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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705DF0CE it is the complementary color #8FA20FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705DF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705DF0CE shade: #755DEBCE, #866FFECE, #9781FFCE, #A893FFCE and #B9A5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705DF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705DF0CE shade: #705DF0CE, #5F4BDDCE, #4E39CACE, #3D27B7CE and #2C15A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705DF0CE shade: #6F5CF0, #975CF0, #BF5CF0, #E75CF0 and #F05CD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705DF0CE shade: #6F5CF0 and #5C5CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705DF0CE shade matches the following richer shades: #6F5CF0 and #644DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705DF0CE shade: #6F5CF0, #7A6AE1, #8479D3, #8F87C5 and #9A95B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705DF0CE shade: #5C99F0, #5C72F0, #6D5CF0, #945CF0 and #BC5CF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705DF0CE shade: #3015E4, #4E36EC, #6F5CF0, #9081F3 and #B1A7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705DF0CE shade: #705DF0, #F05CC1 and #86F05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705DF0CE shade: #705DF0, #F06D5C and #5CF06D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705DF0CE shade: #705DF0, #F05CC1, #DFF05C and #5CF08B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705DF0CE shade: #705DF0, #F05C94, #DFF05C and #5CF0B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 50 / 0 / 5

HEX #705DF0CE

RGBA 112 93 240 0.81

HSLA 247.76, 0.83%, 0.65%, 0.81

LABA 48.96, 45.9, -71.74, 0.81

 

Complementary color

CMYK 10 / 0 / 74 / 30

HEX #8FA20FCE

RGBA 143 162 15 0.81

HSLA 67.76, 0.83%, 0.35%, 0.81

LABA 63.11, -23.49, 63.41, 0.81

 

CMYK 41 / 49 / 0 / 6

HEX #755DEBCE

RGBA 117 93 235 0.81

HSLA 250.14, 0.78%, 0.64%, 0.81

LABA 49.02, 45.34, -68.83, 0.81

 

CMYK 38 / 46 / 0 / 0

HEX #866FFECE

RGBA 134 111 254 0.81

HSLA 249.65, 0.99%, 0.72%, 0.81

LABA 55.68, 43.9, -68.57, 0.81

 

CMYK 33 / 40 / 0 / 0

HEX #9781FFCE

RGBA 151 129 255 0.81

HSLA 250.48, 1%, 0.75%, 0.81

LABA 61.22, 37.63, -60.14, 0.81

 

CMYK 28 / 34 / 0 / 0

HEX #A893FFCE

RGBA 168 147 255 0.81

HSLA 251.67, 1%, 0.79%, 0.81

LABA 66.83, 31.59, -51.12, 0.81

 

CMYK 22 / 29 / 0 / 0

HEX #B9A5FFCE

RGBA 185 165 255 0.81

HSLA 253.33, 1%, 0.82%, 0.81

LABA 72.52, 26.09, -42.08, 0.81

 

CMYK 43 / 50 / 0 / 5

HEX #705DF0CE

RGBA 112 93 240 0.81

HSLA 247.76, 0.83%, 0.65%, 0.81

LABA 48.96, 45.9, -71.74, 0.81

 

CMYK 46 / 54 / 0 / 11

HEX #5F4BDDCE

RGBA 95 75 221 0.81

HSLA 248.22, 0.68%, 0.58%, 0.81

LABA 42.29, 47.58, -71.95, 0.81

 

CMYK 50 / 58 / 0 / 17

HEX #4E39CACE

RGBA 78 57 202 0.81

HSLA 248.69, 0.58%, 0.51%, 0.81

LABA 35.62, 49.3, -71.98, 0.81

 

CMYK 54 / 64 / 0 / 23

HEX #3D27B7CE

RGBA 61 39 183 0.81

HSLA 249.17, 0.65%, 0.44%, 0.81

LABA 29.06, 50.88, -71.66, 0.81

 

