -81.75

 

CMYK 82 / 87 / 0 / 8

HEX #2B1EEB

RGB 43 30 235

HSL 243.8, 0.84%, 0.52%

LAB 32.79, 68.38, -95.72

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 4 / 5 / 0 / 47

HEX #828188

RGB 130 129 136

HSL 248.57, 0.03%, 0.52%

LAB 54.26, 1.79, -3.65

 

CMYK 1 / 0 / 22 / 42

HEX #939574

RGB 147 149 116

HSL 63.64, 0.13%, 0.52%

LAB 60.75, -6.51, 17.23

 

CMYK 3 / 0 / 43 / 34

HEX #A4A960

RGB 164 169 96

HSL 64.11, 0.3%, 0.52%

LAB 67.36, -12.9, 36.96

 

CMYK 4 / 0 / 59 / 26

HEX #B5BD4D

RGB 181 189 77

HSL 64.29, 0.46%, 0.52%

LAB 74.03, -17.82, 54.26

 

CMYK 30 / 15 / 0 / 39

HEX #6D849C

RGB 109 132 156

HSL 210.64, 0.19%, 0.52%

LAB 54.19, -2.4, -15.52

 

CMYK 30 / 24 / 0 / 39

HEX #6D779C

RGB 109 119 156

HSL 227.23, 0.19%, 0.52%

LAB 50.51, 5.2, -21.15

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 21 / 30 / 0 / 39

HEX #7C6D9C

RGB 124 109 156

HSL 259.15, 0.19%, 0.52%

LAB 49.04, 15.98, -23.31

 

CMYK 13 / 30 / 0 / 39

HEX #886D9C

RGB 136 109 156

HSL 274.47, 0.19%, 0.52%

LAB 50.18, 19.96, -21.44

 

CMYK 30 / 32 / 0 / 57

HEX #4C4A6D

RGB 76 74 109

HSL 243.43, 0.19%, 0.36%

LAB 33, 9.62, -19.92

 

CMYK 30 / 32 / 0 / 48

HEX #5D5B85

RGB 93 91 133

HSL 242.86, 0.19%, 0.44%

LAB 40.41, 11.03, -23.13

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 21 / 23 / 0 / 32

HEX #8886AD

RGB 136 134 173

HSL 243.08, 0.19%, 0.6%

LAB 57.37, 9.25, -20.28

 

CMYK 15 / 16 / 0 / 26

HEX #A09EBD

RGB 160 158 189

HSL 243.87, 0.19%, 0.68%

LAB 66.21, 7.09, -15.7

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 0 / 30 / 8 / 39

HEX #9C6D90

RGB 156 109 144

HSL 315.32, 0.19%, 0.52%

LAB 51.86, 24.47, -11.64

 

CMYK 19 / 0 / 30 / 39

HEX #7E9C6D

RGB 126 156 109

HSL 98.3, 0.19%, 0.52%

LAB 61.06, -19.44, 21.29

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 0 / 28 / 30 / 39

HEX #9C706D

RGB 156 112 109

HSL 3.83, 0.19%, 0.52%

LAB 51.57, 16.99, 8.57

 

CMYK 30 / 0 / 28 / 39

HEX #6D9C70

RGB 109 156 112

HSL 123.83, 0.19%, 0.52%

LAB 60.07, -25.03, 18.11

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 0 / 30 / 8 / 39

HEX #9C6D90

RGB 156 109 144

HSL 315.32, 0.19%, 0.52%

LAB 51.86, 24.47, -11.64

 

CMYK 1 / 0 / 30 / 39

HEX #9A9C6D

RGB 154 156 109

HSL 62.55, 0.19%, 0.52%

LAB 63.14, -8.51, 24.44

 

CMYK 30 / 0 / 22 / 39

HEX #6D9C79

RGB 109 156 121

HSL 135.32, 0.19%, 0.52%

LAB 60.26, -23.35, 13.35

 

CMYK 28 / 30 / 0 / 39

HEX #706D9C

RGB 112 109 156

HSL 243.83, 0.19%, 0.52%

LAB 47.98, 12.14, -25.01

 

CMYK 0 / 30 / 17 / 39

HEX #9C6D82

RGB 156 109 130

HSL 333.19, 0.19%, 0.52%

LAB 51.4, 21.99, -4.07

 

CMYK 1 / 0 / 30 / 39

HEX #9A9C6D

RGB 154 156 109

HSL 62.55, 0.19%, 0.52%

LAB 63.14, -8.51, 24.44

 

CMYK 30 / 0 / 13 / 39

HEX #6D9C87

RGB 109 156 135

HSL 153.19, 0.19%, 0.52%

LAB 60.58, -20.49, 5.95

 

Description

Color code: HEX #706D9C | qconv.com Color code: HEX #706D9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 109 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 109 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 30 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 30% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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