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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706911 it is the complementary color #8F96EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706911. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706911 shade: #75690C, #867B1F, #978D32, #A89F45 and #B9B158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706911. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706911 shade: #706911, #5F5700, #4E4500, #3D3300 and #2C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706911 shade: #6F6811, #6F4F11, #6F3511, #6F1C11 and #6F1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706911 shade: #6F6811, #5C6F11, #436F11, #2A6F11 and #116F11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706911 shade matches the following richer shades: #6F6811 and #797106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706911 shade: #6F6811, #655F1B, #5A5625, #504E30 and #46453A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706911 shade: #6F3511, #6F4E11, #6F6711, #5E6F11 and #446F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706911 shade: #272506, #4B460B, #6F6811, #938A16 and #B7AB1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706911 shade: #706911, #116F1C and #41116F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706911 shade: #706911, #116F67 and #67116F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706911 shade: #706911, #116F1C, #11186F and #6F1164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706911 shade: #706911, #116F38, #11186F and #6F1148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

Complementary color

CMYK 40 / 37 / 0 / 7

HEX #8F96EE

RGB 143 150 238

HSL 235.58, 0.74%, 0.75%

LAB 64.82, 18.88, -45.12

 

CMYK 0 / 10 / 90 / 54

HEX #75690C

RGB 117 105 12

HSL 53.14, 0.81%, 0.25%

LAB 44.11, -5.12, 47.74

 

CMYK 0 / 8 / 77 / 47

HEX #867B1F

RGB 134 123 31

HSL 53.59, 0.62%, 0.32%

LAB 51.07, -6.51, 48.48

 

CMYK 0 / 7 / 67 / 41

HEX #978D32

RGB 151 141 50

HSL 54.06, 0.5%, 0.39%

LAB 57.9, -7.59, 48.05

 

CMYK 0 / 5 / 59 / 34

HEX #A89F45

RGB 168 159 69

HSL 54.55, 0.42%, 0.46%

LAB 64.6, -8.44, 47.13

 

CMYK 0 / 4 / 52 / 27

HEX #B9B158

RGB 185 177 88

HSL 55.05, 0.41%, 0.54%

LAB 71.19, -9.12, 46

 

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

CMYK 0 / 8 / 100 / 63

HEX #5F5700

RGB 95 87 0

HSL 54.95, 1%, 0.19%

LAB 36.46, -5.84, 44.08

 

CMYK 0 / 12 / 100 / 69

HEX #4E4500

RGB 78 69 0

HSL 53.08, 1%, 0.15%

LAB 29.1, -3.72, 37.92

 

CMYK 0 / 16 / 100 / 76

HEX #3D3300

RGB 61 51 0

HSL 50.16, 1%, 0.12%

LAB 21.43, -1.45, 30.02

 

CMYK 0 / 25 / 100 / 83

HEX #2C2100

RGB 44 33 0

HSL 45, 1%, 0.09%

LAB 13.37, 1.08, 19.76

 

CMYK 0 / 6 / 85 / 56

HEX #6F6811

RGB 111 104 17

HSL 55.53, 0.73%, 0.25%

LAB 43.24, -7.29, 45.38

 

CMYK 0 / 29 / 85 / 56

HEX #6F4F11

RGB 111 79 17

HSL 39.57, 0.73%, 0.25%

LAB 36.01, 7.49, 38.99

 

CMYK 0 / 52 / 85 / 56

HEX #6F3511

RGB 111 53 17

HSL 22.98, 0.73%, 0.25%

LAB 29.33, 23.11, 32.87

 

CMYK 0 / 75 / 85 / 56

HEX #6F1C11

RGB 111 28 17

HSL 7.02, 0.73%, 0.25%

LAB 24.48, 35.8, 28.22

 

CMYK 0 / 85 / 85 / 56

HEX #6F1111

RGB 111 17 17

HSL 0, 0.73%, 0.25%

LAB 23.07, 39.74, 26.81

 

CMYK 0 / 6 / 85 / 56

HEX #6F6811

RGB 111 104 17

HSL 55.53, 0.73%, 0.25%

LAB 43.24, -7.29, 45.38

 

CMYK 17 / 0 / 85 / 56

HEX #5C6F11

RGB 92 111 17

HSL 72.13, 0.73%, 0.25%

LAB 43.78, -20.06, 45.22

 

CMYK 40 / 0 / 85 / 56

HEX #436F11

RGB 67 111 17

HSL 88.09, 0.73%, 0.25%

LAB 42.16, -30.65, 43.16

 

CMYK 62 / 0 / 85 / 56

HEX #2A6F11

RGB 42 111 17

HSL 104.04, 0.73%, 0.25%

LAB 41.06, -38.98, 41.74

 

CMYK 85 / 0 / 85 / 56

HEX #116F11

RGB 17 111 17

HSL 120, 0.73%, 0.25%

LAB 40.46, -44.08, 40.97

 

CMYK 0 / 6 / 85 / 56

HEX #6F6811

RGB 111 104 17

HSL 55.53, 0.73%, 0.25%

LAB 43.24, -7.29, 45.38

 

CMYK 0 / 7 / 95 / 53

HEX #797106

RGB 121 113 6

HSL 55.83, 0.91%, 0.25%

LAB 46.83, -7.87, 51.4

 