CMYK 59 / 71 / 0 / 29

HEX #2C15A4CE

RGBA 44 21 164 0.81

HSLA 249.65, 0.77%, 0.36%, 0.81

LABA 22.83, 51.8, -70.6, 0.81

 

CMYK 54 / 62 / 0 / 6

HEX #6F5CF0

RGB 111 92 240

HSL 247.7, 0.83%, 0.65%

LAB 48.67, 46.3, -72.23

 

CMYK 37 / 62 / 0 / 6

HEX #975CF0

RGB 151 92 240

HSL 263.92, 0.83%, 0.65%

LAB 52.43, 54.05, -65.96

 

CMYK 20 / 62 / 0 / 6

HEX #BF5CF0

RGB 191 92 240

HSL 280.14, 0.83%, 0.65%

LAB 57.1, 62.85, -58.2

 

CMYK 4 / 62 / 0 / 6

HEX #E75CF0

RGB 231 92 240

HSL 296.35, 0.83%, 0.65%

LAB 62.45, 72.12, -49.35

 

CMYK 0 / 62 / 13 / 6

HEX #F05CD1

RGB 240 92 209

HSL 312.57, 0.83%, 0.65%

LAB 62.32, 69.42, -32.11

 

CMYK 54 / 62 / 0 / 6

HEX #6F5CF0

RGB 111 92 240

HSL 247.7, 0.83%, 0.65%

LAB 48.67, 46.3, -72.23

 

CMYK 62 / 62 / 0 / 6

HEX #5C5CF0

RGB 92 92 240

HSL 240, 0.83%, 0.65%

LAB 47.26, 43.21, -74.58

 

CMYK 54 / 62 / 0 / 6

HEX #6F5CF0

RGB 111 92 240

HSL 247.7, 0.83%, 0.65%

LAB 48.67, 46.3, -72.23

 

CMYK 61 / 70 / 0 / 0

HEX #644DFE

RGB 100 77 254

HSL 247.8, 0.99%, 0.65%

LAB 45.87, 57.05, -84.66

 

CMYK 54 / 62 / 0 / 6

HEX #6F5CF0

RGB 111 92 240

HSL 247.7, 0.83%, 0.65%

LAB 48.67, 46.3, -72.23

 

CMYK 46 / 53 / 0 / 12

HEX #7A6AE1

RGB 122 106 225

HSL 248.07, 0.66%, 0.65%

LAB 51.7, 35.93, -58.84

 

CMYK 37 / 43 / 0 / 17

HEX #8479D3

RGB 132 121 211

HSL 247.33, 0.51%, 0.65%

LAB 55.36, 25.53, -45.05

 

CMYK 27 / 31 / 0 / 23

HEX #8F87C5

RGB 143 135 197

HSL 247.74, 0.35%, 0.65%

LAB 59.16, 16.74, -31.12

 

CMYK 15 / 18 / 0 / 29

HEX #9A95B6

RGB 154 149 182

HSL 249.09, 0.18%, 0.65%

LAB 63.13, 8.63, -16.49

 

CMYK 62 / 36 / 0 / 6

HEX #5C99F0

RGB 92 153 240

HSL 215.27, 0.83%, 0.65%

LAB 62.8, 6.47, -49.6

 

CMYK 62 / 53 / 0 / 6

HEX #5C72F0

RGB 92 114 240

HSL 231.08, 0.83%, 0.65%

LAB 52.51, 29.93, -66.06

 

CMYK 55 / 62 / 0 / 6

HEX #6D5CF0

RGB 109 92 240

HSL 246.89, 0.83%, 0.65%

LAB 48.51, 45.95, -72.5

 

CMYK 38 / 62 / 0 / 6

HEX #945CF0

RGB 148 92 240

HSL 262.7, 0.83%, 0.65%

LAB 52.11, 53.42, -66.49

 

CMYK 22 / 62 / 0 / 6

HEX #BC5CF0

RGB 188 92 240

HSL 278.92, 0.83%, 0.65%

LAB 56.72, 62.16, -58.83

 

