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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705DC3CE it is the complementary color #8FA23CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705DC3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705DC3CE shade: #755DBECE, #866FD1CE, #9781E4CE, #A893F7CE and #B9A5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705DC3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705DC3CE shade: #705DC3CE, #5F4BB0CE, #4E399DCE, #3D278ACE and #2C1577CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705DC3CE shade: #6E5BC2, #8A5BC2, #A65BC2, #C25BC2 and #C25BA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705DC3CE shade: #6E5BC2 and #5B5BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705DC3CE shade matches the following richer shades: #6E5BC2, #6349D5, #5837E7 and #4C25F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705DC3CE shade: #6E5BC2, #7A6DB0, #857F9E, #91928C and #9CA47A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705DC3CE shade: #5B7FC2, #5B64C2, #6E5BC2, #8A5BC2 and #A55BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705DC3CE shade: #483794, #5742B2, #6E5BC2, #8979CE and #A497D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705DC3CE shade: #705DC3, #C25B9B and #72C25B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705DC3CE shade: #705DC3, #C26E5B and #5BC26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705DC3CE shade: #705DC3, #C25B9B, #AFC25B and #5BC283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705DC3CE shade: #705DC3, #C25B7C, #AFC25B and #5BC2A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 42 / 0 / 19

HEX #705DC3CE

RGBA 112 93 195 0.81

HSLA 251.18, 0.46%, 0.56%, 0.81

LABA 45.93, 32.67, -51.04, 0.81

 

Complementary color

CMYK 10 / 0 / 51 / 30

HEX #8FA23CCE

RGBA 143 162 60 0.81

HSLA 71.18, 0.46%, 0.44%, 0.81

LABA 63.35, -21.39, 49.26, 0.81

 

CMYK 31 / 41 / 0 / 21

HEX #755DBECE

RGBA 117 93 190 0.81

HSLA 254.85, 0.43%, 0.55%, 0.81

LABA 46.08, 32.48, -47.87, 0.81

 

CMYK 29 / 38 / 0 / 15

HEX #866FD1CE

RGBA 134 111 209 0.81

HSLA 254.08, 0.52%, 0.63%, 0.81

LABA 52.99, 31.4, -47.67, 0.81

 

CMYK 27 / 35 / 0 / 9

HEX #9781E4CE

RGBA 151 129 228 0.81

HSLA 253.33, 0.65%, 0.7%, 0.81

LABA 59.78, 30.42, -47.49, 0.81

 

CMYK 26 / 33 / 0 / 3

HEX #A893F7CE

RGBA 168 147 247 0.81

HSLA 252.6, 0.86%, 0.77%, 0.81

LABA 66.45, 29.55, -47.36, 0.81

 

CMYK 22 / 29 / 0 / 0

HEX #B9A5FFCE

RGBA 185 165 255 0.81

HSLA 253.33, 1%, 0.82%, 0.81

LABA 72.52, 26.09, -42.08, 0.81

 

CMYK 34 / 42 / 0 / 19

HEX #705DC3CE

RGBA 112 93 195 0.81

HSLA 251.18, 0.46%, 0.56%, 0.81

LABA 45.93, 32.67, -51.04, 0.81

 

CMYK 37 / 46 / 0 / 25

HEX #5F4BB0CE

RGBA 95 75 176 0.81

HSLA 251.88, 0.4%, 0.49%, 0.81

LABA 38.9, 34, -51.31, 0.81

 

CMYK 41 / 52 / 0 / 31

HEX #4E399DCE

RGBA 78 57 157 0.81

HSLA 252.6, 0.47%, 0.42%, 0.81

LABA 31.76, 35.49, -51.56, 0.81

 

CMYK 45 / 58 / 0 / 37

HEX #3D278ACE

RGBA 61 39 138 0.81

HSLA 253.33, 0.56%, 0.35%, 0.81

LABA 24.57, 37.05, -51.68, 0.81

 

CMYK 51 / 67 / 0 / 43

HEX #2C1577CE

RGBA 44 21 119 0.81

HSLA 254.08, 0.7%, 0.27%, 0.81

LABA 17.48, 38.4, -51.38, 0.81

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 29 / 53 / 0 / 24

HEX #8A5BC2

RGB 138 91 194

HSL 267.38, 0.46%, 0.56%

LAB 47.98, 40.07, -47.03

 

CMYK 14 / 53 / 0 / 24

HEX #A65BC2

RGB 166 91 194

HSL 283.69, 0.46%, 0.56%

LAB 51.25, 47.53, -41.64

 

CMYK 0 / 53 / 0 / 24

HEX #C25BC2

RGB 194 91 194

HSL 300, 0.46%, 0.56%

LAB 54.91, 55.18, -35.62

 

CMYK 0 / 53 / 14 / 24

HEX #C25BA7

RGB 194 91 167

HSL 315.73, 0.46%, 0.56%

LAB 53.75, 50.64, -21.8

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 53 / 53 / 0 / 24

HEX #5B5BC2

RGB 91 91 194

HSL 240, 0.46%, 0.56%

LAB 43.66, 28.89, -54.2

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 54 / 66 / 0 / 16

HEX #6349D5

RGB 99 73 213

HSL 251.14, 0.63%, 0.56%

LAB 41.57, 46.96, -68.53

 

CMYK 62 / 76 / 0 / 9

HEX #5837E7

RGB 88 55 231

HSL 251.25, 0.79%, 0.56%

LAB 38.86, 60.02, -83.29

 