CMYK 0 / 6 / 85 / 56

HEX #6F6811

RGB 111 104 17

HSL 55.53, 0.73%, 0.25%

LAB 43.24, -7.29, 45.38

 

CMYK 0 / 6 / 73 / 60

HEX #655F1B

RGB 101 95 27

HSL 55.14, 0.58%, 0.25%

LAB 39.63, -6.48, 37.91

 

CMYK 0 / 4 / 59 / 65

HEX #5A5625

RGB 90 86 37

HSL 55.47, 0.42%, 0.25%

LAB 35.91, -5.76, 28.66

 

CMYK 0 / 2 / 40 / 69

HEX #504E30

RGB 80 78 48

HSL 56.25, 0.25%, 0.25%

LAB 32.63, -4.45, 18.07

 

CMYK 0 / 1 / 17 / 73

HEX #46453A

RGB 70 69 58

HSL 55, 0.09%, 0.25%

LAB 29.07, -1.83, 6.81

 

CMYK 0 / 52 / 85 / 56

HEX #6F3511

RGB 111 53 17

HSL 22.98, 0.73%, 0.25%

LAB 29.33, 23.11, 32.87

 

CMYK 0 / 30 / 85 / 56

HEX #6F4E11

RGB 111 78 17

HSL 38.94, 0.73%, 0.25%

LAB 35.73, 8.09, 38.74

 

CMYK 0 / 7 / 85 / 56

HEX #6F6711

RGB 111 103 17

HSL 54.89, 0.73%, 0.25%

LAB 42.94, -6.72, 45.12

 

CMYK 15 / 0 / 85 / 56

HEX #5E6F11

RGB 94 111 17

HSL 70.85, 0.73%, 0.25%

LAB 43.93, -19.15, 45.41

 

CMYK 39 / 0 / 85 / 56

HEX #446F11

RGB 68 111 17

HSL 87.45, 0.73%, 0.25%

LAB 42.21, -30.26, 43.23

 

CMYK 0 / 5 / 85 / 85

HEX #272506

RGB 39 37 6

HSL 56.36, 0.73%, 0.09%

LAB 14.22, -3.97, 18.32

 

CMYK 0 / 7 / 85 / 71

HEX #4B460B

RGB 75 70 11

HSL 55.31, 0.74%, 0.17%

LAB 29.16, -5.42, 33.55

 

CMYK 0 / 6 / 85 / 56

HEX #6F6811

RGB 111 104 17

HSL 55.53, 0.73%, 0.25%

LAB 43.24, -7.29, 45.38

 

CMYK 0 / 6 / 85 / 42

HEX #938A16

RGB 147 138 22

HSL 55.68, 0.74%, 0.33%

LAB 56.52, -9.06, 56.64

 

CMYK 0 / 7 / 85 / 28

HEX #B7AB1B

RGB 183 171 27

HSL 55.38, 0.74%, 0.41%

LAB 68.95, -10.22, 67.07

 

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

CMYK 85 / 0 / 75 / 56

HEX #116F1C

RGB 17 111 28

HSL 127.02, 0.73%, 0.25%

LAB 40.53, -43.19, 36.99

 

CMYK 41 / 85 / 0 / 56

HEX #41116F

RGB 65 17 111

HSL 270.64, 0.73%, 0.25%

LAB 18.68, 40.93, -44.13

 

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

CMYK 85 / 0 / 7 / 56

HEX #116F67

RGB 17 111 103

HSL 174.89, 0.73%, 0.25%

LAB 41.95, -27.39, -2.91

 

CMYK 7 / 85 / 0 / 56

HEX #67116F

RGB 103 17 111

HSL 294.89, 0.73%, 0.25%

LAB 25.05, 48.07, -33.51

 

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

CMYK 85 / 0 / 75 / 56

HEX #116F1C

RGB 17 111 28

HSL 127.02, 0.73%, 0.25%

LAB 40.53, -43.19, 36.99

 

CMYK 85 / 78 / 0 / 56

HEX #11186F

RGB 17 24 111

HSL 235.53, 0.73%, 0.25%

LAB 15.06, 31.29, -50.26

 

CMYK 0 / 85 / 10 / 56

HEX #6F1164

RGB 111 17 100

HSL 307.02, 0.73%, 0.25%

LAB 25.86, 47.92, -24.99

 

CMYK 0 / 6 / 85 / 56

HEX #706911

RGB 112 105 17

HSL 55.58, 0.74%, 0.25%

LAB 43.64, -7.38, 45.76

 

CMYK 85 / 0 / 50 / 56

HEX #116F38

RGB 17 111 56

HSL 144.89, 0.73%, 0.25%

LAB 40.85, -39.24, 23.36

 

CMYK 85 / 78 / 0 / 56

HEX #11186F

RGB 17 24 111

HSL 235.53, 0.73%, 0.25%

LAB 15.06, 31.29, -50.26

 

CMYK 0 / 85 / 35 / 56

HEX #6F1148

RGB 111 17 72

HSL 324.89, 0.73%, 0.25%

LAB 24.48, 43.98, -8.51

 

Description

Color code: HEX #706911 | qconv.com Color code: HEX #706911 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 105 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 105 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 85 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 85% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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