CMYK 79 / 91 / 0 / 11

HEX #3015E4

RGB 48 21 228

HSL 247.83, 0.83%, 0.49%

LAB 31.27, 69.37, -94.26

 

CMYK 67 / 77 / 0 / 7

HEX #4E36EC

RGB 78 54 236

HSL 247.91, 0.83%, 0.57%

LAB 38.4, 60.92, -86.91

 

CMYK 54 / 62 / 0 / 6

HEX #6F5CF0

RGB 111 92 240

HSL 247.7, 0.83%, 0.65%

LAB 48.67, 46.3, -72.23

 

CMYK 41 / 47 / 0 / 5

HEX #9081F3

RGB 144 129 243

HSL 247.89, 0.83%, 0.73%

LAB 59.98, 32.68, -55.54

 

CMYK 28 / 32 / 0 / 3

HEX #B1A7F7

RGB 177 167 247

HSL 247.5, 0.83%, 0.81%

LAB 72.03, 20.78, -38.57

 

CMYK 53 / 61 / 0 / 6

HEX #705DF0

RGB 112 93 240

HSL 247.76, 0.83%, 0.65%

LAB 48.96, 45.9, -71.74

 

CMYK 0 / 62 / 20 / 6

HEX #F05CC1

RGB 240 92 193

HSL 319.05, 0.83%, 0.65%

LAB 61.68, 67.15, -24.03

 

CMYK 44 / 0 / 62 / 6

HEX #86F05C

RGB 134 240 92

HSL 102.97, 0.83%, 0.65%

LAB 86.09, -56.42, 60.42

 

CMYK 53 / 61 / 0 / 6

HEX #705DF0

RGB 112 93 240

HSL 247.76, 0.83%, 0.65%

LAB 48.96, 45.9, -71.74

 

CMYK 0 / 55 / 62 / 6

HEX #F06D5C

RGB 240 109 92

HSL 6.89, 0.83%, 0.65%

LAB 61.86, 49.24, 34.07

 

CMYK 62 / 0 / 55 / 6

HEX #5CF06D

RGB 92 240 109

HSL 126.89, 0.83%, 0.65%

LAB 84.84, -65.25, 51.19

 

CMYK 53 / 61 / 0 / 6

HEX #705DF0

RGB 112 93 240

HSL 247.76, 0.83%, 0.65%

LAB 48.96, 45.9, -71.74

 

CMYK 0 / 62 / 20 / 6

HEX #F05CC1

RGB 240 92 193

HSL 319.05, 0.83%, 0.65%

LAB 61.68, 67.15, -24.03

 

CMYK 7 / 0 / 62 / 6

HEX #DFF05C

RGB 223 240 92

HSL 66.89, 0.83%, 0.65%

LAB 91.14, -24.63, 67.39

 

CMYK 62 / 0 / 42 / 6

HEX #5CF08B

RGB 92 240 139

HSL 139.05, 0.83%, 0.65%

LAB 85.23, -60.91, 37.36

 

CMYK 53 / 61 / 0 / 6

HEX #705DF0

RGB 112 93 240

HSL 247.76, 0.83%, 0.65%

LAB 48.96, 45.9, -71.74

 

CMYK 0 / 62 / 38 / 6

HEX #F05C94

RGB 240 92 148

HSL 337.3, 0.83%, 0.65%

LAB 60.17, 61.67, -0.39

 

CMYK 7 / 0 / 62 / 6

HEX #DFF05C

RGB 223 240 92

HSL 66.89, 0.83%, 0.65%

LAB 91.14, -24.63, 67.39

 

CMYK 62 / 0 / 24 / 6

HEX #5CF0B7

RGB 92 240 183

HSL 156.89, 0.83%, 0.65%

LAB 86.01, -52.57, 16.03

 

Description

Color code: HEX #705DF0CE | qconv.com Color code: HEX #705DF0CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 93 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 93 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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