CMYK 69 / 85 / 0 / 2

HEX #4C25F9

RGB 76 37 249

HSL 251.04, 0.95%, 0.56%

LAB 37.3, 71.29, -96.08

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 31 / 38 / 0 / 31

HEX #7A6DB0

RGB 122 109 176

HSL 251.64, 0.3%, 0.56%

LAB 49.75, 20.45, -33.9

 

CMYK 16 / 20 / 0 / 38

HEX #857F9E

RGB 133 127 158

HSL 251.61, 0.14%, 0.56%

LAB 54.69, 8.81, -15.74

 

CMYK 1 / 0 / 4 / 43

HEX #91928C

RGB 145 146 140

HSL 70, 0.03%, 0.56%

LAB 60.31, -1.51, 3.04

 

CMYK 5 / 0 / 26 / 36

HEX #9CA47A

RGB 156 164 122

HSL 71.43, 0.19%, 0.56%

LAB 65.77, -10.14, 20.9

 

CMYK 53 / 35 / 0 / 24

HEX #5B7FC2

RGB 91 127 194

HSL 219.03, 0.46%, 0.56%

LAB 53.27, 6.72, -38.88

 

CMYK 53 / 48 / 0 / 24

HEX #5B64C2

RGB 91 100 194

HSL 234.76, 0.46%, 0.56%

LAB 45.95, 23.3, -50.51

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 29 / 53 / 0 / 24

HEX #8A5BC2

RGB 138 91 194

HSL 267.38, 0.46%, 0.56%

LAB 47.98, 40.07, -47.03

 

CMYK 15 / 53 / 0 / 24

HEX #A55BC2

RGB 165 91 194

HSL 283.11, 0.46%, 0.56%

LAB 51.12, 47.26, -41.84

 

CMYK 51 / 63 / 0 / 42

HEX #483794

RGB 72 55 148

HSL 250.97, 0.46%, 0.4%

LAB 30.03, 32.69, -48.91

 

CMYK 51 / 63 / 0 / 30

HEX #5742B2

RGB 87 66 178

HSL 251.25, 0.46%, 0.48%

LAB 36.25, 38.32, -56.82

 

CMYK 43 / 53 / 0 / 24

HEX #6E5BC2

RGB 110 91 194

HSL 251.07, 0.46%, 0.56%

LAB 45.21, 33.11, -51.62

 

CMYK 33 / 41 / 0 / 19

HEX #8979CE

RGB 137 121 206

HSL 251.29, 0.46%, 0.64%

LAB 55.53, 25.53, -41.93

 

CMYK 24 / 30 / 0 / 15

HEX #A497D9

RGB 164 151 217

HSL 251.82, 0.46%, 0.72%

LAB 65.78, 18.75, -31.91

 

CMYK 43 / 52 / 0 / 24

HEX #705DC3

RGB 112 93 195

HSL 251.18, 0.46%, 0.56%

LAB 45.93, 32.67, -51.04

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9B

RGB 194 91 155

HSL 322.72, 0.46%, 0.56%

LAB 53.3, 48.8, -15.47

 

CMYK 41 / 0 / 53 / 24

HEX #72C25B

RGB 114 194 91

HSL 106.6, 0.46%, 0.56%

LAB 71.5, -43.98, 43.8

 

CMYK 43 / 52 / 0 / 24

HEX #705DC3

RGB 112 93 195

HSL 251.18, 0.46%, 0.56%

LAB 45.93, 32.67, -51.04

 

CMYK 0 / 43 / 53 / 24

HEX #C26E5B

RGB 194 110 91

HSL 11.07, 0.46%, 0.56%

LAB 55.46, 31.33, 25.12

 

CMYK 53 / 0 / 43 / 24

HEX #5BC26E

RGB 91 194 110

HSL 131.07, 0.46%, 0.56%

LAB 70.83, -47.93, 33.32

 

CMYK 43 / 52 / 0 / 24

HEX #705DC3

RGB 112 93 195

HSL 251.18, 0.46%, 0.56%

LAB 45.93, 32.67, -51.04

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9B

RGB 194 91 155

HSL 322.72, 0.46%, 0.56%

LAB 53.3, 48.8, -15.47

 

CMYK 10 / 0 / 53 / 24

HEX #AFC25B

RGB 175 194 91

HSL 71.07, 0.46%, 0.56%

LAB 75.11, -21.62, 48.97

 

CMYK 53 / 0 / 32 / 24

HEX #5BC283

RGB 91 194 131

HSL 143.3, 0.46%, 0.56%

LAB 71.18, -44.25, 22.81

 

CMYK 43 / 52 / 0 / 24

HEX #705DC3

RGB 112 93 195

HSL 251.18, 0.46%, 0.56%

LAB 45.93, 32.67, -51.04

 

CMYK 0 / 53 / 36 / 24

HEX #C25B7C

RGB 194 91 124

HSL 340.78, 0.46%, 0.56%

LAB 52.29, 44.65, 1.38

 

CMYK 10 / 0 / 53 / 24

HEX #AFC25B

RGB 175 194 91

HSL 71.07, 0.46%, 0.56%

LAB 75.11, -21.62, 48.97

 

CMYK 53 / 0 / 16 / 24

HEX #5BC2A2

RGB 91 194 162

HSL 161.36, 0.46%, 0.56%

LAB 71.84, -37.69, 7.05

 

Description

Color code: HEX #705DC3CE | qconv.com Color code: HEX #705DC3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 93 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 93 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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